Category Archives: Beatles Books

Beatle Books, Books, Books!

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Lots of Beatle book news around at the moment. We’re a little slow getting to this one, but Paul McCartney has flagged a big Wings book retrospective due later this year – November 4 to be precise. It’s called Wings: The Story of a Band on the Run.

Clearly this is still a work very much in production but the book promises over 100 black and white and colour photographs, many previously unseen, and will draw on over 500,000 words and dozens of hours of interviews with McCartney and numerous key players in and around the band. Most probably it is designed to tie in with Morgan Neville’s forthcoming documentary film Man on the Run, which will also tell the story of McCartney’s life following the breakup of The Beatles and the formation of Wings. That film (due later this year or early next) is also based on access to never-before-seen archives of Paul and Linda’s home videos and photos, as well as new interviews. (See The Paul McCartney Project for more on this).

Then, just this week, The Beatles Anthology (25th Anniversary) re-issue has quietly been announced.

25th anniversary? Didn’t The Beatles Anthology documentary series, CD’s and vinyl begin to come out back in 1995? Shouldn’t it be the 30th anniversary? Well no, not for the book which was first published as a hardback in the year 2000. This time it’s paperback only. Fans are already asking if the release might be associated with some sort of The Beatles Anthology CD/vinyl re-issue too? Or maybe the documentary series has been refreshed as is slated for streaming? Or re-issue on DVD or Blu-Ray. We don’t know as yet…..

And here’s another book we’ve been reading. We flagged this when it first hit the shelves in December last year, but have not yet reviewed it as it contains so much information! Luca Perasi has followed up his Paul McCartney Music Is Ideas The Stories Behind the Songs (Volume 1) 1970-1989 with a second installment – this time covering off the years 1990-2012.

Rather than being a biography, with each release this series is growing as the go-to reference place for detailed information on each and every Wings or solo Paul McCartney album or individual song. This second volume covers off a further 250 entries, including 26 previously unreleased songs. It is packed with technical info on the recordings, personnel and who-played-what, anecdotes and the background to how each song and album came about.

The book kicks off in 1990 with the triple LP live album Tripping the Live Fantastic, the record that launched McCartney into the Nineties, and ends with Complete Kisses, another foray into performing live – but this time a live streamed concert he gave in support of his jazz-influenced album Kisses on the Bottom from 2012. In between there is a wealth of information on Paul’s solo studio albums over this period, but also some much-needed analysis and detail on his many classical, operatic and experimental outings from the time – like his Liverpool Oratorio with Carl Davis, Standing Stone, Ecce Cor Meum, his Ocean’s Kingdom ballet music, plus Strawberries Oceans Ships Forest where he appears for the first time with collaborator Youth under the nom de plume, The Fireman. There’s also a chapter on the very experimental Liverpool Sound Collage with the Super Furry Animals, and another musical style departure called Twin Freaks, under yet another pseudonym, Twin Freaks. To date very little has been written about these eclectic but fascinating additions to his canon, so this book is immediately a very welcome research window into some of McCartney’s more obscure yet interesting musical moments. Bravo!

For how Perasi constructs each entry in the book see our review of Volume 1 because the same format is used here. As for information on what is coming next, Perasi says there will be a Volume 3 starting at 2013 with the album New and moving forward, then a Volume 4 looking at Paul McCartney’s many collaborations and appearances on other people’s records (fascinating!), and then a Volume 0 is promised as a mystery surprise finale. As to just what this contains we’ll have to wait and see.

For information on how to get hold of this essential book go to www.mccartney-musicisideas.it

Well, Luca Perasi is nothing if not prolific because today he’s announced yet another new book called Ringo Starr: I Play the Piano If It’s in C. The Stories Behind the Songs (Vol. 1) 1970-1997.

As the title suggests, this covers the first twenty-eight years of Ringo Starr’s solo career. Luca says, “The book is the first ever to explore in such depth Ringo’s post-Beatles production, from Sentimental Journey until his All-Starr Band tour in 1997.”

“The title recalls a verse from his song ‘Early 1970’ and is a half-joking reference to the fact that Ringo is not really a composer but is still capable of producing great music. He’s been defined as a drummer who plays melodically, as a guitarist, and it’s time to explore his production historically and critically.”

