Following my post on some of the release variations I have in my collection of the Beatles “Love” CDs and LP, I had a note from Ned in the United States who has a very interesting and unique CD single from the “Love” releases.
He has in his collection this rare Japanese promo CD single:
LOVE rare promo single - front cover
As you can see above, it has the familiar bright yellow “Love” cover art work – but it contains just one track from “Love” called “Within You Without You/Tomorrow Never Knows”, a mash-up mix by George and Giles Martin of the basic track and vocal from “Within You Without You” (originally released on “Sgt Pepper”), and the drum track from “Tomorrow Never Knows” (taken from “Revolver”). Giles Martin said “This was the first thing we did (for the “Love” project). We played it for them (Paul and Ringo) and they said ‘we want more like that!’ We had to remind them, ‘Fellas, you know that on most songs you did actually change chords!” George Martin said at the time: “‘Within You’ is not the most memorable song, but it’s much more interesting with that rhythm.”
According to Ned this CD single was created for Japanese radio stations and issued by EMI Japan without the full knowledge of EMI’s London office. When they found out it was withdrawn shortly after release, thus making it a very collectable item. “It is absolutely NOT an unauthorized release but remains the only CD single issued from the “Love” project”, says Ned.
LOVE single - inside
It has a nice insert that lists the other tracks on the full CD release:
LOVE single - booklet
Ned writes: “I mail ordered this from Japan right at the time of the opening of the show in Vegas. I believe it ran me around US$20 – including shipping. I have no idea what the value is now as I only collect what I like and not what might be worth something someday. Apparently, Yoko Ono had (has) the same collecting philosophy and it has served her well.
Ned has two other favorite Beatles-related items. One is a still-sealed, 4 CD Lennon box from 1990 with a blank space on the back cover art where the song “Imagine” should be listed (the song is on the disc, however). “I bought this one from a woman going through a bad divorce. She only wanted US$15 for it. Even though I was very much interested I IMPLORED her to ask for more because I knew she could get it. However, she insisted because, to her, it represented her former husband. (Years earlier, I had regretfully sold my copy…and I was desperate to get a copy back in my possession).”
The other item is a withdrawn, mid-80’s CD release of Lennon’s Shaved Fish – manufactured in Japan for the U.S. market – that has slightly different artwork on it. “It was withdrawn because EMI either failed to use “No-Noise” on the master tapes or the tapes they did use were from inferior sources. Either way, the hiss is more apparent than the common one. But the fact that it was quickly pulled off the market makes it of interest”, says Ned.
But back to the “Love” promo CD. “Promo Sample” is printed in Japanese around the hub. The catalogue number on the disc is PCD-3275.
LOVE single - the Japanese promo writing around hub
Sincere thanks to collector Ned for all the info and photos. Here’s a clearer picture of the black promo writing around the center of the CD single’s hub:
At the Beatles own official website there’s a lot of info about “Love” their 2006 album, which is not only the soundtrack to the Cirque du Soleil performance show celebrating the Beatles music, but also a controversial departure for the Beatles in that its made up of some of their best-known songs remastered and re-mixed with sounds and songs from across their extensive catalogue. “Love” is produced by longtime Beatles producer Sir George Martin and his son Giles, and it won two Grammy Awards in the categories Best Compilation Soundtrack Album for Motion Picture, Television or other Visual Medium, and Best Surround Sound Album.
For dedicated Beatles fans and collectors it proved to be a bit of of a challenge. Firstly, had the Beatles done the unthinkable and started to mess with the canon? Debate still continues as to whether this was a smart move, or a folly. Additionally, there were numerous release variations to buy if you were an avid collector. Two CD versions, promotional CDs, and other bits and pieces to track down for the completists amongst us…
To start with there was a single disc with the standard stereo mix in a standard jewel case:
“Love” single CD – front cover
“Love” single CD – rear
“Love” CD – with the single CD artwork
Then there was a two-disc set that came with more elaborate packaging. It’s a double fold-out Digipac in a thick slipcase. The package contains the single CD with the standard stereo mix (but with a slightly different printed image on the CD to the single version CD shown above). Added to this is a separate DVD disc containing the 5.1 surround sound mix. Same track list and songs – but if you have a 5.1 stereo set-up at home, the songs and sound effects surround you. It has the same booklet as the single CD release.
