Tag Archives: Beatles Related

Some Unusual Asian Beatles Items – Part Two

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This blog is sub-titled “Adventures in Collecting Beatles Music”, and this post continues an examination of some South East Asian Beatles releases purchased in Hanoi on a recent trip to Vietnam.

Further investigation of these hasn’t categorically ruled out their legitimacy but it seems more likely that they’re actually illegal fakes that someone (in China) has taken a lot of time and trouble to manufacture to make them appear very much like official releases…..

In Part One I wrote about the 5 DVD “Anthology” box-set I found in Hanoi.  This next post is about a series of six double CDs called “The Beatles Double Golden Collection”:

It’s a series where two Beatles albums have been released in one CD box, each with an outer cardboard slipcase. The ones I was able to purchase were:

Magical Mystery Tour and Yellow Submarine

Please Please Me and Sgt Pepper

Revolver and WIth the Beatles

Help and Rubber Soul

Abbey Road and Let It Be

Hard Days Night and Beatles For Sale

Each CD has the same documentaries as those found on the recent stereo “Beatles Remastered” discs. So, its clear that these CDs came out following the October 2009 release of those new “remastered” CDs.

If that’s the case then I can only assume that there must be at least two more titles in the “Beatles Double Golden Collection” series. There should be one that has the 2 CD “The Beatles” (White Album)”, and one for the 2 CD “Past Masters” release.  These would then fill out the catalogue. The shop in which I purchased the CD’s above mustn’t have these two titles in stock at the time – so I was able to get only these six.

These releases are interesting for a couple of reasons. As you can see above, they have a large logo at top left of the packaging for something called SHM-CD or “Super High Material CD”.  According to the internet this is “…an advance in the materials used in the production of Compact Discs that uses super quality, enhanced transparency polycarbonate material in the manufacture of CD’s”. The aim of this is to improve the sound. A Google search reveals what looks to be legitimate information about SHM-CD . It says it was invented by Universal Records and the Japanese electrics company JVC – both well-known and respected companies. This official-looking website has more information about the technology and some of the releases on SHM-CD. The rear of the slipcase also has some detailed information (in Chinese) about SHM-CD – see the top right-hand side of the image below (click on the image to make it larger):

Slipcase for Magical Mystery Tour and Yellow Submarine, with panel about SHM-CD

There’s also a panel showing what looks like very official logos for Apple Records, QuickTime, Enhanced CD, and Compact Disc:

I’d really love to hear from anyone out there who can read Chinese and can shed some light on what the small print says, or who knows if these are legal Chinese copies of Beatles discs.

As to the contents of each CD, they appear to be exactly the same as the recent Beatles Stereo Remastered series – and the quality of the recordings is first rate. The 2-CD jewel cases are not of a standard size but larger in every dimension. You can see this clearly below when they are placed side-by-side with a standard CD jewel case:

Standard CD jewel case (top) compared to Double Golden Collection jewel case (below)

The spines are also wider than standard:

Spine of a standard CD (right) compared to the Double Golden case (left)

Inside there are two CD’s on a swinging inner “door” with CD disc “A” on one side and CD disc “B” on the other:

The booklets in the “Double Golden Collection” contain lots of photographs of the Beatles. There is no text in the booklets at all. All the photos are exactly the same as those found in the booklets which come with the latest official Beatles “Remastered” series:

"Please Please Me" and "Sgt. Pepper" booklet

"Please Please Me" and "Sgt. Pepper" booklet

Here’s a closer shot of one of the CDs in the set:

"Please Please Me" and "Sgt. Pepper" CD 1

The rear cover of the jewel case details all the songs on the two albums. Notice the reference to the the special mini-documentaries. These were produced by Apple and accompany each album in the “Remastered” series as well:

Rear cover of the CD jewel case for "Please Please Me" and "Sgt. Pepper". Notice the last track for each title is the "making of" mini documentary for each album - just like in the official "Remasters" series

Again, the official logos (including Apple) and even a bar-code appear, making it tough when you are standing in a Hanoi record store trying to decide if these are indeed legitimate releases sanctioned by the Beatles and their record company Apple Records. If these are fakes whoever produced them has gone to extraordinary lengths to make them appear to be legitimate Beatle releases.

The other thing is – since returning home I’ve researched these titles fairly extensively on the web and can find nothing about them. I think that this post may be the very first to detail them.

See also Some Unusual Asian Beatles Items – Part One, and also Some Unusual Asian Beatles Items – Part Three

From A Lover To A Friend – Rare US version

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Ned in the US sent me images of another rare and collectable CD in his collection. This time, Paul McCartney’s US version of the CD single “From A Lover To A Friend”.

