Beatles Books Abound

I came into the possession of two more Beatles books this week.

I wasn’t actually looking for them – they came looking for me. As I’ve posted earlier, we’ve recently visited Vietnam. It was my wife’s birthday this week and so I thought a Vietnamese cookbook might be popular. I went along to my local discount bookshop – but no Vietnamese cooking books were to be seen. However, in the Music section (a frequent haunt) I found these two Beatles “picture” books, both by the same publisher, both in the same format, and both only AUS$7.95 (US$7.28) each. Who could resist?

The first is “The Beatles – The Illustrated Biography”. It’s a small-format book – about 17.5 cm (7 inches) by 17.5 cm square. Here’s the front cover:

The Beatles - The Illustrated Biography - front cover

The sub-title reads: “A Unique Collection of 200 Classic, Rare and Unseen Photographs”, and that’s pretty much what this book is. It’s a photographic step through the career in photographs. Part One is called “Four Lads From Liverpool”. Part Two is called “The Long and Winding Road”. Text is provided by Tim Hill, Alison Gauntlett, Gareth Thomas and Jane Benn. It’s published by Transatlantic Press in Britain in 2009.

The Beatles - The Illustrated Biography - rear cover

These sorts of books abound – with many of them published in a variety of formats and all using the Daily Mail library of Beatles photographs. This book is no exception. The photographs are all credited to Getty Images, but I suspect they are all pretty much from the Daily Mail archive – just re-packaged. I must say though that this one is nicely presented in black-and-white and in colour, and worth having in the collection.

Here is a random open page from the book:

The Beatles - The Illustrated Biography - open page

What you can see is a series of two colour shots taken on location in May, 1965 during the filming of the movie “Help”. Clearly the group are in downtime, waiting no doubt for a scene to be lit or some technical problem to be sorted out at Cliveden House in Buckinghamshire. The text talks about the Beatles the previous evening having attended Royal Albert Hall in London to watch a performance by Bob Dylan, whose song-writing was proving to be a big influence on John Lennon at this time.

This little Beatles book is accompanied by what is clearly a companion publication by the same publisher (Transatlantic Press) –  a book called “John Lennon – The Illustrated Biography”:

John Lennon - The Illustrated Biography - front cover

This is in the same format (about 17.5 cm (7 inches) square) as the Beatles book above, and was also published in 2009.

It’s sub-title is “200 Classic, Rare and Unseen Photographs by the Daily Mail” – so clearly it is a re-packaging of many previous books along the same lines. Here’s the rear cover image:

John Lennon - The Illustrated Biography - rear cover

A happy moment (albeit public) between John and his then wife Cynthia Lennon.

The text for this book is by Gareth Thomas, and all photographs are copyrighted to the Associated Newspapers Archive (read: “Daily Mail”), and to Getty Images. Unlike the Beatles book, all the images in this one are black-and-white. Here’s a random open page from the book:

John Lennon - The Illustrated Biography - open page

The photographs here were taken in August 1966, and the text says: “Before leaving for Chicago, John and the boys were taken on a relaxed tour around London airport, including a visit to the new police facilities….However, by the time they had reached their destination [they’d learned about] the seriousness of the “more popular than Jesus” debacle they were facing. John’s anxiety levels were at an all-time high…as he prepared to apologize for his supposedly anti-Christian remarks at a televised press conference….”

Two nice little books to have in the collection

UPDATE:  Another Beatles related book (released in August 2010) is Howard Sounes’ “FAB: An Intimate Biography of Paul McCartney”.

“Come and Get It” – Best of Apple

Apple and EMI have just officially announced a special “Best Of” disc and digital downloads associated with their extensive reissue program planned for October this year.

The full press release details a 21-track compilation CD called “Come and Get It: The Best of Apple Records”. It will contain a selection of songs from the planned full-album re-mastered reissues I first wrote about here, PLUS a significant number of additional tracks – hard-to-get singles by a wide range of additional Apple artists.

Along with the announcement of “Come and Get It”, Apple has also announced that most of the full album reissues will come with bonus tracks.

As well, Apple has added another CD to the full album release schedule: 1971’s “Radha Krishna Temple”

The press release reads (in part):

“Come and Get It: the Best of Apple Records” – first commercial multi-artist compilation in Apple’s history set for release on October 25, 2010

“Radha Krishna Temple” added

CD bonus tracks and Digital download extras now announced

The dazzling range of music originally issued by Apple Records between 1968 and 1973, which is now the subject of an unprecedented multi-album worldwide campaign starting October 25th – including remastered CDs (with bonus material revealed for the first time) and Apple’s first digital downloads – will now be augmented by two additional titles: “Come and Get It: The Best Of Apple Records”, the first commercially issued multi-artist compilation in the label’s history; and “The Radha Krishna Temple”, the self-titled album of devotional music produced by George Harrison.

“Come and Get It” displays Apple’s vibrant years of musical experimentation in full flower, from bona fide hit singles to the cult classics of the catalogue, as represented by brass band The Black Dyke Mills Band, Cajun collective The Sundown Playboys, and more. Hot Chocolate makes an appearance, as does Ronnie Spector, Bill Elliot & The Elastic Oz Band, Chris Hodge, Brute Force, and others.

