1001 Songs You Must Hear Before You Die

I was sent a new book the other day. Its called “1001 Songs You Must Hear Before You Die”. Great title.

Its edited by Robert Dimery and is a compendium of entries about the greatest popular songs ever recorded. The book is a companion to his previous work “1001 Albums You Must Hear Before You Die”.  (Click here if you are wondering about what’s on that album list).

The front cover of "1001 Songs You Must Hear Before You Die"

Of course the first place I went was to the index to find where the Beatles appeared.

They have no less than six full entries:  “A Day in the Life”; “Eleanor Rigby”; “Hey Jude”; “Strawberry Fields Forever”; “Ticket to Ride”; and “Tomorrow Never Knows”.

The entry for "A Day in the Life" uses an image of John Lennon's hand-written lyrics for the song

Interesting that “A Day In The Life” features so prominently as it was also recently nominated as the number one Beatles song in Rolling Stone’s Beatles special edition “Top 100” list.

The Beatles are matched in the book only by Elvis – who also featured with six entries. Bob Dylan, by way of comparison, has four entries…..

John Lennon as a solo artist gets one (a little predictably its “Imagine”); Paul McCartney gets one (perhaps surprisingly its “Maybe I’m Amazed”); George Harrison gets one (“Awaiting On You All”); and Ringo…well, Ringo doesn’t get any solo mentions.

Apple Artist LP Reissues – From 1991 to 1996

There are about to be 16 Apple artists titles reissued on CD (many with bonus tracks) by the Beatles’ record company, Apple Records. But it’s not the first time that Apple has had such a big re-issue program. They’ve done it at least once before – only over the period of a couple of years in the early 1990’s in what they then called release “phases”. Phase I of the original reissue program started in 1991 with five newly digitally remastered CDs and vinyl seeing the light of day for the first time since they  originally came out back in the late 1960’s and early 70’s. For collectors of Apple vinyl these were interesting items because it often meant that the LP’s were expanded – with the bonus material contained on unique, separate, additional discs. The original single-sleeve covers also became gate-fold doubles. The Phase I titles included James Taylor – “James Taylor”; Mary Hopkin – “Postcard”; Billy Preston – “That’s the Way God Planned It”; Jackie Lomax – “Is This What You Want?”, and Badfinger – “Magic Christian Music” To mark Phase I there was a vinyl EP released, and also a CD with the same tracks. However, it was issued in a special apple-shaped cardboard container. There was also a promo CD with 14 tracks that was sent to radio stations featuring selected songs from each release that is now a real collectors item:

Apple “Phase I” limited edition promo CD cover

The Phase II titles came in 1992 when Apple re-issued (on vinyl and CD): Mary Hopkin – “Earth Song Ocean Song”; Badfinger – “No Dice”; Doris Troy – “Doris Troy”; The Iveys – “Maybe Tomorrow”; George Harrison – “Wonderwall Music”, and John Tavener – “The Whale”. Phase II also had a special, limited edition promo CD (also with 14 tracks) that’s become a highly prized collectors item as well:

Apple “Phase II” limited edition promo CD cover

Phase III was in 1993 and included John Tavener – “Celtic Requiem”; The Radha Krsna Temple London – “Radha Krsna Temple”; Billy Preston – “Encouraging Words”; Badfinger – “Straight Up”, and The Modern Jazz Quartet – “Under the Jasmine Tree”. There was then quite a break with nothing released until 1995 when two “Best Of” discs came out, one of which – from Badfinger – was a completely new, digitally remastered title. These were Mary Hopkin – “Those Were the Days” (previously released in 1972) and Badfinger – “Come and Get It – The Best of Badfinger”. Both were available on vinyl and CD. In 1996 Apple finished off the reissue series with I guess what must have been Phase IV by that time – although they’d given up actually using that term: The Modern Jazz Quartet – “Space”; Ravi Shankar/Ali Akbar Khan – “In Concert 1972”; Badfinger – “Ass”, and George Harrison – “Electronic Sound” (on the Zapple Records label). As mentioned before – the reason these vinyl releases were of interest to me was that most of them (but not all) came with unique, additional discs containing the bonus material:

Jackie Lomax “Is This What You Want?” – rear vinyl LP cover detail (1991)

The full-sized, 12-inch bonus discs  all play at 45 rpm (not 331/3 rpm like an LP):

Jackie Lomax – Bonus Disc Side 1

This Jackie Lomax reissue came out in 1991, has five bonus songs, and as you can see is a European pressing. Here’s Side 2:

Jackie Lomax – Bonus Disc Side 2

From the Phase II series in 1992 comes the album “No Dice” from Badfinger, also with five previously unreleased tracks:

Badfinger “No Dice” (1992 vinyl reissue) rear cover detail

Again, the 12-inch bonus records were to be played at 45 rpm:

Badfinger “No Dice” bonus songs – Side 1

Badfinger “No Dice” bonus songs – Side 2

An earlier incarnation of Badfinger was a band called The Iveys. In 1969 they had an Apple LP called “Maybe Tomorrow”. In 1992 it was re-issued by Apple on vinyl with four bonus tracks, two of them previously unreleased:

The Iveys “Maybe Tomorrow” (1992 vinyl reissue) rear cover detail

The labels from the bonus disc looked like this:

The Iveys – bonus disc Side 1, from “Maybe Tomorrow” released in 1992

The Iveys – bonus disc Side 2

The next release “phase” came in 1993 and on vinyl I’ve got four of the five releases (haven’t got the Radha Krsna Temple). Of those, two came with bonus discs:

Billy Preston “Encouraging Words” vinyl LP rear cover detail (1993)

Billy Preston’s “Encouraging Words” record was co-produced by George Harrison and it was great to get on vinyl one previously unreleased song:

Billy Preston “Encouraging Words” bonus disc Side 1

Billy Preston “Encouraging Words” bonus disc Side 2

There were also bonus tracks on the Badfinger “Straight Up” LP. Here’s the rear cover of the 1993 release:

Badfinger “Straight Up” (1993 vinyl re-issue) rear cover detail

Inside the gate-fold cover was an additional record with six bonus tracks, five of which were previously unreleased:

Badfinger “Straight Up” bonus disc – Side1

Badfinger “Straight Up” bonus disc – Side 2

The forthcoming 2010 Apple CD reissues will contain bonus material as well, and in most cases these will be additional to the tracks already re-issued on these vinyls and on CD in the early 1990’s. Some of the additional tracks in 2010 will be included on the new CDs, but some will be only be available for digital download – that is unless you buy the box set of all the CD albums complete. Then you get an additional two CD’s containing absolutely everything.

Ravi Shankar – “Raga” Reissue

Amidst all the anticipation around the huge Apple Records reissue program (scheduled for October 25), and the new George Harrison/Ravi Shankar “Collaborations” release (scheduled for October 19), there’s also further news about another previous Apple release called “Raga” (which is not part of the current official Apple Records reissue series).

Quite separately Ravi Shankar’s East Meets West company is re-issuing “Raga: A Film Journey Into the Soul of India”, a 1971 film about Shankar’s life and music, which features appearances by George Harrison.

The soundtrack is a former Apple vinyl title – but it won’t be part of the latest 16-title Apple CD reissues program.

The new artwork for "Raga", the soundtrack to the film of the same name - originally released by Apple Records

Both the DVD and a soundtrack (available as a digital download) are coming out on October 14, released on the East Meets West label:

Cover for the DVD release of the film

Further details about the DVD and the soundtrack (which will be available free via a digital download card with the purchase of the DVD, or which can be  downloaded separately at all digital retailers) can be found here. There’s also a high quality YouTube sample from the film as well:

Two Apple Box Sets Coming

Steve Marinucci in his excellent Beatles Examiner column reports that both the Beatles “Red” and “Blue” plus the extensive Apple Records artists reissues will be available as box sets.

Called “The Beatles 1962 – 1970”, the box set containing the Red “1962-1966” and the Blue “1967-1970” will look like this:

Red and Blue Box Set front cover

Of course inside will be these two double disc sets:

The Red "1962-1966"

The Blue "1966-1970"

The initial information on these releases remains the same – they will be available as individual discs on October 18 (in the UK) and October 19 (in the US). The box set however is listed by Amazon UK for a November 29 release.

Meanwhile, the big Apple artists reissues also planned for October are to be gathered together in box set for those who would like to buy the complete set. The big news here is that the box will contain not only the “Come and Get It – Best Of” disc with its rarities, but also two additional discs featuring the additional and rare tracks that would have only been available as digital downloads – so, 17 CD’s in all. For collectors like me this makes this release a lot more interesting because I still like to have the physical disc in my hands, complete with the liners notes, photographs and artwork rather than the nebulous digitally downloaded audio….

The box set cover will look like this:

Steve Marinucci has a nice slide show of the box and all the discs it will contain.

The one problem I have with all this is that the Beatles and Apple have allowed such a large amount of collectable product to pile up all at the same time. Between now and November we’ll have George Harrrison’s “Collaborations”; John Lennon’s multiple “Gimme Some Truth” releases; Paul McCartney’s “Band on the Run” in multiple versions; The Beatles “Red” and “Blue”; and all the Apple re-issues. This makes it incredibly difficult if not impossible for most avid collectors to afford all at once.