It was released in 2001 just after the terrible news of the World Trade Centre attacks in New York City came through. (In fact, at the time of the attacks McCartney himself was stranded on a runway at JFK Airport just outside NYC in a plane that had been grounded that day due to fears that other aircraft might be hijacked….).

In September 2001 Paul McCartney had just released the first CD single from his new album “Driving Rain”. On both sides of the Atlantic this was to be Track 2 from that record, the song “From A Lover To A Friend”.

However, as a result of what happened on 9/11 he decided to withdraw “From A Lover to a Friend” in the US and rush-release a different single, a patriotic song called “Freedom” which he’d written the day after September 11.

This is the stuff that collectors items are made of and Ned was in the right place at the right time yet again. He’d purchased a copy before it was taken off the shelves forever and kindly sent through these images of the now-rare US CD:

"From A Lover to a Friend" - rare withdrawn US version (front)

"From A Lover to a Friend" - US withdrawn version (rear)

"From A Lover to a Friend" - US version (case open)

Incidentally, all profits from the “Freedom” single (right around the world) went to aid the families of the New York Fire Brigade and Police who lost their lives trying to assist those in need and to deal with the catastrophe.

The promo cover of the US “Freedom” single looked like this:

Promo cover for US "Freedom"

Interestingly “From A Lover to A Friend” remained on sale in UK. Its got the same cover as the withdrawn US version:

"From A Lover to a Friend" - British release (front)

In Britain McCartney released “Freedom” as a second CD single later, backed with “From a Lover to a Friend” plus a different remix of that song. Here’s that British edition of “Freedom”:

British version of "Freedom" (front)

The same thing happened in Australia. Here’s a very rare “rush release” promo copy of “Freedom” that was sent to radio stations here:

Australian "Freedom" promo copy

The hand-written look and signature on a piece of paper from an exercise book was actually properly printed.

Following the release of the single McCartney performed four songs, including “Freedom”, at a special concert called “The Concert for New York City”. It was staged in 2001 to raise funds for victims the disaster and was recorded and released on CD and DVD later. Here’s the CD cover:

The Concert For NYC (front)

There’s more info about “Freedom” and a video of the Concert for New York live performance of the song (plus a live “Let It Be” with Eric Clapton) here.

Some Unusual Asian Beatles Items….Part One

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OK. I’m going to preface this first post on some unusual CD and DVD items I acquired in a South East Asian country with a statement that I don’t collect Beatles bootlegs and I don’t support or promote piracy in the music business. All my collection to date has been made up of legitimate, officially released discs – that’s CDs, LPs, singles, books, DVDs, magazines and other printed items.

Recently I was able to spend some time on holiday in Vietnam. Like most Asian and developing countries there are many opportunities to buy fakes – everything from Louis Vuitton luggage and Gucci handbags to Ray Ban sunglasses and Tag Heuer watches. Of course there are lots of stores, markets and street vendors selling illegally copied DVD films as well. There are not so many places to buy music – but they’re there if you seek them out. In the central Vietnamese city of Hue I walked into a store selling mostly fake DVDs and a bit of music on the side and saw a copy of Paul McCartney’s latest 2 CD release “Good Evening New York City”. It was easy to tell it was a fake. It came (like all the cheaply copied DVDs do) in a flimsy clear plastic bag (i.e. no hard jewel case or Digipac cardboard). The artwork was all there ready to put it into a CD jewel case, but it looked like a cheap photocopy. The discs had rudimentary labels printed on them but clearly looked fake. No catalogue numbers, copyright info, not even the title of the disc. One disc had the words “Paul 1” printed roughly on it, the other “Paul 2” and that was it. It was selling (in the local currency) for 20,000 Vietnamese Dong – that’s US$1.03, or $1.17 Australian. And that’s even before any bargaining over the price. I decided I really didn’t want to buy a copy – even for the novelty value.

At the other end of the scale are those CDs and DVDs where its obvious that a lot of time and effort has gone into producing what looks to be an absolutely legitimate release. Standing in a shop in Hanoi (which I did last week) it becomes really hard to tell. Is what I’m looking at the version sanctioned by the artist and record company as the official release for China and South East Asia?

Take this example of the Beatles “Anthology” 5 DVD box set. I got it from a shop in Hanoi that was filled with what looked like official releases. All movie stock was in standard DVD packaging with proper labels. It was not one of the shops dealing in fakes.

