Tag Archives: Apple Records

Record Store Day 2026 Titles Announced

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The people at Record Store Day have just dropped the 2026 list of titles for April 18 and it contains eight titles of interest to Beatle-related collectors.

First up is John Lennon – or maybe that should be Sean Ono Lennon channeling his Dad? What’s coming is like a Part Two to the Mind Games Meditation Mixes, which came out back in October, 2024 in the wake of the big Lennon Mind Games re-issues of that year. This time it’s the turn of the 1970 song ‘Love’ to get the Meditation Mix treatment:

Love Meditation Mixes will be a Limited Edition 3 LP set produced by Sean Ono Lennon and it will be on “Iridescent Pearl Arctic”, 180g transparent vinyl in a reflective triple gatefold lilac mirrorboard sleeve. The album contains nine re-imagined Meditation Mixes of the John Lennon ballad ‘Love’ from the album John Lennon/Plastic Ono Band.

Ono Lennon says, ‘After the surprising success of the Mind Games Meditation Mixes, and our collaboration with Lumenate the Meditation App, we are very pleased to bring you Volume Two – a collection of ambient re-imaginings of John Lennon’s classic song, to create a meditation on ‘Love’.”

Like the Mind Games Meditation Mixes it is a rather beautiful package:

Also coming for Record Store Day (and this is only listed on the UK RSD site at the moment) is the Badfinger LP No Dice, the band’s second studio album issued by Apple Records. No Dice will be reissued on limited edition 180g orange vinyl, using the 2010 remaster of the album available on vinyl for the first time. It will come in a gatefold sleeve that faithfully reproduces the original artwork. It contains the hit single ‘No Matter What’, and ‘Without You’ – which went on to be one of their best-known songs – covered by the likes of Harry Nilsson. We’re expecting this to come with Apple labels:

Those of you who collect Dark Horse Records will not be disappointed. There are no fewer than six titles announced for RSD.

The label is steadily working it’s way through the George Harrison back catalogue as Zoetrope pressings. This time it is the turn of George’s 1974 title Dark Horse:

And also his 1975 release, Extra Texture:

These Zoetropes are all limited, and come in numbered covers with replica album artwork inside.

Dark Horse have been big on re-issuing the Joe Strummer back catalogue and for RSD 2026 it’s a 25th anniversary edition of the second album by Joe Strummer and The Mescaleros a spectacular limited splatter vinyl pressing:

Dark Horse also have the rights to selected Leon Russell re-issues. They’ve already done his Signature Songs, an album of Christmas songs, and an album of songs by Russell’s country alter-ego, Hank Wilson. This time there’s another Hank Wilson offering – a Best Of 2LP on black vinyl which will be a first-time pressing of the title:

Hearkening back to the Badfinger release above, there’s another former Apple being re-issued, but this time under the Dark Horse banner. It is The Radha Krisna Temple, the 1971 album produced by George Harrison. It contains the two hit singles, ‘Hare Krishna Mantra’ and ‘Govinda’ along with other Sanskrit-worded mantras and prayers recorded with Harrison from 1969 onward. Out of print since 1993 and released on the Dark Horse imprint for the first time. It will be on orange vinyl:

In keeping with the label’s interest in and support of world music there’s another first for Record Store Day, an album by Native American flautist R. Carlos Nakai. Dark Horse is issuing a 2LP set called Canyon Trilogy, which is appearing on vinyl for the first time. Nakai’s music features original compositions for the flute inspired by traditional Native American melodies. He’s received 11 Grammy Award nominations for his albums. This double LP features updated liner notes and an exclusive forward by Dhani Harrison:

So, that’s it for Beatle and Beatle-related releases for RSD this year. Which will you be seeking out?

If you’re an avid collector of Dark Horse it’s going to be an expensive couple of months. Along with the promised RSD albums there are also two more George Harrison titles on the way – all part of the continuing push to have his entire catalogue under the BMG/Dark Horse stable.