Thanks to Beatles Examiner for this information.

Rolling Stone Magazine Names Its Top 100 Beatles Songs

I’m a bit late catching up on this one as news first came out about it at the end of August, but it’s probably only just hitting news stands near you now – depending on where you live…

In a special Collectors Edition, Rolling Stone magazine has named its Top 100 Beatles songs of all time. (Apparently its the first time they’ve done this). News of the the special edition came out in the US on August 26.

The press release reads:

ROLLING STONE RELEASES “THE BEATLES 100 GREATEST SONGS”

“New York, NY – August 26, 2010 – Rolling Stone released its first-ever list of the 100 greatest Beatles songs as part of a special interest publication that coincides with the 40th anniversary of the Beatle’s final album, Let It Be, and the 30th anniversary of John Lennon’s death. Topping the list, as ranked by the editors of Rolling Stone, is “A Day in the Life,” followed by “I Want to Hold Your Hand” and “Strawberry Fields Forever.”

Following an introduction by Elvis Costello, the book features the stories behind each song, dozens of photos, an index of the complete list, and a breakdown of the numbers, including the years with the most songs (1965 and 1966 each had 17), the shortest song (“Her Majesty,” 23 seconds) and the song that spent the longest time at number one on the charts (“Hey Jude,” 9 weeks).

The book also includes special sections with lists of Lennon and Paul McCartney’s five favorite songs, the top guitar and drumming moments of George Harrison and Ringo Starr, respectively, and the best Beatles cover songs.” (ends)

The magazine has created a really nice page detailing their Top Ten songs – including some great photographs too.

See also the different Australian cover.

All Things Must Pass – Variations and Collectors Items

In November it will be 40 years since George Harrison released his masterpiece, “All Things Must Pass”.

It was the first triple LP ever released by a solo artist. Harrison had so many songs – many of them stored up from his Beatles days – that they sprawled across 2 LPs, plus a third disc called “Apple Jam” which was just that: George and his mates jamming in the studio.

In both the US and the UK the album came out in a black box with a matte, monochrome shot of Harrison on the front, sitting like an elf (complete with accompanying garden gnomes) in the garden of his Friar Park mansion:

atmp-us-cover1

The box came with a huge poster of George (36″ x 24″), and each inner sleeve was in a different colour, complete with the printed lyrics to the songs it contained. Record one is in a light blue sleeve, record two is grey, and record three (“Apple Jam”) is mustard coloured.

The US box open with orange inner and light blue sleeve for record one

The US box open with the lyric sleeve for record two

The US box open with the mustard coloured “Apple Jam” sleeve

The US and UK labels were Apple – but in this time in bright orange:

On the first two discs there was the full Apple on one side, and a cut Apple on the other:

The “Apple Jam” disc (sides 5 & 6) had its own custom labels:

In Australia the packaging for the 3 x LP set was quite different. It was a specially designed triple fold-out cover (not a box set), with a shiny laminated finish on the outside:

The Australian release – front cover

The original release was a top-load cover (there was a later Parlophone label release which was side-load – see below). Here’s the rear cover for the Australian release:

The Australian release – rear cover with song list and artist details

The triple gate-fold opened up like this, and the inserts in which the records are held were made of high quality textured paper in the same colours as the US and UK box-set inner sleeves:

The Australian triple gatefold open on one side

The Australian triple gatefold open both sides

The original Australian issues also came with the giant George poster, and had the bright orange Apple labels – however this time in full on all four sides of each LP (in other words no “cut” Apples on sides 2 and 4):

Plus it also had the special Apple Jam labels for sides 5 & 6:

In the 1990’s in Australia came a vinyl re-issue of the set. It came in the same triple gatefold cover, but this time at a lower quality of paper. And it wasn’t on Apple Records, but the Parlophone label:

There were two 45 rpm singles released from the album at the time. These were “My Sweet Lord” and “What Is Life”.  In Australia “My Sweet Lord” was backed with “Isn’t It A Pity” and a little bit unusually, the labels on each side had a full green Apple – kind of like a double “A” side:

In 2001 came an LP and a CD re-issue, both of which came as box sets. Here’s the deluxe vinyl box:

The EU 2001 re-issue vinyl box cover

Both the CD box and the LP box were expanded and remastered – containing five previously un-released bonus tracks:  “I Live For You” (out-take); “Beware Of Darkness” (demo); “Let It Down” (alternate version); “What Is Life” (backing track); and “My Sweet Lord (2000)” (alternate version). Both box sets featured a colourised version of the original front cover image. Unlike the original 1970 LP box set, this one had a song list on the rear:

The vinyl was again three LP records – including the “Apple Jam” disc:

The vinyl box open – notice the booklet cover’s statement on environmental degradation

The internal packaging was quite different to the original in a lot of ways. The inner lining (now purple) and the inner sleeves for example:

The vinyl 2001 reissue with the inner sleeve for Disc 1

A booklet replaced the giant poster, but still had some shots from the same photo shoot:

And the LP labels (the record was released on George’s own GN Records label) were different too:

The CD box set contained all the content of the triple LPs – but on two CDs:

The 2001 CD reissue cover – still in shrink wrap with original sticker

All the tracks on “All Things Must Pass” (2001) were remastered and/or remixed by George. He says in the booklet that on some tracks he wanted to “….liberate some of the songs from the big production that seemed appropriate at the time, but now seem a bit over the top with the reverb in the wall of sound”. I guess he means Phil Spector’s production work on the original. There are no hard feelings though as in the booklet George pays tribute to “….the amazing Phil Spector, who produced so many fantastic records in the sixties. He helped me so much to get this record made….God bless you Phil”.  For more information on the complete story of the 2001 reissue see wikipedia

The CD box also had the coloured cover. Urbanisation and degradation of the environment gets worse from the front image, through to changes in each image on the inner sleeves, until the final scene on the booklet where George is literally overshadowed by a motorway and factories belching smog. Here’s the CD label:

Also from 2001 comes a 3 track CD single re-issue of “My Sweet Lord”:

The 2001 “My Sweet Lord” CD single cover

The disc contained “My Sweet Lord”, “Let It Down” and “My Sweet Lord (2000)”:

For further information see also the official All Things Must Pass website, and the excellent Beatles Recorded Sound Index entry.

Don’t forget to check out this weird version of this album.

Also this update on another US label variation in the collection.

And click here for the Record Store Day 2010 limited edition of “All Things Must Pass”.

Harrison/Shankar – “Collaborations” Announced

And so, the ever-growing list of forthcoming releases swells with yet another interesting title….

George Harrison’s Dark Horse Records has just announced a new box-set package called “Collaborations”. And yes, it too is coming in October.

From the official press release:

Dark Horse Records announced today the October 19th release of a limited edition deluxe box set, entitled “RAVI SHANKAR GEORGE HARRISON – COLLABORATIONS“. The release honors the sitar master’s 90th birthday.

“Collaborations” is a 3 CD and 1 DVD uniquely numbered limited edition box set. All compositions were composed by Ravi Shankar and produced by George Harrison over a period of 20 years.

The DVD is a rare concert performance of the Ravi Shankar’s “Music Festival From India”, recorded at London’s Royal Albert Hall in 1974. The albums include the acclaimed “Chants Of India” (1997), “The Ravi Shankar Music Festival From India” (studio version 1976), and “Shankar Family & Friends” (1974). The 56-page book includes a foreword by Philip Glass, a history of George and Ravi “in their own words”, and rare photographs from both family archives.

"Chants of India" - original cover (1997)

"Music Festival from India" - original cover (1976)

"Shankar Family and Friends" - original cover (1974)

The official website has the full press release. Steve Marinucci has details in his Examiner column, and Wog Blog also has information on his site.

I could be wrong, but I think this is the first time that “The Ravi Shankar Music Festival From India” and “Shankar Family & Friends” have been issued on CD.

Speaking of Ravi Shankar, the master sitar player (who had such an influence on George Harrison and the Beatles) has embarked on a huge archival project of his own – with a series of discs being released on his East Meets West label.

The first in the series is a single disc CD titled “Nine Decades, Vol. 1: 1967-1968”:

"Nine Decades" - out now

The next release in the series will be the soundtrack to the movie “Raga” – which was originally issued on Apple Records in 1971 and features George Harrison. Details about the release schedule so far is here, and it looks like the “Raga” release will be a CD and DVD double which is good.

"Raga" - original cover (1971)

“Raga” is due in the “American fall” – which is a bit vague but I guess that could mean yet another October release?

October is going to be one very expensive month for us die-hard, complete-ist collectors. We’ll have to put out hands in pockets for the 70th birthdate Lennon “Gimme Some Truth” material; the remastered Apple Records catalogue; the Shankar/Harrison “Collaborations”, and “Raga” now as well. That’s not to mention “Band on the Run”, the first of the Paul McCartney re-issues on Concord Records that is due sometime in August…..

Beatles Books Abound

I came into the possession of two more Beatles books this week.