It looked like this. Here’s the front of the box:

Chinese Beatles Anthology - front

This copy still has the shrink-wrap around the sturdy cardboard box, though the opening has been cut by me so that the DVDs can be removed. The sticker is attached to the shrink-wrap.

Compare this to this official release purchased in Australia:

Official Beatles Antholgy DVD - front

Again, the shrink-wrap is still around the box. The sticker is also on the shrink-wrap.

Here are the Chinese DVD spines:

The five Chinese DVDs

Compared to the official release:

The official release

The number “12” in the pink circle on each refers to the censorship rating in Australia. Apart from that, not a lot of difference….Here is the sticker on the base of the Chinese version:

Sticker on base of Anthology DVD box - Chinese

As you can see, the Apple word is written but the Apple logo itself is missing. Also, apparently common with cheap copies, there are small spelling mistakes. Notice in the centre box of the sticker the words “Doldy Digital 5.1 surround sound”. It should be Dolby Digital 5.1 sound. This sticker appears to be stuck over the printed label actually on the box. You can faintly see the bar code, etc. underneath. Otherwise the Capital, Abbey Road, DVD Video, Dolby Digital and DTS logos on the right-hand side all look legit. Compare it to the Australian official release, where the label is printed onto the box:

Official Anthology DVD box - sticker on box base

Notice the official release has a Parlophone logo instead of Capitol which is just a territory thing (Parlophone seems to get half the world, and Capitol the other half!). There’s also a Region 1 DVD symbol, and a bar code.

Inside the individual DVD containers the story is similar. The actual discs in the Chinese version are very well-printed and look very official:

Chinese DVD disc

They even say “Printed in the USA”. Compare this to the official release:

Anthology DVD - official release

However, the Chinese stuff up the sequencing of labels on the DVD discs.

Disc One, as you can see above, has Episodes 1 & 2 on it and correctly contains those episodes. Sadly, Disc Two is also labeled Episodes 1 & 2, but actually has Episodes 3 & 4.

Disc Three is incorrectly labeled Episodes 3 & 4, but contains Episodes 5 & 6. And Disc Four is incorrectly labeled Episodes 3 & 4, but correctly contains Episodes 7 & 8.  The “Special Features” 5th disc is incorrectly labeled Episodes 5 & 6 but contains the correct Special Features material…….so, all the contents is there across the five discs. Just a severe lack of attention to detail on the part of the counterfeiters. However, they all play well and the quality of the video looks perfect.

The other noticeable difference to the official release is that the Chinese versions don’t have the small booklets inside each DVD box outlining the contents of each episode. These are in official release and look like this:

DVD Booklet - front - from episodes 1 & 2 in official release

Anthology booklet (rear) - inside each DVD box of the official release

So, you can see that standing in a shop in Hanoi, deciding if this is official or not (especially while it’s still sealed up in its shrink-wrap) is very tricky. The price might have been a give-away: this 5 DVD box set cost 250,000 Vietnamese Dong. That’s around US$12.80 or AUS$14.80. Very cheap. It also doesn’t help if you don’t read Chinese. Here’s a close-up of the sticker on the front:

Sticker on the front of the Anthology DVD box set

Vietnam is actively cracking down on pirate or illegal copies of DVDs, CDs, clothing and watches. While there I read an article in one of the national papers that police are actively trying to break up the flow of counterfeit goods from across the border in China. When departing the country via Ho Chi Minh City airport all travelers bags are X-Rayed separately to the usual security check specifically to identify and confiscate goods, or to fine travelers for having fake DVDs. A New Zealand family in front of us were caught. They had in their bags over 60 copied DVDs they’d bought on the street. They were given the option of handing them over, or keeping them and paying a fine of US$50.00 (at first they were asked to pay a US$100.00 fine, but talked the official down…interesting). They decided the pay the fine and keep their DVDs. All the CDs I had purchased, plus the Beatles “Anthology” 5 DVD box above were in our suitcases and were also X-Rayed. We were not stopped by the airport officials. I’ll detail some of the Beatles compact discs I purchased in the next posts. Again it was confusing and difficult to pick the real from the fake.

See also Some Unusual Asian Beatles Items – Part Two and Some Unusual Asian Beatles Items – Part Three

Label Variations Part Four – Shaved Fish

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Earlier this week I blogged about an interesting CD variation of John Lennon’s “Shaved Fish”.

That post prompted me to drag out the vinyl copies of this 1973 “Best Of” compilation and publish some photos of the different versions I have in the collection.

