The Film Scores and Original Orchestral Music of George Martin

Here’s a release to look out for in November – a newly recorded disc of music composed by the late Sir George Martin.

Called The Film Scores and Original Music of George Martin this gathers together a cross-section of works illustrating his musical genius – some for the very first time: The music is performed by The Berlin Music Ensemble, under the baton of US-born producer, composer and arranger, Craig Leon who is the driving force behind the project.

“When I was going through it, I was just struck by the elegance of the composition and how much they fit the era that I grew up in music, and again made me think how much I wouldn’t have even had the life I had if George Martin hadn’t done what he did,” Leon said. “He bridged the gap between an interpretive producer and a creative producer, which was the thing that I wanted to do.”

The recording will be out on November 10 on CD and digital download on the Atlas Realisations label. Then, in January 2018 to celebrate George Martin’s birthday, a 2LP vinyl edition will also be released.

The track listing:

  • 1-5 The Pepperland Suite (Original music written for the film Yellow Submarine)
  • 6-9 Live and Let Die Suite (Original music written for the film Live And Let Die)
  • 10-12 Three American Sketches for Violin & Chamber Orchestra
  • 13 Judy’s Theme
  • 14-16 Under Milk Wood Overture (Incidental music to Under Milk Wood by Dylan Thomas)
  • 17 Belle Etoile (* First recording)
  • 18 Waltz in D Minor for Flute & Chamber Orchestra
  • 19 Prelude for Strings
  • 20-29 The Mission Chorales (* First recording of the original sketches written for the film The Mission)

And here’s a short background video featuring Craig Leon talking about how the project evolved:

We love the music of George Martin. See also:

Vale Sir George Martin

Produced by George Martin – New DVD/Blu-Ray

Produced by George Martin – Six CD Box Set

New Book: The Beatles Recording Reference Manual – Volume 1

A fascinating and well-researched new Beatle book has just landed. It’s rather lengthy title is The Beatles Recording Reference Manual – Volume 1: ‘My Bonnie’ through ‘Beatles For Sale’ (1961-1964). The book is written by musician, recording engineer, producer and Beatle aficionado, Jerry Hammack:

As the front cover says: “From the first take to final remix, discover the making of the greatest pop recordings of all time”. It is the first installment of what will be a four-book series.

Volume 1 takes us in great detail through the albums Please Please Me, With The Beatles, A Hard Day’s Night, and Beatles For Sale.

Over eight years in the making, Jerry Hammack has collected and analysed hundreds of recordings (takes, outtakes, remixes and the officially released versions), read hundreds of books and magazine articles, scoured photos, film and videos, and interviewed key personnel who worked on Beatle sessions to compile a definitive statement about just how each of their classic recordings was made.

From his home in Toronto, Canada, Hammack explained, “I’d be working on a session and an artist would ask for McCartney’s bass sound on Sgt. Pepper, or Clapton’s solo guitar sound on ‘While My Guitar Gently Weeps’. While I could eventually track down the details that brought those sounds to life for them, it required a lot of detective work sorting through outdated, or even worse, unsubstantiated misinformation on the topic. As The Beatles influence is as present now as its ever been, I thought it was important to put those questions to rest.”

And put them to rest he does. The Beatles Recording Reference Manual – Volume 1 – ‘My Bonnie’ through ‘Beatles For Sale’ (1961-1964) includes song-by-song descriptions of the entire recording process, complete with diagrams to visually describe what happened with each song. This allows the reader to follow the critical milestones of each work. Every entry has detailed session by session breakdowns of the people involved, instruments and studio tools used. Plus there are numerous appendices at the back of the book covering release versions, gear, and more.

You’ll find in this book minute detail – right down to the studio gear in the control room at the time – like this beautiful old Telefunken M10 Master Recorder (which was the model used to record masses of the band’s earliest songs):

The book also has what I very much like to see in reference works of this nature: a Glossary of Terms, a thorough Bibliography, and a comprehensive Index, making things easy to find and cross reference.

Future volumes in this definitive, four-volume series will be released approximately every 6 months. Jerry Hammack has created a great website to support the book series, and you can purchase his book direct from the site, or through Amazon (where you can also take a “Look Inside” peek at the contents). Here’s the rear cover of Volume 1 (click the image for a larger version): 

Volume 2 will take us from Help! to Revolver (1965-1966); Volume 3 will look just at 1967 (Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour); and the final in the series Volume 4 takes in the LPs The Beatles (aka The White Album, through to Abbey Road (1968-1970). Really well worth getting hold of if you love to delve into how Beatle magic was made in the recording studio.

