Tag Archives: Beatles Collecting

McCartney and McCartney II – Labels

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For those of us who love record labels – spotting and collecting different variations – with yesterday’s reissue of the two McCartney solo “debuts” the lovely Chained and Perfumed blog site has posted some interesting varieties of “McCartney” and “McCartney II“:

McCartney on Apple. 1970.

McCartney on Capitol. 1970.

A rare and unusual Brazilian edition of McCartney in mono from the Chained and Perfumed collection.  Nice.

The new McCartney Hear Music reissue. 2011. Released just last week on vinyl and CD. This label is from the second disc of the two-disc LP set which contains some rare and previously unreleased stuff.

McCartney II. Side 2 of U.S. edition. 1980. (I have a variation of this label below with the MPL logo in different spot).

McCartney II. Side 2 of the Japanese edition.

So, Chained and Perfumed inspired me to have a look in my own collection and I found some additional variations:

McCartney. Australian pressing. 1970.

McCartney. Singaporean pressing. 1970.

McCartney II. US pressing. 1980. This is included as its a variation on the one above. The MPL logo placement is different.

McCartney II. Singaporean pressing. 1980. These pressings were made in Singapore but also sent to Hong Kong and Malaysia.

McCartney II. An original Australian pressing with the orange Parlophone label. 1980.

McCartney II. Unusual Australian green/blue Parlophone label from a re-issue – probably in the late 1980’s or early 1990’s.

Well, that’s it from my collection. If anyone has any other additions please email a photo and I’ll put them up on the site.   beatlesblogger@gmail.com

UPDATE:  Some other labels are beginning to come in. Thanks to Paco who writes: “Here are mine. They are Spanish editions with the translation of the titles. All generic EMI Odeon labels (nothing too exciting :-)”.

McCartney (above) – The Spanish edition with translations of the titles of each song.

Ditto for McCartney II.

Above is the “Fame” budget label re-issue, this time for the Spanish market. Nice. Have a look here for more on budget Beatles releases.

Thanks to Paco for sending these through. If you’d like to add to the collection of McCartney and McCartney II labels from around the world take a photograph or scan and email them to: beatlesblogger@gmail.com

Previously Unseen Beatles Photographs

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The fine art auctioneers Christie’s in New York will next month auction some pretty impressive and previously unseen Beatles photographs from 1964.

They come from a collection of photos of the group shot by photographer Mike Mitchell. At age 18 he was at the Washington Coliseum in Washington, D.C. for the Beatle’s first US concert, two days after their historic Ed Sullivan appearance.

Christie’s is calling the event “The Beatles Illuminated: The Discovered Works of Mike Mitchell“. Their website says it’s:

“….a sale comprised of nearly 50 lots of unpublished and never-before-seen photographs of the Beatles’ first hysteria-inducing visits to America in 1964. Shot in black and white by photographer Mike Mitchell when he was just 18 years old, the images have been filed away for nearly fifty years. The complete rediscovered collection is expected to realize in the region of $100,000.

Over eight thousand fans packed into the Washington Coliseum on February 11th, 1964 and they were treated to the Beatles at their very best. The Washington Coliseum was not only their first American concert but also by far the largest venue in which the Beatles had ever played. Its unique setup – it was often used for boxing matches – meant that the Beatles were surrounded on all sides by an adoring, cheering audience. The Beatles were clearly delighted and having a great time on stage, sharing all of the enthusiasm of the crowd. Here they were, performing in America, the land of their musical heroes and cultural icons, the home of Elvis and Chuck Berry – who’s “Roll Over Beethoven” was chosen by the Beatles to begin the show – and Little Richard, who’s “Long Tall Sally” was chosen to end it. The concert given at the Washington Coliseum was part of a defining moment in the Beatles’ career, and it remains both an important event and a notable place in their story. And Mike Mitchell was there to capture it.”

Yahoo has quite a nice photo gallery here. There’s an absolute ripper shot of Ringo in full flight and absolutley enjoying himself:

The McCartney Family Talk About “Life in Photographs”

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Paul McCartney has just posted a new YouTube clip of him and daughters Mary and Stella talking about the book and exhibition project “Linda McCartney: Life in Photographs“:

The music used in the clip is Linda’s “Love’s Full Glory” from the album “Wide Prairie” (1998).

