Yearly Archives: 2011

The Beatles Collection – 25 Singles

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We recently came into possession of a UK pressing of the Beatles box set called “The Beatles Collection”, their twenty-five British singles at the time, released by World Records and EMI in 1978. The singles are all encased in a black, textured cardboard box:

It was compiled and sold by World Records, EMI’s mail order division. It was never commercially released to stores – the only way you could get it was through ordering it via World Records.

The earlier titles are pressed on the EMI/Parlophone label while the later discs are on the Apple Records label.

Each single is in a picture sleeve – which are all green on one side but have a Beatles picture on the other. There aren’t different pictures for each and every single, but four main pictures are used multiple times, relating to the Beatles era in which the single comes from:

There are however different photographs used for the three additional discs in this set: one for “Back in the USSR/Twist and Shout”, one for “Yesterday/  Have Known Better”, and the “Sgt. Peppers Lonely Hearts Club Band/With a Little Help From My Friends/A Day in the Life” getting its own, unique picture sleeve:

Also included is a four-page booklet detailing the history of the group:

There’s also an additional, one sided sheet stating that the set now includes the addition of the “Sgt. Peppers Lonely Hearts Club Band” disc, indicating that previous boxes came without this particular record:

The “Beatles Singles Collection” (UK – 1978 – World Records/EMI, 25 Original 45 RPM Records box set) comprises all the Beatles singles 1962-1978:

1. Love Me Do / P.S. I Love You (Parlophone/October 5, 1962)
2. Please Please Me / Ask Me Why
3. From Me To You / Thank You Girl
4. She Loves You / I’ll Get You
5. I Want To Hold Your Hand / This Boy
6. Can’t Buy Me Love / You Can’t Do That
7. A Hard Day’s Night / Things We Said Today
8. I Feel Fine / She’s A Woman
9. Ticket To Ride / Yes It Is
10. Help / I’m Down
11. Day Tripper / We Can Work It Out
12. Paperback Writer / Rain
13. Eleanor Rigby / Yellow Submarine
14. Strawberry Fields Forever / Penny Lane
15. All You Need Is Love / Baby You’re A Rich Man
16. Hello Goodbye / I Am The Walrus
17. Lady Madonna / The Inner Light
18. Hey Jude /Revolution
19. Get Back / Don’t Let Me Down
20. The Ballad Of John And Yoko / Old Brown Shoe
21. Something / Come Together
22. Let It Be / You Know My Name (Look Up The Number)
23. Yesterday / I Should Have Known Better
24. Back In The USSR / Twist And Shout
25. Sgt. Pepper’s Lonely Hearts Club Band

Finally, you get a “World Records Guarantee” of quality:

McCartney and McCartney II – Labels

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For those of us who love record labels – spotting and collecting different variations – with yesterday’s reissue of the two McCartney solo “debuts” the lovely Chained and Perfumed blog site has posted some interesting varieties of “McCartney” and “McCartney II“:

McCartney on Apple. 1970.

McCartney on Capitol. 1970.

A rare and unusual Brazilian edition of McCartney in mono from the Chained and Perfumed collection.  Nice.

The new McCartney Hear Music reissue. 2011. Released just last week on vinyl and CD. This label is from the second disc of the two-disc LP set which contains some rare and previously unreleased stuff.

McCartney II. Side 2 of U.S. edition. 1980. (I have a variation of this label below with the MPL logo in different spot).

McCartney II. Side 2 of the Japanese edition.

So, Chained and Perfumed inspired me to have a look in my own collection and I found some additional variations:

McCartney. Australian pressing. 1970.

McCartney. Singaporean pressing. 1970.

McCartney II. US pressing. 1980. This is included as its a variation on the one above. The MPL logo placement is different.

McCartney II. Singaporean pressing. 1980. These pressings were made in Singapore but also sent to Hong Kong and Malaysia.

McCartney II. An original Australian pressing with the orange Parlophone label. 1980.

McCartney II. Unusual Australian green/blue Parlophone label from a re-issue – probably in the late 1980’s or early 1990’s.

Well, that’s it from my collection. If anyone has any other additions please email a photo and I’ll put them up on the site.   beatlesblogger@gmail.com

UPDATE:  Some other labels are beginning to come in. Thanks to Paco who writes: “Here are mine. They are Spanish editions with the translation of the titles. All generic EMI Odeon labels (nothing too exciting :-)”.

McCartney (above) – The Spanish edition with translations of the titles of each song.

Ditto for McCartney II.

Above is the “Fame” budget label re-issue, this time for the Spanish market. Nice. Have a look here for more on budget Beatles releases.

Thanks to Paco for sending these through. If you’d like to add to the collection of McCartney and McCartney II labels from around the world take a photograph or scan and email them to: beatlesblogger@gmail.com

Previously Unseen Beatles Photographs

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The fine art auctioneers Christie’s in New York will next month auction some pretty impressive and previously unseen Beatles photographs from 1964.

