Abbey Road – Crossing to be Heritage Listed

The zebra crossing made famous by the Beatles has just been designated a site of national significance by the British government. Fans from around the globe flock to the crossing every day to have their photo taken walking over Abbey Road, just down from the EMI studios of the same name. The Abbey Road studios became almost a home-away-from-home for the Beatles and was where they recorded just about all their greatest songs.

The story of the heritage listing (which means it will be preserved forever from change) has been picked up by media around the world.

Here’s how the BBC World Service covered it this morning:

Paul McCartney says he’s pleased with the news, and that for him it caps off what has been a run of recent success: “It’s been a great year for me and a great year for the Beatles and hearing that the Abbey Road crossing is to be preserved is the icing on the cake.”

The photo-shoot for the album which put the pedestrian crossing on the map took just ten minutes to complete. On a sunny day on August 8th, 1969 photographer Iain Macmillan took what would become one of the best-known, copied, and parodied album covers of all time.

Getting ready to cross

People today can’t get the exact same look as the Beatles got for their cover for two reasons. First is that the crossing is not in exactly the same place it was back in 1969, and second is that Iain Macmillan was about ten feet up on a ladder. He took just six photos and it was the fifth one that was used for “Abbey Road”.

Starting the famous walk. Paul is in bare feet and getting nicely out of step....

There is a webcam (run by Abbey Road Studios) that looks over the crossing now 24 hours a day –  so even if you can’t get to London you can experience it virtually any time you like. The latest release to bear the photo that put a zebra crossing on the map is the remastered CD of “Abbey Road” – which came out last year in the new look with the white strip down the left-hand side. The legend lives on:

Fresh From Apple – The Apple Box Set Unboxed

The newly re-issued Apple Records compact discs are available separately, or if you really want to lash out, as a complete box set containing 17 discs. The box is called “Fresh From Apple Records“.

“Fresh From Apple” box (front)

Its a very flimsy box, printed to look like a wooden crate containing apples, and made of thin cardboard – so you need to take a lot of care when opening it and putting discs in and out. The rear of the box lists the content:

“Fresh From Apple” box (rear)

The box “lid” opens at the top only and there are two flaps either side:

“Fresh From Apple” top opening

As you can see, the cardboard is pretty thin and will tear easily…..Looking down on the box when it’s open here’s what’s inside:

“Fresh From Apple” – the CD’s

All the CD’s come in gatefold cardboard sleeves, and in the box set you get an “extras” double disc as a bonus, plus the “Come and Get – It Best Of Apple Records” disc:

This disc, which comes with a really nice booklet (as do all the CDs), contains some tracks replicated on albums in the box, but also a lot of previously difficult to find Apple singles that were never released on albums. These include songs like “Saturday Night Special” by The Sundown Playboys, “Give Peace a Chance” by the Hot Chocolate Band, “King of Fuh” by Brute Force and the instrumental “Thingumybob” by the Black Dyke Mills Band. Inside the gatefold of “Come and Get It” they have reproduced some original Apple Records press ads:

Just about every CD in the box has bonus material, but there also an extra two CD set (available only in the box) which contains all the bonus material that was initially only going to be available by digital download. There is one whole CD of bonus Badfinger material. The other CD of bonus tracks is shared by Mary Hopkin and Jackie Lomax. These two CDs come in a gatefold cover:

The front cover of the 2 CD “Extras” discs

This cover on the outside is plain white, with some intentional “yellowing” around the edges to make it look old. That Apple logo on the bottom right-hand corner isn’t printed on. Its a sticker:

Inside the gatefold they have reproduced the Apple Studios original tape boxes and used this look to give the track listings for both CDs:

Kinda nice.

