It’s been a busy time over the last few weeks and months for Beatle collectors.
There’s been so much product announced it’s hard to keep on top of it.
So, we decided to made a visual representation for you, the avid completist, so that you can keep track.
If you want everything, THIS is what you’ll need to order:
Screenshot
(Click on the image to see a larger version)
Have we forgotten anything?
FYI, the Ringo StarrChoose Love LP announced for Record Store Day Black Friday 2025 seems to have quietly slipped off the list again, so we have not included it here.
Liveright Books has just announced a special numbered, limited edition of Wings: The Story of a Band On The Run, signed by Paul McCartney. There will be 175 copies available for the US market, and 175 copies for the UK market.
These limited signed edition books are packaged in a deluxe cloth case featuring screen printing, including a 24-page full-colour bound-in booklet of Wings-era album and singles cover artwork (front and back). They also include an exclusive colour vinyl 1 LP (with unique labels) of the forthcoming Wings: The Definitive Collection release. There’s also a special enamel pin and a blue and white embroidered patch.
Each copy will be numbered and signed by Paul McCartney.
On sale from November 25, they’re available now for pre-order (if you can find one). The limited edition has a RRP of £2500 or US$4,000.
This is a lot of money, but they will sell out and become genuine collector’s items for sure.
As has become usual with these limited McCartney book releases various retailers undertake a variety of promotional activities to entice you to secure a copy – and they probably only get one copy each. This bookshop is asking you to enter a competition just to win the right to BUY the only copy they have for sale!
Check out this link for a full list of all US participating bookseller locations.
In Britain it’s the same. For example, the big Waterstones chain there is offering a chance to win the limited edition version in a prize draw. The competition is open to all customers who order the standard hardback online from them.
Meanwhile, here in Australia this record store has this super deluxe edition for sale at an incredible AUD$24,999.00. That’s around US$16,315.00, or £12,397.00 British Pounds, or €14,094.00 Euros. Blimey!
As a first generation Beatle fan who fell hook, line and sinker for the band when they took Australia by storm back in 1964, it constantly amazes how subsequent generations come to hear about and love their music – over and over again.
Just take a look at faces in the crowd at any of Paul McCartney’s 2024 Got Back tour dates. Yes, you’ll see a fair smattering of grey hair in there, but his audiences around the world are a true cross-section of the ages – from the Builders and Baby Boomers, to Gen Z and now Gen Alpha.
And here’s a new Beatle book (released today, 6 May) aimed directly at the youngest of those Gen Alpha’s.
We Are the Beatles is the latest in Meltzer’s Ordinary People Change the World series of kids books where historic heroes come to life to inspire young readers to greatness themselves.
Born out of a desire to give his own kids real people to look up to, Meltzer’s books highlight notable figures from around the world. These have included people like Walt Disney, Dolly Parton, Frida Kahlo, Gandhi, Anne Frank, Rosa Parks, Marie Curie, and many others. By showing what each of these inspiring people were like as children, and exploring who they grew up to be gives kids to opportunity to emulate the traits that made them great – and to realize their own huge potential.
Now it’s the turn of John, Paul, George and Ringo to again inspire a new generation. It’s the first time in this long-running book series (there are 36 titles in all, so far) that a group has been highlighted rather than a single person.
Meltzer and Eliopoulos pack a lot of accurate detail into this little book, and their story of four ordinary kids from Liverpool who loved music, who became the best of friends, and who grew up to become the most famous band in the world, is told with whimsy and a beautiful eye for detail.
We Are The Beatles begins by taking us through the four individual Beatle childhoods, how they found their instruments and each other, shared a love of music, practiced, practiced, practiced, get their break into the business, and the familiar tale of success heaped upon success worldwide. The message is “Whatever your dream is, keep chasing it!” and “The best music is the music you make together. And the essential message will never change: Love. It really is all you need.”
Meltzer has really done his research as the list of his impeccable sources at that back of the book reveals: The Beatles Anthology by The Beatles; Tune In: The Beatles: All These Years, by Mark Lewisohn; Paul McCartney: Many Years from Now by Barry Miles; Love Me Do! The Beatles’ Progress by Michael Braun; John Lennon: The Life by Philip Norman; The Fifth Beatle: The Brian Epstein Story by Vivek J. Tiwary; and The Beatles: Get Back documentary, directed and produced by Peter Jackson.