On February 20 they’ll re-issue black vinyl editions of Harrison’s Wonderwall Music:

Also due February 20, again on black vinyl, is Electronic Sound:

And then on March 20 comes his Live In Japan on Dark Horse, a long out of print 2LP on black vinyl:

Dark Horse is further mining the Apple Records vault too – this time for re-issues of Billy Preston’s two Apple LP’s. Encouraging Words (produced by Billy and George Harrison) will be out on gold vinyl on March 13:

And That’s The Way God Planned It (produced by George) is out the same day – on purple vinyl:

   

The Pre-Christmas Bealtes Release List – Even More To Add!

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In late October we published a graphic titled “If You Want To Keep Up, Here’s Everything You’ll Need To Order” showing what we then thought was every Beatle, solo, or Beatle-related title released (or about to be released) this holiday season.

It didn’t last long. Some helpful readers pointed out we’d left out Ringo’s Stop & Smell The Roses – the numbered, liquid vinyl edition – limited to 400 copies.

This was due November 14, but seems to have been delayed. It is currently looking like December 5 now.

And the other Ringo Starr was a red vinyl re-issue of his 14th studio album, Choose Love from 2005. This had first been slated for Record Store Day Black Friday, but was quietly removed from official lists prior to the day. It’s popped up again on the Friday Music site, this time with a late January 2026 release date (though knowing Friday Music that is extremely likely to change):

Then came news of the John Lennon and Yoko Ono ‘War Is Over (If You Want It)’ 12″ Zoetrope pressing issued to coincide with the release of the children’s hardback book and the premiere of the short animated film of the same name on YouTube.

Then Dark Horse Records announced it would be issuing a further title from the Yusuf/Cat Stevens back catalogue that the label now has the rights to. It’s called Tell ‘Em I’m Gone and it will be on yellow vinyl:

So, each of these were duly added into a revised graphic and we were just about to re-publish when last Friday came news of yet another collectable, this time linked to the Beatles’ Anthology re-issue – and in particular Anthology 4. On it are the 2025 re-mixes of ‘Free As A Bird’ and ‘Real Love’ and they are now being released as a limited edition, double A-side 7″ translucent milk white vinyl single. This is the 2025 mix of both songs.

There’s been no indication of a CD version of the single being made available (except for Japan where there’s been an exclusive Japan-only CD announced). Nor has there been any talk of updated versions of the ‘Free As A Bird’ and ‘Real Love’ EPs (or “maxi-singles”) which were originally released to accompany Volumes 1 and 2 of Anthology back in 1995 and 1996. That means all of the extra tracks on those EPs will remain unavailable, with the exception of the song ‘This Boy’, which has been added to the Anthology Volume 4 discs.

The ‘Free As A Bird’ (2025 Mix)/’Real Love’ (2025 Mix) 7″ coloured vinyl single is only available from Beatles official stores (e.g. in the UK or the US), or from certain Universal Music online stores (eg. this one in Germany).

So, it has been a most busy time for any Beatle collector who is a completist. There’s been so much product so fast it’s been difficult to keep up.

To help, here’s our updated visual. If you want everything, this is what you’ll need to order. There are no fewer that 51 items here! This has got to be unprecedented in the run-up to Christmas:

(Click on the graphic to see a larger version)

If You Want To Keep Up, Here’s Everything You’ll Need to Order

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It’s been a busy time over the last few weeks and months for Beatle collectors.

There’s been so much product announced it’s hard to keep on top of it.

So, we decided to made a visual representation for you, the avid completist, so that you can keep track.

If you want everything, THIS is what you’ll need to order:

Screenshot

(Click on the image to see a larger version)

Have we forgotten anything?

FYI, the Ringo Starr Choose Love LP announced for Record Store Day Black Friday 2025 seems to have quietly slipped off the list again, so we have not included it here.

