Tag Archives: Music

New McCartney – The Boys of Dungeon Lane

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No doubt you’ve heard by now there’s to be a brand spanking new Paul McCartney solo album called The Boys of Dungeon Lane – due in stores from May 29. Very exciting to get a whole album’s worth of new material from the master – especially after a five year wait.

A new Paul McCartney release means inevitably there’ll be lots of variations to collect. Already there are 8 different vinyl colours you can pre-order, plus four different CD packages. Based on his last solo release (McCartney III), there’ll no doubt be more….

If you are collecting, here’s a bit of a guide to what’s available so far. And please bear in mind we haven’t seen the packaging in full as yet, so who know what artwork will be on the rear covers, spines, etc.

However, with the guide below you need to note some subtle differences between some of the versions – especially if you are a real packaging nerd. A few come with slightly different features (inserts, etc.), so we’ll try to point these out for you as we go along.

OK. Lets start off with the most obvious, and it’s the black vinyl. It is available from the official McCartney store, at Universal Music stores in various parts of the word (Australia for example), and seems to be widely available at most other places too from May 29:

The black vinyl includes embossed cover artwork (with red and black lettering), a printed inner sleeve and a 12-page lyric booklet.

There’s also a green vinyl which looks pretty nice. This is a McCartney store exclusive (plus at various Universal Music outlets – Umusic Shop Canada for example):

As you can see above, this comes with a unique cover with green and black lettering on the front (not red and black). It includes the store-exclusive green vinyl LP, a lyric card, and the 12-page lyric booklet. So, different to the black vinyl.

The gold vinyl will be available from Barnes and Noble stores in the US and is most probably the same gold vinyl as the Rough Trade exclusive offering.

The Rough Trade listing says “Includes 12-page lyric booklet and embossed cover artwork”. The Barnes and Noble listing is a little more vague as to what this version contains packaging-wise, but the hype sticker clearly states “Includes Photo Print”:

Now, until the launch of The Boys of Dungeon Lane last week we’d never heard of TalkShopLive. A quick Google reveals it is “the live streaming, social selling online network for anyone, anywhere, to buy & sell almost anything!” Hmmm. Still not exactly sure what that even means….BUT, the site has a purple vinyl exclusive. Could this have the potential to become the rarest version?

There’s precious little detail of what the packaging is for this TalkShopLive edition.

At the other end of the spectrum is the big online retailer, Amazon. They get a white vinyl Amazon exclusive:

Pressed on Amazon exclusive white vinyl, this LP includes the 12-page lyric booklet and embossed cover artwork.

The red vinyl is going out as an “exclusive” to a number of the big bricks-and-mortar stores like HMV in the UK, Target in the US, plus other large chain stores (like JB HiFi in Australia, fnac in France, jpc in Germany, etc.). This actually looks pretty good:

The red vinyl edition comes with the lyric card and the 12-page lyric booklet and embossed cover artwork.

Actually, jpc in Germany has quite clear images of the labels (which are common across the variants). Obviously they’re printed but look to be originally hand-written by Paul?

The pink vinyl is going to quite a lot of independant record stores (both bricks-and-mortar stores and online) right around the world, including Rough Trade, the SuperDeluxeEdition store, Juno Records in the UK, Badlands in the UK, the iMusic online store in Denmark etc., etc.:

This Indie-only pink vinyl features an embossed sleeve and comes with a 12-page lyric booklet.

So as you can see there are a number of little packaging wrinkles amongst the coloured vinyls.

But the biggest variation (so far) is probably the Amoeba Music exclusive just announced. It has completely out there alternate cover artwork (riffing on the Amoeba store’s official logo), and is on exclusive limited edition yellow vinyl:

No word on what else is included in this love-or-hate packaging! This looks to have unique labels as well.

As far as CD’s go it looks like there’s the widely-available standard CD: white disc, embossed cover with red lettering. Includes lyric booklet.

There’s an exclusive “green cover” CD: white disc, green lettering on front cover. Includes a “Paul McCartney photo print”, and lyric booklet. This again is a McCartney store exclusive (plus through various Universal Music outlets – Umusic Shop Canada for example):

Meanwhile in Japan there are two different SHM-CD variants available for pre-order. The first is the standard SHM-CD:

Not a lot of detail about what you get here, but it is almost certain to come with a lyric booklet and an insert with a Japanese translation of the lyrics.

