We just received an email from paulmccartney.com letting us know that the extended EP of Paul McCartney’s ‘Hope for the Future‘ is now available for download from iTunes.
There will also be a physical release in the form of a 12″ vinyl single. No track listings for that are available as yet, but it will come out on January 12 in the UK, and January 13 in the US.
Spincds.com in the UK and the Amazon US store have place-holders for the vinyl release and it can be pre-ordered now.
And there’s an official video to accompany the song where a holographic Paul McCartney sings the song in the world of Destiny:
paulmccartney.com has confirmed a December 8 global release for Paul McCartney’s song ‘Hope for the Future’.
It will be a digital download only, and the original version of the track (which is taken from the best-selling ‘Destiny’ video game credits) will be made available alongside four other special mixes of the song:
1) ‘Hope For The Future’ (Main)
2) ‘Hope For The Future’ (Thrash)
3) ‘Hope For The Future’ (Beatsession Mix)
4) ‘Hope For The Future’ (Jaded Mix)
5) ‘Hope For The Future’ (Mirwais Mix)
Since we reported back in September on a new series of books detailing the history of the Beatles Apple company, there’s been a flurry of activity and a lot of further information coming through.
The authors of A is For Apple now have a cover for Volume 1, which is due for publication in April next year:
And they’ve produced a YouTube video, too:
There are a couple of further very interesting draft sample pages now available here and here. (These come with a “big file” warning and may take some time to download).
For Apple fans these both contain great info and photos.
And there are now details about some special offers and bonus material which will come with Volume 1 of A is For Apple.
One Apple artist has given the publishers permission to release two rare recordings with the project. Jackie Lomax, just a couple of days before his tragic death in 2013, signed an agreement to include an exclusive 7“ vinyl of his previously unreleased track ‘Land Of People’, and the demo version of ‘Is This What You Want?’. Both songs will be included with Vol. 1 of A is For Apple.
Additionally, if you pre-order Volume 1 before December 3, you not only save €5 Euro on the purchase price but also receive a strictly limited edition bonus flexi disc of The Iveys‘ unreleased 1968 Christmas Record:
In late 1968 The Iveys (later to become Badfinger) taped a Christmas message for their fans just like the Beatles had done since 1963. But contrary to the Beatles‘ annual Crimble messages this one has never been released. Only very recently the A is For Apple people got permission to include this Christmas flexi disc that never was.
For the whole story of the project so far see the A is For Apple website.
Wog Blog is reporting a new budget label release collecting some of Beatle producer George Martin’s output over his many years in the recording industry.
It is a double CD set and there are two Beatle songs included (‘Love Me Do’ and ‘P.S. I Love You’) plus thirty others by a wide range of artists. It’s a pretty good overview of his work:
Every track listed (except the two Beatle tunes) is also available on the 2001, six CD set Produced by George Martin. That box set contains 150 titles, but if you can’t find it (or can’t afford it!), this new release from Not Now Music looks like a bargain at just £5.99.
Don’t know if there’s anything particularly new here – but Paul McCartney is in good form, open and relaxed in a video uploaded this week to YouTube. (It has subsequently been taken down).
McCartney was appearing at a small gathering in London, answering questions and being interviewed by British model, actor and activist Lily Cole for a global campaign called impossible.
paulmaccartney.com called for musicians to submit their wishes to Cole’s impossible website in order to win seats to the strictly limited-entry event. There are photos and info here. Their conversation event centred around Cole asking Sir Paul about his song ‘Hope For the Future’, part of the soundtrack to the new video game Destiny. You can read a transcript of what they talked about here.
What is impossible? It’s described as a global community who help each other out. People share their time, skills and objects. Everything is always given or loaned for free.
If you need any convincing to make this a regular download, have a listen to Episode 11.
It’s a great example of how interesting this podcast is. The two look into the instruments that the Beatles used on stage and in the studio – and how these directly impacted the sound and their creative push to always try new ways of making music. Buskin interviews Andy Babiuk, author of Beatles Gear (and the newly-published Rolling Stones Gear), but also talks with his co-host Rodriguez, delving into their own extensive knowledge and understanding of the music. Great stuff.
It is episodes like this that make it well worth subscribing to this podcast – which comes out roughly once a month:See also our post on Beatles 101, Richard Buskin’s latest book.
There was a big car boot sale just around the corner from us this last weekend, and we were able to find quite a few nice additions to the collection. One vendor just had boxes and boxes of CD’s, 7″ vinyl 45’s and 12″ LP’s on their stall – and so quite a bit of our Saturday morning was spent trawling….
It was time well spent though as it turned up a few gems.
First up was a Australian vinyl single taken from the John Lennon and Yoko Ono album Double Fantasy. ‘Watching the Wheels’ was the third single from this LP (the first two were ‘(Just Like) Starting Over’ and ‘Woman’). We didn’t have a copy of ‘Watching the Wheels” so this was a good find.
Next was another 7″ single we didn’t have – Badfinger’s ‘Come and Get It’ on the Apple label. It dates from 1969 and is a Paul McCartney composition written for the band, and it makes an appearance on the soundtrack for the film The Magic Christian, starring Peter Sellers and Ringo Starr. This is an Australian pressing. There’s a lot of writing on the label – but still…..