As Apple Corps Ltd. and EMI Music prepare for the upcoming 17 album CD and digital download release, it is a reminder that the introduction of an artist on The Beatles’ record label was avidly followed by fans across the universe – then and now. Each of the albums has been digitally remastered at EMI’s Abbey Road Studios in London by the same dedicated team of engineers behind The Beatles’ recent remastered catalogue releases of 2009.

Details of “Come And Get It” is as follows:

1 Those Were The Days / Mary Hopkin

2 Carolina In My Mind / James Taylor

3 Maybe Tomorrow / The Iveys

4 Thingumybob / The Black Dyke Mills Band (Paul McCartney’s theme tune for a 1968 British TV comedy drama series)

5 King Of Fuh / Brute Force (originally banned back in 1969, Brute Force is a New York songwriter championed by John Lennon and George Harrison)

6 Sour Milk Sea / Jackie Lomax

7 Goodbye / Mary Hopkin

8 That’s The Way God Planned It / Billy Preston

9 New Day / Jackie Lomax (an original non-album Lomax 45 that was co-produced with Mal Evans)

10 Golden Slumbers-Carry That Weight / Trash (a heavy Scottish group that came to Apple via their producer, former Shadows drummer Tony Meehan)

11 Give Peace A Chance / Hot Chocolate Band (a reggae version by the band that became hugely popular in the Seventies)

12 Come And Get It / Badfinger

13 Ain’t That Cute / Doris Troy

14 My Sweet Lord / Billy Preston

15 Try Some Buy Some / Ronnie Spector (one-time Ronette and former wife of legendary producer Phil Spector)

16 Govinda / Radha Krishna Temple (a UK Top 30 hit for the Radha Krishna Temple in 1970 produced by George Harrison)

17 We’re On Our Way / Chris Hodge (a young British pop singer who caught the attention of Ringo Starr)

18 Saturday Nite Special / The Sundown Playboys (a Cajun French collective from Louisiana, USA)

19 God Save Us / Bill Elliot & The Elastic Oz Band (John and Yoko wrote this fundraiser for the defence in the famous Oz Obscenity Trial of 1971)

20 Sweet Music / Lon & Derrek van Eaton

21 Day After Day / Badfinger

I must admit that the incredible Wog Blog had this information and posted on it way back on 16 July……I don’t know where he gets his information from, but he was right.

On the Apple Records site there are also full details of the many interesting bonus tracks that will added to the full-album releases, including the studio solo acoustic demo of James Taylor’s “Carolina In My Mind”; a mono studio demo of Badfinger’s “Without You”; Mary Hopkins’ “Those Were the Days” sung in French, German, Spanish and Italian; and The Modern Jazz Quartet interpreting the Beatles’ “Yesterday”, to name just a few.

In addition to the CD bonus tracks there are many other tracks that will only be available as digital downloads….

Some Unusual Asian Beatles Items – Part Three

Herewith Part Three in a series of posts on some unusual Beatles and Beatles-related items I was able to buy on a recent visit to Vietnam. I should say again here that all my collection of records, CD’s, books and DVDs have been, to date, the official record company releases. I don’t collect pirate or illegal Beatles material. However, I was presented with something of a dilemma in Vietnam by not knowing if these quite intricately produced items were illegal or the real thing. As they were all sealed in heat-shrink plastic and on the outside had official-looking logos, etc. it made it very difficult to tell. In the end because they were so cheap and I didn’t have ready access to the internet to do research on them I decided to buy and check out their credentials later. So far I have not found anything on the web about this next CD.

Its another one I got in Hanoi in the country’s north:

As you can see its called John Lennon “Definitive Lennon”.  It has a shiny, iridescent almost 3D cover that is very nicely done in green, white, silver and black. It really looks expensively produced. The photo above is of the printed slipcase around the over-sized plastic CD jewel case, which contains two CDs.

CD 1 is exactly the same track list as an official EMI Asia and Australia-only release called John Lennon “Peace, Love and Truth” from 2005. The release I have of that CD was printed in the Philippines (see below for info and images).

CD 2 has the same track listing as the CD re-issue of John Lennon’s “Rock’n’Roll” which came out in 2004. It has the same bonus tracks as that CD.

The Vietnam CD has the same SHM-CD logos that are on the Beatles Double Golden Collection series I posted about earlier. SHM-CD seems to be a legitimate process to improve CD technology and they have quite a few authorised releases – you can read more about it here.