There is also a limited Deluxe Edition SHM-CD described as a “Cardboard Sleeve (mini LP) in a 7-inch cardboard sleeve. Bonus item(s) are planned. Includes commentary, lyrics, and a Japanese translation”. Both SMH-CD’s do not have any bonus tracks.

Beatle Films – Out Now and on the Way

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There’s definitely a bit of a rush on Beatle and Beatle-related documentaries and films at the moment.

First up is John Lennon and Yoko Ono’s Power to the People – live in concert.

This will obviously be a brilliant companion piece to the recent documentary One To One: John & Yoko by Kevin Macdonald, a revelatory inside-look at John Lennon and Yoko Ono’s life in Greenwich Village in the early 1970s.

The One To One doco featured music from the two benefit concerts the pair played at Madison Square Garden in August, 1972, all newly remixed and produced by Sean Ono Lennon. Now, we get to see the concert in full – with the best performances taken from the two shows – in multiscreen on the big screen. Power To The People will also form a great visual companion piece to the multi-disc box set, also called Power To The People, released last year.

Newly restored, re-edited and remixed by the Lennon Estate’s seven-times GRAMMY®-Award winning team, the film will premier exclusively in cinemas worldwide from April 29 for a limited time only. Tickets go on sale March 20. There’s no word of a physical release yet, but a Blu-Ray/DVD is expected later in the year.

You can sign up for more information at powertothepeoplefilm.com

Of course we’ve just had the release of the Morgan Neville-directed documentary Man On The Run, which follows Paul McCartney stepping out for the first time as a solo artist and forming his new band Wings during the 1970s:

But one of the other great stories in McCartney lore is the search for his legendary long-lost bass guitar – a 1961 Höfner 500/1 which was stolen in 1972. Now comes a behind-the-scenes documentary film about tracking it down and getting it back to it’s original owner, The Hunt For The Lost Bass:

From the official site:

“For over 50 years the disappearance of McCartney’s original Höfner bass has been one of rock ‘n’ roll’s enduring mysteries. McCartney: The Hunt for the Lost Bass tells the extraordinary story of this iconic instrument, and the fan-powered quest to find it. This rock ‘n’ roll detective story features exclusive interviews with McCartney, his brother Mike, Klaus Voormann, Elvis Costello and the roadies, journalists and fans who embarked on a mission to track down and restore the bass to its proper place in music history and to Paul. It’s a story about fandom, creativity, love, loss, memory and the transformative power of music.”

Gotta admit, this looks like it’ll be great fun. It is in cinemas only in the UK to start, on April 2 & 4. It’s unclear if other countries will be rolled in, if the film will be streamed at some stage, or if there’s to be a physical release for fans to buy. I guess it is a case of “watch this space”.

Last but not least is the official release of an extraordinary biographical doco on Billy Preston, That’s The Way God Planned It. This film follows the life and six-decade career of the Grammy Award-winning keyboardist whose sound helped shape the work of a virtual Who’s Who of the music world: The Beatles, Ray Charles, Mahalia Jackson, Aretha Franklin, The Rolling Stones, Barbara Streisand, Eric Clapton and many others. He had his own solo No.1 hits too including ‘Outa-Space’, ‘Will It Go Round In Circles’, ‘Nothing From Nothing’ and ‘You Are So Beautiful’. Billy’s first hit single, ‘That’s The Way God Planned It’ – recorded in 1969 for Apple Records – was produced by George Harrison.

Two variations of the film’s promo trailer are out there on YouTube, both with different cuts and content, so both are worth watching. Here’s the official trailer:

And this next one is great as it focuses specifically on Billy’s time with The Beatles:

Billy Preston, for a time, truly did deserve the title, “The Fifth Beatle”:

Not sure if this is coming to one of the streaming platforms after it’s cinema release (we certainly hope so) but for more info on That’s The Way God Planned It and where you can see it go to billyprestonfilm.com

Meanwhile, to tie in with the film’s release, Dark Horse Records has re-issued Billy’s two Apple Record LPs. Encouraging Words (produced by Billy and George Harrison) is now available to stream and to buy on gold vinyl:

That’s The Way God Planned It (produced by George) is available to steam and is also out on purple vinyl:

Rick Ward – Beatles and Solo Album Designer

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If I said the name Rick Ward to you, you’d probably reply, “Rick who??”