Like the McCartney volumes, this book tells the stories behind 157 of Ringo’s songs released between 1970 and 1997 – including songs written by other composers plus 23 unreleased tracks – each with detailed information on musicians and recording dates, anecdotes and contemporary interviews.

“During the period under consideration, Ringo goes through different phases of his career; he starts as an outsider, but he manages to achieve great success until 1974, first with the two singles ‘It Don’t Come Easy’ and ‘Back off Boogaloo’, and then with the albums Ringo and Goodnight Vienna,” explains Perasi. “During the second half of the seventies, he became increasingly marginalised in the music business, and the eighties opened amidst a thousand difficulties, with Ringo failing to revive his career through the project of an album in Memphis and his alcohol addiction.”

Out now, Ringo Starr: I Play the Piano If It’s in C. The Stories Behind the Songs (Vol. 1) 1970-1997 is available worldwide from Amazon in both hardcover and paperback. For the USA click here, and the UK click here.

A Volume 2 will follow in 2026. See what I mean about prolific?

Beatles/Lennon – GRAMMY Winners

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The 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, is airing live and already The Beatles and the Lennon Estate have won big:

Best Rock Performance
WINNER: The Beatles – Now and Then
The Black Keys – Beautiful People (Stay High)
Green Day – The American Dream Is Killing Me
Idles – Gift Horse
Pearl Jam – Dark Matter
St. Vincent – Broken Man

The award was accepted on stage by Sean Ono Lennon.

By the way, ‘Now and Then’ has also been nominated for Song of the Year in the prestigious Brit Awards in the UK.

Also tonight Sean Ono Lennon and art director Simon Hilton have accepted the Grammy Award for…….

Best Boxed or Special Limited Edition Package
Alpha Wolf – Half Living Things
WINNER: John Lennon – Mind Games
Kate Bush – Hounds of Love (The Boxes of Lost at Sea)
Nirvana – In Utero
Unsuk Chin & Berliner Philharmoniker – Unsuk Chin
90 Day Men – We Blame Chicago

The Beatles were also GRAMMY nominated, indirectly, in the category below:

Best Audio Book, Narration, and Storytelling Recording
Barbra Streisand – My Name Is Barbra
Dolly Parton – Behind the Seams: My Life in Rhinestones
George Clinton – …And Your Ass Will Follow
WINNER: Jimmy Carter – Last Sundays in Plains: A Centennial Celebration
Various Artists – All You Need Is Love: The Beatles in Their Own Words

All You Need is Love is an oral history of The Beatles (available digitally as an audiobook) from never-before-heard interviews. The material is comprised of interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, their families, friends and business associates that were conducted by Beatles intimate Peter Brown and author Steven Gaines in 1980-1981 – during the preparation of their international bestselling book, The Love You Make.

The Beatles ‘Now and Then’ also competed in the category Record of the Year – a GRAMMY category they have never won before. They were up against some stiff competition:

Record of the Year
The Beatles – Now and Then
Beyoncé – Texas Hold ’Em
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Charli XCX – 360
WINNER: Kendrick Lamar – Not Like Us
Sabrina Carpenter – Espresso
Taylor Swift Featuring Post Malone – Fortnight

The GRAMMY’s are using this year’s ceremony to raise much-needed funds for those impacted by the terrible greater Los Angeles wildfires. You can donate by visiting MusiCares Fire Relief.

The Lennon/McCartney Partnership Examined – “John & Paul – A Love Story in Songs”

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A new biography of John Lennon and Paul McCartney is due to hit bookshelves next April, but if you happen to be in New York and at Strawberry Fields in Central Park on December 8 (for the tribute to John on the anniversary of his death) you could score yourself a complimentary pre-release copy. Check out the details on this below.

This new book looks very interesting. It’s called John & Paul – A Love Story in Songs by Ian Leslie.

John Lennon and Paul McCartney knew each other for twenty-three years, from 1957 to 1980. Using a selection of songs they wrote and performed before, during, and after The Beatles this book is the biography of a relationship that changed the cultural history of the world.