Here’s the front cover image of the CD jewel case for “Definitive Lennon”:

The rear cover contains the track-listing:

When you open the jewel case there’s a booklet (with song lyrics) and two CD’s on a swinging “door”:

Here’s a close-up of the printing on CD 1:

As with the “Beatles Double Golden Collection”, the CD box is oversized. Here’s a comparison with the standard CD jewel case for “Lennon Legend”:

You can also see this by comparing the spines of the CD cases. The unofficial one is much wider:

The is what appears to be an official-looking Universal records logo on the outer slipcase, though to my knowledge John Lennon never had a record deal with Universal:

As mentioned above CD 1 from this set is copied from an official 2005 release called “Peace, Love and Truth” which came out in the Asian and Australian markets only. It contains a number of (then) newly remixed version of some classic Lennon songs including “Give Peace a Chance 2005  (featuring Voices of Asia)”, “Gimme Some Truth (Remix), “Love (Remix)”, “Hold On (Remix)”, “Give Peace a Chance 2004 Y2K+”, “Imagine (Remix)”, “Bring On the Lucie (Remix)”, “Mind Games (Remix)” and “I Don’t Want to Be a Soldier (Remix)”. There are also versions of “Real Love (Slow Version)”, “Help ME To Help Myself”, “I Don’t Want to Face It”, “Bless You”, “Happy Xmas (War is Over)”, “Listen the Snow is Falling” and the standard version of “Give Peace a Chance”.  The cover of the official “Peace, Love and Truth” looks like this:

The rear cover:

The “Definitive Lennon” SHM-CD was amongst some other purchases made in Vietnam. You can see posts on those in Part One and Part Two.  Again, there has been quite a lot of thought, expense and detail put into the production of the disc and its packaging, making it difficult to categorically rule it out as a fake.

I think this is the first detailed information about this release I have seen on the Internet.

UPDATE: I just realised where this CD cover comes from. It always reminded me of something I’d seen before – and its the artwork for the cover of the 2009 charity release “Make Some Noise – The Campaign to Save Darfur”:

Make Some Noise - various artists cover John Lennon songs for the Amnesty International CD release to raise funds for troubled Darfur

If the South East Asian CD “The Definitive John Lennon” is a fake then not only are they ripping off the Lennon estate, they’ve stolen artwork probably donated to the Amnesty International cause……

See also Some Unusual Asian Beatles Items – Part One, and also Some Unusual Asian Beatles Items – Part Two

Some Unusual Asian Beatles Items….Part One

OK. I’m going to preface this first post on some unusual CD and DVD items I acquired in a South East Asian country with a statement that I don’t collect Beatles bootlegs and I don’t support or promote piracy in the music business. All my collection to date has been made up of legitimate, officially released discs – that’s CDs, LPs, singles, books, DVDs, magazines and other printed items.

Recently I was able to spend some time on holiday in Vietnam. Like most Asian and developing countries there are many opportunities to buy fakes – everything from Louis Vuitton luggage and Gucci handbags to Ray Ban sunglasses and Tag Heuer watches. Of course there are lots of stores, markets and street vendors selling illegally copied DVD films as well. There are not so many places to buy music – but they’re there if you seek them out. In the central Vietnamese city of Hue I walked into a store selling mostly fake DVDs and a bit of music on the side and saw a copy of Paul McCartney’s latest 2 CD release “Good Evening New York City”. It was easy to tell it was a fake. It came (like all the cheaply copied DVDs do) in a flimsy clear plastic bag (i.e. no hard jewel case or Digipac cardboard). The artwork was all there ready to put it into a CD jewel case, but it looked like a cheap photocopy. The discs had rudimentary labels printed on them but clearly looked fake. No catalogue numbers, copyright info, not even the title of the disc. One disc had the words “Paul 1” printed roughly on it, the other “Paul 2” and that was it. It was selling (in the local currency) for 20,000 Vietnamese Dong – that’s US$1.03, or $1.17 Australian. And that’s even before any bargaining over the price. I decided I really didn’t want to buy a copy – even for the novelty value.

At the other end of the scale are those CDs and DVDs where its obvious that a lot of time and effort has gone into producing what looks to be an absolutely legitimate release. Standing in a shop in Hanoi (which I did last week) it becomes really hard to tell. Is what I’m looking at the version sanctioned by the artist and record company as the official release for China and South East Asia?

Take this example of the Beatles “Anthology” 5 DVD box set. I got it from a shop in Hanoi that was filled with what looked like official releases. All movie stock was in standard DVD packaging with proper labels. It was not one of the shops dealing in fakes.

It looked like this. Here’s the front of the box:

Chinese Beatles Anthology - front

This copy still has the shrink-wrap around the sturdy cardboard box, though the opening has been cut by me so that the DVDs can be removed. The sticker is attached to the shrink-wrap.

Compare this to this official release purchased in Australia:

Official Beatles Antholgy DVD - front

Again, the shrink-wrap is still around the box. The sticker is also on the shrink-wrap.

Here are the Chinese DVD spines:

The five Chinese DVDs

Compared to the official release:

The official release

The number “12” in the pink circle on each refers to the censorship rating in Australia. Apart from that, not a lot of difference….Here is the sticker on the base of the Chinese version:

Sticker on base of Anthology DVD box - Chinese

As you can see, the Apple word is written but the Apple logo itself is missing. Also, apparently common with cheap copies, there are small spelling mistakes. Notice in the centre box of the sticker the words “Doldy Digital 5.1 surround sound”. It should be Dolby Digital 5.1 sound. This sticker appears to be stuck over the printed label actually on the box. You can faintly see the bar code, etc. underneath. Otherwise the Capital, Abbey Road, DVD Video, Dolby Digital and DTS logos on the right-hand side all look legit. Compare it to the Australian official release, where the label is printed onto the box:

Official Anthology DVD box - sticker on box base

Notice the official release has a Parlophone logo instead of Capitol which is just a territory thing (Parlophone seems to get half the world, and Capitol the other half!). There’s also a Region 1 DVD symbol, and a bar code.