Which is interesting because if you’re a Beatle fan with even a half-decent collection you’ll definitely have at least five or six examples of his work amongst your vinyl, CDs and DVD’s.

We’re all aware that long-time Beatle mate, bass player and artist Klaus Voormann (along with fellow artist Alfons Kiefer) painted the fantastic cover art for the Anthology series, but did you know the entire Anthology concept and packaging brief was the brainchild of a guy called Rick Ward?

In 1995 Ward was working for The Team, a top London design and branding company. He’d already done some work for George Harrison, designing the sleeve and contents of his 1992 double LP, Live In Japan (now long out of print but soon to be re-issued on Dark Horse/BMG):

Ward had met George through a client of The Team, the F1 car designer Gordon Murray. They’d been working together on the graphics, marketing and launch of the McClaren F1 supercar. As we know, Harrison was a mad F1 racing fan and it turns out that he knew Murray who had given the Beatle a book for his birthday on the history of fairground art – co-authored by none other than Rick Ward:

George obviously loved that book because he called Ward and invited him to visit Friar Park. The two subsequently became friends and before you know it he was designing the Live in Japan package. A year later it was George who suggested Ward might come up with the design for The Beatles Live at the BBC packaging. He was soon invited into Apple to discuss and produce concepts for what would be the band’s first new album of previously unreleased material since Let It Be:

Ward recounts a funny story behind the hand-written title of the front cover: “The concept was a fan’s photograph with an autograph on the front. I had found a great image, got the picture retouched, and then just wrote “Live at the BBC” in the corner. It was supposed to mimic the bootleg albums that were cropping up at the time. They instantly loved it, but we had to decide whose handwriting was going to be on the front. I asked Paul, George, Ringo and Yoko to take a pen and write “Live at the BBC” just like they were signing a photograph. I then printed all the versions out, randomly adding mine and Neil Aspinal’s to the mix. I then sent the options back to the four of them and asked them to choose their favorites. When they came back with their votes, I couldn’t believe it: It was mine!”

Ward also got involved in the cover for Baby It’s You, the four-song EP released in support of Live at the BBC which featured three additional previously unreleased songs:

So, another success. It proved worthwhile because in 1995 The Beatles and EMI started on Anthology, the largest music project ever attempted by the band: three triple albums plus a multi-part TV documentary subsequently released on VHS tape (and DVD) as boxed sets. Not to mention a book, all covering their entire recording career, released across every major format of the time. Anthology was to be a definitive statement, the band telling their own story and setting the record straight. The concept for it all, conceived by Ward, was an artist’s painting, a ‘masterpiece’ and a rediscovery of ‘their art’.

Last year when talking about the design Ward recalled: “I had always considered their music and  lyrics as works of art, so that was my starting point. The idea was for the project to literally be a work of art that could be divided up into three sections that charted and reflected their career – giving equal presence to all four members…..To realise this, we invited six artists, each with their own creative connection to the band, to respond to the brief.”

Those artists were David Hockney, Peter Blake, Brian Grimwood, Humphrey Ocean, David Oxtoby and Klaus Voormann. Only five submitted their thoughts. Peter Blake (the artist behind the iconic Sgt Pepper‘s Lonely Hearts Club Band cover art) simply refused. He wasn’t going in a competition. They could either choose him outright, or not at all. Of the other five Ward recalls it was Voormann’s concept that immediately stood out. “It perfectly captured the album and importantly, it allowed us to work with pre-approved imagery, which was vital, because literally everything had to be unanimously approved by each individual Beatle before it could move forward.” Klaus later decided to take the idea further, transforming his collage into a painted work that retained its layered quality but added more depth.

“Together, we developed the vision by using the idea of a large billboard poster on the side of a  fictitious concert hall they had played at from the beginning to the end of their recording career. It became both an artwork and a metaphor for their legacy.”

“A small but defining design touch came on the back covers. Since the concept revolved around a “work of art,” I chose to show the reverse of the canvas, as a teaser for the pre-release marketing. It gave the sense of seeing a masterpiece in progress, an artist’s work evolving before your eyes, while also serving as a teaser for what was to come. This gave Klaus much needed time, between each release date to then go on to do the second image, and then finally the third completed image.”