An extract from the Prologue to John & Paul sums it up well:

This is a book about how two young men merged and multiplied their talents to create one of the greatest and most influential bodies of work in history. The partnership of Lennon and McCartney was responsible for159 of the Beatles’ 184 recorded songs, and they were the dominant creative decision-makers within the group. “There is no doubt in my mind that
the main talent of that whole era came from Paul and John,” said George Martin. “George, Ringo and myself were subsidiary talents.” This is also a love story. John and Paul were more than just friends or collaborators in the sense we normally understand those terms. Their friendship was a romance: passionate, tender, and tempestuous, full of longing, riven by jealousy. This volatile, conflicted, madly creative quasi-marriage escapes our neatly drawn
categories, and so has been deeply misunderstood.…

This book tells the story of John and Paul’s friendship, from when they meet until John’s death. It does so by way of the richest primary source of all: their songs. Each chapter is anchored in a song that tells us something about the state of their relationship at the time, either in its words or in how it was created or performed.

Ian Leslie draws on extensive research and on song versions released right up to the present day, garnering insights even from the latest studio outtakes and films – right up to Peter Jackson’s Get Back opus. His book promises a unique perspective too because he’s not coming from a music journalism background. Far from it in fact. Leslie is a writer and author of acclaimed books on human psychology and creativity, relationships and communication, and he writes about the intersection between psychology, popular culture and business. He’s co-hosted the podcast series Polarised (on the way we do politics today), created and presented the BBC radio comedy series Before They Were Famous, and writes the influential Substack newsletter The Ruffian.

John & Paul is due for publication by Celadon Books on April 8, 2025 and we’ll publish our full review here closer to the official release, but until then here are the details of a special book giveaway you might like to attend. It will take place on December 8 at Strawberry Fields, Central Park, New York. From 2-3PM on December 8 staff members from Celadon will be attending the tribute to John at Strawberry Fields. If you would like to come by while they are there, you can learn more about this new Beatle book and take home an early copy.

Paul McCartney: Music Is Ideas (Vol.2) 1990-2012

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Prolific McCartney scholar Luca Perasi has just released the next book in his series on the recorded output of the performer – Paul McCartney: Music Is Ideas – The Stories Behind the Songs (Volume 2) 1990-2012.

We reviewed Volume 1 last year and can vouch for the level of research, knowledge and insight Perasi brings to the task. As an author he has credibility. Perasi one of the two official Italian translators of Paul McCartney’s The Lyrics, and in 2022 he collaborated with MPL on the label copy for the massive The 7” Singles Box.

“Keeping in with the structure of the previous volume, this is the second part of the ‘musical biography’ of one of the most important song composers ever,” says the author. This latest volume covers the next 23 years (and 250 songs) in the McCartney catalogue.

The book consists of individual song entries across the period 1990-2012. It includes songs written by other composers as well as 26 unreleased tracks – each providing detailed information of musicians and recording dates, anecdotes and contemporary interviews, together with many exclusive interviews with key personnel by the author.

Paul’s classical works are also explored in detail. “I am very proud of the interview I did with Maestro Carl Davis a long time ago, there are some incredible insights into the process of the Liverpool Oratorio,” adds the author.

This book is enriched with almost 1,000 footnotes, with illustrations and QR codes for an even broader multimedia experience. Albums, tours and other events provide further background to the stories behind the songs.

As we said in our previous review, it all adds up to an intriguing mix of information that truly demonstrates that music is about ideas, and that the prolific Paul McCartney is never short of them.

Music Is Ideas – The Stories Behind the Songs (Vol.2) 1990-2012 is guaranteed to inform, stimulate, and lead to further exploration of the music.

Again, a Highly Recommended.

Where to get it? Check here.

Sgt. Pepper Label Anomaly

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The subtitle of this blog is “Adventures in Collecting Beatles Music” and so we often get people inquiring about rare (or not-so-rare) pressings that they’ve come across out in the wild.

Like this one earlier this week from a reader named D-Wizz who is based in Brisbane, Australia:

I refer to the attached photos which are both sides of the same record. I note that the font used for each label is different. Side 2 looks like a 1960s style while Side 1 has an early 70s font. I cannot find an example of this on any Beatles related site, so I wonder is it a rarity, a mis-pressing, or something else? Does it make this copy any more valuable?