The Beatles DeAgostini Vinyl Collection Has Been Extended

Looks like the newsagent and mail order Beatles Vinyl Collection series from DeAgostini has recently been extended to five more countries: Germany, Austria, Luxembourg, Spain and Japan.

https://www.youtube.com/watch?time_continue=9&v=IodYkYmq9CI

These re-issues (all beautifully pressed on 180gram vinyl at the French MPO plant) are still going strong in Italy (where they are now up to On Air – LIve at the BBC Vol.2, which is issue 18 in the 23-issue series), and in the United Kingdom (where they are up to issue 15 –Anthology 2).

A friend just sent us this photo – a news agency window in Spain:

Absolutely Amazing Sgt. Pepper Photo Research

We saw this page a little while back in the lead-up to the Sgt. Pepper’s Lonely Hearts Club Band 50th Anniversary reissues, but it has since been added to substantially and grown even more comprehensive.

The “Sgt Pepper Photos” website is a project dedicated to locating the exact source images for all the photographs and items used on the cover of The Beatles’ 1967 album Sgt Pepper’s Lonely Hearts Club Band.

It is very much worthy of mention. In fact, the more that word gets around, the more likely that additional original photographs and information will emerge and the site can be updated and added to.

Here are just a few examples of what the page is trying to do:

(click on images to see larger versions)

Above each image is some research about the celebrity or person and why they were chosen for the iconic cover.

We agree wholeheartedly with the person in the “Comments” section below the research who says:

“All of this amazing research deserves to be compiled into a physical book, a full-colour coffee table-sized volume, the annotated Sgt. Pepper cover. Have you considered doing this? This is the book that should have come out on the 50th anniversary of the album. Well done, sir!”

Chris, the owner of the site, has also added a lengthy article about the photographic assistant on the day, Nigel Hartnup The Man Who ‘Really’ Took The Photo. Also fascinating and well worth reading.

Penny Lane/Strawberry Fields Forever RSD

Thanks to a very kind reader of beatlesblogger.com (Koen in Belgium – you know who you are!), we now have the elusive, limited-edition Record Store Day ‘Penny Lane/Strawberry Fields Forever’ 7-inch single re-issue.

Only 7000 copies were issued worldwide, but very few made it to Australia.

Front cover:

Rear cover (complete with original fold-over flaps):

And the RSD sticker up close:

Thanks again for sourcing and sending this to us! So good to have this in the collection.

(See also this RSD Update, and as usual, click on images above to see larger versions).

 

Sgt. Pepper – Japanese 50th Anniversary Re-issue Extras

Got to admit, this is pretty cool and tempting:

In Japan, as they usually do, the forthcoming deluxe box set edition celebrating the 50th anniversary of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, will come with some neat additional extras – including a cut-out diorama of the classic cover image. Here’s what the diorama will look like when constructed:

As you can see on the advertising flyer above “assembly takes 2-3 hours (so you can enjoy the Sgt. Pepper album 3-5 times!)”. There’ll also be two mini gift cards, and this A2-sized poster included as a “first pressing bonus”:

Finally, the CD’s inside will be in the high-fidelity SHM-CD format – something audiophiles believe gives higher quality sound than just the usual CD pressing. This is also exclusive to the Japan edition of Sgt. Pepper’s.

Another Addition to McCartney’s ‘Flowers’ Deluxe Box Set

In the lead up to the release the Paul McCartney Flowers In The Dirt deluxe box set, Paul Sinclair from Super Deluxe Edition was one of the people leading the charge to have a physical CD included instead of the proposed “Download Only” selection of B-sides, Remixes, Single Edits and Cassette Demos.

His role in the protest led to a call from Scott Rodger, McCartney’s manager, who laid out the reasons behind the download only decision.

It also led Paul Sinclair to publish on his site a series of interviews with the producers who, back in 1989, collaborated with McCartney on the original recordings for Flowers In The Dirt. They each gave a unique insight not only into what it was like to work on the project, but also what it was like to work with Paul McCartney.