Very clever, but even so they worked right down to the strict deadline for each release to get the covers completed:

Ward also had to take into account all the different ways these images would or could be used. “It was extremely challenging to lay out due to the varying proportions of the different design formats like cassettes, 45s, 12″ LP covers, LaserDiscs, VHS covers, etc., and so on. I developed a grid matrix which we constantly laid over the rough visual to keep checking that it would fit every format, and that each of the four Beatles were equally represented.” The genius of this is well illustrated by how the individual spines of the VHS tapes present when on the shelf:

Ward was also involved in many of the Anthology spin-offs, like press kits and the quite substantial promo CD samplers for each Anthology album, not to mention the singles that came out for ‘Free As A Bird’ and ‘Real Love’. Each carried over elements of the original concept:

As is the way with these things, one thing lead to another. In 1996 Ward was also commissioned to design the Ravi Shankar retrospective compilation called In Celebration, a 4 CD box set co-produced by George Harrison:

This was followed the next year by Ravi Shankar’s Chants of India, also produced by Harrison:

Interestingly, in 1997 Ward’s company The Team also designed the cover art and packaging for Paul McCartney’s Flaming Pie:

And then, in 2000, came another big one, probably the biggest – certainly from a sales perspective. Ward received a further commission from the Beatle camp to come up with ideas on how to present globally a new compilation of every Number 1 hit they’d had (all 27 of them) in an album simply to be called 1:

Speaking in PRINT Magazine in 2023 about the ideas he came up with Ward recalled: “I had always loved the graphic look of basic ticket printing for entry into dances in town halls, then we treated the bold “1” as a piece of graphic art, the “hero,” so to speak. So we kept it minimal, strong and simple. We obviously needed to have pictures of them somewhere in the album, and as the cover had turned quite pop art–ish, I was reminded of the ultimate iconoclastic photos Richard Avedon had taken of them in the ’60s for Look magazine, so I suggested using them.”

Inside the packaging was an absolute wealth of visual material for Beatle fanatics, including hundreds of picture sleeves from singles released around the world. There was also unique artwork and a common design theme which tied it all together as a musical and visual celebration of the band’s incredible success.

When asked which album design he was most happy with, Ward said, “I thoroughly enjoyed working on all of them, as they were each so different in what they were setting out to achieve and all had challenges to overcome. There is no one album that’s my favorite, and I learned so much doing each one. It was always interesting, stimulating and very challenging. Live at the BBC, being my first one, was initially quite overwhelming; being invited to design an album cover for the greatest band in the world was a bit unreal. But upon reflection, the fact that they were asking me meant that they had enough respect for me and my work, and so I was able to accept it, and take it as a compliment, and for the amazing opportunity it was.”

From time-to-time we like to bring you the background stories like highlighting some of the lesser-known players who helped The Beatles (either as a group or as solo artists) to extend their music through the art, design or photographs created for record covers, stage designs, tour programs and the like. You can find some more of those stories here:

Richard Hamilton

Ferry Gouw and Gary Card and also see here.

Brian Clark

Santi Pozzi

Chris Giffin

Kathryn Durst

Ed Ruscha

Record Store Day 2026 Titles Announced

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The people at Record Store Day have just dropped the 2026 list of titles for April 18 and it contains eight titles of interest to Beatle-related collectors.

First up is John Lennon – or maybe that should be Sean Ono Lennon channeling his Dad? What’s coming is like a Part Two to the Mind Games Meditation Mixes, which came out back in October, 2024 in the wake of the big Lennon Mind Games re-issues of that year. This time it’s the turn of the 1970 song ‘Love’ to get the Meditation Mix treatment:

Love Meditation Mixes will be a Limited Edition 3 LP set produced by Sean Ono Lennon and it will be on “Iridescent Pearl Arctic”, 180g transparent vinyl in a reflective triple gatefold lilac mirrorboard sleeve. The album contains nine re-imagined Meditation Mixes of the John Lennon ballad ‘Love’ from the album John Lennon/Plastic Ono Band.

Ono Lennon says, ‘After the surprising success of the Mind Games Meditation Mixes, and our collaboration with Lumenate the Meditation App, we are very pleased to bring you Volume Two – a collection of ambient re-imaginings of John Lennon’s classic song, to create a meditation on ‘Love’.”