Thanks for your attention and assistance.

Regards, etc.

We love a challenge like this and delved into doing a little research. This is right at the heart of the adventures in collecting Beatles music! Here’s what we wrote back with:

Thanks for your email, and for sending through actual photos of the labels. This makes identification so much easier!

We’ve consulted the book An Overview of Australian Beatles Records by Jaesen Jones, which is a fantastic resource, plus his comprehensive website I Am The Platypus – The Beatles Australian Records Labelography – also very helpful in identifying Aussie Beatle pressings and variations. For what you need to know you should look at this page for the Sgt. Pepper’s label variations, and this page for further info on Australian label variations generally (click on the “Orange 1-Box” tab at the top).

What you have here is obviously a pressing of Sgt. Pepper’s that came out around October 1978 when EMI Australia was right in the middle of transitioning from one label design to another.

You’ve correctly identified that your Side 2 label is older – and in fact it is. It was the orange Parlophone label in use on Australian pressings of Sgt. Pepper’s from 1969-1978. It is known as the Orange 1-Box Style A, and has the word STEREO written large at the top. 

Then, in October 1978, EMI changed that label to what is called the Orange 1-Box Style B. This still has the word STEREO, but now in a much smaller font and set to the right of the spindle hole above the catalogue number. This is your Side 1 label.

We’d guess that when they were pressing your copy it must have been right on the change-over date between the two variations in October 1978. They obviously had some of the older style Side 2 labels left over (Orange 1-Box Style A) and where just using them up. However, for Side 1 they’d obviously started using the new-look Orange 1-Box Style B labels. 

(FYI there was a further orange label variation that was introduced from early 1979 called Orange 1-Box Style C that was used up to 1981. This had no mention of the word “Stereo” on it at all).

So, is your copy rare and more valuable? Well, it is interesting! 

Jaeson Jones includes in his book a ‘Guide to Rarity’ and, on a scale of 1-10 (where 1 is very common, and 10 is very rare), he lists the Sgt. Pepper’s Orange 1-Box Style A as a 5, and the Orange 1-Box Style B as a 3. Both therefore are reasonably common I’m afraid – but at least yours is different and it has a bit of a story behind it! I dunno, maybe we’d rate it as a 6?

Hope this helps,

beatlesblogger.com

Fashioning The Beatles – The Looks That Shook the World

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“It wasn’t like we were following a trend;
we were in the trend.”
— PAUL MCCARTNEY

There’s no doubt that clothing is one of the most visible aspects of the development of a culture. A new book that’s just hit the shelves, Fashioning the Beatles – The Looks That Shook the World, is a well-researched and thoughtful exploration on how The Beatles played a leading role in shaping the fashion, attitudes and social change going on around them throughout the 1960s and beyond.

Author Deirdre Kelly wisely begins her book with a brief preliminary section called ‘Dressing for Pepperland’. That’s because during this period the band reached the zenith of their flamboyant style. Designers on Carnaby Street and around the world were influencing, and were in turn being influenced by, The Beatles in something of a symbiotic relationship. They were in their heyday.

We then journey back to the year 1960 and in chronological order, chapter by chapter, visit key fashion moments with quite a detailed examination year-by-year of what the band were wearing through to 1970, and beyond. We learn who was helping, advising, and being commissioned to come up with new looks for them, but also importantly, how The Beatles themselves played a central role in defining their style. Kelly then uncovers how that style in turn influenced whole industries and often swung the pendulum of the fashion world in new directions.

After a stint as “the savage young Beatles” which (in their early Hamburg/Liverpool days) saw the band sporting a tough look (black leather pants and jackets, black shirts, black t-shirts), in 1961 the group underwent a complete makeover. At the suggestion of their new manager, Brian Epstein, the band took on a suited, clean-cut, almost boy-next-door look that was carefully designed to help them break through in the pop world. They weren’t forced into this. It was something the group agreed was the right thing, as they too saw it as a way to achieve their goal of becoming the “toppermost of the poppermost!”. It was a makeover that worked, one where even the footwear they chose was considered. Kelly goes into detail about how the band had input into the evolution of the famous “Beatle Boots” and how this too became part of their defining look, and a fashion icon of the time. Soon manufacturers where knocking off copies and The Beatles were well on their way to becoming major influencers.