National Album Day 2025, Plus More Harrison/Dark Horse

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Apple has announced it will re-issue Badfinger’s Magic Christian Music on a striking blue vinyl as part of National Album Day in the UK.

You might recall last year the theme was ‘Great British Groups’ and The Beatles A Hard Day’s Night was issued on white vinyl to celebrate.

Well, this year the theme is ‘Rock’:

Magic Christian Music is the second album released by Welsh rock band, Badfinger. They recorded 5 albums for Apple Records, and were the first non-Beatle recording artists signed to the label.

This release will be the first time the 2010 remasters of Magic Christian Music are available on vinyl, and the first time the album has been re-pressed since 1996.

Magic Christian Music includes the band’s first international hit, ‘Come And Get It’, written and produced for them by Paul McCartney. Of the fourteen tracks, seven were newly recorded for the album while the remaining songs were lifted from their first album Maybe Tomorrow, which had seen only a limited release. Three of the new tracks were featured in the film The Magic Christian (starring Peter Sellers and Ringo Starr). They were produced by Paul, and the strings on ‘Carry On Till Tomorrow’ were arranged and conducted by George Martin. SIx tracks were produced by Tony Visconti and five by Mal Evans.

This 180g blue vinyl version, out on October 18, is housed in a single sleeve featuring the original artwork, with poly-lined white inner sleeves.

In other Beatle-related release news, the push by BMG to get more George Harrison/Dark Horse Records titles officially onto their catalogue continues. On October 24 they will release the next batch including the self-titled George Harrison (from early 1979) on both vinyl and CD:

The CD has one bonus track, ‘Here Comes The Moon (Demo)’:

Then in June 1981 came Somewhere In England. It too gets a vinyl and CD re-issue on Dark Horse:

The CD is interesting. It comes in the original album concept artwork and has one bonus track, a demo of ‘Save The World’:

And then comes 1982’s Gone Troppo:

The Gone Troppo CD also comes with a single bonus track, the demo version of ‘Mystical One’:

Also due for an October 24 release are CD versions of Brainwashed; Cloud Nine; and Thirty Three and 1/3. Each of these has already seen a vinyl release under the BMG distribution deal. This just makes a CD version available to collectors:

All CD’s are in Digipak packaging. You can get all the details on all these releases, and place pre-orders, at the Official George Harrison Store.

Interestingly, also listed there (for an October 3 release) is a 3LP set of All Things Must Pass. This too is to bring that classic title in under the BMG/Dark Horse Records banner as a vinyl issue (there’s already been a CD released).

The question is, will it come out with Dark Horse Records labels, or will it be on the traditional orange Apple and Apple Jam labels? The pack shot has a prominent Dark Horse hype sticker (click on the image to see a larger version):

This vinyl is the 50th anniversary mix by Paul Hicks and the set includes the original poster – but with the back of the poster containing notes by Dhani Harrison and Hicks about remixing the album.

I guess we’ll just have to wait and see if the LPs have the Dark Horse label. For some reason our money is on Apple labels……look very closely at that hype sticker and you’ll see in the small print the words “Apple and the Apple logo are exclusively licensed to Apple Corps Ltd and used with permission.” So maybe it won’t have Dark Horse labels after all….

New Boss of The Beatles’ Apple Corps Announced

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The Beatles have announced this week that the new CEO of their company, Apple Corps Ltd., will be Tom Greene. He replaces Jeff Jones, who ran the company for almost 18 years and decided to step away from the job last year.

In a group statement, Paul McCartney, Ringo Starr, Olivia Harrison and Sean Ono Lennon joined together to say: “We are thrilled to welcome Tom Greene as CEO. We have a lot of exciting plans and Tom’s experience and vision make him the perfect person to join us in making it all happen.”

Variety reports that while Greene (pictured above) has no music business experience, he comes to the role with a strong entertainment background having been Chief Operating Officer of BLAST “a competitive entertainment company working with the biggest video game developers and publishers in the world on the production, commercialization and audience growth of their e-sports programs”.

