George Harrison – All Things Must Pass 2010

Posted on by
42

As if the constant rush of Apple and Beatles-related product had not been enough so far over the last two months….

The George Harrison camp has decided,  as part of international Record Store Day, to release a very special 40th Anniversary limited edition, 3 LP vinyl set of  “All Things Must Pass”:

It’s available now – exclusively at Record Store Day-participating independent music retailers (and via mail order and digital download from the George Harrison site). It came out yesterday – Friday, November 26, 2010 – exactly forty  years on. “All Things Must Pass” was originally released on Friday, November 27, 1970.

This album is a limited edition, individually numbered, 180-gram vinyl set in its original 3 LP configuration. The faithfully replicated box set has all the original album art, the poster and the inner sleeve packaging. The LPs have been newly remastered at the Abbey Road studios from the original analogue master tapes.

I got my copy yesterday from Red Eye Records – one of my favourite Sydney independent stores. The heat-shrink wrap has a sticker attached on the front right-hand side that looks very like the one that appears on some original albums telling you what’s inside:

The specially replicated front sticker

And there’s also a special bar-code sticker on the rear lower right-hand side of the box that acknowledges Record Store Day:

The rear Record Store Day bar code sticker

Finally, each box is stamped with a number in gold print, also on the rear of the box. Mine is a pretty low number which I’m pleased about – No. 001708:

Each box is a Limited Edition

The official George Harrison site is offering a free digital download of “Wah Wah”, and there’s a bit of a discussion going at the George Harrison message board. See also Plug In Music.

And click here for more on “All Things Must Pass” variations.

Band on the Run – Deluxe CD and Vinyl

Posted on by
10

Finally, my copies of “Band On The Run” –  in both the 2 disc vinyl edition and the deluxe 4 CD bound-book special edition – have arrived from the United States.

They both came together, packaged in the same big cardboard box – and I have to say it was pretty beaten up by the time it got here to Australia.

As I opened it up I was really worried about what I might find inside. It’s not the first time I’ve had vinyl records in particular arrive in a less than optimum state. For example, when I ordered The Fireman “Electronic Arguments” LP (direct from the official McCartney website back in 2008).  It was, to put it mildly, pathetically packaged up for such a long journey in the post. It’s a fragile vinyl double record that needed to travel from the United Kingdom half-way ’round the world to Australia. And how had they prepared it for such an epic journey? Simply plonked it in a loose-fitting cardboard box and put two of those large bubble “fillers” inside tho make up the volume. These didn’t stop the record moving around, being tossed from side to side when being dropped and bounced and placed at the bottom of piles of other packages along the way. Consequently the cover was bent and torn in places by the time it got here….I’d have expected more from the company charged with dispatching orders to collectors direct from the McCartney site….

Anyway, the box of “Band On The Run” goodies which arrived this week from Amazon was, I have to say, similarly packaged  – only this time for some reason both the LP and the CD set had survived unscathed! They were both enveloped in a tight shrink-wrap that really helped keep everything together. I’m very pleased with the results actually, though it could have been an entirely different story as again, the box they came in was bashed around considerably.

Here’s what was in the box. Firstly, the 2010 double LP – which is a gatefold cover. It is still sealed I’m afraid. I can’t bring myself to open it!:

Front cover "Band on the Run" 2010 vinyl LP - still sealed!

Here’s the rear cover, and its the same photo layout as the original UK version:

Rear cover "Band on the Run" 2010 vinyl LP

There is a sticker on the bottom left-hand side of the LP’s front cover:

Now onto the Deluxe, 4 disc edition – which comes as a large format, thick hardback book. This one I have opened up so you can see some of what is inside. Here’s how it presents when you first get it in its plastic seal:

Sealed front cover "Band on the Run" deluxe

Here’s a close-up of the sticker on the front right-hand side:

On the rear when the book is still sealed is a card insert:

Rear when sealed. This is a card that can be removed when the plastic comes off.

On the card you can see the MPL, Hear Music and Concord Records labels. Once you have the plastic off here’s what you have:

Deluxe edition "Band on the Run" book - front

It is a cloth-bound, hardback book. Really thick and solid and beautifully done. The photo is recessed and the printing of “Paul McCartney Archive Collection” and the signature are embossed into the cloth. On the rear there is a Limited Edition stamped number:

Inside, the 121 page book is richly illustrated with photographs and text. The chapter headings are: Introduction; The Songs; A Trip to Lagos; Return to London; The Photo-shoot; Release; Press; Film and Video; and Lyrics.