He’s even included a handy further reading and viewing for kids list: Who Were The Beatles? by Geoff Edgers; What Is Rock and Roll? by Jim O’Connor; Imagine by John Lennon and illustrated by Jean Jullien; and the Yellow Submarine movie, directed by George Dunning.
I can imagine reading this book to my own grandchildren (aged 7 and 4). And then we’d listen to some Beatles tracks together. Such is the power of the music these four young men made. It can still capture new young audiences as the years roll by.
We Are The Beatles is published by Rocky Pond Books, a division of Penguin Books. Get your copy here. Here’s to the next generation of fans!
BOOK GIVEAWAY COMPETITION (open to our U.S. readers only)
With thanks to Penguin Books we have four copies of Brad Meltzer’s We Are The Beatles to give away to four of our U.S. readers.
All you need to do is provide us your name and email address below, and then have a go at answering three easy Beatle-related questions. Good luck!
Please note that due to the high cost of shipping this competition is open only to residents of the United States.
For some reason publishers in the US seem to want to be different to the rest of the world.
Take the recently announced book from the McCartney camp, Wings: The Story of a Band on the Run.
Initially there was no cover art ready for the official announcement, but now not one but two different covers have (ahem) broken cover.
This one is for the UK and the rest of the world:
And this one – the United States:
Who knows why the US needs a different look? There are two different publishers, so that could have something to do with it. In the US it will be Liveright/W W Norton, and for the UK & ROW it’ll be Allen Lane/Penguin.
The UK cover is a black and white version of this 1972 Linda McCartney colour image, taken during the Wings Over Europe tour:
The blue US cover is by artist Alex Trochut. He says “I’m a digital crafter. Wherever and with whomever I’m working, I let the needs of a project dictate its style. I try not to think my way into a design, quality is always my priority but I believe you have to let play drive you. My motto? Easy is boring. If you aren’t having fun pushing yourself, you aren’t doing it right.”
Trochut was born in Barcelona, Spain and after completing his art studies he established his own design studio in there before relocating to New York City. Through his design, illustration and typographic practice he has developed an intuitive way of working that has resulted in an expressive visual style. Alex has created design, illustration and typography for a diverse range of clients including Nike, Adidas, The Rolling Stones, Katy Perry, BBC, Coca-Cola, Pepsi, The Guardian, The New York Times, Time Magazine, and now he can add Paul McCartney and Wings to his resume!
Lots of Beatle book news around at the moment. We’re a little slow getting to this one, but Paul McCartney has flagged a big Wings book retrospective due later this year – November 4 to be precise. It’s called Wings: The Story of a Band on the Run.
Clearly this is still a work very much in production but the book promises over 100 black and white and colour photographs, many previously unseen, and will draw on over 500,000 words and dozens of hours of interviews with McCartney and numerous key players in and around the band. Most probably it is designed to tie in with Morgan Neville’s forthcoming documentary film Man on the Run, which will also tell the story of McCartney’s life following the breakup of The Beatles and the formation of Wings. That film (due later this year or early next) is also based on access to never-before-seen archives of Paul and Linda’s home videos and photos, as well as new interviews. (See The Paul McCartney Project for more on this).
25th anniversary? Didn’t The Beatles Anthology documentary series, CD’s and vinyl begin to come out back in 1995? Shouldn’t it be the 30th anniversary? Well no, not for the book which was first published as a hardback in the year 2000. This time it’s paperback only. Fans are already asking if the release might be associated with some sort of The Beatles Anthology CD/vinyl re-issue too? Or maybe the documentary series has been refreshed as is slated for streaming? Or re-issue on DVD or Blu-Ray. We don’t know as yet…..
Rather than being a biography, with each release this series is growing as the go-to reference place for detailed information on each and every Wings or solo Paul McCartney album or individual song. This second volume covers off a further 250 entries, including 26 previously unreleased songs. It is packed with technical info on the recordings, personnel and who-played-what, anecdotes and the background to how each song and album came about.