Further hunting through the boxes revealed another Apple single – this time from George Harrison. It’s an Australian copy of ‘My Sweet Lord’ b/w ‘Isn’t It A Pity’. In Australia this was a double A side as both titles have green Apple labels:
Our good luck continued in the multiple boxes at this car boot sale. Next out were two singles – a US copy of McCartney’s ‘Coming Up’, and ‘Say Say Say’ with Michael Jackson – both on the Columbia label, then a division of CBS. In the late 70’s/early 80’s McCartney was briefly (six years) on the Columbia label for his releases in America. He’d temporarily turned his back on Capitol Records, enticed by one of the most lucrative recording contracts around at the time, a deal which included as a sweetener the ownership of Frank Music, a CBS owned publishing company consisting (amongst other things) of Frank Loesser’s songs (think of the Broadway musical Guys and Dolls, etc.). Frank Music is now of course folded into McCartney’s highly successful MPL Music Publishing business.
The two singles we found came out on the Parlophone label in Australia, so it’s good to have these US versions:
The final 45 we discovered was Billy J. Kramer’s ‘From a Window’ – which sadly is kind of beat up, but worth having because it is a song from 1964 written specifically for Kramer (and his band the Dakotas) by John Lennon and Paul McCartney:
The last purchase of the day was a bit of a find. It’s Jools Holland’s 2001 CD Small World Big Band, which is an important one to have in the collection because it contains George Harrison singing and playing on his last ever recording. George passed away just two months after this recording. He does a song called ‘Horse to the Water’, co-composed with his son Dhani.
Holland’s CD is sub-titled “….his Rhythm and Blues Orchestra and friends”, that’s because for each track he invites various stars to join him for a track each. These include the likes of Sting; Paul Weller; Dr John; Mark Knopfler; Van Morrison; Steve Winwood; and Eric Clapton, amongst many others. To quote two of the poignant reviewers on Amazon:
“For me, the big reason to buy this CD was the George Harrison contribution, ‘Horse to the Water’. It is a GREAT song, and a brilliant Harrison song at that. George sounds weak, and I am not sure if Clapton has stepped in on some of the guitar parts, but what a brilliant and fun piece of music, worthy to be held in the highest esteem among its author’s ouvre. IT is reason enough to buy the CD.”
And this one:
“I purchased this CD for one reason. I had seen the DVD Concert for George and loved it. Among the best offerings on the DVD was the Sam Brown/Jools Holland rendition of ‘Horse to the Water’ by George. Except for the words, I would never have guessed that it was a Harrison song. It was too R&B. So I was curious to see how he handled it. Well, he does not have the powerhouse voice of Sam Brown, but I was in fact really surprised at how well he did, helped greatly by the superb backup band. I would not have recognised his voice. I am sure his throat cancer was behind that.”
At paulmccartney.com there’s a further free, previously unreleased track which has been made available for download. That makes three so far….we’re heading towards the makings of an EP.
In November 1974 Paul and Wings were in the process of recording the album that came to be known as Venus and Mars. As with all recording sessions there are songs and different versions of tracks that don’t make the final release.
The exclusive Venus and Mars outtake track now available is a previously unreleased and unheard version of the song ‘Rock Show’. Listen to it below:
I think you can hear why this version was passed over in favour of the one that eventually made it to the LP, but it’s still great to hear how the song went through the process of being more finely crafted.
As part of the continuing publicity push for the Archive Series re-issues this week of Venus and Mars and Wings At The Speed of Sound, Paul McCartney has made available another exclusive bonus track.
It’s a Wings track called ‘Love My Baby’ and is taken from the One Hand Clapping film:
Like the extended and remastered version of the song ‘Letting Go’ (released last week), ‘Love My Baby’ is not on the forthcoming re-issues of Venus and Mars or At the Speed of Sound, but is only being made available as a free download from paulmccartney.com
It’s short and cute. Sounds like Paul is playing a toy piano – long before that became fashionable!
One Hand Clapping was filmed in Studio 2 at Abbey Road in late summer of 1974. The documentary captures Paul playing numbers from Band on the Run with Wings.
He’s said of the film: “It’s nice to see that one re-surfacing. It was made by a friend of mine, David Litchfield; he produced a little magazine that was funky (Ritz, co-edited with David Bailey). We decided that he would shoot a very simple piece, on video. We would just go into Abbey Road and play basically what we had rehearsed. So we went in there and it was very simply filmed, absolute basic stuff, and I think its charm now is that there’s no pretence. It is what it is. We just called it One Hand Clapping, for absolutely no reason.”
An image of The Beatles forms the centrepiece for all this year’s advertising for the 2014 British Film Festival. The festival will be held in Australia between November 5 – 26.
That’s because the film A Hard Day’s Night is to be shown at big screen cinemas right across the country as part of the festival activities:
The long rich history of British cinema is represented in the festival’s ‘Six From The 60s’ retrospective, with six standout films from the era including a digitally restored, 50th anniversary print of Richard Lester’s A Hard Day’s Night – a day in the life of The Beatles at the height of Beatlemania.
Beatles Blog 