Tag Archives: Beatles

Beatles iTunes Gift Cards

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Not that it needed more advertising, but the marketing and commercial push around the Beatles becoming available for digital download on Apple’s iTunes continues.

In the lead-up to Christmas I noticed these point-of-sale display bins began appearing in some of the large record store chains here in Australia:

Seems that iTunes Beatles plastic gift cards of various denominations are being made available in the US,  Canada, Britain and Australia (and probably many more countries). These cards are also available for purchase via the official Apple iTunes site, which says the “special edition” cards with Beatle images on the design can go towards any purchase in the iTunes Store, not just Beatles songs.

As you can see in the image above the gift cards are available in $25 and $50 (US and AUS) amounts, and in the US there’s a $149 gift card variant specifically to purchase the entire catalogue as a so-called “box set”.  The same has been done for Canada, while in the UK there are gift cards for £25 pounds and £50 pounds.

On the Apple site there are also two “limited edition” cards of $100 and $50 US with different Beatle images:

"Limited Edition" $50 US iTunes Beatles Gift Card

"Limited Edition" $100 US iTunes Beatles Gift Card

Now I’ve noticed that the redeemed cards (i.e. they’ve been spent and are of no monetary value) have begun turning up on Ebay for sale as “collectable” items.

What do you reckon?  Would you like to have as set of US, British, Canadian and Australian iTunes cards in your Beatles collection? Take this quick poll and lets find out what people think:

 

John Lennon – Double Fantasy (Stripped Down)

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At long last my copy of the John Lennon and Yoko Ono “Double Fantasy – Stripped Down” two CD set has arrived.

I know, it was released way back in October as part of the Lennon 70th birth-date celebrations, along with the big Lennon “Signature” box set, the “Gimme Some Truth” 4 CD box set, and the two versions of the “best of” John Lennon compilations called “Power to the People – The Hits”.

The lengthy delay for me in getting “Double Fantasy – Stripped Down” was caused by a bad Ebayer who disappeared off the face of the earth after taking my (and many other peoples) money. After waiting weeks the item just didn’t turn up, and he didn’t reply to emails. Fortunately I’d paid  using PayPal and after lodging a refund claim with them I got my money back. I must say here that it was all very efficiently done by PayPal – so I’d recommend using them as a way to pay for anything you order on Ebay as it comes with this sort of buyer protection.

After quite a few weeks that dispute was solved and I placed another Ebay order – this time with a store in the US. I particularly wanted a US copy of “Stripped Down” to go with all the US versions of Lennon’s other titles contained in the “Signature” box set. They sent it surface mail or something and it also took a while to get here – but this time at least it has finally arrived.

You’ve probably gathered by now that I’m quite interested in the packaging, small print text, and the images used for the covers of LPs and CDs. (If you are too, you might like a page called “Sleevage” that specialises in album music, art and design of all types).

Clearly, this late in the day, this CD cover isn’t new to you. Its been out since October and everyone has come to terms with the fact that both the front and rear covers are cleverly based on sketches of the original LP’s black-and-white shots of John and Yoko taken back in 1980. I think its a nice touch that they asked Sean Lennon to do this. Yoko says in the booklet liner notes (quote):

“And thank you Sean, after many days of hesitation, you finally did the drawings for the front and back covers…for your dad and your mom. All sorts of memory of that time came back to you, you said.. I know how hard it must have been. This is a thank you from me and your dad.”

One other piece of information that caught my attention reading the small print in the cover notes was that two of the photographs used on the inside panels of the cover are actually significant. This shot of John and Yoko leaving the Dakota building was taken on their  way to the Hit Factory studios in New York on August 4, 1980, for the first day of recording for what would become the “Double Fantasy” album:

From inside the gatefold cover: John and Yoko leave the Dakota for the studio and the very first day of recording "Double Fantasy" - August 4, 1980

And this photo on another panel of the gatefold for “Stripped Down” was taken on 44th Street, New York on December 6, 1980 – the last day of recording:

Another image from the packaging: John and Yoko on 44th Street on the very last day of recording "Double Fantasy"

Its not the first time that photo of the pair leaving the Dakota Building has been used. It appeared as the picture sleeve for the US release of one of the three singles taken from the original “Double Fantasy” LP – the song called “Watching the Wheels”:

The same Dakota photograph was used for the vinyl single "Watching the Wheels", released on 27 March, 1981

Interestingly, when you purchase the Lennon “Signature Box“, which reissues all his original solo albums, you get “Double Fantasy” remastered in its original form – a single disc with the 1980 cover art and without the “Stripped Down”  version as an additional CD:

In the booklet for this edition of “Double Fantasy” you get a different short essay by Paul Du Noyer, but it has all the same photographs as those used in the booklet for the “Stripped Down” booklet.