1963 was the year of the now iconic collarless suit – created for the band by UK tailor, Dougie Millings, whom we learn went on to make over 500 outfits for the group. His collarless creation was conceived in a brainstorming session involving Paul McCartney, who’d originally proposed the idea. Their suits were modeled on an original design by Pierre Cardin, but tweaked to make it a distinctively Beatles’ garment. Kelly writes: “It established the Beatles as fashion forerunners”:

It continued what was to become a trend. What a Beatle wore today would soon turn up as the latest hot trend in the shops tomorrow:

However, as with their music, The Beatles never stood still, always pushing the boundaries and never repeating themselves. Once a particular fashion look they’d pioneered started catching on, they’d already moved on.

Fashioning The Beatles is meticulously researched and contains fascinating detail around how the designs they wore came to be. The book also turns up interesting side observations along the way. Take this 1965 photograph taken during the filming of Help!:

In the movie, the band mixed British and US clothing styles. Denim wasn’t yet the ubiquitous fabric it would become and was regarded as something of a novelty. Notice though that George has bleached his jeans, prefiguring the acid wash jean trend that proliferates to this day.

By this mid-decade period and beyond The Beatles largely discard the suits (and boots) and begin to dress to please themselves. In doing so they have a further profound influence on the way young people dress and behave too. What the band wears is an extension of their innate creativity: their personal taste, their natural sense of style – and it was being followed closely by millions.

Tony Palmer (director of the documentary series All You Need is Love: The Story of Popular Music) says in his Preface to the book that The Beatles didn’t set out to be trendsetters. They were innately stylish young men and by simply wearing what they wanted to wear, became the leading style-makers of their day. Their huge, worldwide fame ensured that whenever they were photographed, filmed, or simply seen out and about in public, people took notice of their sartorial style, and those looks helped influence the culture of the day.

By the mid to late 60s The Beatles were now routinely mixing stage clothes with items from their personal wardrobes, and even (albeit briefly) starting up commercial fashion outlets of their own. Kelly provides great detail and context to these ill-fated forays into the fashion retail world via the Apple Boutique store and Apple Tailoring. And herein lies an Australian connection (and yet another example of The Beatles’ questionable choice in business partners), in the form of one John Crittle, proprietor of a business often frequented by the band called Dandie Fashions. They eventually came to own a 50% stake in the store and re-branded it Apple Tailoring (Civil and Theatrical). They opened a hair salon in the premises too, presided over by Leslie Cavendish (who’d been cutting the hair of Paul, George and John). However it turned out that the brains and style behind the clothing part of the venture was really Crittle’s fashion-savvy wife Andrea, who is perhaps better known as the mother of British prima ballerina, Darcey Bussell. Just how Crittle sullied Apple Tailoring’s reputation is something you’ll need to buy the book to read about. It’s not pretty.

Fast forward to today and the influence and spirit of The Beatles still ricochets around the fashion world. Take for example this 2023 collaboration between fashion house Rabanne and the multinational, mass market clothing retailer, H&M. The look could easily owe its inspiration to 1967 and the famous foursome’s adoption of the militaristic uniforms from their Sgt. Pepper era:

We here at beatlesblogger.com have a mountain of books about The Beatles. Amongst them is just one other book on Beatle fashion, Fab Gear – The Beatles and Fashion by Paolo Hewitt – and it’s long out of print. That is proof that very little has been written about this aspect of the band’s creativity and their huge impact on fashion and culture. It is why Fashioning The Beatles – The Looks That Shook the World is an important piece of scholarship. Deirdre Kelly’s new work is a very welcome addition to the library. Grab a copy while you can.

‘Living The Beatles Legend’ – Out Now

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Very much looking forward to reading and reviewing Kenneth Womack’s latest – an authorised biography of the Beatles’ ever-present minder, Mal Evans.