Prior to that Greene was at Wizarding World Digital and Pottermore, the official hubs and parent companies of the Harry Potter franchise – with “over 50 million members, supported by immersive digital experiences, daily content publishing and an innovative e-commerce offering.” Greene was Group Commercial Director for Pottermore from 2015 through 2018, then moved to Wizarding World Digital, where he acted as COO, then General Manager.

In taking on his new role, Greene will still maintain his position on the board of directors for both BLAST and Pottermore.

Greene, who won’t start until September, said “It is a huge honor to lead Apple Corps into this new phase of its history. Like so many people around the world, I grew up in a household obsessed with the Beatles and their music. At a time when the world might need more of the Beatles’ spirit, there are so many new and innovative ways to bring their unique magic to all generations of fans. I cannot wait to get started.”

It’s going to be very interesting to see where the company goes in the future. With his e-commerce background will this mean that physical product from The Beatles is set to take a back seat? Hope not.

Beatles ’64 – A New Film Documenting the First Visit To America

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Apple and Disney+ have announced Beatles ’64, an all-new documentary film from producer Martin Scorsese and director David Tedeschi. It will stream exclusively on Disney+ beginning November 29.

The film captures the moment of The Beatles’ first visit to America and will feature never-before-seen footage of the band and their legions of fans. Beatles ’64 is to include lots of the footage filmed by the famous documentarians Albert and David Maysles, restored in 4K by Peter Jackson’s company, Park Road Post in New Zealand. There will be live performances from The Beatles first American concert at the Washington, DC Coliseum and their Ed Sullivan appearances – demixed by WingNut Films (also a Peter Jackson company). The sound is remixed by Giles Martin.

Given Scorsese and Tedeschi’s success with the George Harrison biographical doco Living In The Material World (from 2011), and Peter Jackson’s Get Back, his multi-part examination of how Let It Be came about, this latest project looks to have a top chance of being brilliant.

Beatles ’64 will of course be supported by the November 22 release of seven American Beatles albums, analog cut for 180-gram audiophile vinyl from their original mono master tapes. They include Meet The Beatles!, The Beatles’ Second Album, A Hard Day’s Night (Original Motion Picture Soundtrack), Something New, The Beatles’ Story (2LP), Beatles ’65, and The Early Beatles, available for preorder as a vinyl box set titled The Beatles: 1964 U.S. Albums In Mono. Six of the titles are also available individually.

See also the book Beatles ‘64 – A Hard Day’s Night in America.

Huge Beatles Memorabilia Auction

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Lots of Beatle items come up for auction and on quite a regular basis too. But it’s a little rare to have an entire auction dedicated entirely to Beatle or Beatle-related content.

TracksAuctions.com was established in the UK in 1989 and has developed a worldwide reputation in the field of pop memorabilia. They have over 35 years experience in trading at the highest level in Beatle and rock ‘n roll collectibles.

Their latest auction is a bit of a treasure trove of items. Anyone looking through the extensive list of lots will have a differtent set of highlights that jump out for them. Or maybe these are interest?

Well, here are the standout items for us.

Lot 7. Apple Employee Telephone and Address Book. This would be truly fascinating to flip through. It is a handwritten telephone and address book from the 1970s and contains Beatles addresses and phone numbers including George Harrison, Ringo Starr (Monte Carlo and L.A), and Paul McCartney.

In the photo above you can see an entry for former Apple Records boss, the late Neil Aspinall. Due to the wonders of Google Maps you can go and have look at where he once lived:

It looks like a very nice area, and if you go for a bit of a wander down the street you might notice the house across the road is called Strawberry Fields! Do you think the owners know they live opposite a former residence of a boss of the Beatles empire?