Also, I’m not sure that you can purchase this single disc 2010 remastered version of “Double Fantasy” as a stand-alone item. I had a quick look around on the web and couldn’t find it for sale anywhere and so I think it may only be available by getting the “Signature” box. If anyone has any info on that one please let us know.

 

Phil Spector’s Christmas Album

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Originally called “A Christmas Gift for You from Philles Records” and released in 1963, this Apple Records LP reissue of the same album came out in 1972 – with different cover art and retitled “Phil Spector’s Christmas Album”:

Phil Spector's "Christmas Album on Apple (front)

Phil Spector's "Christmas Album" on Apple (rear)

Funnily enough the Apple labels  list the title differently to the sleeve, calling it “The Phil Spector Christmas Album Various”….

This is the US pressing (APPLE SW 3400).  As well as listing the artists (Darlene Love, The Ronettes, The Crystals, etc.), the small print on the rear cover has a typically kooky quote from Spector:

“Because Christmas is so international it is certainly in keeping that these youngsters should record their Christmas gift to you, for this album is produced solely with you in mind. It comes with the sincere wish that you understand and appreciate this endeavour into something new and different”. (Phil Spector 1963)

There have been numerous other reissues of this record. I also have the disc with the same artwork (with a few small variations) on the Phil Spector International label:

Spector's "Christmas Album" on the Spector International Label

Notice the words “Phil Spector’s” is in black and superimposed over the words “Christmas Album”, and the artists featured are in written in white on the photo of Phil. On the rear the Apple logo is replaced by the Phil Spector International logo:

Spector's "Christmas Album" on Spector International (rear)

This is the UK pressing (SUPER 2307 005) and the label of my copy looks like this:

Thanks to the the lovely Chained and Perfumed blog for the Christmas inspiration for this one. If you want to see another label variation (this time for the original LP) click on the link.

Abbey Road – Crossing to be Heritage Listed

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The zebra crossing made famous by the Beatles has just been designated a site of national significance by the British government. Fans from around the globe flock to the crossing every day to have their photo taken walking over Abbey Road, just down from the EMI studios of the same name. The Abbey Road studios became almost a home-away-from-home for the Beatles and was where they recorded just about all their greatest songs.

The story of the heritage listing (which means it will be preserved forever from change) has been picked up by media around the world.

Here’s how the BBC World Service covered it this morning:

Paul McCartney says he’s pleased with the news, and that for him it caps off what has been a run of recent success: “It’s been a great year for me and a great year for the Beatles and hearing that the Abbey Road crossing is to be preserved is the icing on the cake.”

The photo-shoot for the album which put the pedestrian crossing on the map took just ten minutes to complete. On a sunny day on August 8th, 1969 photographer Iain Macmillan took what would become one of the best-known, copied, and parodied album covers of all time.

Getting ready to cross

People today can’t get the exact same look as the Beatles got for their cover for two reasons. First is that the crossing is not in exactly the same place it was back in 1969, and second is that Iain Macmillan was about ten feet up on a ladder. He took just six photos and it was the fifth one that was used for “Abbey Road”.

Starting the famous walk. Paul is in bare feet and getting nicely out of step....

There is a webcam (run by Abbey Road Studios) that looks over the crossing now 24 hours a day –  so even if you can’t get to London you can experience it virtually any time you like. The latest release to bear the photo that put a zebra crossing on the map is the remastered CD of “Abbey Road” – which came out last year in the new look with the white strip down the left-hand side. The legend lives on:

Rolling Stone – 100 Greatest Beatle Songs – Australian Edition

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Back in September I posted on the Rolling Stone magazine special edition release called “The Beatles – 100 Greatest Songs“.

Finally, its been released in its Australian and New Zealand version. This 122 page “book” has a different cover!

Clearly its a photo by Bruce McBroom from the same photo-session in London on April 9th, 1969 – but it is different to the one used for the front cover of the US version of this special edition Rolling Stone magazine:

Give Me A Chance – New Book

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When Canadian Gail Renard was sixteen she had a life-changing experience. She lived in Montreal and in 1969 John Lennon and Yoko Ono came to town to stage their “Bed-In” protest for peace.