Inside the individual DVD containers the story is similar. The actual discs in the Chinese version are very well-printed and look very official:

Chinese DVD disc

They even say “Printed in the USA”. Compare this to the official release:

Anthology DVD - official release

However, the Chinese stuff up the sequencing of labels on the DVD discs.

Disc One, as you can see above, has Episodes 1 & 2 on it and correctly contains those episodes. Sadly, Disc Two is also labeled Episodes 1 & 2, but actually has Episodes 3 & 4.

Disc Three is incorrectly labeled Episodes 3 & 4, but contains Episodes 5 & 6. And Disc Four is incorrectly labeled Episodes 3 & 4, but correctly contains Episodes 7 & 8.  The “Special Features” 5th disc is incorrectly labeled Episodes 5 & 6 but contains the correct Special Features material…….so, all the contents is there across the five discs. Just a severe lack of attention to detail on the part of the counterfeiters. However, they all play well and the quality of the video looks perfect.

The other noticeable difference to the official release is that the Chinese versions don’t have the small booklets inside each DVD box outlining the contents of each episode. These are in official release and look like this:

DVD Booklet - front - from episodes 1 & 2 in official release

Anthology booklet (rear) - inside each DVD box of the official release

So, you can see that standing in a shop in Hanoi, deciding if this is official or not (especially while it’s still sealed up in its shrink-wrap) is very tricky. The price might have been a give-away: this 5 DVD box set cost 250,000 Vietnamese Dong. That’s around US$12.80 or AUS$14.80. Very cheap. It also doesn’t help if you don’t read Chinese. Here’s a close-up of the sticker on the front:

Sticker on the front of the Anthology DVD box set

Vietnam is actively cracking down on pirate or illegal copies of DVDs, CDs, clothing and watches. While there I read an article in one of the national papers that police are actively trying to break up the flow of counterfeit goods from across the border in China. When departing the country via Ho Chi Minh City airport all travelers bags are X-Rayed separately to the usual security check specifically to identify and confiscate goods, or to fine travelers for having fake DVDs. A New Zealand family in front of us were caught. They had in their bags over 60 copied DVDs they’d bought on the street. They were given the option of handing them over, or keeping them and paying a fine of US$50.00 (at first they were asked to pay a US$100.00 fine, but talked the official down…interesting). They decided the pay the fine and keep their DVDs. All the CDs I had purchased, plus the Beatles “Anthology” 5 DVD box above were in our suitcases and were also X-Rayed. We were not stopped by the airport officials. I’ll detail some of the Beatles compact discs I purchased in the next posts. Again it was confusing and difficult to pick the real from the fake.

See also Some Unusual Asian Beatles Items – Part Two and Some Unusual Asian Beatles Items – Part Three

Label Variations Part Four – Shaved Fish

Earlier this week I blogged about an interesting CD variation of John Lennon’s “Shaved Fish”.

That post prompted me to drag out the vinyl copies of this 1973 “Best Of” compilation and publish some photos of the different versions I have in the collection.

The front cover, rear cover, and inner sleeve of this album in LP form seems to be very consistent right around the world. Here’s a typical front cover. This one below is the Italian release:

Italian front cover of Lennon's 1973 "Shaved Fish"

And here is the rear cover:

"Shaved Fish" rear cover (Italy)

There is a strong Japanese influence to the graphic design throughout, which was provided by designer Roy Kohara who worked again with Lennon as Art Director and Designer for both his “Walls and Bridges” and “Rock’n’Roll” LP’s.

The sub-title for this album seems to be “Collectable Lennon” as this phrase is printed on the rear covers of both the Italian and British versions of the album. Its not on the US or Australian rear covers, but does appear on a big sticker on the front of the US copy of the LP that I have:

All copies seem to come with an inner sleeve which is solid red on one side with the lyrics for each song printed in white. The other side has a red rising sun, reminiscent of the Japanese national flag, continuing Kohara’s Japanese theme:

Red inner sleeve with lyrics - Italian release

Kohara's Japanese theme continued on inner sleeve

Here’s the label for the Italian release – a green Apple label:

Italian Apple label

I have two versions of the Australian release. The original Apple label:

Australian green Apple

And the later Parlophone black and silver re-issue:

Australian Parlophone re-issue

The U.S. release is a green Apple:

US green Apple label

And finally the U.K. release, again a green Apple label:

UK green Apple label

If you’d like to see some more label variations you can go to:

Label Variations – Part One “Sgt Pepper”

Label Variations – Part Two “Let It Be”

Label Variations – Part Three – McCartney’s “Choba B CCCP”

and

The Beatles “Love” collectable variations

John Lennon – A “Shaved Fish” Variation

A while back blog reader and correspondent Ned in the US sent through some photos of Beatles and Beatles-related oddities from his collection. I’ve already published a couple of posts featuring his rare “Love” CD single, and a still-sealed copy of the “Lennon” 4 CD box set with a unique printing error that he has.