They come from a collection of photos of the group shot by photographer Mike Mitchell. At age 18 he was at the Washington Coliseum in Washington, D.C. for the Beatle’s first US concert, two days after their historic Ed Sullivan appearance.

Christie’s is calling the event “The Beatles Illuminated: The Discovered Works of Mike Mitchell“. Their website says it’s:

“….a sale comprised of nearly 50 lots of unpublished and never-before-seen photographs of the Beatles’ first hysteria-inducing visits to America in 1964. Shot in black and white by photographer Mike Mitchell when he was just 18 years old, the images have been filed away for nearly fifty years. The complete rediscovered collection is expected to realize in the region of $100,000.

Over eight thousand fans packed into the Washington Coliseum on February 11th, 1964 and they were treated to the Beatles at their very best. The Washington Coliseum was not only their first American concert but also by far the largest venue in which the Beatles had ever played. Its unique setup – it was often used for boxing matches – meant that the Beatles were surrounded on all sides by an adoring, cheering audience. The Beatles were clearly delighted and having a great time on stage, sharing all of the enthusiasm of the crowd. Here they were, performing in America, the land of their musical heroes and cultural icons, the home of Elvis and Chuck Berry – who’s “Roll Over Beethoven” was chosen by the Beatles to begin the show – and Little Richard, who’s “Long Tall Sally” was chosen to end it. The concert given at the Washington Coliseum was part of a defining moment in the Beatles’ career, and it remains both an important event and a notable place in their story. And Mike Mitchell was there to capture it.”

Yahoo has quite a nice photo gallery here. There’s an absolute ripper shot of Ringo in full flight and absolutley enjoying himself:

“Here Comes the Sun” Google Doodle Style

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To mark what would have been Les Paul’s 95th birthday, last week Google designed one of those nifty little Google Doodles for their search homepage (see above). You can actually play it and record what you create.

PCMag Creative Director Chris Phillips is a clever person. He’s recorded himself picking the Beatles “Here Comes the Sun”. Just click on the Play button here. Cute.

You can find out how to do it here.

Les Paul and Paul McCartney

You might also remember the John Lennon 70th birthday tribute Google Doodle tribute from last year which when you clicked on it featured an animation and an extract from “Imagine”.

The McCartney Family Talk About “Life in Photographs”

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Paul McCartney has just posted a new YouTube clip of him and daughters Mary and Stella talking about the book and exhibition project “Linda McCartney: Life in Photographs“:

The music used in the clip is Linda’s “Love’s Full Glory” from the album “Wide Prairie” (1998).

Hear and See McCartney’s “Blue Sway”

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One of the previously unreleased songs from the “McCartney II” sessions that will feature on the forthcoming re-issue of the album has popped up on YouTube.

Its an unlikely pairing between Paul McCartney and a US surf film-maker of some renown named Jack McCoy. McCartney’s smooth and stylish song “Blue Sway” accompanies an intriguing video clip of McCoy’s innovative underwater photography, utilising a camera attached to a jet ski. Have a look and listen for yourself – the way the images and music mesh is quite unique and compelling:

The song is credited on the reissue CD as “Blue Sway (With Richard Niles Orchestration)”.

The text accompanying the clip says:

“Written nearly 20 years ago, McCartney’s never-before released song, “Blue Sway,” is available for the first time on the bonus audio disc of the special edition of “McCartney II”. The music video created by McCoy is also featured on the bonus DVD included in the set.

Using a high powered underwater jet ski, the filmmaker found that he was able to travel behind a wave, creating underwater images that have never been seen before.

Over the past couple of years, McCoy set out to capture footage for his surf film, “A Deeper Shade of Blue“. During the editing process, McCoy put one of his surfing sequences to a song off McCartney’s “The Fireman” album. A mutual friend, Chris Thomas, saw the footage while visiting McCoy in Australia, and when he returned to the UK he gave McCartney a copy of the sequence.

“Paul was pretty stoked with what I’d created. He immediately thought my images might be suitable to go with his unreleased song “Blue Sway”.” said McCoy.

McCoy spent the next six weeks creating the music video, while also working full days on making “A Deeper Shade of Blue”. McCoy compiled and edited footage that he filmed off Tahiti’s Teahupoo reef to create what became the “Blue Sway” video.

“When I saw Jack McCoy’s underwater surfing footage put to the soundtrack of “Blue Sway” I was blown away,” said McCartney.

“Blue Sway” won ‘Best Music Video’ at NYC BE FILM Short Festival this past May, and the video will be featured as part of Surfrider Foundation’s summer PSA campaign. Surfrider Foundation is a non-profit grassroots organization dedicated to the protection and enjoyment of our world’s oceans, waves and beaches.

The film clip is dedicated to Linda McCartney.

There is also a “Making of Blue Sway” video clip:

Paul McCartney On His Cloud Computing Archive

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This is a video (posted earlier this month on June 2) on Paul McCartney’s MPL Music Publishing site detailing further the big project announced last year that he would be digitising his entire, extensive personal archive. Its a little bit commercial in its plugs for the HP computer group who are working with the McCartney team, but its interesting and sounds like they are making good progress on what must be an enormous task.