A page from the chapter "A Trip to Lagos"

A page from the chapter "The Photo-shoot:

A page from the chapter "Release"

Inside there is also a business card sized card which says: “This card offers you free access to the 24bit 96kHz High Resolution audio download of the remastered album….”, and gives you a code number to use:

One side of the free download card

Finally, right at the very back of the book are two thick cardboard pages that hold the four discs you get. Three CDs and one DVD:

As you can see, each of these discs has individual artwork to differentiate between them.

All-in-all its a very nicely put together item. It’s not cheap – but you can see the work that has gone into it and it will probably become a very collectable item in my view.

To close then, that rear, removable card says: “Look for future re-issues in the Paul McCartney Archive Collection, including “McCartney”, “McCartney II”, “Ram” and more, coming soon”. It makes you wonder if that’s the planned release order by Paul McCartney and Concorde Records, and if so just how soon the “McCartney” re-issue will be available. How long will it be between this one and the next? You can imagine your bookshelf beginning to fill up with a line of these beautifully finished books….if you can afford them that is.

See also the very limited edition vinyl 45 released as part of the promotion for “Band on the Run” 2010.

If you like John Lennon see the “Signature Box” and the “Gimme Some Truth” collections.

Paul’s Poem For John – Still Poignant After All These Years

Posted on by
Reply

As part of the recent commemoration of John Lennon’s 70th birthdate, the respected NPR radio program “Fresh Air” re-broadcast a wide selection of interviews it had done over the years about Lennon.

One of them was an interview that host Terri Gross did with Paul McCartney. It comes from back in 2001 when he was on the promotion trail for a new book of his collected words called  “Blackbird Singing – Poems and Lyrics 1965-1999“. Its a beautiful little book. If you haven’t seen a copy it looks like this:

In it are the lyrics to “Here Today (Song for John)”, the song Paul wrote specifically for John Lennon after he’d been murdered. It had first appeared on the 1982 album “Tug of War” with a lovely string arrangement by George Martin. More recently though McCartney has been performing it live as a solo acoustic guitar number and speaking more openly about how much he misses his friend and colleague. There’s a very emotional version of the song on the live “Good Evening New York City” (2009), for example.

Anyway, back to the “Blackbird Singing” book interview…..in 2001 radio host Terri Gross asked Paul to read the words to “Here Today” out loud as a poem. In 2010, at this time of remembrance for John, its also very moving:

In his book “FAB – An Intimate Life of Paul McCartney“, author Howard Sounes recounts a story from composer and musician Eric Stewart (ex 10cc) which also sheds some light on how those words might have come about. During the early sessions for “Tug of War” McCartney was working at his friend Stewart’s Strawberry South Studios. He says at the time McCartney was going through a pretty low period:

“He said, ‘I’ve just realised that John has gone. John’s gone. He’s dead and he’s not coming back.’ And he looked completely dismayed, like shocked at something that had suddenly hit him. I said, ‘Well, it’s been a few weeks now.’ He said, ‘I know, Eric, but I’ve just realised.’ It was one of those things maybe he wanted to say something to him [John], but it was too late to say it then….”

Beatles Finally on iTunes

Posted on by
1

Well, the cryptic iTunes advertisement yesterday certainly had people speculating again:

Forget the fact that the term “…just another day” isn’t actually a Beatles song (it’s a Paul McCartney solo song), it was more those clocks being side-by-side that triggered off the guesswork that it was Beatles-related.  Something about the position of the hands:

Thanks to the TechCrunch website for starting that one off. It was quickly followed up by the MacRumours site, too. Once that happened it was on for young and old.  The New York Times then got in on the act, stating they had spoken to an anonymous insider who’d told them everything:

Apple is expected on Tuesday to announce that it has finally struck a deal with the Beatles, the best-selling music group of all time, and the band’s record company, EMI, to sell the band’s music on iTunes, according to a person with knowledge of the private deal who requested anonymity because the agreement was still confidential.  (Read the full article)

Then today, finally, came confirmation. The Beatles entire catalogue is now available for digital download. The New York Times has updated its stories – this one in particular has some interesting history and background. And they’re also running an article with information about what we’ll pay for the Beatles back-catalogue digitally. Certainly from what I can see in the Australian iTunes Store its a premium price, thats for sure. (The outrage at the Aussie pricing by Apple is growing. See here and here).