Ned has also sent some shots of an unusual copy of John Lennon’s 1975 compilation CD “Shaved Fish”. Its believed this is a rare withdrawn release originally made in Japan but intended for the US market, and that it was subsequently withdrawn from sale and replaced with (the more common) locally pressed Capitol version. As you can see below there are variations in both the rear cover and interior artwork, and in the printing on the CD itself. Here’s the rear cover of the rare version:

Rear cover of the withdrawn "Shaved Fish" release

Ned writes: “The back cover art of the withdrawn “Shaved Fish” doesn’t list the producer credits on the bottom that are found on the common U.S. release.  Also notice that the label number CDP 7 46642 2 (upper right corner) is the same as the common [U.S.] one, indicating that the release was intended as the official U.S. CD.  Had this Japan-made CD been intended for the Japanese market or elsewhere it would have had a different reference number. I’ve also included a photo of both releases side-by-side.  It’s possible that the EU version of “Shaved Fish” has the same art as the withdrawn U.S. one but since I’ve never run into a European import of it I can’t confirm that”:

”]

Ned says: “The withdrawn version (pictured on top) has the words “Lennon Plastic Ono Band” at the top of the disc just under the EMI logo and the name, “Shaved Fish” at the bottom.  While the official and far more common re-release (pictured on bottom) shows the Capitol logo instead of the EMI logo while John Lennon’s full name appears without the addition of the Plastic Ono Band.  (It’s awkward to call the bottom one the “official release” since most people never knew there had even BEEN a withdrawn one).  How did I acquire this withdrawn one?  I really don’t know!  I just bought it when it came out and then it swiftly disappeared for a few years until I saw it again in it’s reincarnated state.”

Thanks again to Ned for providing these photos and info. If anyone has any further information on this Lennon release it’d be good to share it. Either post a comment using the blog “Comment” link below, or email me direct at beatlesblogger@gmail.com

I have a couple of vinyl LP versions of the “Shaved Fish” release in my own collection and Ned has inspired me to drag these out and do a Label Variations post on these – so keep an eye out for that soon. 


John Lennon – Gimme Some Truth

To mark what would have been the 70th birthday of the late John Lennon Yoko Ono, EMI Music and the Lennon Estate are to embark on what can only be described as a huge re-issue and release program – starting on October 4, 2010.

Called the “Gimme Some Truth” campaign, it will comprise a series of Lennon albums remastered from the original mixes as well as new collections compiled for CD and digital download release. One of the new releases will be a “naked” version of the Grammy Award winning album “Double Fantasy” – made available for the first time in a newly remixed, stripped down version produced by Yoko Ono and Jack Douglas, co-producers of the original album with Lennon. The new version will come in an expanded 2 CD edition which will include with the original mix, remastered.

Eight of  the original solo albums and other recordings have also been newly digitally remastered.  These include:

• A hits compilation in two editions titled “Power To The People: The Hits”

• A 4CD set of themed discs titled “Gimme Some Truth”

• A deluxe 11CD collectors box with the remastered albums, rarities, and non-album singles, titled “The John Lennon Signature Box”

Yoko Ono said: “In this very special year, which would have seen my husband and life partner John reach the age of 70, I hope that this remastering / re-issue program will help bring his incredible music to a whole new audience. By remastering 121 tracks spanning his solo career, I hope also that those who are already familiar with John’s work will find renewed inspiration from his incredible gifts as a songwriter, musician and vocalist and from his power as a commentator on the human condition. His lyrics are as relevant today as they were when they were first written and I can think of no more apposite title for this campaign than those simple yet direct words ‘Gimme Some Truth’.”

The albums have been digitally remastered from their original mixes by Ono and a team of engineers led by Allan Rouse at EMI Music’s Abbey Road Studios in London, and by George Marino at Avatar Studios in New York. All of the remastered titles will be packaged in digisleeves with replicated original album art and booklets with photos and new liner notes by noted British music journalist Paul Du Noyer.

The albums to be reissued are:

• John Lennon/Plastic Ono Band (1970)

• Imagine (1971)

• Some Time In New York City (1972)

• Mind Games (1973)

• Walls and Bridges (1974)

• Rock ‘n’ Roll (1975)

• Double Fantasy Stripped Down (2010) / Double Fantasy (1980)

• Milk and Honey (1984)

Yoko Ono added: “Double Fantasy Stripped Down” really allows us to focus our attention on John’s amazing vocals. Technology has advanced so much that, conversely, I wanted to use new techniques to really frame these amazing songs and John’s voice as simply as possible. By stripping down some of the instrumentation the power of the songs shines through with an enhanced clarity. “Double Fantasy Stripped Down” will be complemented by the original album in the 2 CD format. It was whilst working on the new version of this album that I was hit hardest emotionally, as this was the last album John released before his passing.”