The book kicks off in 1990 with the triple LP live album Tripping the Live Fantastic, the record that launched McCartney into the Nineties, and ends with Complete Kisses, another foray into performing live – but this time a live streamed concert he gave in support of his jazz-influenced album Kisses on the Bottom from 2012. In between there is a wealth of information on Paul’s solo studio albums over this period, but also some much-needed analysis and detail on his many classical, operatic and experimental outings from the time – like his Liverpool Oratorio with Carl Davis, Standing Stone, Ecce Cor Meum, his Ocean’s Kingdom ballet music, plus Strawberries Oceans Ships Forest where he appears for the first time with collaborator Youth under the nom de plume, TheFireman. There’s also a chapter on the very experimental Liverpool Sound Collage with the Super Furry Animals, and another musical style departure called Twin Freaks, under yet another pseudonym, Twin Freaks. To date very little has been written about these eclectic but fascinating additions to his canon, so this book is immediately a very welcome research window into some of McCartney’s more obscure yet interesting musical moments. Bravo!
For how Perasi constructs each entry in the book see our review of Volume 1because the same format is used here. As for information on what is coming next, Perasi says there will be a Volume 3 starting at 2013 with the album New and moving forward, then a Volume 4 looking at Paul McCartney’s many collaborations and appearances on other people’s records (fascinating!), and then a Volume 0 is promised as a mystery surprise finale. As to just what this contains we’ll have to wait and see.
Well, Luca Perasi is nothing if not prolific because today he’s announced yet another new book called Ringo Starr: I Play the Piano If It’s in C. The Stories Behind the Songs (Vol. 1) 1970-1997.
As the title suggests, this covers the first twenty-eight years of Ringo Starr’s solo career. Luca says, “The book is the first ever to explore in such depth Ringo’s post-Beatles production, from Sentimental Journey until his All-Starr Band tour in 1997.”
“The title recalls a verse from his song ‘Early 1970’ and is a half-joking reference to the fact that Ringo is not really a composer but is still capable of producing great music. He’s been defined as a drummer who plays melodically, as a guitarist, and it’s time to explore his production historically and critically.”
Like the McCartney volumes, this book tells the stories behind 157 of Ringo’s songs released between 1970 and 1997 – including songs written by other composers plus 23 unreleased tracks – each with detailed information on musicians and recording dates, anecdotes and contemporary interviews.
“During the period under consideration, Ringo goes through different phases of his career; he starts as an outsider, but he manages to achieve great success until 1974, first with the two singles ‘It Don’t Come Easy’ and ‘Back off Boogaloo’, and then with the albums Ringo and Goodnight Vienna,” explains Perasi. “During the second half of the seventies, he became increasingly marginalised in the music business, and the eighties opened amidst a thousand difficulties, with Ringo failing to revive his career through the project of an album in Memphis and his alcohol addiction.”
Out now, Ringo Starr: I Play the Piano If It’s in C. The Stories Behind the Songs (Vol. 1) 1970-1997is available worldwide from Amazon in both hardcover and paperback. For the USA click here, and the UK click here.
A Volume 2 will follow in 2026. See what I mean about prolific?
There are not one but two John Lennon and Yoko Ono films set for release shortly.
The first, and the most interesting, is One to One: John & Yoko which has just premiered at the Venice International Film Festival and is getting very good reviews. It is a documentary set in New York in 1972 exploring not only John and Yoko’s new-found love of that city, but also their musical, personal, artistic, social, and political lives – all with a backdrop of that turbulent year in American history. At the film’s core is the One to One charity concert for special needs children, Lennon’s only full-length concert between the final Beatle concert in 1966 and his death. The footage and music from that Madison Square Garden show has been restored with Sean Ono Lennon and his team producing a superb sound remix. This is one to look out for when and if it makes it to Blu-Ray. We can only wish for some sort of soundtrack audio release of the concert as well. For a great article on the film check out The Hollywood Reporter.
The second film, also set in 1972, is another John and Yoko feature-length documentary called Daytime Revolution. This details five crazy days the pair co-hosted the iconic Mike Douglas Show, at the time the most popular show on US daytime TV reaching an audience of 40 million viewers a week. As producers and hosts, Lennon and Ono where allowed to pick their guests including Black Panther Chairman Bobby Seale, social activist Jerry Rubin, and political activist and consumer advocate Ralph Nader. They conducted candid Q&A sessions with their studio audience, had conversations about police violence and women’s liberation, mounted conceptual art events, and made one-of-a-kind musical performances, including playing live with Chuck Berry and a poignant rendition of Lennon’s ‘Imagine’.