The front cover, rear cover, and inner sleeve of this album in LP form seems to be very consistent right around the world. Here’s a typical front cover. This one below is the Italian release:

Italian front cover of Lennon's 1973 "Shaved Fish"

And here is the rear cover:

"Shaved Fish" rear cover (Italy)

There is a strong Japanese influence to the graphic design throughout, which was provided by designer Roy Kohara who worked again with Lennon as Art Director and Designer for both his “Walls and Bridges” and “Rock’n’Roll” LP’s.

The sub-title for this album seems to be “Collectable Lennon” as this phrase is printed on the rear covers of both the Italian and British versions of the album. Its not on the US or Australian rear covers, but does appear on a big sticker on the front of the US copy of the LP that I have:

All copies seem to come with an inner sleeve which is solid red on one side with the lyrics for each song printed in white. The other side has a red rising sun, reminiscent of the Japanese national flag, continuing Kohara’s Japanese theme:

Red inner sleeve with lyrics - Italian release

Kohara's Japanese theme continued on inner sleeve

Here’s the label for the Italian release – a green Apple label:

Italian Apple label

I have two versions of the Australian release. The original Apple label:

Australian green Apple

And the later Parlophone black and silver re-issue:

Australian Parlophone re-issue

The U.S. release is a green Apple:

US green Apple label

And finally the U.K. release, again a green Apple label:

UK green Apple label

If you’d like to see some more label variations you can go to:

Label Variations – Part One “Sgt Pepper”

Label Variations – Part Two “Let It Be”

Label Variations – Part Three – McCartney’s “Choba B CCCP”

and

The Beatles “Love” collectable variations

Apple Records – Re-releases Announced

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I’ve been away traveling for a while without ready access to a computer and so have missed updating the blog with a significant announcement by Apple about some forthcoming non-Beatles re-releases. So, in case you missed it, here’s a catch-up post.

I’ve been buying records on the Apple label since I was a teenager. They were all Beatles releases of course as at the time that was the extent of my interest and my knowledge of the Beatles record label’s activities. It wasn’t until about fifteen years ago that I realised that alongside their Beatles releases the record label also issued a wealth of other artists, and so I began trying to catch up on these and started to collect the entire Apple catalogue in earnest. I’m still engaged in that quest. There are a lot of original records out there still to track down…..

As one fellow blogger put it “…part of what makes Apple so fun to collect is that the label’s artist roster in the late 60s and early 70s was so varied. Apple covered everything, from the Modern Jazz Quartet, to the folk of Mary Hopkin, to the avant-garde orchestration of John Tavener. The label also released a handful of film soundtracks, and launched the careers of some pretty high-profile artists such as James Taylor and Badfinger.”

Well, when I got back from my travels the other day I found this emailed press release (dated July 6) from Apple Corps Ltd in my inbox:

Badfinger, Billy Preston, Mary Hopkin, James Taylor, and more. Apple Records catalogue remastered and reissued on CD and digital download – Classics Set For Release on October 26th

Launched by The Beatles in 1968, as the new outlet for their own recordings as well as the music of an eclectic roster of artists – James Taylor, Badfinger, Billy Preston, Mary Hopkin, Doris Troy, and Jackie Lomax among them – who were all personally brought to the label by The Beatles (individually and/or collectively), Apple Records made popular music history from the very moment it opened its doors.

Four decades later, Apple Corps Ltd. and EMI Music raise the curtain on remastered CD and digital download releases of 15 key albums from the Apple Records catalog. All 15 titles will be released on October 26th. Most of the physical CDs will include bonus material. Together, the 15 albums represent the first ever Apple Records releases to be available via digital download.

In the revolutionary spirit of 1968, The Beatles’ explosive musical output (characterised by their double-LP White Album) was only exceeded by their fascination with what they saw and heard going on around them. Five years into The Beatles’ reign, Apple Records afforded them the unique opportunity to sign new (and established) artists who appealed to each of them. In turn, the introduction of an artist on The Beatles’ record label was an imprimatur taken very seriously by fans across the universe.

Apple Records’ utopian artist-orientated mission immediately set it apart, as the first operation of its kind in the major-label sphere. Diversity was celebrated, and artists were encouraged to record and release their music in a friendly creative environment. Apple developed a distinctive graphic aesthetic, from its legendary ‘apple-core’ logo to its advertising and merchandising, in the process setting a subtle new benchmark for the industry to follow.

From 1968 to 1973, Apple Records bedazzled the world with a rainbow spectrum of releases – and fans were unusually well-informed about individual involvements of The Beatles with nearly every project. 1968’s self-titled debut album by Boston-based singer-songwriter James Taylor, for example, features Paul McCartney and George Harrison on “Carolina In My Mind”. Paul was instrumental in bringing the Welsh chanteuse Mary Hopkin to Apple, and produced her debut single, “Those Were The Days”. Badfinger, also from Wales, was still known as The Iveys when they recorded “Come And Get It”, written and produced by Paul (for The Magic Christian movie soundtrack).