“Love” two disc edition – front cover
“Love” two disc edition – rear of slipcase
The final official commercial release (which came out a few weeks after the CD’s) was the vinyl LP. It arrived in a deluxe, 2 disc, gate-fold package. Mine is still sealed, so these images I’ve borrowed from the web.
“Love” vinyl LP set
“Love” gatefold open
“Love” vinyl LP – rear
As you can see the vinyl edition came with custom labels for each LP, and is contained in a gate-fold cover with a large-format book. Its similar to the CD booklet, but because of the large format – complete with rich colour images from the Cirque du Soleil production – it is way more impressive.
There was also a four-song radio sampler released to stations around the world. This was done in an effort to generate publicity and conversation about the forthcoming new Beatles release for 2006. The songs on it were “Strawberry Fields Forever”, “Octopus’s Garden”, “Lady Madonna” and “While My Guitar Gently Weeps” (which was one of the most anticipated tracks from the whole album as it was George Harrison’s original demo tape of the song accompanied by a completely new string arrangement composed by George Martin for the new “Love” record). This promo CD was sent out with a press release containing quotes from Sir George Martin and his son Giles – who co-produced the album – talking about the four tracks on the promo CD. They describe how those songs were selected and give some of the background to the production techniques employed in mashing together different parts of Beatles songs to pretty much make completely new versions -a radical thought at the time. The cover of the radio sampler promo CD looks like this:
“Love” radio sampler promo CD – front
And the rear:
“Love” radio sampler promo CD – rear
Apple/EMI was obviously determined to give “Love” the full promotional and marketing treatment because they also pressed and distributed (in limited numbers) a special “Interview Disc” featuring Paul McCartney, Ringo Starr and George and Giles Martin in conversation about “Love”. The interviews were recorded in October 2006, and they are all stand-alone statements about dirrent aspects of the work that went into producing “Love”, and the running order works through the release track-by-track. Its an interesting historical artifact to have in the collection. And definitely an authentic, original release. As you can see, again it has a colour variation of the “Love” artwork common to all releases:
“Love” promotional interview disc – front cover
“Love” promotional interview disc – rear cover and CD art
This disc is entirely spoken word and contains edited voices only. No music. The idea was that radio stations would get the songs from the official CD and make their own radio specials. For a time there on the web, via Ebay and the like, there was also a disc called “The Beatles Love – Radio Special”, purportedly distributed by Capitol in the US. I got a copy of this but, while someone has gone to a lot of trouble to make it look authentic, there is something suspicious about this one. The special is hosted by a DJ named Andre Gardner. If you Google him he seems legit, very much associated with covering Beatles news, hosting a show on WMGK in Philadelphia and having a Facebook page dedicated to the Beatles. Now, Capitol may well have commissioned this radio special and hired Andre to host it. It does have additional material to the official “Interview Disc” in that there are comments on “Love” by Olivia Harrison and Yoko Ono in addition to Paul, Ringo, and George and Giles Martin. And it comes with an official-looking running sheet, with track details and outcues. Here’s a short extract from the program:
There are some images of this CD below. If anyone can shed any more detail on this release – drop me a comment and let me know….
“Love” Capitol Records Radio Special – front cover – genuine?
“Love” Capitol Records Radio Special – CD
Meanwhile….at the time of the “Love” release the Beatles official website had not long been launched (it looked quite different to it’s present incarnation), and Apple used the new site to deliver a series of five down-loadable podcasts to further promote “Love”. Each was between six to seven minutes in duration, and like the official “Interview Disc” above, it contained extracts of Paul, Ringo, George Martin and Giles Martin talking about “Love”. Hosted by UK presenter Robert Lindsay, it contains music extracts mixed with the spoken word extracts. Quite nice to have.