It looks like Daytime Revolution is set for a theatrical release in the US on John Lennon’s birth date, October 9, so look for it in a cinema near you. It will then be released on DVD and Blu-ray on November 26.
And of course September 26 sees the worldwide limited cinema release of One Hand Clapping, the film by David Litchfield documenting Paul McCartney and Wings live at Abbey Road Studios in August, 1974.
One Hand Clapping (and it’s accompanying soundtrack album) captures a moment when Wings had found and defined their sound. The documentary gives an insight into the inner workings of the band as they work and play together in the studio. The film, originally shot on 1970s videotape (code for “It looks pretty awful!”), has been scanned and restored at 4K. The between song dialogue has been de-mixed using Wingnut’s MAL software and the film features a new Dolby Atmos audio mix by Steve Orchard and Giles Martin. Find out if One Hand Clapping is showing near you and order tickets online.
Meanwhile, we’re still awaiting news of any film/music releases in celebration of The Beatles conquering America 60 years ago this year.
Rumor has it (from Ringo at least….) that there is some sort of Beatle film product on the way, possibly based around a re-issue of the Mayles brothers’ excellent backstage documentary The Beatles: The First U.S. Visit. Don’t know if this will be a stand-alone physical release on Blu-Ray, or if it will simply pop up as a streaming-only offer on Disney+ at some stage. Watch this space.
On the book front the next eagerly anticipated release is Mind Games, the companion piece to the audio of Mind Games The Ultimate Mixes. It’s due in shops from September 24. Like the John Lennon/Plastic Ono Band The Ultimate Collection and ImagineThe Ultimate Collection remixes which also had separately-sold thick books to accompany them, this book will be far more detailed than the 136 page book included in the 6CD/2 Blu-Ray deluxe box set. That book’s purpose is to unpack the music on those CDs and Blu-Rays. The separate Mind Games book goes much wider, examining not only the creation of the album in greater detail, the times in which was recorded, and what John and Yoko where up to.
Then, in December, comes the much-anticipated The McCartney Legacy, Volume 2 1974-80. This is the follow-up to 2022’s The McCartney Legacy, Volume 1 1964-73, described as the most complete work on the life and work of Paul McCartney ever published.
If authors Allan Kozinn and Adrian Sinclair bring the same level of exhaustive research to Volume 2 that made the first installment such a critical success, then this book will be a must-have. It is released on December 10 and is available for pre-order in the U.S. here and in the U.K. here.
For those of you with deep pockets who want to celebrate the Beatles continued domination of popular music in America in 1964, then Genesis Publications has a high-class book of photographs from the time for you.
Mania Days is described as “…the ultimate photographic record of the Beatles’ tour of the USA, as captured through the lens of the band’s photographer Curt Gunther, with introductory quotes from the Beatles’ press officer, Derek Taylor. Mania Days is a must-have book for Beatles aficionados and anyone interested in the transformative power of music and popular culture. The final 100 copies are now available in a new and updated binding and slipcase, specially designed to commemorate 60 years of The Beatles in the USA and 50 years of Genesis Publications in 2024.”
It has to be said that Mania Days contains some brilliant images capturing Beatlemania in all its crazy glory. Curt Gunther has a good eye and his black and white images are often striking. The only drawback is the £265 price tag. That is $514 Australian or $347 US. Granted, Genesis Beatle books have a tendency to hold or even increase their value, but it’s still a lot for a book! They must be selling them though as there are only 30 copies left, and the even more expensive “Deluxe” edition is listed as sold out on the site.
The subtitle of this blog is “Adventures in Collecting Beatles Music” and so we often get people inquiring about rare (or not-so-rare) pressings that they’ve come across out in the wild.
Like this one earlier this week from a reader named D-Wizz who is based in Brisbane, Australia:
I refer to the attached photos which are both sides of the same record. I note that the font used for each label is different. Side 2 looks like a 1960s style while Side 1 has an early 70s font. I cannot find an example of this on any Beatles related site, so I wonder is it a rarity, a mis-pressing, or something else? Does it make this copy any more valuable?
Thanks for your attention and assistance.
Regards, etc.