The Beatles had been fans of Billy Preston ever since seeing him in Little Richard’s band in Hamburg in 1962. George went on to produce and play on Preston’s Apple debut, That’s the Way God Planned It. Harrison was one of the producers and played (along with Ringo Starr) on Doris Troy’s self-titled Apple album. George also produced and played (with Paul and Ringo) on Jackie Lomax’s debut album, Is This What You Want? featuring the Harrison composition, “Sour Milk Sea”.

John was much taken with the music of The Modern Jazz Quartet, who released the only two jazz albums in the Apple catalogue. Ringo was intrigued by the music of contemporary British classical composer John Tavener, and his Apple album, The Whale has become one of the most sought-after Apple collectibles of all time.

Each of the 15 albums in this bumper batch of Apple Records releases has been digitally remastered at EMI’s Abbey Road Studios in London by the same dedicated team of engineers behind The Beatles’ recent remastered catalogue releases of 2009.

For details about the release, visit www.applerecords.com

Many Thanks

thebeatles.com

The releases (15 titles in all) are:

  • James Taylor (1968) by James Taylor
  • Magic Christian Music (1970) by Badfinger
  • No Dice (1970) by Badfinger
  • Straight Up (1972) by Badfinger
  • Ass (1974) by Badfinger
  • Post Card (1969) by Mary Hopkin
  • Earth Song, Ocean Song (1971) by Mary Hopkin
  • That’s The Way God Planned It (1969) by Billy Preston
  • Encouraging  Words (1970) by Billy Preston
  • Doris Troy (1970) by Doris Troy
  • Is This What You Want? (1968) by Jackie Lomax
  • Under The Jasmine Tree (1968), and Space (1969) by the Modern Jazz Quartet (a 2-on-1 CD)
  • The Whale (1970), and Celtic Requiem (1971) by John Tavener (a 2-on-1 CD)

It has to be said that this is not the first time these titles have been re-issued by Apple. There was another major campaign between 1991-1993 when they were all released for the first time on CD. That campaign also saw them released as vinyl LPs, complete with the original artwork and lots of bonus tracks, additional photographs, etc….So, for many collectors it will be a case of having to decide whether or not to get these 2010 releases a second time. What’s new is that they have all been freshly re-mastered by the engineering team at Abbey Road (who did the recent Beatles re-masters), and that they’re to be available as digital downloads for the first time making these re-issues the first Apple product ever available in that form. Can an announcement about the Beatles catalogue being digitally down-loadable be far behind?

To mark that 1991-1993 release campaign Apple Records released this special apple-shaped extended play CD.

John Lennon – A “Shaved Fish” Variation

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A while back blog reader and correspondent Ned in the US sent through some photos of Beatles and Beatles-related oddities from his collection. I’ve already published a couple of posts featuring his rare “Love” CD single, and a still-sealed copy of the “Lennon” 4 CD box set with a unique printing error that he has.

Ned has also sent some shots of an unusual copy of John Lennon’s 1975 compilation CD “Shaved Fish”. Its believed this is a rare withdrawn release originally made in Japan but intended for the US market, and that it was subsequently withdrawn from sale and replaced with (the more common) locally pressed Capitol version. As you can see below there are variations in both the rear cover and interior artwork, and in the printing on the CD itself. Here’s the rear cover of the rare version:

Rear cover of the withdrawn "Shaved Fish" release

Ned writes: “The back cover art of the withdrawn “Shaved Fish” doesn’t list the producer credits on the bottom that are found on the common U.S. release.  Also notice that the label number CDP 7 46642 2 (upper right corner) is the same as the common [U.S.] one, indicating that the release was intended as the official U.S. CD.  Had this Japan-made CD been intended for the Japanese market or elsewhere it would have had a different reference number. I’ve also included a photo of both releases side-by-side.  It’s possible that the EU version of “Shaved Fish” has the same art as the withdrawn U.S. one but since I’ve never run into a European import of it I can’t confirm that”:

”]

Ned says: “The withdrawn version (pictured on top) has the words “Lennon Plastic Ono Band” at the top of the disc just under the EMI logo and the name, “Shaved Fish” at the bottom.  While the official and far more common re-release (pictured on bottom) shows the Capitol logo instead of the EMI logo while John Lennon’s full name appears without the addition of the Plastic Ono Band.  (It’s awkward to call the bottom one the “official release” since most people never knew there had even BEEN a withdrawn one).  How did I acquire this withdrawn one?  I really don’t know!  I just bought it when it came out and then it swiftly disappeared for a few years until I saw it again in it’s reincarnated state.”