Yet another spin-off for collectors was the DVD “All Together Now”, a documentary film about the creation of the Cirque du Soleil show and the accompanying soundtrack CDs. Earlier this year took out a Grammy Award for Best Long Form Music Video. (I posted about this at the time).
“Love” – the “All Together Now” DVD documentay
You can still see “Love” by Cirque du Soleil at The Mirage Casino in Las Vegas. MTV reviewer Gil Kaufman saw the show just last month (April, 2010) and had this to say. The Beatles own site has some fun facts about the “Love” show.
Finally, an official printed promotional cardboard flyer for the two CD releases came my way. It’s about foolscap size, and is four pages in all – the front looks like this:
Here’s the Wikipedia extract with a brief detail of the album:
Let It Be was the twelfth and final studio album released by The Beatles. It was released on 8 May, 1970 by the band’s Apple Records label shortly after the group’s announced breakup.
Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group’s final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but the Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the soundtrack album for the 1970 motion picture of the same name.
Let It Be - film lobby card
Let It Be - lobby card - Paul
While three songs from the sessions were released as singles before the album’s release, “Get Back”/”Don’t Let Me Down” and “Let It Be”, the songs were remixed by Spector for the album.
The rehearsals and recording sessions for the album did not run smoothly. The acrimony that began during the recording of the previous year’s White Album resumed soon after the rehearsals began. At one point, George Harrison walked out and quit the group after severely arguing with both Paul McCartney and John Lennon, only to be coaxed back some days later. The film version is famous for showcasing a number of conflicts between the group members and has frequently been referred to as a documentary intended to show the making of an album but instead showing “the break-up of a band”.
Despite a largely negative review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine’s list of the 500 greatest albums of all time in 2003.
Let It Be… Naked was released in 2003, an alternative version of the album stripping much of Phil Spector’s production work and using some different versions of songs.
Let It Be - Naked (2003)
Here’s an article from Rolling Stone magazine this week:
Forty years ago this weekend, the greatest band of all time gave the world their final album together: On May 8th, 1970, the Beatles released Let It Be, the Phil Spector-produced LP that featured hits like the title track, “The Long and Winding Road” and one of John Lennon’s most famous compositions, “Across the Universe.” While the album was recorded during the band’s caustic final days, Let It Be would go on to become one of their most celebrated records: it ranked Number 86 in Rolling Stone‘s 500 Greatest Albums of All Time.
The story behind Let It Be is almost as mythic as the Beatles themselves. The band originally intended to record it as a live-in-the-studio album and movie in 1969. But the ambitious undertaking left the Beatles so weary, they abandoned the project to make Abbey Road instead. Later, Phil Spector added oversweetened orchestral overdubs to many of the album’s tracks — even though the record features some of the band’s strongest rock songs ever (including “Get Back”). In 1970, the Beatles released the documentary film of the same name, which captured the group’s iconic performance atop the Apple Studios building in January 1969. Perhaps due its controversial and detailed look at the Beatles’ interpersonal problems, the film itself remains unavailable on DVD.
Despite the album’s status in rock history, Paul McCartney was never a fan of Phil Spector’s production flourishes on Let It Be. In Rolling Stone‘s original review of the album, writer John Mendelsohn also criticized Spector’s superfluous additions, saying the famed Wall of Sound producer rendered “The Long and Winding Road” “virtually unlistenable with hideously cloying strings and a ridiculous choir” when compared to the version that appeared on the Get Back bootlegs in May, 1969. After years of dissatisfaction with the released version, McCartney announced plans to put out Let It Be… Naked in November 2003, which stripped the Let It Be songs of Spector’s ornate production. (Daniel Kreps – Rolling Stone)
Finally, here’s the sound of “Get Back” in an early incarnation, in rehearsal with John singing lead instead of Paul, and clearly the words to the song are still coming together….