Hear and See McCartney’s “Blue Sway”

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One of the previously unreleased songs from the “McCartney II” sessions that will feature on the forthcoming re-issue of the album has popped up on YouTube.

Its an unlikely pairing between Paul McCartney and a US surf film-maker of some renown named Jack McCoy. McCartney’s smooth and stylish song “Blue Sway” accompanies an intriguing video clip of McCoy’s innovative underwater photography, utilising a camera attached to a jet ski. Have a look and listen for yourself – the way the images and music mesh is quite unique and compelling:

The song is credited on the reissue CD as “Blue Sway (With Richard Niles Orchestration)”.

The text accompanying the clip says:

“Written nearly 20 years ago, McCartney’s never-before released song, “Blue Sway,” is available for the first time on the bonus audio disc of the special edition of “McCartney II”. The music video created by McCoy is also featured on the bonus DVD included in the set.

Using a high powered underwater jet ski, the filmmaker found that he was able to travel behind a wave, creating underwater images that have never been seen before.

Over the past couple of years, McCoy set out to capture footage for his surf film, “A Deeper Shade of Blue“. During the editing process, McCoy put one of his surfing sequences to a song off McCartney’s “The Fireman” album. A mutual friend, Chris Thomas, saw the footage while visiting McCoy in Australia, and when he returned to the UK he gave McCartney a copy of the sequence.

“Paul was pretty stoked with what I’d created. He immediately thought my images might be suitable to go with his unreleased song “Blue Sway”.” said McCoy.

McCoy spent the next six weeks creating the music video, while also working full days on making “A Deeper Shade of Blue”. McCoy compiled and edited footage that he filmed off Tahiti’s Teahupoo reef to create what became the “Blue Sway” video.

“When I saw Jack McCoy’s underwater surfing footage put to the soundtrack of “Blue Sway” I was blown away,” said McCartney.

“Blue Sway” won ‘Best Music Video’ at NYC BE FILM Short Festival this past May, and the video will be featured as part of Surfrider Foundation’s summer PSA campaign. Surfrider Foundation is a non-profit grassroots organization dedicated to the protection and enjoyment of our world’s oceans, waves and beaches.

The film clip is dedicated to Linda McCartney.

There is also a “Making of Blue Sway” video clip:

John Lennon – Vinyl Box Set from 1981

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This week I managed to secure a still sealed copy of the 1981, 8-LP box set simply called “John Lennon”. Mine is the one in the silver box with the now famous Bob Gruen photo of John (taken in New York) on the front cover:

This is the Australian release of this set, put out by EMI.

The box contains:

1. “Live Peace In Toronto”;  2. “Plastic Ono Band”;  3. “Imagine”; 4. “Sometime In New York City”;  5 . “Mind Games”;  6. “Walls And Bridges”;  7. “Rock ‘N’ Roll”;  and  8. “Shaved Fish”:

The set came out just a year after John Lennon’s death and followed the success of other Beatles box sets. It was released in several countries using very similar packaging. The set was first released in Britain, and was later sold in Japan, Germany, and of course Australia – with the catalogue number JLB8:

Mitch McGeary and William McCoy write (on their Beatles Rarities and Box Sets website) that all the LPs were issued on the Apple label and packaged in their original covers: “Included in the UK and other sets was a twenty-page, black-and-white booklet, “The Liverpool Echo’s Tribute To John Lennon,” which was loaded with pictures and song lyrics. The albums were encased in a silver box that had a color photo of John on the front. The set’s title and facsimile of John’s autograph were also embossed on the front of the box while the LP and song titles were printed on the back”.

EMI in Italy also issued a Lennon compilation and it is unique. Its called the “John Lennon Anthology” and consisted of all the albums in the British/Australian edition, but omitted the “best of” album “Shaved Fish”. Instead the box had three singles made up of tracks not found on any of the other seven LPs. Unlike the silver box versions these discs came in a blue, pizza-style box reminiscent of the “Live Peace in Toronto” cover:

Apparently only 1,000 copies were made of this one, making it quite a collectable item.