I wasn’t actually looking for them – they came looking for me. As I’ve posted earlier, we’ve recently visited Vietnam. It was my wife’s birthday this week and so I thought a Vietnamese cookbook might be popular. I went along to my local discount bookshop – but no Vietnamese cooking books were to be seen. However, in the Music section (a frequent haunt) I found these two Beatles “picture” books, both by the same publisher, both in the same format, and both only AUS$7.95 (US$7.28) each. Who could resist?

The first is “The Beatles – The Illustrated Biography”. It’s a small-format book – about 17.5 cm (7 inches) by 17.5 cm square. Here’s the front cover:

The Beatles - The Illustrated Biography - front cover

The sub-title reads: “A Unique Collection of 200 Classic, Rare and Unseen Photographs”, and that’s pretty much what this book is. It’s a photographic step through the career in photographs. Part One is called “Four Lads From Liverpool”. Part Two is called “The Long and Winding Road”. Text is provided by Tim Hill, Alison Gauntlett, Gareth Thomas and Jane Benn. It’s published by Transatlantic Press in Britain in 2009.

The Beatles - The Illustrated Biography - rear cover

These sorts of books abound – with many of them published in a variety of formats and all using the Daily Mail library of Beatles photographs. This book is no exception. The photographs are all credited to Getty Images, but I suspect they are all pretty much from the Daily Mail archive – just re-packaged. I must say though that this one is nicely presented in black-and-white and in colour, and worth having in the collection.

Here is a random open page from the book:

The Beatles - The Illustrated Biography - open page

What you can see is a series of two colour shots taken on location in May, 1965 during the filming of the movie “Help”. Clearly the group are in downtime, waiting no doubt for a scene to be lit or some technical problem to be sorted out at Cliveden House in Buckinghamshire. The text talks about the Beatles the previous evening having attended Royal Albert Hall in London to watch a performance by Bob Dylan, whose song-writing was proving to be a big influence on John Lennon at this time.

This little Beatles book is accompanied by what is clearly a companion publication by the same publisher (Transatlantic Press) –  a book called “John Lennon – The Illustrated Biography”:

John Lennon - The Illustrated Biography - front cover

This is in the same format (about 17.5 cm (7 inches) square) as the Beatles book above, and was also published in 2009.

It’s sub-title is “200 Classic, Rare and Unseen Photographs by the Daily Mail” – so clearly it is a re-packaging of many previous books along the same lines. Here’s the rear cover image:

John Lennon - The Illustrated Biography - rear cover

A happy moment (albeit public) between John and his then wife Cynthia Lennon.

The text for this book is by Gareth Thomas, and all photographs are copyrighted to the Associated Newspapers Archive (read: “Daily Mail”), and to Getty Images. Unlike the Beatles book, all the images in this one are black-and-white. Here’s a random open page from the book:

John Lennon - The Illustrated Biography - open page

The photographs here were taken in August 1966, and the text says: “Before leaving for Chicago, John and the boys were taken on a relaxed tour around London airport, including a visit to the new police facilities….However, by the time they had reached their destination [they’d learned about] the seriousness of the “more popular than Jesus” debacle they were facing. John’s anxiety levels were at an all-time high…as he prepared to apologize for his supposedly anti-Christian remarks at a televised press conference….”

Two nice little books to have in the collection

UPDATE:  Another Beatles related book (released in August 2010) is Howard Sounes’ “FAB: An Intimate Biography of Paul McCartney”.

Some Unusual Asian Beatles Items….Part One

OK. I’m going to preface this first post on some unusual CD and DVD items I acquired in a South East Asian country with a statement that I don’t collect Beatles bootlegs and I don’t support or promote piracy in the music business. All my collection to date has been made up of legitimate, officially released discs – that’s CDs, LPs, singles, books, DVDs, magazines and other printed items.

Recently I was able to spend some time on holiday in Vietnam. Like most Asian and developing countries there are many opportunities to buy fakes – everything from Louis Vuitton luggage and Gucci handbags to Ray Ban sunglasses and Tag Heuer watches. Of course there are lots of stores, markets and street vendors selling illegally copied DVD films as well. There are not so many places to buy music – but they’re there if you seek them out. In the central Vietnamese city of Hue I walked into a store selling mostly fake DVDs and a bit of music on the side and saw a copy of Paul McCartney’s latest 2 CD release “Good Evening New York City”. It was easy to tell it was a fake. It came (like all the cheaply copied DVDs do) in a flimsy clear plastic bag (i.e. no hard jewel case or Digipac cardboard). The artwork was all there ready to put it into a CD jewel case, but it looked like a cheap photocopy. The discs had rudimentary labels printed on them but clearly looked fake. No catalogue numbers, copyright info, not even the title of the disc. One disc had the words “Paul 1” printed roughly on it, the other “Paul 2” and that was it. It was selling (in the local currency) for 20,000 Vietnamese Dong – that’s US$1.03, or $1.17 Australian. And that’s even before any bargaining over the price. I decided I really didn’t want to buy a copy – even for the novelty value.