It must have been 27 years ago. It was a chance visit to a local record shop in Forestville, a northern suburb of Sydney, Australia.
Back then “record” stores were just that. They sold vinyl records. However, at the time many were in a state of transition. Compact Discs had just come out and the writing was very much on the wall for the humble vinyl record. At the time this record shop was in the process of getting rid of it’s vinyl, settling into the retailing of CD’s, and transitioning to become a video movie hire shop – on the way out of music all together.
I walked in for a look around and saw this small box set on one of the shelves:
Box set – The Beatles E.P.’s Collection
It was sitting alone. Catalogue number: Odeon Mono EAS-30013-26.
You had the definite feeling that it had been on that shelf quite some time….had not sold…and the owners were definitely keen to shift it. I took it down and noticed it didn’t have a price sticker on it. I also noticed that amongst the individual vinyl singles they still had displayed that they’d opened at least one other similar box set to break up the contents and sell the EP records it contained individually.
I walked up to the counter and asked “How much is this one?”, holding up the box set. “You can have it for A$25.00”, said the guy behind the counter. Now, back then it wasn’t dirt cheap, but it was cheap for the quality of this mint, red vinyl Japanese copy of the entire Beatles Extended Play vinyl discs. I bought it.
What you see here is that same box set from all those years ago.
Beatles E.P.’s Collection – box spine
This Japanese release is the same as the U.K. set, except that all fifteen records inside are pressed on red vinyl and the two-record Magical Mystery Tour is in mono instead of stereo. All discs in fact are mono – except The Inner Light, which is in stereo.
The Beatles E.P.’s Collection – lid opening
Each of the fifteen EP records inside come with plastic covers:
All the discs have plastic covers
Another interesting thing is that these discs play at 33 and 1/3 r.p.m, not the usual 45 r.p.m. There’s a paper sheet inside (in Japanese) with some information about the release:
Beatles E.P.’s – paper insert sheet
The famed 2-record EP Magical Mystery Tour comes complete with the gatefold and booklet just like the original, and as already mentioned, is in mono:
Mono Japanese Magical Mystery Tour
And all the discs come pressed in a delicious-looking transparent red vinyl, and all with the original cover artwork:
The lovely red vinyl “Nowhere Man” EP
Note the “33and 1/3 r.p.m.” on the left-hand side of the label.
The red vinyl again – and each disc has plastic inner sleeves
Apparently this Japanese red vinyl edition also came out in a black vinyl edition.
Paul McCartney has announced he’s to reissue his extensive post-Beatles catalogue through the independent label, Concord Music. It means that the struggling EMI Group, his former label, misses out on a potentially huge revenue spinner, though they still remain in control of the lucrative Beatles material.
Concord, which started life in 1973 primarily as a jazz label, has previously released McCartney material. In 2007 it was the album Memory Almost Full, and last year it was the CD and DVD standard and deluxe editions of the live performance release Good Evening New York City. Both albums were distributed under the Hear Music brand, a partnership between coffee chain Starbucks and Concord. A fact I wasn’t aware of until I started to research the announcement is that there’s now a strong Australian connection to Concord, and hence a direct connection to Paul McCartney. In 2008 the label merged with Australia’s Village Roadshow Pictures Group. Veteran TV producer and writer, Norman Lear (co-owner of Concord from 1999), is still chairman of the label following the merger.
So, McCartney has turned over his substantial catalogue of about two dozen albums to Concord. The deal includes all his releases from 1970 to 2006.
Concord has announced that the first reissue they’ll produce is 1973’s Band on the Run. The CD is scheduled for an August 2010 release and will be remastered, featuring enhanced packaging and rare bonus tracks.
“I’m always looking for new ways and opportunities to get my music to people and Concord share this passion,” McCartney said of the new deal.