There is one thing for free though if you are quick. On iTunes there’s a free download of the 1964 concert live at that Washington Colliseum, the Beatles first ever on US soil. Its quite fascinating to watch. Its the entire performance – complete with associated pandemonium, between-song banter, screaming, bad sound and a rawness thats revealing.

Thanks to Henry for sending me the MacRumours link.  iTunes have an Artist page here.

A Warning About Garage Sales….

Posted on by
2

This is a sad story that I think all Beatles collectors can relate to….

When you go to a garage sale (or you might call them yard sales) the thrill of the chase for that elusive LP or CD can sometimes see you just not taking enough care.

It recently happened to me. Went out as I sometimes do on a Saturday morning to a local garage sale. These can be rich pickings (or not – but you never know). Did the quick scout around upon arrival – but there was no vinyl in sight. There were a couple of compact discs – but nothing remotely Beatles-related. So before leaving I posed the usual question to the owner of the house, just on the off-chance: “Do you have any records? LPs or 45s. You know, vinyl?”  It never hurts to ask.

“Oh – yes. Actually we do, but I hadn’t thought to put them out. Are people still interested in them?” And off she goes, into the house to hunt out said vinyl records….

About 5 minutes later (it seems like ten) out they come, boxes of them – frustratingly one box at a time. Most are pretty bashed up – but quite an eclectic selection and some interesting things – and by this stage another record collector has arrived and is also interested….

The first thing I see is a picture disc copy of Pink Floyd’s “Dark Side of the Moon”. Hmmm. Could probably get that. Might as well for A$1.00. (Its actually the same as this one – selling online for US$75.00).

There’s also, for some strange reason, lots of Jethro Tull. All original pressings and all in reasonably good condition. Probably collectors items for the right person – but not me. Then some Hendrix. Tempting, but the other collector seems really interested and so I let him have free reign.

Then finally a box with some Beatles. Both me and the other guy fall upon it and kind of unofficially, by mutual agreement, agree to split the contents amicably. No need for aggro on a Saturday morning over $1.00 records.

He finds “Abbey Road” and I think: “OK. You can have it. I’ve got lots of pressings of that.” It’s the Australian pressing on Apple by the looks of it. He is happy.

I find a copy of “Revolver”. Its also an Australian pressing, this time on the orange Parlophone/EMI label and I can’t remember if I have this or not and so decide to get it anyway. Its actually in pretty good shape and for a dollar, what the heck?. When I get home later turns out I don’t have this particular pressing. Good one!

Then there’s a copy of the Beatles “Oldies…but Goldies!”. It too is an Australian pressing and I know I have this and so let the other guy take it. More good karma points for me. Then there’s a copy of “The Beatles”, or the “White Album“. Its an older, original Australian pressing on Apple – the one with the top-loading cover, and its got the poster. No Beatle pictures included though, and the cover is a little battered, but still, its kind of rare and interesting because of it’s age. The old-style top-loader cover is mildly collectable. I flipped out Disc 1 for a quick look to see if it was scratched and useless. It was in pretty good shape and so I decide to get it.

Move forward in time now about three hours. I’m back home cleaning up the LP’s I got and I pull out Disc 2 of the “White Album” from it’s sleeve and guess what? Its not the “White Album” in there but “Abbey Road”!!

The seller, probably years ago, had mixed up the LPs when putting them away. So, the other collector guy who bought “Abbey Road” has probably got my Disc 2 of the “White Album”, and I have his “Abbey Road”. I don’t know who he is and have no way of contacting him. There is really nothing quite as frustrating to a collector than an incomplete set I can tell you…

So, a lesson for all garage or yard sale hunters: always check the contents of the CDs or LPs you’re interested in before you leave the premises….

Three Copies of “Q” Magazine

Posted on by
3

I needed to visit Australia’s national capital Canberra for work the other day and ended up staying overnight. That meant driving back to Sydney on a Saturday morning and so I had time to call into the large-ish New South Wales country town of Goulburn, which is just off the freeway on the way home.