At the other end of the scale are those CDs and DVDs where its obvious that a lot of time and effort has gone into producing what looks to be an absolutely legitimate release. Standing in a shop in Hanoi (which I did last week) it becomes really hard to tell. Is what I’m looking at the version sanctioned by the artist and record company as the official release for China and South East Asia?

Take this example of the Beatles “Anthology” 5 DVD box set. I got it from a shop in Hanoi that was filled with what looked like official releases. All movie stock was in standard DVD packaging with proper labels. It was not one of the shops dealing in fakes.

It looked like this. Here’s the front of the box:

Chinese Beatles Anthology - front

This copy still has the shrink-wrap around the sturdy cardboard box, though the opening has been cut by me so that the DVDs can be removed. The sticker is attached to the shrink-wrap.

Compare this to this official release purchased in Australia:

Official Beatles Antholgy DVD - front

Again, the shrink-wrap is still around the box. The sticker is also on the shrink-wrap.

Here are the Chinese DVD spines:

The five Chinese DVDs

Compared to the official release:

The official release

The number “12” in the pink circle on each refers to the censorship rating in Australia. Apart from that, not a lot of difference….Here is the sticker on the base of the Chinese version:

Sticker on base of Anthology DVD box - Chinese

As you can see, the Apple word is written but the Apple logo itself is missing. Also, apparently common with cheap copies, there are small spelling mistakes. Notice in the centre box of the sticker the words “Doldy Digital 5.1 surround sound”. It should be Dolby Digital 5.1 sound. This sticker appears to be stuck over the printed label actually on the box. You can faintly see the bar code, etc. underneath. Otherwise the Capital, Abbey Road, DVD Video, Dolby Digital and DTS logos on the right-hand side all look legit. Compare it to the Australian official release, where the label is printed onto the box:

Official Anthology DVD box - sticker on box base

Notice the official release has a Parlophone logo instead of Capitol which is just a territory thing (Parlophone seems to get half the world, and Capitol the other half!). There’s also a Region 1 DVD symbol, and a bar code.

Inside the individual DVD containers the story is similar. The actual discs in the Chinese version are very well-printed and look very official:

Chinese DVD disc

They even say “Printed in the USA”. Compare this to the official release:

Anthology DVD - official release

However, the Chinese stuff up the sequencing of labels on the DVD discs.

Disc One, as you can see above, has Episodes 1 & 2 on it and correctly contains those episodes. Sadly, Disc Two is also labeled Episodes 1 & 2, but actually has Episodes 3 & 4.

Disc Three is incorrectly labeled Episodes 3 & 4, but contains Episodes 5 & 6. And Disc Four is incorrectly labeled Episodes 3 & 4, but correctly contains Episodes 7 & 8.  The “Special Features” 5th disc is incorrectly labeled Episodes 5 & 6 but contains the correct Special Features material…….so, all the contents is there across the five discs. Just a severe lack of attention to detail on the part of the counterfeiters. However, they all play well and the quality of the video looks perfect.

The other noticeable difference to the official release is that the Chinese versions don’t have the small booklets inside each DVD box outlining the contents of each episode. These are in official release and look like this:

DVD Booklet - front - from episodes 1 & 2 in official release

Anthology booklet (rear) - inside each DVD box of the official release

So, you can see that standing in a shop in Hanoi, deciding if this is official or not (especially while it’s still sealed up in its shrink-wrap) is very tricky. The price might have been a give-away: this 5 DVD box set cost 250,000 Vietnamese Dong. That’s around US$12.80 or AUS$14.80. Very cheap. It also doesn’t help if you don’t read Chinese. Here’s a close-up of the sticker on the front:

Sticker on the front of the Anthology DVD box set

Vietnam is actively cracking down on pirate or illegal copies of DVDs, CDs, clothing and watches. While there I read an article in one of the national papers that police are actively trying to break up the flow of counterfeit goods from across the border in China. When departing the country via Ho Chi Minh City airport all travelers bags are X-Rayed separately to the usual security check specifically to identify and confiscate goods, or to fine travelers for having fake DVDs. A New Zealand family in front of us were caught. They had in their bags over 60 copied DVDs they’d bought on the street. They were given the option of handing them over, or keeping them and paying a fine of US$50.00 (at first they were asked to pay a US$100.00 fine, but talked the official down…interesting). They decided the pay the fine and keep their DVDs. All the CDs I had purchased, plus the Beatles “Anthology” 5 DVD box above were in our suitcases and were also X-Rayed. We were not stopped by the airport officials. I’ll detail some of the Beatles compact discs I purchased in the next posts. Again it was confusing and difficult to pick the real from the fake.