Like the Mind Games Meditation Mixes it is a rather beautiful package:

Also coming for Record Store Day (and this is only listed on the UK RSD site at the moment) is the Badfinger LP No Dice, the band’s second studio album issued by Apple Records. No Dice will be reissued on limited edition 180g orange vinyl, using the 2010 remaster of the album available on vinyl for the first time. It will come in a gatefold sleeve that faithfully reproduces the original artwork. It contains the hit single ‘No Matter What’, and ‘Without You’ – which went on to be one of their best-known songs – covered by the likes of Harry Nilsson. We’re expecting this to come with Apple labels:

Those of you who collect Dark Horse Records will not be disappointed. There are no fewer than six titles announced for RSD.

The label is steadily working it’s way through the George Harrison back catalogue as Zoetrope pressings. This time it is the turn of George’s 1974 title Dark Horse:

And also his 1975 release, Extra Texture:

These Zoetropes are all limited, and come in numbered covers with replica album artwork inside.

Dark Horse have been big on re-issuing the Joe Strummer back catalogue and for RSD 2026 it’s a 25th anniversary edition of the second album by Joe Strummer and The Mescaleros a spectacular limited splatter vinyl pressing:

Dark Horse also have the rights to selected Leon Russell re-issues. They’ve already done his Signature Songs, an album of Christmas songs, and an album of songs by Russell’s country alter-ego, Hank Wilson. This time there’s another Hank Wilson offering – a Best Of 2LP on black vinyl which will be a first-time pressing of the title:

Hearkening back to the Badfinger release above, there’s another former Apple being re-issued, but this time under the Dark Horse banner. It is The Radha Krisna Temple, the 1971 album produced by George Harrison. It contains the two hit singles, ‘Hare Krishna Mantra’ and ‘Govinda’ along with other Sanskrit-worded mantras and prayers recorded with Harrison from 1969 onward. Out of print since 1993 and released on the Dark Horse imprint for the first time. It will be on orange vinyl:

In keeping with the label’s interest in and support of world music there’s another first for Record Store Day, an album by Native American flautist R. Carlos Nakai. Dark Horse is issuing a 2LP set called Canyon Trilogy, which is appearing on vinyl for the first time. Nakai’s music features original compositions for the flute inspired by traditional Native American melodies. He’s received 11 Grammy Award nominations for his albums. This double LP features updated liner notes and an exclusive forward by Dhani Harrison:

So, that’s it for Beatle and Beatle-related releases for RSD this year. Which will you be seeking out?

If you’re an avid collector of Dark Horse it’s going to be an expensive couple of months. Along with the promised RSD albums there are also two more George Harrison titles on the way – all part of the continuing push to have his entire catalogue under the BMG/Dark Horse stable.

On February 20 they’ll re-issue black vinyl editions of Harrison’s Wonderwall Music:

Also due February 20, again on black vinyl, is Electronic Sound:

And then on March 20 comes his Live In Japan on Dark Horse, a long out of print 2LP on black vinyl – remastered from the original analog stereo master tapes:

Dark Horse is further mining the Apple Records vault too – this time for re-issues of Billy Preston’s two Apple LP’s. Encouraging Words (produced by Billy and George Harrison) will be out on gold vinyl on March 13:

And That’s The Way God Planned It (produced by George) is out the same day – on purple vinyl:

   

‘A Song Reborn’ – A New Beatle “Making Of” Film

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The Beatles have released a new short film on the “making of” their Anthology song, ‘Free As A Bird’:

A Song Reborn is directed by Oliver Murray, who did a similar thing in 2023 for ‘Now And Then’:

Murray also compiled the trailer for The Beatles Anthology 2025 now on Disney+:

And he wrote and directed the new 50 minute Episode 9 of the Disney+ series, so Apple is obviously sending quite a bit of work his way. Hopefully soon we’ll get the Oliver Murray take on the making of ‘Real Love’, with even more previously unseen footage?

The Beatles Anthology – New Disney+ Official Trailer

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Coming on November 26, and with a three episode premiere. All cleaned up and looking good, plus new content too:

National Album Day 2025, Plus More Harrison/Dark Horse

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Apple has announced it will re-issue Badfinger’s Magic Christian Music on a striking blue vinyl as part of National Album Day in the UK.