There are two reissues in the box which contain two original Apple LPs. These are the Modern Jazz Quartet with “Under the Jasmine Tree” and “Space” both on one CD:

The other is classical musician and composer John Tavener, who had two LPs original released on Apple Records – “The Whale” and “Celtic Requiem”:

One of the late additions to the 2010 reissue plans was the disc by the Radha Krsna Temple. It was added after the initial announcement of the extensive Apple reissues back in August this year. It contains a single bonus track this time around – and (if you haven’t seen it before) it has a fantastic front cover:

There are two CDs from Billy Preston (“That’s The Way God Planned It” and “Encouraging Words”), two from Mary Hopkin (“Post Card” and “Earth Song-Ocean Song”), and no less than four CDs from Badfinger (“Magic Christian Music”, “No Dice”, “Straight Up” and “Ass”):

Other CDs come from Jackie Lomax (“Is This What You Want?”), James Taylor (“James Taylor”), and Doris Troy (“Doris Troy”).

It’s not the first time these titles have appeared as re-issues. There was a previous reissue program which started in 1991 and continued over a couple years.

All in all it’s a pretty nice set. It is good to have all these discs freshly re-mastered and gathered together in one place. I think though, for the money, they might have provided a more interesting (and sturdy) box to contain them…

Rolling Stone – 100 Greatest Beatle Songs – Australian Edition

Back in September I posted on the Rolling Stone magazine special edition release called “The Beatles – 100 Greatest Songs“.

Finally, its been released in its Australian and New Zealand version. This 122 page “book” has a different cover!

Clearly its a photo by Bruce McBroom from the same photo-session in London on April 9th, 1969 – but it is different to the one used for the front cover of the US version of this special edition Rolling Stone magazine:

Give Me A Chance – New Book

When Canadian Gail Renard was sixteen she had a life-changing experience. She lived in Montreal and in 1969 John Lennon and Yoko Ono came to town to stage their “Bed-In” protest for peace.

Give Me A Chance” is a new book out now and in it Gail Renard tells her story of meeting John and Yoko and spending eight amazing days with them as their guest and helper in room 1742 of the Queen Elizabeth Hotel, Montreal.

She babysits Yoko’s five-year-old daughter Kyoko, and she sits in on John and Yoko holding court as the press and the rich and famous make a beeline to their  bedside to interview them, to argue, to pay homage, and to hear about spreading the word of peace throughout the world. I really liked the book. While not full of revealing facts, its easy to read and has a genuine sense of fun and adventure. Gail writes in an endearing naive style and we get to experience the “Bed-In” for peace up close but very much through the eyes of a sixteen year-old girl. How did she get to spend eight days with the Lennon’s? We learn that when she called her mother to get permission there was a very awkward moment:

“Put John on the phone,” she demanded. I recognized her inquisitor’s voice and was mortified. “Oh Mum, you can’t!” I knew she could and she would, and that I didn’t have a choice….so I reluctantly handed the phone over to John. I tried not to cringe as Mum carefully spelt out her conditions to him. There was to be no funny business – no sex or drugs around her innocent daughter. As if that wasn’t enough, Mum also said that I could help at the Bed-In during the day but I’d have to be back at home by my bedtime every night. To my amazement, John agreed…

With permission from her mother out of the way Gail gets to sit in and sing as part of the rowdy chorus in the now historic recording of “Give Peace A Chance”. Every label for the song has the words “Recorded in Room 1742 Hotel La Reine Elizabeth, Montreal…”:

Afterwards, John gave her his hand-written lyrics for the song . These were written out with a black magic-marker pen on a big white cardboard square. These became the cue sheet for the crowd in the bedroom during the recording of the song in Suite 1742.

In 2008, Gail sold the “Give Peace A Chance” lyrics at a Christies auction for £350,000.  She says “Thank you, John. And thanks for not throwing them out, Mother!” She’s since been back to the room where it all happened over eight days in 1969 and writes about that visit here.

In many ways the book “Give Me A Chance” is very like an earlier book about a similar transformational experience with the Lennon’s – this time for a fourteen year-old boy named Jerry Levitan – who snuck into their Toronto hotel room and attended the Toronto version of the “Bed-In” for peace. He wrote a book about his experiences called “I Met the Walrus“.

Thank you to Beatles collector Bruce Hamlin for sending me a copy of this book. It’s richly illustrated with photographs and memorabilia and is a great little read!