They’ve posted two different versions of the clip – this one is a shorter version but has some different speakers and information:

John Lennon – Vinyl Box Set from 1981

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This week I managed to secure a still sealed copy of the 1981, 8-LP box set simply called “John Lennon”. Mine is the one in the silver box with the now famous Bob Gruen photo of John (taken in New York) on the front cover:

This is the Australian release of this set, put out by EMI.

The box contains:

1. “Live Peace In Toronto”;  2. “Plastic Ono Band”;  3. “Imagine”; 4. “Sometime In New York City”;  5 . “Mind Games”;  6. “Walls And Bridges”;  7. “Rock ‘N’ Roll”;  and  8. “Shaved Fish”:

The set came out just a year after John Lennon’s death and followed the success of other Beatles box sets. It was released in several countries using very similar packaging. The set was first released in Britain, and was later sold in Japan, Germany, and of course Australia – with the catalogue number JLB8:

Mitch McGeary and William McCoy write (on their Beatles Rarities and Box Sets website) that all the LPs were issued on the Apple label and packaged in their original covers: “Included in the UK and other sets was a twenty-page, black-and-white booklet, “The Liverpool Echo’s Tribute To John Lennon,” which was loaded with pictures and song lyrics. The albums were encased in a silver box that had a color photo of John on the front. The set’s title and facsimile of John’s autograph were also embossed on the front of the box while the LP and song titles were printed on the back”.

EMI in Italy also issued a Lennon compilation and it is unique. Its called the “John Lennon Anthology” and consisted of all the albums in the British/Australian edition, but omitted the “best of” album “Shaved Fish”. Instead the box had three singles made up of tracks not found on any of the other seven LPs. Unlike the silver box versions these discs came in a blue, pizza-style box reminiscent of the “Live Peace in Toronto” cover:

Apparently only 1,000 copies were made of this one, making it quite a collectable item.

Linda McCartney: Life in Photographs

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I wrote in March about a new book about to be released which is dedicated to the photographic work of Linda McCartney. Last Saturday my local paper (The Sydney Morning Herald) published a four-page article about it and dedicated the front cover of its Good Weekend magazine to the book. Here’s the promotion of the paper’s weekend magazine article on the front page masthead of the newspaper:

They used a great shot of Paul, Mary and Heather on their farm in Scotland in 1970 for the front cover of the magazine itself:

Inside is an article by journalist Janice Turner detailing a flip through the book – with Paul McCartney at her side. Turner asks: “So how does McCartney feel, looking again at these private moments, captured by his soul mate of those years, now long gone? “It’s funny. I think when you have a bit of distance from someone you have lost, you can just look at it with pleasure. Because they were great times. It is tinged with sadness because you lost that person, but the main feeling for me looking at these is joy. Mostly, these pictures are uplifting.”

Here are a few more of Linda’s photos which appear in the book, published by Taschen:

Of course the Sydney Morning Herald’s weekend article has been syndicated around the world and comes from a London Times Magazine which was published last month – but it was a nice surprise last Saturday morning to find it in my local Sydney paper…

UPDATE:  “Linda McCartney: Life in Photographs,” a New York exhibition of photos by Linda McCartney, opened last Thursday and runs through to July 29 at the Bonni Benrubi Gallery, Level 13, 41 East 57th St., New York City. The gallery has posted lots more photographs here (check out the prices, too). This is the poster for the exhibit:

UPDATE 2:  Paul McCartney has posted a YouTube clip of he and daughters Mary and Stella talking about the project.

Beatles “Anthology” Sets Now on iTunes

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The Beatles and iTunes have today announced that the three, boxed set “Anthology” series will be available for electronic download exclusively on iTunes from June 14.

The “Anthology” Volumes 1 – 3 (each originally released in 1995 and 1996 as three double CD sets) will be available for download separately. There will be an iTunes-exclusive “Anthology Box Set” with all 155 tracks from the three volumes combined, and there will also be an exclusive new 23-track “Anthology Highlights” collection of standout tracks from all three albums.

“Anthology” songs will also be available for individual download.

All tracks have been digitally remastered by the team of engineers at EMI’s Abbey Road Studios who were responsible for the remastering of all the Beatles original UK studio albums in 2009. The result, says the publicity, is “…the highest fidelity the catalogue has seen since its original release”.  Sadly for collectors though there will be no physical CD’s or vinyl released. EMI Music has confirmed this with Steve Marinucci at Beatles Examiner.

A special “Anthology” video introduction and a “Meet The Beatles” radio show are available for free streaming at iTunes.com/TheBeatles starting today.

The “Meet The Beatles” radio show on the iTunes page has a 2 minute teaser, then three separate parts totaling just over 50 minutes. This is actually a cut-down version of a much longer three-part radio special called “Here, There and Everywhere” which was made for the launch of the Beatles Remastered catalogue in December 2009. It’s narrated by Paul Gambaccini and written and produced by Beatles historian Kevin Howlett.