We love a challenge like this and delved into doing a little research. This is right at the heart of the adventures in collecting Beatles music! Here’s what we wrote back with:
Thanks for your email, and for sending through actual photos of the labels. This makes identification so much easier!
We’ve consulted the book An Overview of Australian Beatles Records by Jaesen Jones, which is a fantastic resource, plus his comprehensive website I Am The Platypus – The Beatles Australian Records Labelography – also very helpful in identifying Aussie Beatle pressings and variations. For what you need to know you should look at this page for the Sgt. Pepper’s label variations, and this page for further info on Australian label variations generally (click on the “Orange 1-Box” tab at the top).
What you have here is obviously a pressing of Sgt. Pepper’s that came out around October 1978 when EMI Australia was right in the middle of transitioning from one label design to another.
You’ve correctly identified that your Side 2 label is older – and in fact it is. It was the orange Parlophone label in use on Australian pressings of Sgt. Pepper’s from 1969-1978. It is known as the Orange 1-Box Style A, and has the word STEREO written large at the top.
Then, in October 1978, EMI changed that label to what is called the Orange 1-Box Style B. This still has the word STEREO, but now in a much smaller font and set to the right of the spindle hole above the catalogue number. This is your Side 1 label.
We’d guess that when they were pressing your copy it must have been right on the change-over date between the two variations in October 1978. They obviously had some of the older style Side 2 labels left over (Orange 1-Box Style A) and where just using them up. However, for Side 1 they’d obviously started using the new-look Orange 1-Box Style B labels.
(FYI there was a further orange label variation that was introduced from early 1979 called Orange 1-Box Style C that was used up to 1981. This had no mention of the word “Stereo” on it at all).
So, is your copy rare and more valuable? Well, it is interesting!
Jaeson Jones includes in his book a ‘Guide to Rarity’ and, on a scale of 1-10 (where 1 is very common, and 10 is very rare), he lists the Sgt. Pepper’s Orange 1-Box Style A as a 5, and the Orange 1-Box Style B as a 3. Both therefore are reasonably common I’m afraid – but at least yours is different and it has a bit of a story behind it! I dunno, maybe we’d rate it as a 6?
Very much looking forward to reading and reviewing Kenneth Womack’s latest – an authorised biography of the Beatles’ ever-present minder, Mal Evans.
If you live in the USA the book is published by Harper Collins and is called Living The Beatles Legend – The Untold Story of Mal Evans. It comes with this cover:
If you’re in the UK it is also published by Harper Collins, but has a slightly different title Living The Beatles Legend – On The Road With The Fab Four The Mal Evans Story, and comes in this cover variation:
In Australia it looks like we’ll be getting the UK edition.
The New York Times has a review headline which neatly sums up exactly what this book is about:
The publisher’s press release has a bit more:
The first full-length biography of Mal Evans, the Beatles’ beloved roadie, assistant, confidant and friend. A towering figure in horn-rimmed glasses, Malcolm ‘Mal’ Evans was an invaluable member of the Beatles’ inner circle. Serving as their long-time roadie, personal assistant and protector, he was a sometime lyricist, occasional performer and regular fixer at the height of the group’s fame and beyond.
But Mal’s dedication to his beloved ‘boys’ and his own desire for stardom took its toll, leading to the dissolution of his marriage and his untimely death in January, 1976.
Until now, Mal’s extraordinary life has remained shrouded in mystery. Drawing on hundreds of exclusive interviews and with full access to Mal’s unpublished archives – including his personal diaries, manuscripts and memorabilia – renowned Beatles scholar Kenneth Womack paints the first complete portrait of this complicated figure at the heart of the Beatles’ story.
Living the Beatles Legend is a fascinating but ultimately tragic tale about life at the edges of superstardom.
If you’re a completist and want to cross check that you have every physical and digital release, or if you’re interested in a smart, informed commentary on every song by Paul McCartney then this book series is for you.
Paul McCartney The Songs He Was Singing Vol. 5 2010 – 2019 is (as its title suggests) the latest installment in a series compiled and written by John Blaney. Blaney, a passionate Beatle fan, brings to his writing the expertise and rigour of a professional historian. After starting out in music retail he trained as a graphic designer and studied History Of Art at Camberwell College Of Arts and at Goldsmith College (both in London) before taking up his present post as the curator of a museum of technology. He’s the author and publisher of no less than twelve books on The Beatles, Paul McCartney, John Lennon and George Harrison.