You might recall last year the theme was ‘Great British Groups’ and The Beatles A Hard Day’s Night was issued on white vinyl to celebrate.

Well, this year the theme is ‘Rock’:

Magic Christian Music is the second album released by Welsh rock band, Badfinger. They recorded 5 albums for Apple Records, and were the first non-Beatle recording artists signed to the label.

This release will be the first time the 2010 remasters of Magic Christian Music are available on vinyl, and the first time the album has been re-pressed since 1996.

Magic Christian Music includes the band’s first international hit, ‘Come And Get It’, written and produced for them by Paul McCartney. Of the fourteen tracks, seven were newly recorded for the album while the remaining songs were lifted from their first album Maybe Tomorrow, which had seen only a limited release. Three of the new tracks were featured in the film The Magic Christian (starring Peter Sellers and Ringo Starr). They were produced by Paul, and the strings on ‘Carry On Till Tomorrow’ were arranged and conducted by George Martin. SIx tracks were produced by Tony Visconti and five by Mal Evans.

This 180g blue vinyl version, out on October 18, is housed in a single sleeve featuring the original artwork, with poly-lined white inner sleeves.

In other Beatle-related release news, the push by BMG to get more George Harrison/Dark Horse Records titles officially onto their catalogue continues. On October 24 they will release the next batch including the self-titled George Harrison (from early 1979) on both vinyl and CD:

The CD has one bonus track, ‘Here Comes The Moon (Demo)’:

Then in June 1981 came Somewhere In England. It too gets a vinyl and CD re-issue on Dark Horse:

The CD is interesting. It comes in the original album concept artwork and has one bonus track, a demo of ‘Save The World’:

And then comes 1982’s Gone Troppo:

The Gone Troppo CD also comes with a single bonus track, the demo version of ‘Mystical One’:

Also due for an October 24 release are CD versions of Brainwashed; Cloud Nine; and Thirty Three and 1/3. Each of these has already seen a vinyl release under the BMG distribution deal. This just makes a CD version available to collectors:

All CD’s are in Digipak packaging. You can get all the details on all these releases, and place pre-orders, at the Official George Harrison Store.

Interestingly, also listed there (for an October 3 release) is a 3LP set of All Things Must Pass. This too is to bring that classic title in under the BMG/Dark Horse Records banner as a vinyl issue (there’s already been a CD released).

The question is, will it come out with Dark Horse Records labels, or will it be on the traditional orange Apple and Apple Jam labels? The pack shot has a prominent Dark Horse hype sticker (click on the image to see a larger version):

This vinyl is the 50th anniversary mix by Paul Hicks and the set includes the original poster – but with the back of the poster containing notes by Dhani Harrison and Hicks about remixing the album.

I guess we’ll just have to wait and see if the LPs have the Dark Horse label. For some reason our money is on Apple labels……look very closely at that hype sticker and you’ll see in the small print the words “Apple and the Apple logo are exclusively licensed to Apple Corps Ltd and used with permission.” So maybe it won’t have Dark Horse labels after all….

Another Day, Another Wings Compilation….

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Announced yesterday out of the blue a new Wings “best of” compilation to accompany the forthcoming book, Wings – The Story of a Band on the Run (and possibly the new documentary film, Man On The Run):

WINGS – The Definitive Collection will contain purely Wings songs (in other words no Paul McCartney solo, or Paul and Linda McCartney releases) and it will come in the shape of a 3LP set, a 2CD set, a 1CD, and there’ll be a separate, exclusive Blu-Ray Audio Disc with Atmos mixes for the first time.

This 3LP set will also be offered as a McCartney Official Store limited edition coloured vinyl exclusive:

If you don’t want to pay US$20.00 for a lithograph and a sticker sheet then you can get a standard 3LP set without the trinkets:

And there’s a single LP on black vinyl containing 12 tracks in all:

The first “exclusive”, “limited edition” coloured vinyl release of the 1LP has been announced. It’ll be available on green vinyl through Target stores in the U.S., in FNAC stores in France, also from jpc in Germany and Austria, and at JB Hi Fi in Australia. In other words, it looks like one retailer per territory will get the “exclusive”. Will this be the first of many colour and cover art variations like we saw with McCartney III?