Other influential names in the book include Eric Clapton, Phil Collins, Nat Weiss, Robert Stigwood, Tony Barrow, Peter Brown, Ron Kass, Freda Kelly, Tony Palmer, Denis O’Dell, Derek Taylor, Timothy Leary, Victor Spinetti, Peter Sellers, and Eric Idle, along with numerous record companies, recording studios, media outlets, and other businesses frequented by the Fabs.

Lot 9. Various Artists Apple Records Acetate. This is a 12-inch acetate record containing 23 tracks by various artists. The acetate is on the Apple Corps Ltd. 3 Savile Row Custom Recording label. Was this compilation ever planned for release on Apple, or is it just a party disc put together for fun by the engineers at Apple Studios?

Lot 12. Delaney And Bonnie 1969 Apple Records Withdrawn Album. This one was definitely intended for release by Apple on 30th May 1969, but it was withdrawn due to contractual reasons. As such catalogue number SAPCOR 7 has become very rare indeed. What we have here is one of a small number of pre-release copies that were pressed. In his excellent book Those Were The Days – The Beatles And Apple, Stefan Granados says: “Apple had planned to release their album entitled ‘Accept No Substitute’ on 30th May. Copies of the album had been pressed and were waiting for covers when Apple cancelled….The plan may have been scuttled in part by Apple’s reluctance to pay advances but the inconvenient fact that Delaney and Bonnie were under contract to Elektra Records in the United States is likely to have played a more significant role in the non-appearance of a Delaney and Bonnie album on Apple. For the next year or so, lucky visitors to the Apple office would be given copies of the sleeveless Apple pressing of the album. Copies would also be given to any interested Apple staff and artists.“

Lot 41. The Beatles ‘Love Me Do’ A-Label Demonstration Record. Who wouldn’t want a copy of this in their collection. It takes you right back to just before it all began. This is the “demonstration record” sent out to radio stations in the UK heralding an unknown band from Liverpool. An extremely rare Parlophone white and red ‘A-label’ debut single of ‘Love Me Do’/’P.S. I Love You’. The single was released with the catalogue number 45-R 4949 on October 5, 1962. Even McCartney is misspelled as McArtney on both sides!

Lot 43. The Beatles ‘A Hard Day’s Night’/’Things We Said Today’ 78 RPM. Another grail item for many collectors. This an extremely rare 1964, 10-inch, 78rpm pressing from India of The Beatles single, ‘A Hard Day’s Night’/’Things We Said Today’. The record comes in an original Parlophone paper sleeve too.

Lot 114. The Beatles 1968 Mono ‘White Album’ Number 0000012. Yes, it’s a little beat up, but who wouldn’t want a copy of this rare, low numbered UK mono vinyl pressing of The Beatles’ White Album in their collection? It is number 0000012.

Lot 131. Freda Kelly’s Collection of Fan Club Flexi Discs 1963 to 1969. The Beatles UK Christmas flexi discs are collectable at any time. How much more then would be a complete set (all seven discs) from the woman who ran The Beatles Fan Club from1962 to 1972? Freda’s original flexis are housed in a 1960s hardback record case with her handwritten name and address inside.

Added to the value and collectability is that these exact same discs were used by Apple to produce From Then To You, the 1970 UK LP compilation of all the Beatles Fan Club Christmas messages. Freda recalled that when they came to produce the album EMI didn’t have a complete set of tapes, and nobody at Apple owned a complete set of the flexis. She remembers being asked by Peter Brown to take this exact same set down to Savile Row where they were copied in order to produce the Christmas Fan Club album.

Lot 139. The Beatles John Lennon and Paul McCartney Autographed ‘White Album’. This is a US album sleeve for the 1968 self-titled album The Beatles, aka the White Album. It has the second highest expected sale price in this Tracks auction of between £25,000 – £35,000 (US$33,000 – $47,000 or AUD$48,000 – $68,000). The reason? It is autographed on the gatefold by both John Lennon and Paul McCartney. John has signed in red felt tipped pen and Paul has autographed in black ballpoint pen. The autographs were signed in the USA in the 1970s. Lennon’s autograph dates to circa 1975 and McCartney’s to 1975/1976.