According to the label’s website fans “can expect both physical and digital distribution of gems from solo offerings like McCartney, Ram, Pipes of Peace, Give My Regards to Broad Street, and Flaming Pie, as well as Wings landmarks such as Wildlife and Red RoseSpeedway. In addition, the re-releases will include stuff done under McCartney’s pseudonyms: Percy ‘Thrills’ Thrillington, The Fireman and Twin Freaks.”
The Los Angeles Times has a really interesting article about the journey of the Concord label to this point, and how they’ve expanded their stable of artists significantly, including the acquisition of the legendary folk and roots label Rounder Records, and deals with artists as diverse as Macy Gray, John Fogerty, Joni Mitchell, Loudon Wainwright III, Eric Bibb, Stanley Clarke, Carole King and James Taylor. The company has some well-known record labels in it’s stable, including Milestone Records, Fantasy Records, Pablo, Prestige, Stax and Telarc.
(Sources: Concord Group website; New Music Express; the Gibson website; LA Times; and BBC News)
Thanks to Wogblog for alerting us to this. He’s featured it twice. First in his interesting post on Beatles boxed sets here, and in a review of one section more recently here.
Very accurately subtitled “A Pictorial Journey Through Beatles Record Sleeves From Around the World”, this book is comprehensively just that. Written by Joachim Noske, a German fellow who must be one of the most avid Beatles record collectors of all time, “The Beatles Covered” delves into his extensive personal collection. As Noske says: “On 800 LP sized pages printed in full colour throughout, it is a trip through more than sixty countries and territories on five continents and shows you an amazing array of original and reissue Beatles record covers the way they were released at the time in the respective markets across the world. It contains well over 14,000 pictures of singles, EPs, LPs, flexi-discs, 78 rpm shellac records, coloured vinyl records, picture discs, and boxed sets of legitimately available Beatles material, which, besides their EMI output, also includes their pre-fame recordings in Hamburg (with Tony Sheridan and at the Star Club), their Decca audition set, as well as interview and documentary discs. This world discography of Beatles vinyl records is arranged geographically by continents and countries, and contains an appendix that focuses on a number of thematic issues, such as The Beatles Collection blue boxed set, their Christmas recordings and the Magical Mystery Tour releases, amongst others.”
Visit the special site set up to feature the book – there is a lot to click through, including many page examples of what’s inside, press clippings and reviews, and details about how you can order it. The book is limited to 500 signed copies.
Author Joachim Noske, sitting in front of some of his impressive collection of records (photo: Sergej Lepke)
I received a comment/question that’s interesting from a reader named Trina following my Sgt Pepper – Label Variations post .
She wrote asking if I had any information about this album she’d found:
In the photo you can clearly see some stamped text in the top right-hand corner of what looks to be a US vinyl copy of the legendary Sgt Peppers Lonely Hearts Club Band.
This is a promotional or “promo” copy of the LP. It originally came out in 1967 – but what Trina has here looks like a much more recent re-issue by the Beatles US record label, Capitol Records.
The stamp on the cover indicates that it was probably sent to a radio station, a record reviewer, or someone in the industry. Masses of these “promo” copies (nowadays usually just CD’s) come in to radio stations all over the world. The record companies send new releases in the hope that they’ll be played or talked about on the radio, or written about and reviewed in newspapers and magazines. However, record company promo copy numbers are dwindling due to the growing use of electronic file transfer of new tracks to radio stations.
Here’s a close up of the wording for this one:
Promo copies usually have a sticker or a stamp that states the record is strictly for promotional purposes only. The record or CD actually remains the property of the record company, and is “not for sale”, though how they actually police this is an interesting question….
Promo copies don’t usually have a serial number on them (like this one does) but I guess that’s an attempt at some form of added security indicating that, if they wanted to, Capital could trace back exactly who they sent this copy to.