Goulburn, I had discovered on a previous trip, has a very large second-hand book and record shop just off the main street called The Argyle Book Emporium. When I say big I’m talking an extensive old rambling period building with room after room literally filled floor-to-ceiling with books. One room at the rear is devoted to music. There’s a small selection of music-related books and magazines, and boxes and boxes of records and CDs. Its a bit frustrating as these boxes are just randomly grouped together. They’re not split out into Male Vocal, Female Vocal or Groups for example. Not even 50s, 60s ,70s and 80’s. Just everything mixed in together – making finding anything of interest a needle-in-a-haystack affair….

I didn’t have a lot of time and so I gave the LPs just a cursory flip through. I looked at a couple of boxes at the front which were easy to get to and didn’t find anything. What was more interesting was a very large pile of “Q” and “Rolling Stone” magazines. A collector had obviously off-loaded a lot of past editions that were no longer wanted. The “Rolling Stone” magazines had been pretty well picked over. Nothing really of interest to the avid Beatles collector. However, in the “Q” magazine pile I found these three editions: 

This slideshow requires JavaScript.

The first dates way back to June 1987 – a time when we were all celebrating the 20th Anniversary of “Sgt Peppers”. Inside there are ten pages of photos and text:

Sadly, there was a “Sgt Pepper Part II” article that was due to be published in the following month’s magazine. It wasn’t on the pile of mags I found in Goulburn….oh well.

The next “Q” magazine I found featured an extensive article about Paul McCartney from July 1989. The headline on the front cover screams: He sings! He plays! He writes his own songs! For  PAUL McCARTNEY OPPORTUNITY KNOCKS! * Now available for live work! *.  Inside there’s a nine-page article about Paul. It begins: “He never expected to be doing this when he was 46 – “We thought 25 was the end of the line” – but Paul McCartney has stoutly refused to give up his day job. Engaged in rustic rehearsals for his first British tour in 10 years, and with a fresh solo album on offer [“Flowers In The Dirt”], he’s preparing once again to be public property. With mixed feelings…”. In the article there’s reference to the number of times McCartney makes reference to his father, Jim McCartney….”a Liverpool cotton broker and part-time musician who brought Paul up after his mother’s death (when McCartney was 14), and who died himself in 1976. One song on McCartney’s new album “Flowers In The Dirt”, is called “Put It There”, after a favourite phrase of his Dad’s”.

Finally, the “Q” magazine with that awesome David Bailey portrait of Paul and John on the cover. It comes from August 1999. Its a pretty simple premise on the part of “Q”. As the century draws to a close why not run a reader poll asking who are the 100 greatest stars of the 20th Century. According to “Q” readers back then the top ten are (were):

10. Michael Stipe; 9. Liam Gallagher; 8. Noel Gallagher; 7.Madonna; 6. David Bowie; 5. Elvis Presley; 4. Bob Dylan; 3. Kurt Cobain; 2. Paul McCartney; and and number one the runaway winner (according to “Q” by a long way)…..John Lennon.

It is kind of fitting to look back and read a magazine like this (from 1999) in this year (2010) when Lennon would have turned 70, don’t you think? Kind of cements the fact that his presence could in fact be enduring. That now, a further eleven years down the track, his music is still around and he’s still held in very high regard by many. There’s an additional article right at the end of the poll headed: “John Would Have Been Proud”. It says: “Yoko Ono, the keeper of the Lennon flame and the Lennon vat of money, telephoned Q as soon as she heard about the readers’ tsunami-sixed endorsement of her late husband’s transcendental magic and generation-straddling stature….”. That article is illustrated with this beautiful photograph:

Enough said.

(see also “Nine Copies of Rolling Stone”)

Harrison-Shankar “Collaborations” – Unboxing

Posted on by
2

Our copy of the George Harrison/Ravi Shankar box set “Collaborations” has just arrived. The first thing to say about it is that it’s much bigger than we’d expected it to be from the photos and info on the web so far.