See also Some Unusual Asian Beatles Items – Part Two and Some Unusual Asian Beatles Items – Part Three

Nine Copies of Rolling Stone Magazine

Up on the very top shelf of a closet in my study there’s a large pile of old music magazines – mostly Rolling Stone magazine. They’ve been there, oh, for at least 16 or 17 years. Sitting quietly, gathering dust.

About a week ago it suddenly occurred to me that there could probably be some Beatles-related treasure hidden away in there.

Really don’t know why I’d never thought of this before. And so I got them down from the shelf this weekend and had a browse. This post, in chronological order, is about what I found.

(July 1979) Issue 295 Paul McCartney by Paul Gambacini

These are all the Australian editions of Rolling Stone, and back in 1979 it was still very much like a newspaper in appearance. No staples to hold it together and printed on flat, newsprint style paper. The cover story about Paul (above) is by veteran DJ, writer and rock historian Paul Gambacini. The cover portrait of Paul McCartney is by Julian Allen, June, 1979. Gambacini’s  byline says: “The leader of Wings looks back at yesterday”, and he writes: “I have known Paul McCartney for over five years, since just before the release of ‘Band on the Run’…Not surprisingly, McCartney at that time was desperate to avoid talking about the Beatles, especially about the never-ending reunion rumors…In the years since, Paul has let down his defenses. Anecdotes about the Beatles now flow, in addition to reminiscences of the pre-Beatles days. He seems pleased with his past. This is a product of being happy with his present.” The article coincided with the release of Wings “Back to the Egg”.

(October 1982) Issue 358 Exclusive: The Private Years

Of course John and Yoko frequently made the cover of Rolling Stone, and there have been some striking images of them published. Who could forget the most famous Annie Leibovitz shot of the pair? But this one comes a close second I reckon. Its by Allan Tannenbaum and it is a beautiful contemplative study that perfectly accompanies an article by Chet Flippo (which was an extract from the book “The Ballad of John and Yoko”, first published by Rolling Stone Press in October, 1982) detailing the years from 1975 to 1980 when John Lennon dropped out of rock & roll, retreating to his white bedroom in the Dakota building in New York. Inside, the article is accompanied by another touchingly composed Tannenbaum photograph:

John and Yoko, New York City, November 1980 (Tannenbaum)

See more Allan Tannenbaum photographs from the same session here.

In November, 1987 Rolling Stone celebrated twenty years on newsstands with a 20th Anniversary Special Edition. In it they re-published a selection of Letters to the Editor from across the 20 years. This one, from 1974, is telling: “John Lennon has given more to America that Nixon and Ford….He fought for peace a long time before it came to the attention of the government that “the people of America” wanted peace. Lennon was concerned about America, and now they’re deporting him. Nixon has admitted he’s a crook; why don’t we deport him?” – Lynn Grubbs, Malvern, Arkansas. And then this, from 1981, sadly again about John Lennon: “We’ve come a long way in seventeen years, from shooting presidents to murdering musicians.” – Jon Grabill, Wayland, Massachusetts…..this was the cover of that special edition:

(November 1987) 20th Anniversary Special Edition.

The special edition was comprised of a series of previously-published Rolling Stone articles. There’s one on Paul McCartney by Anthony DeCurtis, and one on Yoko Ono by David Fricke. There are some image galleries as well from across the twenty years, but they only include one photograph of John Lennon.

(October 1986) Issue 403 Paul McCartney - The Rolling Stone Interview

October, 1986 saw another Paul McCartney cover shot (above) – with very grey hair and an interesting heart-shaped ring on Paul’s wedding finger…? The Rolling Stone interview was by Kurt Loder, who begins: “It is Monday in London, two days before the royal wedding, and Soho Square is filled with flowers, sunshine and fresh-faced young tourists. Some loll on the grass, sharing joints. Others peer up expectantly at the etched-glass windows of an art-deco-style town house across the street, where, in an airy third floor office, Paul McCartney presides over the bustling affairs of MPL Communications, the company that manages the professional projects of the singer and his wife, Linda.”

Inside Rolling Stone, Issue 403

The McCartney’s were doing publicity for “Press To Play”, the fifteenth album he’d released since he announced the breakup of the Beatles in 1970…..Loder observed “After eight years of largely lackadaisical releases on Columbia, he is back with Capitol – the Beatles’ old label – and he seems serious about rehabilitating his somewhat tattered artistic reputation.”