“Give Me A Chance” is a new book out now and in it Gail Renard tells her story of meeting John and Yoko and spending eight amazing days with them as their guest and helper in room 1742 of the Queen Elizabeth Hotel, Montreal.

She babysits Yoko’s five-year-old daughter Kyoko, and she sits in on John and Yoko holding court as the press and the rich and famous make a beeline to their  bedside to interview them, to argue, to pay homage, and to hear about spreading the word of peace throughout the world. I really liked the book. While not full of revealing facts, its easy to read and has a genuine sense of fun and adventure. Gail writes in an endearing naive style and we get to experience the “Bed-In” for peace up close but very much through the eyes of a sixteen year-old girl. How did she get to spend eight days with the Lennon’s? We learn that when she called her mother to get permission there was a very awkward moment:

“Put John on the phone,” she demanded. I recognized her inquisitor’s voice and was mortified. “Oh Mum, you can’t!” I knew she could and she would, and that I didn’t have a choice….so I reluctantly handed the phone over to John. I tried not to cringe as Mum carefully spelt out her conditions to him. There was to be no funny business – no sex or drugs around her innocent daughter. As if that wasn’t enough, Mum also said that I could help at the Bed-In during the day but I’d have to be back at home by my bedtime every night. To my amazement, John agreed…

With permission from her mother out of the way Gail gets to sit in and sing as part of the rowdy chorus in the now historic recording of “Give Peace A Chance”. Every label for the song has the words “Recorded in Room 1742 Hotel La Reine Elizabeth, Montreal…”:

Afterwards, John gave her his hand-written lyrics for the song . These were written out with a black magic-marker pen on a big white cardboard square. These became the cue sheet for the crowd in the bedroom during the recording of the song in Suite 1742.

In 2008, Gail sold the “Give Peace A Chance” lyrics at a Christies auction for £350,000.  She says “Thank you, John. And thanks for not throwing them out, Mother!” She’s since been back to the room where it all happened over eight days in 1969 and writes about that visit here.

In many ways the book “Give Me A Chance” is very like an earlier book about a similar transformational experience with the Lennon’s – this time for a fourteen year-old boy named Jerry Levitan – who snuck into their Toronto hotel room and attended the Toronto version of the “Bed-In” for peace. He wrote a book about his experiences called “I Met the Walrus“.

Thank you to Beatles collector Bruce Hamlin for sending me a copy of this book. It’s richly illustrated with photographs and memorabilia and is a great little read!

Paul’s Poem For John – Still Poignant After All These Years

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As part of the recent commemoration of John Lennon’s 70th birthdate, the respected NPR radio program “Fresh Air” re-broadcast a wide selection of interviews it had done over the years about Lennon.

One of them was an interview that host Terri Gross did with Paul McCartney. It comes from back in 2001 when he was on the promotion trail for a new book of his collected words called  “Blackbird Singing – Poems and Lyrics 1965-1999“. Its a beautiful little book. If you haven’t seen a copy it looks like this:

In it are the lyrics to “Here Today (Song for John)”, the song Paul wrote specifically for John Lennon after he’d been murdered. It had first appeared on the 1982 album “Tug of War” with a lovely string arrangement by George Martin. More recently though McCartney has been performing it live as a solo acoustic guitar number and speaking more openly about how much he misses his friend and colleague. There’s a very emotional version of the song on the live “Good Evening New York City” (2009), for example.

Anyway, back to the “Blackbird Singing” book interview…..in 2001 radio host Terri Gross asked Paul to read the words to “Here Today” out loud as a poem. In 2010, at this time of remembrance for John, its also very moving:

In his book “FAB – An Intimate Life of Paul McCartney“, author Howard Sounes recounts a story from composer and musician Eric Stewart (ex 10cc) which also sheds some light on how those words might have come about. During the early sessions for “Tug of War” McCartney was working at his friend Stewart’s Strawberry South Studios. He says at the time McCartney was going through a pretty low period:

“He said, ‘I’ve just realised that John has gone. John’s gone. He’s dead and he’s not coming back.’ And he looked completely dismayed, like shocked at something that had suddenly hit him. I said, ‘Well, it’s been a few weeks now.’ He said, ‘I know, Eric, but I’ve just realised.’ It was one of those things maybe he wanted to say something to him [John], but it was too late to say it then….”