Beatles Finally on iTunes

Well, the cryptic iTunes advertisement yesterday certainly had people speculating again:

Forget the fact that the term “…just another day” isn’t actually a Beatles song (it’s a Paul McCartney solo song), it was more those clocks being side-by-side that triggered off the guesswork that it was Beatles-related.  Something about the position of the hands:

Thanks to the TechCrunch website for starting that one off. It was quickly followed up by the MacRumours site, too. Once that happened it was on for young and old.  The New York Times then got in on the act, stating they had spoken to an anonymous insider who’d told them everything:

Apple is expected on Tuesday to announce that it has finally struck a deal with the Beatles, the best-selling music group of all time, and the band’s record company, EMI, to sell the band’s music on iTunes, according to a person with knowledge of the private deal who requested anonymity because the agreement was still confidential.  (Read the full article)

Then today, finally, came confirmation. The Beatles entire catalogue is now available for digital download. The New York Times has updated its stories – this one in particular has some interesting history and background. And they’re also running an article with information about what we’ll pay for the Beatles back-catalogue digitally. Certainly from what I can see in the Australian iTunes Store its a premium price, thats for sure. (The outrage at the Aussie pricing by Apple is growing. See here and here).

There is one thing for free though if you are quick. On iTunes there’s a free download of the 1964 concert live at that Washington Colliseum, the Beatles first ever on US soil. Its quite fascinating to watch. Its the entire performance – complete with associated pandemonium, between-song banter, screaming, bad sound and a rawness thats revealing.

Thanks to Henry for sending me the MacRumours link.  iTunes have an Artist page here.

A Warning About Garage Sales….

This is a sad story that I think all Beatles collectors can relate to….

When you go to a garage sale (or you might call them yard sales) the thrill of the chase for that elusive LP or CD can sometimes see you just not taking enough care.

It recently happened to me. Went out as I sometimes do on a Saturday morning to a local garage sale. These can be rich pickings (or not – but you never know). Did the quick scout around upon arrival – but there was no vinyl in sight. There were a couple of compact discs – but nothing remotely Beatles-related. So before leaving I posed the usual question to the owner of the house, just on the off-chance: “Do you have any records? LPs or 45s. You know, vinyl?”  It never hurts to ask.

“Oh – yes. Actually we do, but I hadn’t thought to put them out. Are people still interested in them?” And off she goes, into the house to hunt out said vinyl records….

About 5 minutes later (it seems like ten) out they come, boxes of them – frustratingly one box at a time. Most are pretty bashed up – but quite an eclectic selection and some interesting things – and by this stage another record collector has arrived and is also interested….

The first thing I see is a picture disc copy of Pink Floyd’s “Dark Side of the Moon”. Hmmm. Could probably get that. Might as well for A$1.00. (Its actually the same as this one – selling online for US$75.00).

There’s also, for some strange reason, lots of Jethro Tull. All original pressings and all in reasonably good condition. Probably collectors items for the right person – but not me. Then some Hendrix. Tempting, but the other collector seems really interested and so I let him have free reign.

Then finally a box with some Beatles. Both me and the other guy fall upon it and kind of unofficially, by mutual agreement, agree to split the contents amicably. No need for aggro on a Saturday morning over $1.00 records.

He finds “Abbey Road” and I think: “OK. You can have it. I’ve got lots of pressings of that.” It’s the Australian pressing on Apple by the looks of it. He is happy.

I find a copy of “Revolver”. Its also an Australian pressing, this time on the orange Parlophone/EMI label and I can’t remember if I have this or not and so decide to get it anyway. Its actually in pretty good shape and for a dollar, what the heck?. When I get home later turns out I don’t have this particular pressing. Good one!

Then there’s a copy of the Beatles “Oldies…but Goldies!”. It too is an Australian pressing and I know I have this and so let the other guy take it. More good karma points for me. Then there’s a copy of “The Beatles”, or the “White Album“. Its an older, original Australian pressing on Apple – the one with the top-loading cover, and its got the poster. No Beatle pictures included though, and the cover is a little battered, but still, its kind of rare and interesting because of it’s age. The old-style top-loader cover is mildly collectable. I flipped out Disc 1 for a quick look to see if it was scratched and useless. It was in pretty good shape and so I decide to get it.