A promo copy like this one for the Beatles is pretty rare and would be of interest to a collector – and therefore more valuable than just the standard, store-bought version. It also looks to be in really good condition which is a bonus. It also looks like it still has the plastic sealing on it, and I’d keep it sealed if possible as that also adds to the value. All-in-all a really nice, collectable record!
Here’s a couple of variations of the “promo” warning wording on some Beatles-related CD’s:
On the rear cover of a US interview disc for the Beatles "Love" CD
Sticker on the jewel case for the Australian Beatles CD single "Free As A Bird"
Printed onto the disc of McCartney's UK promo CD single for "The World Tonight"
And finally, a disc which was sent to me mistakenly by Paul McCartney’s record company after I complained I hadn’t received my mail-order copy of the deluxe version of his latest CD “Good Evening New York City”. (Click here for the full story on that one…)
Promo copy of the deluxe version of "Good Evening New York City"
Happy Record Store Day for last weekend (Saturday, 17 April)!
We managed (through our friendly local independent store, Red Eye Records) to get a copy of one of the special releases produced just for the weekend: The John Lennon Singles Bag.
See this post and this post for information on this very limited edition.
Apparently there are just 7000 of these packs made for the world…..mine is number 6644 of 7000. Not a low number, but it has a nice ring to it!
Here’s a picture from the web of how the pack looks:
A sealed copy of the John Lennon Singles Bag
Like this one, ours is still sealed – and we hope to be able to keep it that way – though it is very tempting to open it to see whats inside….
A couple of days ago I wrote about finally getting a CD copy of the 2000 Beatles compilation, The Beatles – Number One. It was a little unusual in that it was the Taiwan CD release and it has some different packaging associated with it.
In that post I mentioned that when this title originally came out in the year 2000 I got the vinyl edition, and that Apple Records had gone to a lot of extra trouble to make it something really special.
As a result it is really quite a collector’s item if you can get hold of a copy. Here are a couple of pics of my copy of the vinyl Beatles – Number One:
Beatles 1 - front cover
Beatles 1 - rear cover
Because this is a two-record set, the cover is a gate-fold. Here’s how it looks when opened up:
Beatles 1 - gate-fold open
This is the custom record label on each disc:
Beatles 1 - vinyl record label
The inserts inside are extensive.
Firstly, there are four individual photos. One of John Lennon, one of Paul McCartney, one of Ringo Starr and one of George Harrison. While these ones are psychedelic in style, the idea is clearly reminiscent of the four photographs that came with the original vinyl editions of the Beatles “White Album”:
Beatles 1 - the four individual photos
Each LP is protected by a cardboard inner sleeve. These are also highly produced with unique artwork, photographs and information:
Beatles 1 - inner sleeve one (front)
Beatles 1 - inner sleeve one (rear)
Each inner sleeve contains photo images of Beatles singles released around the world:
Beatles 1 - inner sleeve two (front)
Beatles 1 - inner sleeve two (rear)
Finally, the set contains a big, fold-out poster of Beatles picture covers from around the world showing different singles releases:
I wrote earlier this month about a special limited edition John Lennon release for Record Store Day which is on April 17.
At the time not much was known but since then some more detailed artwork for the project has come to light. The three singles will be housed in a paper “bag” with three postcards and a poster.
The poster will look like this:
And there’s a custom 45 rpm single hub:
I got these images from a New Jersey record store site called “Vintage Vinyl” – so thanks to them. Their site is interesting because it reveals the huge number of other special releases for the day. They’ve got a page full of limited release or specially produced product just for Record Store Day, including items from Bruce Springsteen, Bon Ivor and Peter Gabriel, Neil Young, the Sex Pistols, and the Rolling Stones.
(Incidentally, Vintage Vinyl have that special Beatles Remastered gift box I wrote about in January. On their front page they have have a link to a deal where you can buy any 2 Beatles Remastered CD’s and get the box thrown in free).
Beatles Blog 