In The Songs He Was Singing series Blaney has split McCartney’s songwriting and his steady release schedule roughly into ten-year slabs, with Volume 1 covering the period 1967-1979; Volume 2 the 1980’s; Volume 3 the 1990’s; and Volume 4 the Noughties (i.e. the years 2000-2009).
And that brings us to the present book (due out next month) and the years 2010 – 2019. Or, to put it another way, from the re-release of Band OnThe Run – the very first in the Archive Collection series – through to the bloated Egypt Station (Traveller’s Edition).
The way Blaney has structured the content in this series is comprehensive – with just a couple of caveats. For each entry you get US and UK release dates and chart positions, then the name of each song, the personnel who played, and recording locations. If it’s not a re-issue (or, if it’s a previously unreleased bonus track) you get an individual song description and an appraisal by Blaney. Then there’s a concluding “Data” section for each release detailing correctly and succinctly exactly how it was issued i.e. which formats (LP, CD, digital), along with the sometimes complex configurations and extras the release came in. This includes if promo copies were produced and distributed. It is great book for identifying those rarities which may have escaped your attention. A good example of this is the “Tug Of War Data” section where Blaney explains the more obscure extras. Like for example the Barnes and Noble-only 7″ bonus single ‘Ebony and Ivory’/’Rain Clouds’, released exclusively to their customers in a replica picture sleeve; or the fact that there was a very limited Super Deluxe Edition of the Tug Of War box set issued in a red acrylic slipcase with exclusive hand-numbered 8×10 photo prints. It’s detail like this the avid collector sometimes forgets. Then, for each release, there’s a selection of colour photographs of the packaging and labels to help further identify what you have – or what you might be still be seeking out for your own collection.
The album summaries and individual song descriptions which Blaney provides are worth a special mention – especially for their often outspoken honest opinions. It’s clear that while he reveres the McCartney canon, Blaney is no fanboy who treats everything McCartney touches as brilliant art. If there’s something he feels isn’t up to scratch he has no qualms in saying so. Take this example from the Archive Collection edition of McCartney II. Blaney is addressing one of the included bonus tracks, ‘Mr H Atom’/’You Know I’ll Get You Baby’:
“Not so much a song as a chorus in search of a verse, ‘Mr H Atom’ sounds like a demo recorded by an obscure New Wave band fronted by a female singer – Linda McCartney. Another example of McCartney being unable to flesh out his original idea, ‘Mr H Atom’ is little more than an unfinished fragment. If McCartney had the will to finish the song it may have developed into something a little more interesting. As it stands it’s of passing interest but no contender as a lost gem. ‘You Know I’ll Get You Baby’ is, if anything, less interesting. Consisting of the title repeated over a chugging 12-bar, it may possibly be the worst ‘song’ McCartney has allowed to slip out of his archives.”
Ouch.
Now to a couple of items missing from the book and, to be fair here, what we were sent for review is an early “proof” copy, so there could still be some changes prior to it’s October release. We think the 12 track Paul McCartney Live in Los Angeles should have been included. Yes, it was a free CD given away in 2010 to buyers of the UK newspaper The Mail on Sunday (and also The Irish Mail on Sunday), and it is related to a four-song EP called Amoeba’s Secret officially released on CD and 12″ single by Hear Music in 2007 and 2009 (so it my well have been detailed in a previous volume), but it was the first release of 9 previously unavailable live tracks. Having said all that, Blaney provides at the back of the book a separate section listing all the release dates, record company information, catalogue numbers, etc. Mentioned there briefly is the 2019, 2 x LP, 21 track Amoeba Gig album (also available on CD). But the Mail on Sunday release is different.
There’s also no mention of the 2011 CD re-issue of The Family Way original soundtrack on the Varese Sarabande label. Nor the 2015 vinyl LP of the same title. Again, these may have been dealt with in Volume 1 as the original did come out in 1967.