The reaction to those interviews was such that Sinclair subsequently produced a limited edition printed booklet called In Their Own Words: The Producer’s on Paul McCartney’s Flowers in the Dirt:Here’s a typical page (as usual, click on the images to see larger versions):

In a nice touch the booklet is designed to slip in alongside the other four books that come with the deluxe box set:

The booklet is a professionally designed and printed, 16-page document containing the original 9000-word interview feature (as published on SDE) along with 1200 extra words exclusive to the printed edition. Only 500 copies were initially produced and made available for sale through the Super Deluxe Edition site. Each was numbered and signed by Paul Sinclair. Ours is number 347/500:

The initial print run of numbered and signed copies sold out in less than 48 hours. In response to demand, there has been a second print run of this booklet. These are unsigned and not numbered, but otherwise identical. So if you’d like one, get in fast.

See also our solution to the “Download Only” issue.

Russian Fake Beatle Records and Sleeves Exposed

If you collect Beatle discs from around the world then the Russian Beatle site beatlesvinyl.com.ua is a goldmine of information for records from that country:

Alongside their already impressive catalogue and detail about every official Beatle and solo release in that country, they’ve just added a massive new section on fake pressings and sleeves:

 

 

 

 

 

 

 

 

 

As usual, the detail and depth of their research and knowledge is first-rate. We’ve used it extensively to research our collection of different pressings of Paul McCartney’s Choba B CCCP for example (see here, and here).

The site is in Russian and English, and alongside all the local releases (both official and fake) it contains a comprehensive and up-to-date general catalogue of every Beatle and solo release from the UK/EU, and the US, plus a whole section on Apple Records as well.

There’s also a big section on Beatle cover versions over the years by Russian artists.

Sgt. Pepper Previews and Liverpool Sound Collage

Alternate versions of some of the songs from the forthcoming 50th Anniversary Edition of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band are beginning to appear on the web.

There’s this one, a stripped-back example of the title track, ‘Sgt. Pepper’s Lonely Hearts Club Band [Take 9 and Speech]’:

It’s interesting on a whole range of levels, not least because we now know exactly where Paul McCartney went for inspiration for his experimental album Liverpool Sound Collage, released back in the year 2000.

If you listen to the ‘Sgt. Pepper [Take 9]’ track at around 2’08” in, he’s singing the same words we hear on the track ‘Free Now’:

On the Liverpool Sound Collage album cover McCartney credits The Beatles (and collaborators the Super Furry Animals), but not exactly where the Beatle samples used across the album come from. Now we know the origins of at least one of them.

Alternate take tracks are being intentionally leaked to the media as part of the publicity for the big Pepper 50th Anniversary next month. ‘Sgt. Pepper’s Lonely Hearts Club Band [Take 9  and Speech]’ was played on the Chris Evans Radio Show (BBC Radio 2). It was also given to the British newspaper The Guardian, and to US radio station WCSX in Detroit, which has also played a preview of ‘With A Little Help From My Friends [Take 1 – False Start And Take 2 – Instrumental]’:

 

 

Massive Beatles Record Store Day Fail – An Update

Well, our initial post on Record Store Day about a fruitless early morning hunt for The Beatles ‘Penny Lane/Strawberry Fields Forever’ 7″ single and Paul McCartney’s Cassette Demos release with Elvis Costello has garnered some reaction.

On social media we’ve copped some criticism for expecting there to be copies of the Beatles RSD disc in one of the largest independent record stores in Sydney, Australia – which I might add is a city of over 5 million people. The store had two copies.

Roger Stormo over at The Daily Beatle has posted an interesting comparison.

He lives in a small town near Oslo in Norway. His local store just down the road had two copies of ‘Penny Lane/Strawberry Fields Forever’.

Meanwhile, in the city of Oslo itself (population 1.71 million), a friend of Roger’s said that late into Record Store Day there were still plenty of Beatles singles available in two of the participating stores there. They sent him this photo from one of the locations: 

As you can see above, there was a stack of the 7″ single left. A rough estimate would be at least 40 to 50 copies. They even had multiple copies of the McCartney/Costello Cassette Demos tape still available, and this was after the store had been open for about 4-5 hours:

To quote Roger: “So it seemed there were more of these Beatles and related items in Oslo than anywhere else on the planet! How very strange. The single was supposedly pressed in only 7,000 copies and the cassette just 2,500. So how come so many of them ended up in Norway?”

Indeed. 

Meanwhile, this eBay seller reckons he can get $75.00 US for the ‘Penny Lane/Strawberry Fields Forever’ RSD single (that’s about £58.00 UK, €70.00 Euros, or $100.00 Australian).

Go figure.