If CD is more your thing then the 2CD set has all the tracks from the 3LP sets, including the poster:

While the 1CD replicates the 1LP track running order:

The McCartney Store and the SuperDeluxeEdition site are offering an exclusive Blu-ray Audio disc which is likely to be the format that most excites McCartney fans. As site owner Paul Sinclair writes, “For the first time, tracks are available in Dolby Atmos on a physical product. The mixes are by Giles Martin and Steve Orchard. 14 of them have been available in recent times on streaming, but 17 of them are unheard in this format, including tracks from un-reissued latter albums, such as ‘With A Little Luck’, ‘London Town’ and ‘I’ve Had Enough’ (from 1978’s London Town) and ‘Getting Closer’ and ‘Arrow Through Me’ (from 1979’s Back to the Egg). 7 out of the 10 tracks from the US version of Band on the Run also feature on this compilation.

Blu-ray Audio audio streams summary:

  • Dolby Atmos Mix (48/24)
  • 5.1 Surround Mix (48/24)
  • Hi-Res Stereo Mixes (96/24)

This blu-ray audio contains 32 tracks and is presented as a ‘softpack’ with a 16-page booklet:

The  WINGS – The Definitive Collection packaging has been designed by Paul and Aubrey ‘Po’ Powell of the famous Hipgnosis design studio. The two have worked together extensively in the past, not only on album artwork but also the art direction for McCartney tours. The first thing that hit us though was that front cover with the word WINGS populated with a photo montage of the band, and the inner sleeve replicating that was a little bit derivative. Some other band from the past used a very similar idea way back when…..

For the full news story and background on this release see the official Paul McCartney page.

WINGS – The Definitive Collection is out on November 7.

The Background to the “One To One” Concerts

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Ever wondered why the concerts, which form the centrepiece of the forthcoming John Lennon/Yoko Ono Power to the People box set, were called the One To One concerts?

The BBC has just released a backgrounder as part of it’s Witness History podcast series explaining it. You may need to register to listen (it’s free), but it is well worth it for a very informative 9-minute listen.

In 1972, after leaving The Beatles, John Lennon and Yoko Ono performed in the United States at the One to One benefit concerts at Madison Square Garden, New York.

They were helping to raise money for children with disabilities from Willowbrook State School, after a television exposé by journalist Geraldo Rivera showed the conditions and failings. It was watched by millions of people and led to a public outcry.

Sean Allsop speaks with Geraldo Rivera about breaking the story and organising the concerts.

If you want to view Rivera’s original documentary that blew the lid off the pain and misery of the the young Willowbrook residents who were being so appallingly treated check it out here. (Warning: it contains some very confronting scenes). This is what motivated John and Yoko:

Geraldo Rivera kept in touch with John and Yoko. Later in his life he reflected on meeting the pair and how he worked with them on such an important cause:

When you witness injustice “It’s up to you, yeah, you!”

Beatles Anthology – All The Details

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It’s now been announced. Here is the official press release with all the details on the Anthology Collection audio releases, the Beatles Anthology documentary series on Disney+, and the re-press of The Beatles Anthology book:

THE BEATLES ANTHOLOGY

Award-winning Documentary Series, Music Releases and Iconic Book

All Together Now for Release this Autumn. The Beatles Story… by The Beatles. On screen, on record, and in print.

London – August 21, 2025 – First released three decades ago, The Beatles’ eight-part Anthology series reinvented the music documentary. Instead of a standard treatment centred on an outside narrator and talking heads, The Anthology featured John Lennon, Paul McCartney, George Harrison and Ringo Starr candidly telling their own story, with all its complexities and contradictions. It introduced The Beatles to new generations of viewers and listeners and marked the start of a creative and commercial afterlife that continues to this day.

Now, The Beatles Anthology returns in its ultimate form for a comprehensive global release campaign—on screen, on record, and in print.

The Beatles Anthology Documentary Series

Now a Nine-Part Series Featuring a Brand-new Episode Nine
Streaming Exclusively on Disney+ Beginning November 26

The Beatles’ landmark Anthology documentary series has been restored and remastered.

The series’ original eight episodes trace the legendary journey that began in Liverpool and Hamburg and soon captivated the world. They bring to life the timeless stories — of Beatlemania, the band’s groundbreaking arrival in the USA, their role at the forefront of the 1960s counterculture, their spiritual exploration in India, and their eventual breakup. And through it all, the constant thread: the music, always the music.