Lot 206. Paul McCartney ‘McCartney’ Album Press Release. This is an original US press release from April 1970. It is on Apple letterhead and is an important document in the history of the band because it became one of the first public signals that The Beatles were no more. Sent out with promo copies of Paul McCartney’s solo LP McCartney, it consists of four sides of questions and answers relating to the recording. The answers McCartney gave to some of the questions were directly responsible for the subsequent “Paul Quits The Beatles” newspaper headlines and a furore over the group splitting up. The final page bears a printed Paul McCartney signature. Also included are three black and white promotional photographs. One of Paul, one of Paul and Linda and one of Paul and his daughter Mary.

Lastly, to the most expensive lot likely in this auction…..

Lot 246. Paul McCartney November 1966 Hand Drawn Stage Designs For The Four Tops London Performance. In November, 1966 the US group The Four Tops were due to play London’s Saville Theatre, then owned by Beatle manager, Brian Epstein. In preparation for the shows he wanted some spectacular backdrops for the stage and commissioned none other than Paul McCartney to come up with the designs. Paul presented his ideas to Epstein and John Lyndon, a NEMS employee and Director of Productions at the Saville. On a large piece of white paper McCartney hand-sketched and annotated 12 images to be considered and one of these was used for the Four Tops first-ever UK performance.

This item is definitely unique and is expected to fetch in the vicinity of £40,000 – £60,000 (US$53,000 – $80,000 or AUD$78,000 – $117,000).

Well, these are some of the standout lots for us. Have a look through the four pages of treasure on the auction site and let us know which are yours. The Beatles Memorabilia Auction starts on September 27 and runs until October 6.

All items sold through TracksAuctions.com have a lifetime guarantee of authenticity and a money-back warranty.

It’s Been a Long and Winding Road to the Let It Be Film, but…..

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After a five year wait since Apple first promised to re-release this film, the teaser above appeared on various social media over the last couple of days. What was it all about? All the details can now be found on the official Beatles website.

As someone who last saw this movie in full at the cinema in 1970, I’m genuinely keen to see it again. It will be doubly interesting because the three-part Peter Jackson epic called Get Back is about the making of the film. We can only hope for a physical release at some stage that includes bonus materials like a Michael Lindsay-Hogg commentary track, and (please!) the famous rooftop concert – uninterrupted and in full.

In the meantime, Let It Be streaming on Disney+ is a very welcome development.

Four Sides of the Circle – A New Beatle Book

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Last year saw the release of the lavish Let It Be box set. It celebrated the final Beatle LP, their swansong after a ten-year run as the biggest band in the world. The box set was accompanied by Peter Jackson’s extended 8-hour documentary Get Back, detailing the creation of the album. Despite the fact that Let It Be had been recorded more than a year earlier, its May 1970 release has forever seen it associated with the news that The Beatles were to continue no longer.

However, with an organisation as tight and complicated as The Beatles (along with their company Apple Records), things weren’t destined to cleanly end for them overnight.

It would take until the close of 1974 before all four members had signed the contracts that dissolved their immense, famous and complex partnership.

This, argues author Terry Wilson, makes the period from 1970 to 1974 a “second phase” for the band. Despite each member pursuing solo careers, technically they were still The Beatles and this continued on across that four-year span. As individuals they were tied together legally and financially. And they worked together collaboratively on many solo and other projects.

Wilson’s book is called Four Sides of the Circle. In it he details this often overlooked “second half” in the history of the band. It was an era of huge creativity and output. An era that gave us absolute standout releases like Lennon’s John Lennon/Plastic Ono Band and Imagine LPs, McCartney’s RAM and Band on the Run, Harrison’s All Things Must Pass, and Starr’s Ringo, along with a myriad of other great and sometimes lesser-known songs and recordings.