“Power To The People: The Hits” will gather 15 of Lennon’s most popular songs, and will be available as a 15-track single-disc, and as whats being called an “Experience Edition” with additional content. Both versions will be packaged in digisleeves with booklets including a new liner note essay by Du Noyer. “Gimme Some Truth” will be packaged in a slipcase with rare photos and a new liner notes essays by respected American music journalist and author, Anthony DeCurtis. It will contain 72 of Lennon’s solo recordings on four themed CDs:

• ‘Roots’ – John’s rock ‘n’ roll roots and influences

• ‘Working Class Hero’ – John’s socio-political songs

• ‘Woman’ – John’s love songs

• ‘Borrowed Time’ – John’s songs about life

The “John Lennon Signature Box” is a deluxe 11 CD and digital collection of the eight remastered albums, a disc of rare and previously unreleased recordings, and an EP of Lennon’s non-album singles. The CDs will be housed in digisleeves within a deluxe box including a collectible limited edition John Lennon art print and a hardbound book featuring rare photos, artwork, collages, poetry, and new liner notes by DeCurtis.

Check out johnlennon.com for more info, official announcements and updates as the release dates for these new John Lennon collectables draws closer.

John Lennon “Lennon” 4 CD Box Set

It never ceases to amaze me how many variations there are out there of particular Beatles or Beatles-related items. I guess that’s part of what makes collecting interesting….

Some are big differences, and include completely revised or unique artwork or track running orders, others are small and subtle. This one, sent to me by Beatlesblog reader Ned in the United States, is a case in point. Ned writes: “One favorite Beatles-related item of mine is a still-sealed, 4 CD “Lennon” box from 1990 with a blank space on the back cover art where the song “Imagine” should be listed (the song is on the disc, however) that I bought from a woman going through a bad divorce. She only wanted US$15 for it. Even though I was very much interested I IMPLORED her to ask for more because I knew she could get it.  However, she insisted because, to her, it represented her former husband.  (Years earlier, I had regretfully sold my copy due to being laid off and needed to pay my bills. I was desperate to get a copy back in my possession after my work life returned to normal).”

Ned sent me a photo of this unusual John Lennon collectors item. Check out the space in the listing on Disc 2:

Its a strange little mistake or variation….who knows why “Imagine” was left off that particular print run? And Ned having a still-sealed copy makes it pretty collectable too. (By the way, it was Ned who sent the additional photos of the Japanese Beatles “Love” rarity from a previous post).

To compare, here’s my copy of the Lennon set:

“Imagine” is definitely still there. This 4 CD “Lennon” box set was released by Parlophone/EMI in 1990. It was compiled by Mark Lewisohn, one of the band’s insiders and a long-time writer and commentator on official Beatles releases and their history. Wikipedia has a song list for each CD. As you can see, most songs were previously released, but there are a couple of hard-to-find tracks, like the three live from Madison Square Garden with Elton John (“Whatever Gets You Through the Night”, “I Saw Her Standing There” and “Lucy In the Sky With Diamonds”) recorded 24 November, 1974.  I believe these three songs had only ever been previously released on a vinyl single in 1975.

The box set comes with a nice (if plain) 70-page booklet:

Booklet - Front

The booklet has the words to each song, a song index, small images from the album each track comes from, plus some nice photos – both black and white, and some in colour:

Booklet - inside

Each of the jewel cases has an individual image of Lennon. Here’s the one used for Disc 1:

The printing on each CD follows a similar theme, but each jewel case spine, rear artwork and the actual CD disc is a slightly different colour. For example here are discs 1 and 2:

The 4 CD set came out in 1990 and followed the 1989 single CD release “The John Lennon Collection”. In Australia at least EMI released this 4-track EP CD in a gate-fold Digipak to promote both:

As you can see, they used the rear of the cover to promote both the single disc “John Lennon Collection”, and the 4 CD box set:

So, thanks to Ned for another unusual and collectable Beatles-related item.

There is a new set of John Lennon box sets and anniversary releases on the way. Called the Gimme Some Truth  project, these remasters will mark what would have been Lennon’s 70th birthday and will be released in October, 2010.

The Penguin John Lennon – Plus a Couple of Other Things

Had a trip to Canberra, Australia’s national capital, this weekend and a chance to browse some second-hand book and record stores.

The trip turned up a couple of unexpected items – but that’s always the way with these things, isn’t it?

While in Canberra itself I found a CD/DVD store in the downtown “Civic” area advertising “20% OFF ALL STOCK”. That is just too good an invitation to walk past. Didn’t find a lot of interest to the Beatles collector in me – except for a heavily discounted, brand-new copy of  “All You Need Is Cash”, a film by Eric Idle’s Beatles parody group The Rutles. I’d never seen the film, and for A$6.40 it was a bargain. More on this soon in a separate post….

Also, strolling past a newsagent shop in the Canberra suburb of Kingston, I saw a table outside with old magazines that they were just throwing out – for free. Buried under the pile was a copy of “Q” magazine from July 2007, with a feature article for the fortieth anniversary of the release of the Sgt Pepper called “It Was Forty Years Ago Today….Sgt Pepper Celebrated”:

In it the likes of Bono, Brian Wilson, George Martin, Dhani Harrison, Jeff Lynne and others take one track from the album and write about why they love it, when they first heard it, or what it means to them. The magazine was still in its plastic outer wrap – and so in absolutely perfect condition. Not bad for free! Also with “Q” in the pile was a March, 2007 copy of a magazine called “Sound On Sound”, which on the front cover describes itself as “the UK’s biggest selling music recording magazine”. I’d not seen this title previously, but the front cover carried the photo below and an extensive article on the making of the Beatles “Love” album:

That’s George Martin and his son Giles, and they take the magazine through the detail of producing the Beatles‘ 2007 release “Love” (see this post, and this post for more details). If you’d like to read the article, “Sound on Sound” have now published it here in full online. The magazine is also in perfect condition. Not bad for free!