There is now a completely new Episode Nine, including unseen behind-the-scenes footage of Paul, George and Ringo coming together between 1994 and 1995 to work on The Anthology and reflecting on their shared life as The Beatles.

The restoration has been overseen by Apple Corps’ production team, working with Peter Jackson’s Wingnut Films & Park Road Post teams along with Giles Martin, who has created new audio mixes for the majority of the featured music.

 The Beatles Anthology Music Collections

Restored & Expanded to Four Volumes: 12LP Vinyl, 8CD & Digital Collections
Out November 21

The musical side of The Anthology Collection, originally curated by George Martin, now remastered by Giles Martin, in the form of three double albums of rare material, a shadow story to the one told in the documentaries. They are an enthralling insight into the early development of songs that became the recorded masterpieces that resonate just as loudly today as they did when they were first recorded. 

It also has an important new element. Anthology 4, newly curated by Giles, includes 13 previously unreleased demos and session recordings and other rare recordings. It also includes new mixes of The Beatles’ Anthology-associated hit singles: the GRAMMY-winning “Free As A Bird” and “Real Love,” given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals.

The original “Free As A Bird” music video has also been beautifully restored:

Both new mixes are placed alongside the band’s most recent UK No. 1 hit single, 2023’s GRAMMY-winning “Now And Then,” the last Beatles song. All three singles were created from rudimentary home demos John recorded in the 1970s, later completed with vocal and instrumental parts recorded by Paul, George and Ringo.

Across all the Anthology albums, there are 191 tracks which will be released on November 21 by Apple Corps Ltd./Capitol/UMG for digital purchase and streaming, and in deluxe 12LP 180-gram vinyl and 8CD box sets. Both box sets include the original sleeve notes for Anthology 1, 2 and 3; the new Anthology 4 includes track notes written by Kevin Howlett and an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor. The Beatles Store’s exclusive editions for both box sets add four 12-inch band photo art cards in a numbered envelope. 

The Beatles Anthology Book

The 25th Anniversary Edition
Out October 14

Finally, the 25th Anniversary Edition of The Beatles Anthology book will be released on October 14th by Apple Corps Ltd. and Chronicle Books. Throughout its pages, John, Paul, George and Ringo share their honest, intimate and revelatory recollections of the band’s journey. Their memories are accompanied by impressions from their closest colleagues, including Neil Aspinall, George Martin, Derek Taylor and others. The bestselling 368-page book is beautifully illustrated with more than 1,300 photos, documents, artwork, and other memorabilia from the band’s archives.  

Everything The Beatles did involved change. Listening to their songs and watching their story unfold brings us closer to the shifts in culture, ideas and music that they helped shape—and which continue to resonate today. The Anthology was always about their past, but this new edition confirms its enduring place in the present and future. (ends)

The packaging of the 12LP and 8CD has come in for criticism as being a “low rent” looking for a proper Beatle release. It turns out that they are indeed using Klaus Voormann’s amazing original montage for the box on all editions. The image with that black and white photo is called a “belly band” or “O” card which slides over the outer case and wraps around the whole box. (This “belly band” is also on the Anthology book – if you look closely at the image above you can see it).

Here are some high res images of the Anthology box set configurations:

The four art photos shown in the pack-shot above come in a numbered envelope and are exclusive to the Beatles Store (or if you order through Universal Music). The photo pack:

The 12LP exclusive is limited to 8,500 in the UK and 8,500 in the U.S.

Other editions come without that photo pack:

And here it is with the “belly band” in place:

Below is the 8CD set with art photos only available from the official stores. This is limited to 8000 copies in the UK and 8,000 in the U.S.

And the standard issue, minus the art photo pack. (Click here for the full track listing):

This is an un-cropped version of the image that’s used on the “belly band” or “O” card. It was taken by photographer Bruce McBroom/© Apple Corps Ltd.:

Again, if you like to watch your updates instead of read about them, check out Andrew Dixon’s informative and very reasonable video just uploaded:

UPDATE (17 SEPTEMBER):

Apple has just announced that the Anthology 4 double CD and triple LP sets will be available to purchase separately. See our report here.