Thanks again to Ned for providing these photos and info. If anyone has any further information on this Lennon release it’d be good to share it. Either post a comment using the blog “Comment” link below, or email me direct at beatlesblogger@gmail.com

I have a couple of vinyl LP versions of the “Shaved Fish” release in my own collection and Ned has inspired me to drag these out and do a Label Variations post on these – so keep an eye out for that soon. 


John Lennon – Gimme Some Truth

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To mark what would have been the 70th birthday of the late John Lennon Yoko Ono, EMI Music and the Lennon Estate are to embark on what can only be described as a huge re-issue and release program – starting on October 4, 2010.

Called the “Gimme Some Truth” campaign, it will comprise a series of Lennon albums remastered from the original mixes as well as new collections compiled for CD and digital download release. One of the new releases will be a “naked” version of the Grammy Award winning album “Double Fantasy” – made available for the first time in a newly remixed, stripped down version produced by Yoko Ono and Jack Douglas, co-producers of the original album with Lennon. The new version will come in an expanded 2 CD edition which will include with the original mix, remastered.

Eight of  the original solo albums and other recordings have also been newly digitally remastered.  These include:

• A hits compilation in two editions titled “Power To The People: The Hits”

• A 4CD set of themed discs titled “Gimme Some Truth”

• A deluxe 11CD collectors box with the remastered albums, rarities, and non-album singles, titled “The John Lennon Signature Box”

Yoko Ono said: “In this very special year, which would have seen my husband and life partner John reach the age of 70, I hope that this remastering / re-issue program will help bring his incredible music to a whole new audience. By remastering 121 tracks spanning his solo career, I hope also that those who are already familiar with John’s work will find renewed inspiration from his incredible gifts as a songwriter, musician and vocalist and from his power as a commentator on the human condition. His lyrics are as relevant today as they were when they were first written and I can think of no more apposite title for this campaign than those simple yet direct words ‘Gimme Some Truth’.”

The albums have been digitally remastered from their original mixes by Ono and a team of engineers led by Allan Rouse at EMI Music’s Abbey Road Studios in London, and by George Marino at Avatar Studios in New York. All of the remastered titles will be packaged in digisleeves with replicated original album art and booklets with photos and new liner notes by noted British music journalist Paul Du Noyer.

The albums to be reissued are:

• John Lennon/Plastic Ono Band (1970)

• Imagine (1971)

• Some Time In New York City (1972)

• Mind Games (1973)

• Walls and Bridges (1974)

• Rock ‘n’ Roll (1975)

• Double Fantasy Stripped Down (2010) / Double Fantasy (1980)

• Milk and Honey (1984)

Yoko Ono added: “Double Fantasy Stripped Down” really allows us to focus our attention on John’s amazing vocals. Technology has advanced so much that, conversely, I wanted to use new techniques to really frame these amazing songs and John’s voice as simply as possible. By stripping down some of the instrumentation the power of the songs shines through with an enhanced clarity. “Double Fantasy Stripped Down” will be complemented by the original album in the 2 CD format. It was whilst working on the new version of this album that I was hit hardest emotionally, as this was the last album John released before his passing.”

“Power To The People: The Hits” will gather 15 of Lennon’s most popular songs, and will be available as a 15-track single-disc, and as whats being called an “Experience Edition” with additional content. Both versions will be packaged in digisleeves with booklets including a new liner note essay by Du Noyer. “Gimme Some Truth” will be packaged in a slipcase with rare photos and a new liner notes essays by respected American music journalist and author, Anthony DeCurtis. It will contain 72 of Lennon’s solo recordings on four themed CDs:

• ‘Roots’ – John’s rock ‘n’ roll roots and influences

• ‘Working Class Hero’ – John’s socio-political songs

• ‘Woman’ – John’s love songs

• ‘Borrowed Time’ – John’s songs about life

The “John Lennon Signature Box” is a deluxe 11 CD and digital collection of the eight remastered albums, a disc of rare and previously unreleased recordings, and an EP of Lennon’s non-album singles. The CDs will be housed in digisleeves within a deluxe box including a collectible limited edition John Lennon art print and a hardbound book featuring rare photos, artwork, collages, poetry, and new liner notes by DeCurtis.

Check out johnlennon.com for more info, official announcements and updates as the release dates for these new John Lennon collectables draws closer.