And finally, on the way home we stopped in the town of Berrima, just outside of which is a legendary second-hand book store called Berkelouw. They call it the Berkelouw Book Barn, and thats just what it is – a huge barn of a place absolutely filled to the rafters with shelf after shelf of pre-loved books. In the music section, I found (on hand and knee – it was of the very bottom shelf!) this little book to add to the collection:

The Penguin John Lennon

It is “The Penguin John Lennon”, a paperback (or soft cover) which gathers together in one volume John Lennon‘s two humorous prose works “John Lennon In His Own Write” (from 1964), and “A Spaniard in the Works” (from 1965), plus some great original line drawings by John. I believe this edition above (with this cover by David Nutter) came out in 1973, but “The Penguin John Lennon” has been out since about 1966. You may have seen it with this cover:

The book has an Introduction written by Paul McCartney, who says at the bottom of the page: “P.S. I like the drawings too”.  He must have, because one of the first drawings in the book was used for the cover of the Beatles “Free As A Bird” CD single – thirty years later in 1995:

Nine Copies of Rolling Stone Magazine

Up on the very top shelf of a closet in my study there’s a large pile of old music magazines – mostly Rolling Stone magazine. They’ve been there, oh, for at least 16 or 17 years. Sitting quietly, gathering dust.

About a week ago it suddenly occurred to me that there could probably be some Beatles-related treasure hidden away in there.

Really don’t know why I’d never thought of this before. And so I got them down from the shelf this weekend and had a browse. This post, in chronological order, is about what I found.

(July 1979) Issue 295 Paul McCartney by Paul Gambacini

These are all the Australian editions of Rolling Stone, and back in 1979 it was still very much like a newspaper in appearance. No staples to hold it together and printed on flat, newsprint style paper. The cover story about Paul (above) is by veteran DJ, writer and rock historian Paul Gambacini. The cover portrait of Paul McCartney is by Julian Allen, June, 1979. Gambacini’s  byline says: “The leader of Wings looks back at yesterday”, and he writes: “I have known Paul McCartney for over five years, since just before the release of ‘Band on the Run’…Not surprisingly, McCartney at that time was desperate to avoid talking about the Beatles, especially about the never-ending reunion rumors…In the years since, Paul has let down his defenses. Anecdotes about the Beatles now flow, in addition to reminiscences of the pre-Beatles days. He seems pleased with his past. This is a product of being happy with his present.” The article coincided with the release of Wings “Back to the Egg”.

(October 1982) Issue 358 Exclusive: The Private Years

Of course John and Yoko frequently made the cover of Rolling Stone, and there have been some striking images of them published. Who could forget the most famous Annie Leibovitz shot of the pair? But this one comes a close second I reckon. Its by Allan Tannenbaum and it is a beautiful contemplative study that perfectly accompanies an article by Chet Flippo (which was an extract from the book “The Ballad of John and Yoko”, first published by Rolling Stone Press in October, 1982) detailing the years from 1975 to 1980 when John Lennon dropped out of rock & roll, retreating to his white bedroom in the Dakota building in New York. Inside, the article is accompanied by another touchingly composed Tannenbaum photograph:

John and Yoko, New York City, November 1980 (Tannenbaum)

See more Allan Tannenbaum photographs from the same session here.

In November, 1987 Rolling Stone celebrated twenty years on newsstands with a 20th Anniversary Special Edition. In it they re-published a selection of Letters to the Editor from across the 20 years. This one, from 1974, is telling: “John Lennon has given more to America that Nixon and Ford….He fought for peace a long time before it came to the attention of the government that “the people of America” wanted peace. Lennon was concerned about America, and now they’re deporting him. Nixon has admitted he’s a crook; why don’t we deport him?” – Lynn Grubbs, Malvern, Arkansas. And then this, from 1981, sadly again about John Lennon: “We’ve come a long way in seventeen years, from shooting presidents to murdering musicians.” – Jon Grabill, Wayland, Massachusetts…..this was the cover of that special edition:

(November 1987) 20th Anniversary Special Edition.

The special edition was comprised of a series of previously-published Rolling Stone articles. There’s one on Paul McCartney by Anthony DeCurtis, and one on Yoko Ono by David Fricke. There are some image galleries as well from across the twenty years, but they only include one photograph of John Lennon.

(October 1986) Issue 403 Paul McCartney - The Rolling Stone Interview

October, 1986 saw another Paul McCartney cover shot (above) – with very grey hair and an interesting heart-shaped ring on Paul’s wedding finger…? The Rolling Stone interview was by Kurt Loder, who begins: “It is Monday in London, two days before the royal wedding, and Soho Square is filled with flowers, sunshine and fresh-faced young tourists. Some loll on the grass, sharing joints. Others peer up expectantly at the etched-glass windows of an art-deco-style town house across the street, where, in an airy third floor office, Paul McCartney presides over the bustling affairs of MPL Communications, the company that manages the professional projects of the singer and his wife, Linda.”