If you live in the USA the book is published by Harper Collins and is called Living The Beatles Legend – The Untold Story of Mal Evans. It comes with this cover:

If you’re in the UK it is also published by Harper Collins, but has a slightly different title Living The Beatles Legend – On The Road With The Fab Four The Mal Evans Story, and comes in this cover variation:

In Australia it looks like we’ll be getting the UK edition.

The New York Times has a review headline which neatly sums up exactly what this book is about:

The publisher’s press release has a bit more:

The first full-length biography of Mal Evans, the Beatles’ beloved roadie, assistant, confidant and friend. A towering figure in horn-rimmed glasses, Malcolm ‘Mal’ Evans was an invaluable member of the Beatles’ inner circle. Serving as their long-time roadie, personal assistant and protector, he was a sometime lyricist, occasional performer and regular fixer at the height of the group’s fame and beyond.

But Mal’s dedication to his beloved ‘boys’ and his own desire for stardom took its toll, leading to the dissolution of his marriage and his untimely death in January, 1976.

Until now, Mal’s extraordinary life has remained shrouded in mystery. Drawing on hundreds of exclusive interviews and with full access to Mal’s unpublished archives – including his personal diaries, manuscripts and memorabilia – renowned Beatles scholar Kenneth Womack paints the first complete portrait of this complicated figure at the heart of the Beatles’ story.

Living the Beatles Legend is a fascinating but ultimately tragic tale about life at the edges of superstardom. 

The book is out now.

See also: A Beatle Book Bonanza; Womack’s impressive biography of George Martin Part One and Part Two; and The Beatles Encyclopaedia: Everything Fab Four.

New Book – Paul McCartney The Songs He Was Singing Vol. 5

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If you’re a completist and want to cross check that you have every physical and digital release, or if you’re interested in a smart, informed commentary on every song by Paul McCartney then this book series is for you.

Paul McCartney The Songs He Was Singing Vol. 5 2010 – 2019 is (as its title suggests) the latest installment in a series compiled and written by John Blaney. Blaney, a passionate Beatle fan, brings to his writing the expertise and rigour of a professional historian. After starting out in music retail he trained as a graphic designer and studied History Of Art at Camberwell College Of Arts and at Goldsmith College (both in London) before taking up his present post as the curator of a museum of technology. He’s the author and publisher of no less than twelve books on The Beatles, Paul McCartney, John Lennon and George Harrison.

In The Songs He Was Singing series Blaney has split McCartney’s songwriting and his steady release schedule roughly into ten-year slabs, with Volume 1 covering the period 1967-1979; Volume 2 the 1980’s; Volume 3 the 1990’s; and Volume 4 the Noughties (i.e. the years 2000-2009).

And that brings us to the present book (due out next month) and the years 2010 – 2019. Or, to put it another way, from the re-release of Band On The Run – the very first in the Archive Collection series – through to the bloated Egypt Station (Traveller’s Edition).

The way Blaney has structured the content in this series is comprehensive – with just a couple of caveats. For each entry you get US and UK release dates and chart positions, then the name of each song, the personnel who played, and recording locations. If it’s not a re-issue (or, if it’s a previously unreleased bonus track) you get an individual song description and an appraisal by Blaney. Then there’s a concluding “Data” section for each release detailing correctly and succinctly exactly how it was issued i.e. which formats (LP, CD, digital), along with the sometimes complex configurations and extras the release came in. This includes if promo copies were produced and distributed. It is great book for identifying those rarities which may have escaped your attention. A good example of this is the “Tug Of War Data” section where Blaney explains the more obscure extras. Like for example the Barnes and Noble-only 7″ bonus single ‘Ebony and Ivory’/’Rain Clouds’, released exclusively to their customers in a replica picture sleeve; or the fact that there was a very limited Super Deluxe Edition of the Tug Of War box set issued in a red acrylic slipcase with exclusive hand-numbered 8×10 photo prints. It’s detail like this the avid collector sometimes forgets. Then, for each release, there’s a selection of colour photographs of the packaging and labels to help further identify what you have – or what you might be still be seeking out for your own collection.