Beatles – Paperback Writer/Rain Re-issue

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I’ve been sweating on the postman arriving this week as I bought a copy of the “Paperback Writer/Rain” Parlophone Record Store Day re-issue, and it arrived today. Mine came from the US. It was finally released there on June 8 after an on-again/off again series of dates came and went. This followed the initial UK release on Record Store Day proper earlier this year on April 17.

In the UK the re-issue was limited to just 1000 copies – and hence the prices being asked went through the roof. I believe (see below) that the US releases are imports of the exact same UK pressings – and so are a chance to catch up on that really rare initial UK release.

You can see five close-up images here – three of the most recent “Paperback Writer/Rain” US release, and two of a previous US Capitol issue.

Steve Marinucci, who has a Beatles news column online at the Examiner newspaper, published this story about the UK release, and this story about the then US re-issue plans. Reviewer, writer and Beatles fan Matt Hurwitz sent the Examiner the following description of the new vinyl single:

I’ve just received a copy of the new “Paperback Writer”/”Rain” 7″ vinyl single from Capitol, which will be issued to participating indie record stores as part of continued celebration of Record Store Day. The disc & sleeve are actually the same as was released in England. This is an import of that release (i.e. not pressed here in the States by Capitol). The record features a black-and-white Parlophone die-cut sleeve with dark blue label backdrops. The A-side label lists both songs; the B-side label features art that matches that on the back of the sleeve – letters spelling out “Parlophone.” For those who keep track, the disc is Parlophone R-6813/EMI 50999-6-41639-7-0. The disc itself features stereo mixes of the two songs. It’s important to note – this is the first vinyl release taken from the new masters, and they sound fantastic. The stereo spread sounds as if the mastering engineer pulled in the left and right a hair (i.e. so that the hard-left and hard-right panning of some channels isn’t quite as far left or right). And, of course, being mastered at Abbey Road, my needle didn’t jump out of the groove on “Paperback Writer”.

After reading all this I got a bit inquisitive and wanted to find out if the Beatles Parlophone re-issue was a one-off, or part of a bigger re-issue by the company around Record Store Day. Turns out “Paperback Writer” was just one of many re-issues by the label – all done with similar dark blue sleeves and labels. Here is the official Parlophone press release

Parlophone Plan Vinyl Series For Record Store Day – Twelve artists will be taking part (Posted 8th April, 2010)

Parlophone have announced plans to release a series of limited vinyl (1000 copies each) for Record Store Day (17th April).

Twelve artists will be taking part, including Hot Chip, Bat For Lashes, Pet Shop Boys, Lily Allen and The Beatles. Each release will come in a vintage-style paper Parlophone house bag which has been designed ‘specially, and uses elements of historic sleeves from the 1960s to the present day. From this year’s hottest new urban artist Tinie Tempah to the band that made the label what it is today, The Beatles. Each release will come in a vintage-style paper Parlophone house bag which has been designed especially for the releases and uses elements of historic sleeves from the 1960’s to the present day.

The releases are:

Babyshambles Side of the Road/UnBiloTitled

Bat For Lashes Howl! (Live at De La Warr Pavillion)/Wild Is The Wind (Live at Grove Music Studios)

The Beatles Paperback Writer/Rain

Chiddy Bang Opposite of Adults/Sooner or Later

Danger Mouse & Sparklehorse Just War (featuring Gruff Rhys)/Just War (instrumental)

Eliza Doolittle Pack Up/Rollerblades

Hot Chip I Feel Bonnie (featuring Bonnie ‘Prince’ Billie)/Bear Witness

Jónsi Go Do/Boy Lilikoi

Lily Allen Back To The Start/Kabul Shit

The Pet Shop Boys Love Life/A Powerful Friend

Tinie Tempah Pass Out/Pass Out (SBTRKT Remix)

(plus one other release)

Miles Leonard, President of Parlophone said: “Parlophone and our artists recognise the importance of our Indie stores and their contribution to not only our new and developing artists but to our catalogue as a whole. Being able to support this campaign with some great 7″ releases from The Beatles to Bat For Lashes is our way of thanking them for their continued support. After all ‘Music Matters’.”

Of course Capitol in the US also released The John Lennon Singles Bag as part of the celebrations for Record Store Day as well, and you can read more about that here.

McCartney and Wings – “Live and Let Die” OST Vinyl

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The garage sale advertisement in the local paper last Saturday said:

“Vinyl – 1000’s rare & collectable, cds, books, furniture, house contents, whitegoods etc.”