Move forward in time now about three hours. I’m back home cleaning up the LP’s I got and I pull out Disc 2 of the “White Album” from it’s sleeve and guess what? Its not the “White Album” in there but “Abbey Road”!!

The seller, probably years ago, had mixed up the LPs when putting them away. So, the other collector guy who bought “Abbey Road” has probably got my Disc 2 of the “White Album”, and I have his “Abbey Road”. I don’t know who he is and have no way of contacting him. There is really nothing quite as frustrating to a collector than an incomplete set I can tell you…

So, a lesson for all garage or yard sale hunters: always check the contents of the CDs or LPs you’re interested in before you leave the premises….

Beatles Red and Blue – This is Odd…

I’m really surprised to read on Amazon (US) that the Beatles “1962-1966 (Red)” and “1967-1970 (Blue)” combination box set is still not due for release in America until December 7th, and on Amazon (UK) that it won’t be available there until November 29th. The individual discs have been available separately in both places since October 19th and October 18th respectively.

This is really odd because here in Australia the separate discs and the box set have been available from day one of the worldwide release of the individual discs on October 18th. It’s much more usual for Australia to be well behind US and UK releases, but this time EMI Australia has clearly got its act together and is ahead of the pack for once.

Add to that the fact that I ordered on Ebay – and today have received in the post – my copy of the European (EU) version of the box set which holds both the “Red” and the “Blue” double discs in the one box.   Go figure…..

Apple Records Re-Issues – New Videos

Now on the official Apple Records site – a new series of videos telling the Apple Records story.

There are also some rare promotional film clips on the site:

Apple Records Special – Record Collector Magazine

As part of the extensive coverage of the new re-issues from the Apple Records catalogue, the famous “Record Collector” magazine in Britain (in it’s September issue – only just on news stands in Australia!) has The Beatles on the front cover and has devoted 16 pages of feature articles and photographs about Apple Records:

The articles included are “A is For Apple” – a salute “…to the Beatles’ final flourish of creativity”; an A-Z of the label and its artists; “The 2010 Re-Masters”, where Apple consultant Andy Davis talks about the 15 newly-remastered CDs released worldwide just this week; there’s a comprehensive Apple Records discography (complete with a price-guide for the rarities and not-so rarities); interviews with Mary Hopkin, Peter Asher, Patrick Olive (formerly of The Hot Chocolate Band), Jackie Lomax, and Joey Molland from Badfinger.

Pretty nice coverage really.

Band on the Run – Limited Edition 45 Single

Just secured (via Ebay) a copy of the very limited, re-released 7″ vinyl single “Band on the Run”.

It’s a 45rpm single that is apparently only being distributed in the US to some of the Record Store Day shops. Its part of the build up to the forthcoming re-issue of the album “Band on the Run”, which will be available in a number of formats.

Haven’t got the single in the post yet – but here are some photos:

Band on the Run (2010) - front cover

Taken from the forthcoming Paul McCartney Archive Collection reissue, the paper sleeve front cover replicates the original U.S. and European single releases which came out in 1973 (1974 in the UK).

The rear though gives away the fact its a 2010 release with its bar code and references to Concord Music and Hear Music – Paul McCartney’s new record label since he left EMI.

Band on the Run (2010) - rear cover

Originally this would have been released on the Apple label, but this time around its a plain black and white label from Concord Music:

Back in 1974 in the UK the B-side was a song called “Zoo Gang”, but everywhere else it was another track from the “Band on the Run” LP – “Nineteen Hundred and Eighty Four”:

Much thanks to Wogblog – who once again was the first with the info that this special and limited Paul McCartney and Wings vinyl single was going to be released.

See also the full 2 LP vinyl re-issue, and the 4 disc Deluxe re-issue.