The album summaries and individual song descriptions which Blaney provides are worth a special mention – especially for their often outspoken honest opinions. It’s clear that while he reveres the McCartney canon, Blaney is no fanboy who treats everything McCartney touches as brilliant art. If there’s something he feels isn’t up to scratch he has no qualms in saying so. Take this example from the Archive Collection edition of McCartney II. Blaney is addressing one of the included bonus tracks, ‘Mr H Atom’/’You Know I’ll Get You Baby’:

“Not so much a song as a chorus in search of a verse, ‘Mr H Atom’ sounds like a demo recorded by an obscure New Wave band fronted by a female singer – Linda McCartney. Another example of McCartney being unable to flesh out his original idea, ‘Mr H Atom’ is little more than an unfinished fragment. If McCartney had the will to finish the song it may have developed into something a little more interesting. As it stands it’s of passing interest but no contender as a lost gem. ‘You Know I’ll Get You Baby’ is, if anything, less interesting. Consisting of the title repeated over a chugging 12-bar, it may possibly be the worst ‘song’ McCartney has allowed to slip out of his archives.”

Ouch.

Now to a couple of items missing from the book and, to be fair here, what we were sent for review is an early “proof” copy, so there could still be some changes prior to it’s October release. We think the 12 track Paul McCartney Live in Los Angeles should have been included. Yes, it was a free CD given away in 2010 to buyers of the UK newspaper The Mail on Sunday (and also The Irish Mail on Sunday), and it is related to a four-song EP called Amoeba’s Secret officially released on CD and 12″ single by Hear Music in 2007 and 2009 (so it my well have been detailed in a previous volume), but it was the first release of 9 previously unavailable live tracks. Having said all that, Blaney provides at the back of the book a separate section listing all the release dates, record company information, catalogue numbers, etc. Mentioned there briefly is the 2019, 2 x LP, 21 track Amoeba Gig album (also available on CD). But the Mail on Sunday release is different.

There’s also no mention of the 2011 CD re-issue of The Family Way original soundtrack on the Varese Sarabande label. Nor the 2015 vinyl LP of the same title. Again, these may have been dealt with in Volume 1 as the original did come out in 1967.

This volume does give a good amount of space (including some handy photographs) to the12″ EP Hope for the Future from 2015. This contains music McCartney composed for the Bungie online video game Destiny. It even references the very obscure (and rare) secret Record Store Day 12″ ‘Sweet Thrash’ single mix of the song. But it misses an important reference to a 6-LP release called The Music of Destiny Volume I containing the Destiny original soundtrack with many McCartney co-compositions, and a piece titled Music of the Spheres which ends with a movement called ‘The Hope’ that includes his ‘Hope For The Future (Main Version)’.

Having said that some items are missing, in all fairness these are minor and there is plenty here that will be a revelation – even to avid collectors. For us there was numerous releases included we hadn’t been aware of at all. For example in 2011 McCartney and his company MPL helped put together a compilation CD and LP of Buddy Holly cover versions. Rave On Buddy Holly has contributions from the likes of Modest Mouse, Florence and the Machine, Patti Smith, Nick Lowe, and Lou Reed. It also contains Paul McCartney singing a strange, rocky, distorted version of ‘It’s So Easy’. We also learn there was a different digital download only version of the same song sung in a more traditional Holly fashion. Of the CD version Blaney writes “…while McCartney delivers a passionate vocal, the backing is more than a little sloppy and sounds for all the world like a first run through…..And quite why [he] felt compelled to burst into an improvised rap before the track returns for a brief reprise is beyond me…..the result is like watching your dad dancing at a wedding: embarrassing.” When a song is great it gets praised in this book, but if it’s lacking then that gets called out as well – which is kind of refreshing.

Overall, this book is a delight to read, dip into, and is a great resource to cross-check your own collection. John Blaney has done a power of work in researching and engagingly critiquing (almost) every release by Paul McCartney between the years 2010 – 2019. Well worth having in your library.

Now all I need to do is track down the four previous volumes!