(February 1988) Issue 415 The New Age of George Harrison

In 1988 George had a new record to push. “Cloud Nine”, his first record in five years, had just been delivered to Warner Brothers Records. The article, by Anthony DeCurtis, is a really good read about George, the production of the album (with ELO’s Jeff Lynne), his past, and where he was at in 1988. “After years of tending his garden, his movie company and his son, the elusive ex-Beatle has reemerged with a great album”.

The front page of Issue 424 has an image of John Lennon and the words “Lennon – A Special Photo Album and the inside story on Goldman’s book”:

(November 1988) Issue 424 Lennon - A Special Photo Album and the inside story on Goldman's book

Inside is a revealing article by David Fricke and Jeffrey Ressner called “Imaginary Lennon – The True Story Behind Albert Goldman’s Character Assassination of John Lennon”. That title pretty much says it all… Albert Goldman’s controversial book “The Lives of John Lennon” had just been released, and his publishers claimed it to be “…a startling and revolutionary portrait”. Fricke and Ressner write however that it is not “the definitive biography”. “In fact,” they say, “the book is riddled with factual inaccuracies, embroidered accounts of true events that border on fiction and suspect information provided by tainted sources.” The magazine devotes five and a half pages to taking apart Goldman’s work. The article is worth digging out if you can. As if to balance that, Issue 424 also has six pages of candid Lennon photographs from another book (“Imagine: John Lennon” by Andrew Solt and John Egan). Here’s a terrific, early shot of Lennon, Paul McCartney, drummer Pete Best and George Harrison – taken by Paul’s brother, Mike McCartney:

Early Beatles (Mike McCartney)

Issue 443, in April 1990 also contained a wealth of rare early photographs, though it was the B52’s who made it onto the front cover. You have to look pretty closely for the Beatles reference:

(April 1990) Issue 443 The Beatles Rare Early Photos

This contains never-before-published photographs that chronicle the Fab Four’s first American tour in 1964. They are all taken by Curt Gunther, and I think you’ll agree they are impressive. I’d never seen these before and will certainly be seeking out the book they come from. Here are just a few from the Rolling Stone eight page spread:

Fans from Harrisburg, Pennsylvania at Indianapolis airport (Curt Gunther)

Paul photographs Canadian Mounties at Malton Airfield, Toronto (Curt Gunther)

Lennon in bed, King Edward Hotel, Toronto (Curt Gunther)

All the photos above were reproduced in Rolling Stone, but come from the book “Beatles ’64: A Hard Day’s Night in America” released in 1989. Photographs by Curt Gunther, text by A.J.S.Rayl.  There are also some fantastic Gunther images here from the Genesis Books publication “Mania Days: The Beatles 1964 US Tour”

October, 1990 saw Rolling Stone release another special issue. This time it was The Sixties – The Age of the Beatles. And it was an excuse for a psychedelic-look, Beatles-inspired cover:

(October 1990) Issue 448 A Special Issue: The Sixties - The Age of the Beatles

Mikal Gilmore in his feature article “The Sixties” spends a lot of time on the Beatles and their impact throughout that turbulent decade: “In short, the Beatles were a rupture – they changed modern history, and no less craftsman than Bob Dylan understood the meaning of their advent. ‘They were doing things nobody else was doing. But I just kept it to myself that I really dug them. Everybody else thought they were just for the teenyboppers, that they were gonna pass right away. But it was obvious that they had staying power. I knew they were pointing the direction that music had to go….'”.

The final magazine to pop out of the large pile was from November, 1992, issue 476, a 25th Anniversary Special Edition, subtitled “The Great Stories 1967-1992”.

(November 1992) Issue 476 25th Anniversary Special Edition

Like the special Twentieth  Anniversary edition (above) this one contained some of the all-time great articles ever written by Rolling Stone‘s staff writers and contributors over the past quarter of a century. There are pieces on Led Zeppelin, the Rolling Stones, Springsteen, Bowie, Van Morrison, REM, Madonna, Neil Young, Michael Jackson and (of course) Bob Dylan, but probably pride of place was given to the now legendary interviews with John Lennon by Jann S. Wenner – a 30,000 word verbal splurge in which the ex-Beatle spoke openly, fully and truthfully about the Beatles and announced their breakup:

The Jann Wenner interview with John Lennon in Issue 476

Originally from Rolling Stone Issues 74 and 75 in 1971, this was Lennon talking about the demise and aftermath of the Beatles as he saw it – for the first time.  You can listen to extracts and read transcripts at Jann Wenner’s own page.

So, that it. An accidental journey through the past through random editions of Rolling Stone magazine – mags that have been hidden away in a cupboard at home for over 17 years…..