Beatles Finally on iTunes

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Well, the cryptic iTunes advertisement yesterday certainly had people speculating again:

Forget the fact that the term “…just another day” isn’t actually a Beatles song (it’s a Paul McCartney solo song), it was more those clocks being side-by-side that triggered off the guesswork that it was Beatles-related.  Something about the position of the hands:

Thanks to the TechCrunch website for starting that one off. It was quickly followed up by the MacRumours site, too. Once that happened it was on for young and old.  The New York Times then got in on the act, stating they had spoken to an anonymous insider who’d told them everything:

Apple is expected on Tuesday to announce that it has finally struck a deal with the Beatles, the best-selling music group of all time, and the band’s record company, EMI, to sell the band’s music on iTunes, according to a person with knowledge of the private deal who requested anonymity because the agreement was still confidential.  (Read the full article)

Then today, finally, came confirmation. The Beatles entire catalogue is now available for digital download. The New York Times has updated its stories – this one in particular has some interesting history and background. And they’re also running an article with information about what we’ll pay for the Beatles back-catalogue digitally. Certainly from what I can see in the Australian iTunes Store its a premium price, thats for sure. (The outrage at the Aussie pricing by Apple is growing. See here and here).

There is one thing for free though if you are quick. On iTunes there’s a free download of the 1964 concert live at that Washington Colliseum, the Beatles first ever on US soil. Its quite fascinating to watch. Its the entire performance – complete with associated pandemonium, between-song banter, screaming, bad sound and a rawness thats revealing.

Thanks to Henry for sending me the MacRumours link.  iTunes have an Artist page here.

A Warning About Garage Sales….

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This is a sad story that I think all Beatles collectors can relate to….

When you go to a garage sale (or you might call them yard sales) the thrill of the chase for that elusive LP or CD can sometimes see you just not taking enough care.

It recently happened to me. Went out as I sometimes do on a Saturday morning to a local garage sale. These can be rich pickings (or not – but you never know). Did the quick scout around upon arrival – but there was no vinyl in sight. There were a couple of compact discs – but nothing remotely Beatles-related. So before leaving I posed the usual question to the owner of the house, just on the off-chance: “Do you have any records? LPs or 45s. You know, vinyl?”  It never hurts to ask.

“Oh – yes. Actually we do, but I hadn’t thought to put them out. Are people still interested in them?” And off she goes, into the house to hunt out said vinyl records….

About 5 minutes later (it seems like ten) out they come, boxes of them – frustratingly one box at a time. Most are pretty bashed up – but quite an eclectic selection and some interesting things – and by this stage another record collector has arrived and is also interested….

The first thing I see is a picture disc copy of Pink Floyd’s “Dark Side of the Moon”. Hmmm. Could probably get that. Might as well for A$1.00. (Its actually the same as this one – selling online for US$75.00).

There’s also, for some strange reason, lots of Jethro Tull. All original pressings and all in reasonably good condition. Probably collectors items for the right person – but not me. Then some Hendrix. Tempting, but the other collector seems really interested and so I let him have free reign.

Then finally a box with some Beatles. Both me and the other guy fall upon it and kind of unofficially, by mutual agreement, agree to split the contents amicably. No need for aggro on a Saturday morning over $1.00 records.

He finds “Abbey Road” and I think: “OK. You can have it. I’ve got lots of pressings of that.” It’s the Australian pressing on Apple by the looks of it. He is happy.

I find a copy of “Revolver”. Its also an Australian pressing, this time on the orange Parlophone/EMI label and I can’t remember if I have this or not and so decide to get it anyway. Its actually in pretty good shape and for a dollar, what the heck?. When I get home later turns out I don’t have this particular pressing. Good one!

Then there’s a copy of the Beatles “Oldies…but Goldies!”. It too is an Australian pressing and I know I have this and so let the other guy take it. More good karma points for me. Then there’s a copy of “The Beatles”, or the “White Album“. Its an older, original Australian pressing on Apple – the one with the top-loading cover, and its got the poster. No Beatle pictures included though, and the cover is a little battered, but still, its kind of rare and interesting because of it’s age. The old-style top-loader cover is mildly collectable. I flipped out Disc 1 for a quick look to see if it was scratched and useless. It was in pretty good shape and so I decide to get it.

Move forward in time now about three hours. I’m back home cleaning up the LP’s I got and I pull out Disc 2 of the “White Album” from it’s sleeve and guess what? Its not the “White Album” in there but “Abbey Road”!!