Paul McCartney & Paul Muldoon Announce a New Podcast

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The podcast, which is called McCartney: A Life in Lyrics, starts on September 20. It promises listeners a fly-on-the-wall opportunity to sit in on recordings of conversations made over many years between Paul McCartney and poet Paul Muldoon as they dissected the people, experiences, and art that inspired his songwriting.

The conversations between the two were a central part of their process in compiling the book The Lyrics: 1965 to the Present, released in hardback in 2021, and just about to be re-published in paperback form – with added chapters.

Over two seasons and 24 episodes the podcast will let us in on how that book came together. We’ll be able to hear what is described as “a combination master class, memoir, and an improvised journey with one of the most beloved figures in popular music”.

Each episode will focus on one song from McCartney’s catalog and will span early Beatles through to his solo work.

You can listen to a promo for the new podcast here:

A longer introduction to the podcast series is here: Welcome to McCartney: A Life in Lyrics.

For more background on how it all came about there’s also an interview in The Verge with Justin Richmond, Executive Producer of the podcast. It’s really interesting. “The idea for the podcast came through McCartney’s production team, from the person in charge of special projects. The sort of system that [McCartney and Muldoon] came up with to write [The Lyrics: 1956 to the Present] is that Muldoon turns up to McCartney’s house, turns on his phone, and records a conversation between the two of them. Eventually, the pandemic happened, lockdown, etc., and some stuff was delivered over Zoom.” 

“My read on it is that after the stress of getting the book together was relieved, they were sort of realizing that they have hours of Paul McCartney being candid in a really special way. It’s not like this was expertly recorded in the studio. It’s not as if he was sitting down to be Paul McCartney of The Beatles to give an official interview about the band. These [recordings] really have the tenor of someone sitting down with a friend and having a leisurely chat about times past. And McCartney’s “times past” happens to be, for him, The Beatles and Wings and a litany of incredible solo work.” 

Season One drops weekly starting September 20. It will feature twelve episodes examining ‘Eleanor Rigby’, ‘Back in the USSR’, ‘Let It Be’, ‘When Winter Comes’, ‘Penny Lane’, ‘Uncle Albert/Admiral Halsey’, ‘Here Today’, ‘Live and Let Die’, ‘Magical Mystery Tour’, ‘Jenny Wren’, ‘Too Many People’ and ‘Helter Skelter’.

Season Two will follow with an additional 12 episodes in February, 2024.

McCartney: A Life in Lyrics is a co-production between Pushkin Industries and iHeartPodcasts.

(If you don’t want to wait for each weekly episode and need to binge the whole series all at once you can subscribe to Pushkin+ to get access to all of Season One on September 20).

Sneaky Additional Content in the Paperback Edition of ‘The Lyrics’

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Whichever way you look at it the announcement overnight by Paul McCartney and Penguin Books that the paperback edition of his book The Lyrics: 1956 to the Present will contain seven additional song commentaries to those in the hardback edition from 2021 is a sneaky marketing ploy to get fans to buy additional copies of content they already own.

Yes, the paperback will have different cover art and will come in one volume (the hardback is split into two separate books), but still, to get McCartney’s thoughts and memories of those seven additional songs we’ll have to fork out yet again…..

The seven new song commentaries will be:
⁠’Bluebird’
⁠’Day Tripper’
⁠’English Tea’
‘⁠Every Night’
‘⁠Hello, Goodbye’
⁠’Magical Mystery Tour’
‘Step Inside Love’

Fans are already reacting to the news – and not in a good way:

“The old bonus track swindle. 😦 I’m sure people who bought the hardback get a free copy.”

“Next up: the expanded hard cover edition with the 7 additions as well as 3 additional additions. This is getting ridiculous.”

“Gotta love marketing. Extra songs for a new book edition, man. I have the hardcover. It’s beautiful. I’m good with what I have…No second bite of the apple from me.”

“I’m waiting for the limited edition cream paper, newspaper, blue paper, green paper, lambskin paper, pink paper, yellow paper, parchment paper, orange paper, purple paper, swirl paper, papyrus paper, 98 bright paper, rolling paper and black paper editions. Each with a unique and previously unreleased song write up! Collect them all!”

The paperback is scheduled for release on 7 November, and preorders are open now in the UK (Penguin) and in the USA (Norton).