Linda McCartney: Life in Photographs

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I wrote in March about a new book about to be released which is dedicated to the photographic work of Linda McCartney. Last Saturday my local paper (The Sydney Morning Herald) published a four-page article about it and dedicated the front cover of its Good Weekend magazine to the book. Here’s the promotion of the paper’s weekend magazine article on the front page masthead of the newspaper:

They used a great shot of Paul, Mary and Heather on their farm in Scotland in 1970 for the front cover of the magazine itself:

Inside is an article by journalist Janice Turner detailing a flip through the book – with Paul McCartney at her side. Turner asks: “So how does McCartney feel, looking again at these private moments, captured by his soul mate of those years, now long gone? “It’s funny. I think when you have a bit of distance from someone you have lost, you can just look at it with pleasure. Because they were great times. It is tinged with sadness because you lost that person, but the main feeling for me looking at these is joy. Mostly, these pictures are uplifting.”

Here are a few more of Linda’s photos which appear in the book, published by Taschen:

Of course the Sydney Morning Herald’s weekend article has been syndicated around the world and comes from a London Times Magazine which was published last month – but it was a nice surprise last Saturday morning to find it in my local Sydney paper…

UPDATE:  “Linda McCartney: Life in Photographs,” a New York exhibition of photos by Linda McCartney, opened last Thursday and runs through to July 29 at the Bonni Benrubi Gallery, Level 13, 41 East 57th St., New York City. The gallery has posted lots more photographs here (check out the prices, too). This is the poster for the exhibit:

UPDATE 2:  Paul McCartney has posted a YouTube clip of he and daughters Mary and Stella talking about the project.

An Overview of Australian Beatles Records

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Got home from work today to discover this book in the postbox. I’d ordered it online just last week. Its a fantastic new book on the Beatles output on vinyl in Australia. When you say the words “in depth” they don’t really convey the work that collector and author Jaesen Jones has put into researching every aspect of the Australian arm of the mammoth EMI company as it relates to the Beatles output here. EMI Australia was responsible for releasing all the Beatles Parlophone and Apple label records in Australia. (The book also has information of the very few Polydor Beatle discs released here).

An avid Beatles collector from Canberra (Australia’s national capital), Jaesen has really done a terrific job in pulling together a lot of relevant information about the Australian Beatles releases – some of them quite unique in the world.

This release information from Ebay sums up well the content of the book:

They toured Australia on a single occasion in 1964, but once was enough for The Beatles to claim the continent as an integral dominion in their global Empire and to forever assure record-breaking sales of their recordings.

“An Overview of Australian Beatles Records” details Beatles records manufactured in Australia, from the first in February 1963 until the last in 1990, with emphasis on those distributed by EMI (Australia). It begins with a brief history of EMI (Australia) and its introduction of The Beatles to the people of Australia. It continues by detailing both the similarities and differences between EMI (Australia) and its parent, EMI UK, before focussing on the unique Antipodean pressings.

The book describes local publishing arrangements, major record label styles, sleeve design, production outsourcing/contracting, mastering methods and official imports. Where possible, period EMI publications, newspaper clippings, press releases and people directly involved with EMI (Australia) and Festival have been consulted.

For collectors there’s a section listing recommended Australian Beatles pressings, based on the views of numerous local and international audiophiles, as well as thirty-five pages of full colour label, sleeve and sticker scans (covering singles, EPs and LPs). Included are over 180 images, representing the most comprehensive collection of Australian Beatles record labels, outer and inner sleeves, inserts, and ephemera ever gathered together in a reference document to date.

Also included is a record rarity guide that lists all known major Aussie Beatles record variations with their relative rarity.

An Overview of Australian Beatles Records is an essential aid to the collector of Australian Beatles vinyl and is a book which will surely elevate the esteem in which this interesting subset of Beatles records is held in the global Beatles community.

You can find out more at I Am The Platypus – The Beatles Australia Album Labelography – a huge online resource also covering Australian Beatles releases.