Here’s a shot of the box alongside the 1997 release of the standard “Chants of India” CD so that you can get an idea of the scale:

“Collaborations” box – size comparison

There’s a stick-on label on the plastic shrink-wrap which sums up what you will find inside:

After the plastic shrink wrap comes off you discover that this is a very solid, richly embossed green-coloured box. It’s a bit like the Beatles “Remastered” stereo box set in that it has a magnetic clasp on the right-hand side that allows the box “lid” to flip out and open:

Once you have the box open the first thing you see is your individually numbered “Certificate of Authenticity” and a white ribbon that helps lift out the contents below very neatly:

These box sets are Limited Editions and this one is number 13486. Here’s a close-up of the certificate:

Immediately underneath the certificate is a beautiful hardback book with a foreword written by composer Philip Glass; then George Harrison and Ravi Shankar talk about their collaborations together in a section called “In Their Own Words”.  This is followed by descriptions of the three CDs and the DVD; there’s some information about George’s Material World Charitable Foundation; an insight into Indian music by Ravi Shankar (along with drawings and descriptions of the Indian musical instruments used on the albums); information about and photographs of the individual artists who perform on each disc. Then there’s a glossary of terms, and finally the album and production credits.

This book is beautifully produced – clearly it has been put together with a great deal of care and there are many really special glossy photographs included throughout:

After the hardcover book come the albums themselves. And these are a surprise as they are each housed in over-sized cardboard covers that are about 8 1/2 inches (or 21 cms) square. They are “Chants of India”:

Then comes “Music Festival From India”:

Then “Shankar Family and Friends”:

And finally the concert DVD, “Ravi Shankar’s Music Festival From India”:

The CDs all replicate the original LP artwork faithfully. Again, here’s a comparison photograph with a cover from the box set alongside a standard CD so you can get an idea of the size of the box set covers:

That’s the standard “Chants of India” CD on the right, compared to the box set version behind. Each of the CDs in the 2010 box are held in special, thick cardboard inserts:

On the flip-side of each of these cardboard CD holders is a large Dark Horse Records logo:

And inside each CD cover there’s also an accompanying folded paper insert with information about the recording. This is the one for “Chants of India”:

The great part about this set is that both “Shankar Family and Friends” and  “Music Festival From India” are being released for the first time ever on CD, and the DVD “Music Festival From India” is previously unreleased.

In conclusion then, for me this is a very interesting, limited-edition box set. For many Beatle collectors George Harrison’s excursions into the exotic world of Indian music and culture lie on the outer edges of  their musical tastes, but for others this forms an essential part of their collections. We really enjoy Indian music and having a connection to it through George makes this set very special – just like this photograph [by Carolyn Jones] which appears on the final page of the book:

Beatles Red and Blue – This is Odd…

Posted on by
2

I’m really surprised to read on Amazon (US) that the Beatles “1962-1966 (Red)” and “1967-1970 (Blue)” combination box set is still not due for release in America until December 7th, and on Amazon (UK) that it won’t be available there until November 29th. The individual discs have been available separately in both places since October 19th and October 18th respectively.

This is really odd because here in Australia the separate discs and the box set have been available from day one of the worldwide release of the individual discs on October 18th. It’s much more usual for Australia to be well behind US and UK releases, but this time EMI Australia has clearly got its act together and is ahead of the pack for once.

Add to that the fact that I ordered on Ebay – and today have received in the post – my copy of the European (EU) version of the box set which holds both the “Red” and the “Blue” double discs in the one box.   Go figure…..

Apple Records Re-Issues – New Videos

Posted on by
Reply

Now on the official Apple Records site – a new series of videos telling the Apple Records story.

There are also some rare promotional film clips on the site:

Apple Records Special – Record Collector Magazine

Posted on by
Reply

As part of the extensive coverage of the new re-issues from the Apple Records catalogue, the famous “Record Collector” magazine in Britain (in it’s September issue – only just on news stands in Australia!) has The Beatles on the front cover and has devoted 16 pages of feature articles and photographs about Apple Records:

The articles included are “A is For Apple” – a salute “…to the Beatles’ final flourish of creativity”; an A-Z of the label and its artists; “The 2010 Re-Masters”, where Apple consultant Andy Davis talks about the 15 newly-remastered CDs released worldwide just this week; there’s a comprehensive Apple Records discography (complete with a price-guide for the rarities and not-so rarities); interviews with Mary Hopkin, Peter Asher, Patrick Olive (formerly of The Hot Chocolate Band), Jackie Lomax, and Joey Molland from Badfinger.

Pretty nice coverage really.