These happened because band member collaborations continued in a variety of forms throughout this distinct “Phase II”. Their paths inevitably crossed both in and out of the studio despite the huge dissolution process looming over them.

Four Sides Of The Circle uses a very accessible song-by-song format, stepping through (in chronological order) all the formal recordings the individual Beatles made between1970-1974. It actually begins slightly earlier with John Lennon’s ‘Give Peace A Chance’ from June 1969, and concludes with Wings ‘Love In Song’, recorded in November, 1974. Every song – released and unreleased – has production details, recording location, who played what and (where applicable) the US and UK release dates. The song is then discussed by Wilson and critiqued with an appreciative eye. Each song is given a context with a clear emphasis on the music being made. This detailed and sequenced approach presents a true chronology of the period for the first time.

This is a book with something for even the most well-informed Beatle fan. Wilson is comprehensive and knowledgeable. There’s great detail here. In many ways he takes quite a scholarly approach – but the research never gets in the way of making Four Sides Of The Circle very readable. It finally completes the fascinating, long and winding story that was the Beatles. A story where – right to the last – they remained at the top of their game.

As Wilson writes on the final page of his book: “The legal conclusion of the Beatles technically occurred on 9 January 1975, when McCartney’s four-year-old case was settled, the completed paperwork having been sent back to London for the court to make its formal declaration. A cursory glance at the current edition of Billboard shows that on this day, Lennon was at 47 on the singles chart with ‘#9 Dream’; Harrison was at 16 with ‘Dark Horse’; Starr was at 7 with ‘Only You’ and McCartney was at 4 with ‘Junior’s Farm’. Appropriately, Lennon and McCartney were at number 1, courtesy of Elton John’s version of ‘Lucy In The Sky With Diamonds’ on which Lennon sang and played.”

“They ended at the very top.”

Four Sides of the Circle is a great read and a fantastic reference book. Not only does it contain extensive background and historic notes on each song, in the appendices there’s a complete song list, record release details (complete with US and UK chart positions), a bibliography, and what we always like to see in books like this: an Index. It is the sort of book you can dip in and out of endlessly. Here’s the blurb on the rear cover:

At over 420 pages Four Sides of the Circle is very reasonably priced. You can find it on Amazon Australia, Amazon US and on the Amazon UK site as well. The US and UK sites also have a “Look Inside” feature so you can check out sections of the book in more detail. It will give you an idea of the format and content. You won’t be disappointed.

The Story of the Apple Records Granny Smith

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Late last year we were contacted by a researcher and writer named David Marshall.

David helps curate a UK website dedicated to the humble apple. That’s the fruit – not the computer company, or the famous Beatle record label!

The site Apples & People is, in part, funded by the Museum of Cider in Hereford which helps support an online exhibition program telling short illustrated stories about the apple from around the world.

The site is dedicated to exploring “the astonishing story of the apple, connecting its diverse history to humanity and culture. Based upon a specially commissioned global map of the apple which traces a network of stories from the ancient world to the present day, this online program and associated social media reveals just how significant and iconic this humble fruit has become.”.

So, they wanted to do a feature on the Granny Smith apple, specifically about it being photographed to become the celebrated, and much-loved, Apple label.

David had read our April, 2011 article which touched on how that apple image came to be, and he wanted to know more. We helped out a bit, but David is thorough and contacted many more people – especially those involved in the concept and creation of the Apple label in the very beginning.

You can read his findings here: https://applesandpeople.org.uk/stories/records/

We think his article came up very well and is a very interesting read.

We particularly liked the section on Billy Apple, and the statement: Apple Records was also transformative branding. Interpreted by the Beatles, the apple also came to be a symbol of independence and artistic freedom. It brought about a diverse artist-orientated approach to recording. We had never thought about it in those terms before.

You can see all the Apples & People stories about apples here.