Here are some page views from “An Overview of Australian Beatles Records”:

“An Overview of Australian Beatles Records”
First Edition, 2011
Compiled by Jaesen Jones
Published in Canberra, Australia
88 A4-sized pages (210mm x 297mm)
Over 180 colour scans and photos
ISBN: 978-0-9871048-0-9 (paperback)

Magical Mystery Tour – HMV Box Set

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I’ve been able to get hold of another in the 1987 series of box sets released by the British HMV record store chain to celebrate the first editions of the Beatles on CD. I’ve previously posted on the “Sgt Pepper” box set, and also the “Beatles Red 1962-1966” box set.  Now they’re joined by the HMV “Magical Mystery Tour”:

When the Beatles catalogue came out on CD for the very first time back in 1987 it was a big deal and HMV (which has close ties back to the Beatles record company EMI) released a series of limited edition 12” x 12″ box sets containing CD’s to mark the occasion. There were 12 box sets released in all, plus a large (and expensive) HMV box which housed every CD then available.

Box set BEACD25/6 was “Magical Mystery Tour”, and it came with a 12-page booklet, a large fold out colour poster, and a badge. You can see the front cover image of the box above. It features the same artwork as that used on the CD. When you take the lid off this is what you first see:

This is a large format 12-page booklet with lots of photographs and the text is an article about the making of the film “Magical Mystery Tour”, plus the background to each song. Here are couple of pages from the booklet:

Underneath the booklet is a poster featuring the band in their tuxedos from a scene in the film, plus text on the left-hand side telling the Magical Mystery Tour story:

Then comes the CD itself, held in place by a special cardboard holder with a slot just right for the CD, which is in the standard plastic jewel case. There’s a small thumb-slot at the top to help you get the CD out:

Also in the box is a small metal Magical Mystery Tour/HMV pin or badge:

The CD that comes with the HMV box is the original 1987 UK release with its own booklet:

Like the other titles in the set, inside the lid of the HMV box there’s a limited edition stamped number. Mine as you can see is a nice round number, 004949:

There were apparently 10,000 copies of “Magical Mystery Tour” released worldwide, although one site I found disputes this saying there were only 8000.

Websites for “McCartney” and “McCartney II” Launched

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Two separate websites have been launched in the lead-up to the official release of the new “McCartney” and “McCartney II” reissues, due on June 13.

Both feature photos and information about the new releases, which incidentally now include a single disc “Standard” edition of each title – something that until now has not been mentioned.

Both websites have a short video trailer (with Paul talking about the making of each album) to promote the discs:

These are the next two releases in the Concord Records/Hear Music Paul McCartney Archive series. See also my un-boxing of the first release in the series: “Band on the Run“.

McCartney’s “The Family Way” to get proper CD Release

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Interesting news last week that Paul McCartney’s very first solo work outside the Beatles is to get a decent CD release in July this year.

McCartney wrote the original soundtrack music to the 1966 British movie “The Family Way“, starring Hayley Mills and Hywell Bennett. He was assisted with orchestrations and arrangements by Beatles producer George Martin. The news of a new CD release got me scrabbling through the collection to find my vinyl copy:

This is the Australian pressing – which came out on Decca Records originally in 1967 (though my copy is a re-issue). In the UK the LP also came out on Decca, while in the US it was released on the London label. The LP has 13 tracks but interestingly (as you can see on the label image above) there are no titles for any of them.

“The Family Way” will be released on CD on July 26 by specialist soundtrack label Varèse Sarabande, based in California. It takes a bit of a search to find any references to the forthcoming CD on their website. You have to go to the “Vintage News” section and there’s information contained there when you scroll a fair way down the page…..

It’s very interesting to hear the music now with the benefit of hindsight. It would have been composed by McCartney just after the release of “Revolver”, and just before he went into the studio to record “Sgt Pepper”:

The original 1967 soundtrack recording of “The Family Way” contains both the above McCartney themes, the main theme and “Love in the Open Air” – plus eleven more score cues suited to the on-screen action. Varèse Sarabande says that for his composition McCartney was initially inspired by the sound of brass bands, familiar to his childhood in the North of England.

Steve Marinucci in his Beatles Examiner column says the new single-disc release will be taken from the original mono master tapes and will feature sleeve notes by Chip Madinger, author of a new book on the Beatles solo work called “Eight Arms To Hold You“.  The CD will also include a previously unreleased stereo mix of “A Theme From ‘The Family Way'”, a rarity that in 1966 appeared as the b-side of a 1966 UK/US 7-inch single by a band called the Tudor Minstrels.