It was in a suburb about a 25 minute drive away – way outside my usual garage sale territory, and one I had to think twice about…..But I finally decided that, yes, it sounded like too good an opportunity for the collector in me to pass up. It was those words: “Vinyl – 1000’s rare & collectable”. That did it…..

When I finally got there (a bit later than is wise with these things) the sale was literally in an old, free-standing garage at a private house on a quiet street. There were already two or three guys there picking over literally shelves and shelves of vinyl – stacked floor to ceiling around the walls of the garage, and also in the centre of the floor space as well. The guy holding the sale was definitely in the business and looked like a) a real collector and b) like he owned (or used to own) a second-hand record store and this was both his excess stock and some of his private collection combined.

The question in situations like this is “Where to start?” The feeling of anticipation mixed with the sheer volume of LP’s to look through can be daunting. I asked the owner if there was any order to the way the albums were arranged. He said no, its all pretty random, which just added to the anxiety. No sections like “Female vocal” or “Popular”, “Classical”, “Jazz” and the like. So I just delved in. First shelves were classical – so I kind of bypassed that pretty quickly. There was actually very little popular music. Mostly Broadway shows, film soundtracks, and a lot of 50’s singers as far as I could see, with some decent jazz, blues and a little bit of pop scattered throughout. Kind of disappointing really.

The only Beatles-related item I could find in the 45 minutes I was there was this:

This is the rear cover:

He had LOTS of copies of this – probably 20 or 30 – and they were all US pressings on the United Artists label, all original and all still sealed. They were “cut-outs” or remaindered stock, each having a corner cut off by a machine at the warehouse to designate their clearance status. The one I grabbed had only a tiny cut-out on the top left-hand side (which you can see in the photos). This is a gate-fold cover, but as it is still sealed in its original shrink wrap from 1973, I’m probably going to keep it that way and not open it.

I already had an Australian pressing of “Live and Let Die”. It’s not a gate-fold, and as you can see from the images below, it has a slightly different front cover:

And a very different rear cover:

And here’s the label for the Australian pressing:

Trust me. That stamp on the label stating “Property of A.B.C. (the Australian Broadcasting Corporation)” is genuine. And I genuinely purchased this record from a second-hand store. I know the ABC sold off a lot of surplus LP’s a few years ago and I’m assuming that this is one of those legitimate items.

McCartney and Wings also released a single from the album. I have two copies of this (both Australian pressings) – one on the green Apple label:

And one on the red Capital label:

The “Live and Let Die” original soundtrack recording contained music from both Paul McCartney and George Martin, and was released in 1973. It’s on the United Artists label (US catalogue number: UA-LA 100G; Australian catalogue number: L34949). The flipside to the “Live and Let Die” single is Wings doing “I Lie Around”.

The Rutles DVD – and Lunch

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I mentioned on an earlier post that while visiting Australia’s capital city Canberra recently I found a CD/DVD store advertising “20% OFF ALL STOCK”.

That’s a good sign for any decent collector. Inside though I didn’t find much in the way of Beatles or Beatles-related material – except for a heavily discounted, brand-new DVD of  The Rutles – “All You Need Is Cash”.

The Rutles is an Eric Idle and Neil Innes invention, a very funny and clever Beatles parody group. I’d never seen the film, and for A$6.40 it was a bargain. “All You Need is Cash” comes from 1978, and  started life initially as a comedy spot on the US TV show Saturday Night Live. It grew from those humble beginnings into a fully-blown “mockumentary” style film that was shown on NBC-TV. George Harrison lpayed along and even appears briefly in the film.

It has had numerous releases around the world, and hence a variety of cover images. This is the cover of the Australian edition I got:

Other people making cameo appearances are Mick Jagger, Ron Wood, Paul Simon, the late John Belushi, Dan Ackroyd and Bill Murray. Here is the rear cover:

This is the printing on the DVD itself. Notice that its a fruit half opened – just like the Beatles Apple label….:

In addition, at the same time I’m discovering this DVD, the Rutles have a brand new presence online – with a fully-blown comic parody of the the Beatles/Cirque du Soliel CD and Las Vegas show “Love”.

It’s called The Rutles “Lunch” and its only recently gone live. There is a lot of fun content to click through on the “Lunch” web page, including a stream of the entire album. It also has sections on The Show, Music, Making Of, and Contact – all a very close mimic of the Beatles own official “Love” site.

As you can see, even the artwork closely resembles the original. If you’d like to listen to individual songs and not have to download the entire album there’s a song-by-song download page with background to how each song came about.

Click here for more on the official Beatles releases of “Love”.