This volume does give a good amount of space (including some handy photographs) to the12″ EP Hope for the Future from 2015. This contains music McCartney composed for the Bungie online video game Destiny. It even references the very obscure (and rare) secret Record Store Day 12″ ‘Sweet Thrash’ single mix of the song. But it misses an important reference to a 6-LP release called The Music of Destiny Volume Icontaining the Destiny original soundtrack with many McCartney co-compositions, and a piece titled Music of the Spheres which ends with a movement called ‘The Hope’ that includes his ‘Hope For The Future (Main Version)’.
Having said that some items are missing, in all fairness these are minor and there is plenty here that will be a revelation – even to avid collectors. For us there was numerous releases included we hadn’t been aware of at all. For example in 2011 McCartney and his company MPL helped put together a compilation CD and LP of Buddy Holly cover versions. Rave On Buddy Holly has contributions from the likes of Modest Mouse, Florence and the Machine, Patti Smith, Nick Lowe, and Lou Reed. It also contains Paul McCartney singing a strange, rocky, distorted version of ‘It’s So Easy’. We also learn there was a different digital download only version of the same song sung in a more traditional Holly fashion. Of the CD version Blaney writes “…while McCartney delivers a passionate vocal, the backing is more than a little sloppy and sounds for all the world like a first run through…..And quite why [he] felt compelled to burst into an improvised rap before the track returns for a brief reprise is beyond me…..the result is like watching your dad dancing at a wedding: embarrassing.” When a song is great it gets praised in this book, but if it’s lacking then that gets called out as well – which is kind of refreshing.
Overall, this book is a delight to read, dip into, and is a great resource to cross-check your own collection. John Blaney has done a power of work in researching and engagingly critiquing (almost) every release by Paul McCartney between the years 2010 – 2019. Well worth having in your library.
Now all I need to do is track down the four previous volumes!
Now that international travel is slowly becoming more feasible for many of us again, a visit to Liverpool – the city where it all began for The Beatles – might just be back on your travel “must do” list.
If so, it’d be nice to have a guide to point you in the right direction when you get there.
Liverpool, on the banks of the River Mersey always looms large in any discussion about the formation of the band and their influences. Many of the physical places they lived or frequented have become key parts of the Beatle story. It is of course the city where John, Paul, Ringo and George were born, grew up in, and knew well.
Now a new guide book The Beatles’ Liverpool – just released – takes you there by gathering more than fifty Liverpudlian localities. The fully illustrated guide then explains why those particular places played such a key role in the band’s development and success.
Of course there are the obligatory entries for the childhood homes (Menlove Avenue for John, Arnold Grove for George, Forthlin Road for Paul, and Admiral Grove for Ringo); there’s the background to Penny Lane and Strawberry Fields; The Cavern Club; and the well-known St Peter’s Church, Woolton where John first met Paul.
But there are many more obscure listings too. Like Hulme Hall in Port Sunlight; the Neston Institute in Wirral; and 4 Rodney Street, birthplace of Beatle manager Brian Epstein.
There’s also a handy two-page guide map pinpointing the location of all the places mentioned in the guide.
If you’re planning a Liverpool visit, this book would be an essential to take with you – and it won’t cost you any excess luggage fees. At just over 44 pages The Beatles’ Liverpool is compact and light enough to easily slip into a travel bag or backpack to have with you as you walk the streets of the historic city.
Even if you’re still a way off physically getting to Liverpool, you can dive into The Beatles’ Liverpool and pay a visit vicariously. It’s the perfect armchair alternative to actually being there.
Author Mike Haskins was himself born and raised in Merseyside – and he still lives there! He’s worked as a scriptwriter and researcher for TV, radio and the stage, and has published over fifty books.
All you need to do is provide your name, email address and have a go at answering two easy Beatle Liverpool-related questions. Just click on the link below to enter:
Good luck!
UPDATE: Thank you to everyone who entered. And congratulations to the two readers who were first in with the correct answers!
They are Fred, from Ontario, Canada; and Diane from New York, USA. They will receive a copy of The Beatles’ Liverpool book, courtesy of Pitkin Publishing and Batsford Books.
The correct answers to our questions were:
In their early career band members purchased many of their instruments from which famous Liverpool music store? Hessy’s Music Centre
Ringo’s family hails from Liverpool’s Dingle area. His Mum worked at pub called The Empress there. In what way did Ringo put that building on the map? It’s on the front cover of his Sentimental Journey LP
Beatles Blog 