The seller, probably years ago, had mixed up the LPs when putting them away. So, the other collector guy who bought “Abbey Road” has probably got my Disc 2 of the “White Album”, and I have his “Abbey Road”. I don’t know who he is and have no way of contacting him. There is really nothing quite as frustrating to a collector than an incomplete set I can tell you…

So, a lesson for all garage or yard sale hunters: always check the contents of the CDs or LPs you’re interested in before you leave the premises….

Three Copies of “Q” Magazine

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I needed to visit Australia’s national capital Canberra for work the other day and ended up staying overnight. That meant driving back to Sydney on a Saturday morning and so I had time to call into the large-ish New South Wales country town of Goulburn, which is just off the freeway on the way home.

Goulburn, I had discovered on a previous trip, has a very large second-hand book and record shop just off the main street called The Argyle Book Emporium. When I say big I’m talking an extensive old rambling period building with room after room literally filled floor-to-ceiling with books. One room at the rear is devoted to music. There’s a small selection of music-related books and magazines, and boxes and boxes of records and CDs. Its a bit frustrating as these boxes are just randomly grouped together. They’re not split out into Male Vocal, Female Vocal or Groups for example. Not even 50s, 60s ,70s and 80’s. Just everything mixed in together – making finding anything of interest a needle-in-a-haystack affair….

I didn’t have a lot of time and so I gave the LPs just a cursory flip through. I looked at a couple of boxes at the front which were easy to get to and didn’t find anything. What was more interesting was a very large pile of “Q” and “Rolling Stone” magazines. A collector had obviously off-loaded a lot of past editions that were no longer wanted. The “Rolling Stone” magazines had been pretty well picked over. Nothing really of interest to the avid Beatles collector. However, in the “Q” magazine pile I found these three editions: 

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The first dates way back to June 1987 – a time when we were all celebrating the 20th Anniversary of “Sgt Peppers”. Inside there are ten pages of photos and text:

Sadly, there was a “Sgt Pepper Part II” article that was due to be published in the following month’s magazine. It wasn’t on the pile of mags I found in Goulburn….oh well.

The next “Q” magazine I found featured an extensive article about Paul McCartney from July 1989. The headline on the front cover screams: He sings! He plays! He writes his own songs! For  PAUL McCARTNEY OPPORTUNITY KNOCKS! * Now available for live work! *.  Inside there’s a nine-page article about Paul. It begins: “He never expected to be doing this when he was 46 – “We thought 25 was the end of the line” – but Paul McCartney has stoutly refused to give up his day job. Engaged in rustic rehearsals for his first British tour in 10 years, and with a fresh solo album on offer [“Flowers In The Dirt”], he’s preparing once again to be public property. With mixed feelings…”. In the article there’s reference to the number of times McCartney makes reference to his father, Jim McCartney….”a Liverpool cotton broker and part-time musician who brought Paul up after his mother’s death (when McCartney was 14), and who died himself in 1976. One song on McCartney’s new album “Flowers In The Dirt”, is called “Put It There”, after a favourite phrase of his Dad’s”.

Finally, the “Q” magazine with that awesome David Bailey portrait of Paul and John on the cover. It comes from August 1999. Its a pretty simple premise on the part of “Q”. As the century draws to a close why not run a reader poll asking who are the 100 greatest stars of the 20th Century. According to “Q” readers back then the top ten are (were):

10. Michael Stipe; 9. Liam Gallagher; 8. Noel Gallagher; 7.Madonna; 6. David Bowie; 5. Elvis Presley; 4. Bob Dylan; 3. Kurt Cobain; 2. Paul McCartney; and and number one the runaway winner (according to “Q” by a long way)…..John Lennon.

It is kind of fitting to look back and read a magazine like this (from 1999) in this year (2010) when Lennon would have turned 70, don’t you think? Kind of cements the fact that his presence could in fact be enduring. That now, a further eleven years down the track, his music is still around and he’s still held in very high regard by many. There’s an additional article right at the end of the poll headed: “John Would Have Been Proud”. It says: “Yoko Ono, the keeper of the Lennon flame and the Lennon vat of money, telephoned Q as soon as she heard about the readers’ tsunami-sixed endorsement of her late husband’s transcendental magic and generation-straddling stature….”. That article is illustrated with this beautiful photograph:

Enough said.

(see also “Nine Copies of Rolling Stone”)