Inside Rolling Stone, Issue 403

The McCartney’s were doing publicity for “Press To Play”, the fifteenth album he’d released since he announced the breakup of the Beatles in 1970…..Loder observed “After eight years of largely lackadaisical releases on Columbia, he is back with Capitol – the Beatles’ old label – and he seems serious about rehabilitating his somewhat tattered artistic reputation.”

(February 1988) Issue 415 The New Age of George Harrison

In 1988 George had a new record to push. “Cloud Nine”, his first record in five years, had just been delivered to Warner Brothers Records. The article, by Anthony DeCurtis, is a really good read about George, the production of the album (with ELO’s Jeff Lynne), his past, and where he was at in 1988. “After years of tending his garden, his movie company and his son, the elusive ex-Beatle has reemerged with a great album”.

The front page of Issue 424 has an image of John Lennon and the words “Lennon – A Special Photo Album and the inside story on Goldman’s book”:

(November 1988) Issue 424 Lennon - A Special Photo Album and the inside story on Goldman's book

Inside is a revealing article by David Fricke and Jeffrey Ressner called “Imaginary Lennon – The True Story Behind Albert Goldman’s Character Assassination of John Lennon”. That title pretty much says it all… Albert Goldman’s controversial book “The Lives of John Lennon” had just been released, and his publishers claimed it to be “…a startling and revolutionary portrait”. Fricke and Ressner write however that it is not “the definitive biography”. “In fact,” they say, “the book is riddled with factual inaccuracies, embroidered accounts of true events that border on fiction and suspect information provided by tainted sources.” The magazine devotes five and a half pages to taking apart Goldman’s work. The article is worth digging out if you can. As if to balance that, Issue 424 also has six pages of candid Lennon photographs from another book (“Imagine: John Lennon” by Andrew Solt and John Egan). Here’s a terrific, early shot of Lennon, Paul McCartney, drummer Pete Best and George Harrison – taken by Paul’s brother, Mike McCartney:

Early Beatles (Mike McCartney)

Issue 443, in April 1990 also contained a wealth of rare early photographs, though it was the B52’s who made it onto the front cover. You have to look pretty closely for the Beatles reference:

(April 1990) Issue 443 The Beatles Rare Early Photos

This contains never-before-published photographs that chronicle the Fab Four’s first American tour in 1964. They are all taken by Curt Gunther, and I think you’ll agree they are impressive. I’d never seen these before and will certainly be seeking out the book they come from. Here are just a few from the Rolling Stone eight page spread:

Fans from Harrisburg, Pennsylvania at Indianapolis airport (Curt Gunther)

Paul photographs Canadian Mounties at Malton Airfield, Toronto (Curt Gunther)

Lennon in bed, King Edward Hotel, Toronto (Curt Gunther)

All the photos above were reproduced in Rolling Stone, but come from the book “Beatles ’64: A Hard Day’s Night in America” released in 1989. Photographs by Curt Gunther, text by A.J.S.Rayl.  There are also some fantastic Gunther images here from the Genesis Books publication “Mania Days: The Beatles 1964 US Tour”

October, 1990 saw Rolling Stone release another special issue. This time it was The Sixties – The Age of the Beatles. And it was an excuse for a psychedelic-look, Beatles-inspired cover:

(October 1990) Issue 448 A Special Issue: The Sixties - The Age of the Beatles

Mikal Gilmore in his feature article “The Sixties” spends a lot of time on the Beatles and their impact throughout that turbulent decade: “In short, the Beatles were a rupture – they changed modern history, and no less craftsman than Bob Dylan understood the meaning of their advent. ‘They were doing things nobody else was doing. But I just kept it to myself that I really dug them. Everybody else thought they were just for the teenyboppers, that they were gonna pass right away. But it was obvious that they had staying power. I knew they were pointing the direction that music had to go….'”.

The final magazine to pop out of the large pile was from November, 1992, issue 476, a 25th Anniversary Special Edition, subtitled “The Great Stories 1967-1992”.

(November 1992) Issue 476 25th Anniversary Special Edition

Like the special Twentieth  Anniversary edition (above) this one contained some of the all-time great articles ever written by Rolling Stone‘s staff writers and contributors over the past quarter of a century. There are pieces on Led Zeppelin, the Rolling Stones, Springsteen, Bowie, Van Morrison, REM, Madonna, Neil Young, Michael Jackson and (of course) Bob Dylan, but probably pride of place was given to the now legendary interviews with John Lennon by Jann S. Wenner – a 30,000 word verbal splurge in which the ex-Beatle spoke openly, fully and truthfully about the Beatles and announced their breakup:

The Jann Wenner interview with John Lennon in Issue 476

Originally from Rolling Stone Issues 74 and 75 in 1971, this was Lennon talking about the demise and aftermath of the Beatles as he saw it – for the first time.  You can listen to extracts and read transcripts at Jann Wenner’s own page.

So, that it. An accidental journey through the past through random editions of Rolling Stone magazine – mags that have been hidden away in a cupboard at home for over 17 years…..