Another Radha Krsna Temple

A couple of months back we wrote about finding a nice vinyl re-issue copy of Radha Krsna Temple. It’s another of the LPs from the early 1990s when Apple Records first began reissuing its back catalogue. That series, especially vinyl examples, is definitely in the “hard-to-find” category now and so securing an almost mint copy for the collection was a bonus.

When doing some further research on the George Harrison produced Radha Krsna Temple it was a surprise to discover that the album is still in print as a CD via a completely different source – the Australian Krishna Store. The “store” is based in the small Queensland town of Eumundi, which is up behind the Sunshine Coast. Of course, being mad completists, we had to have a copy so we ordered it online and the CD was posted to us direct from India.

As you can see below, this edition has a different cover and contains a couple of different bonus tracks to those included on the official 2010 Apple CD re-issue (included in the Fresh From Apple box set).

The CD from the Krishna Store looks like this:radha-cover

And here’s the rear cover:radha-rear

It is a cardboard gatefold, digi-pac-style cover that opens up like this:radha-inside

The additional bonus tracks on this disc are a different version of ‘Hare Krsna Mantra’, and ‘Purport by Srīla Prabhupāda‘. (The bonus track ‘Prayer to the Spiritual Masters’ was included on both the 1993 and 2010 Apple re-issues).radha-cd

This isn’t the first time that Radha Krsna Temple has been re-issued by a completely separate entity. Well before Apple first did re-released the album in 1993 (and again in 2010), the recording was re-packaged in 1973 on vinyl as Goddess of Fortune, on the Spiritual Sky label:goddess-of-fortune-2

George Harrison – Behind The Locked Door Biography

Just got a copy today of George Harrison – Behind The Locked Door by Graeme Thomson and am taking it away on holiday this week to read. Looking forward to it immensely:george-harrison-biog Here’s a review from the Chicago Tribune.

Splinter – The Place I Love

One of our favourite places in Sydney to crate dig is Revolve Records and Relics, and it has come up with another Beatle-related treasure for the collection.

Splinter was one of the first bands signed to George Harrison’s Dark Horse record label in 1974, and The Place I Love was their debut album:Splinter coverSplinter rear coverThey were a two-man band hailing from the town of South Shields in England. Bill Elliott and Bob Purvis wrote all their own material, were produced by George Harrison, and were joined on this album by Harrison (on guitar, mandolin, bass, harmonium and percussion and using the pseudonyms Hari Georgeson, P. Roducer and Jai Raj Harisein), as well as the likes of Klaus Voormann (bass), Billy Preston (organ), Jim Keltner (drums) and Gary Wright (piano).

The album was recorded at Harrison’s Friar Park home studio.

This is an Australian pressing. The cover is a gatefold, graced with a sepia-toned historic street scene of The London Hotel, taken in the late 1800’s in Splinter’s home town of South Shields.  Splinter gatefold

Here’s the LP’s ever-stylish Dark Horse label:Splinter label

There’s also a single sheet insert with the song lyrics printed on each side:

Splinter insert

And an inner bag made of heavy paper and stamped with the Dark Horse logo to hold the record:Splinter inner

Splinter’s Bill Elliot has another strong Beatle connection. John Lennon had earlier invited him to perform the song ‘God Save Us‘ with The Elastic Oz Band. Released as a 7″ single on Apple Records in the US in 1971. This was a protest song in support of the underground publication Oz magazine, then embroiled in the famous Oz obscenity court case.God Save Us

 

George Harrison – The Stories Behind the Albums

We just had an email from Universal Music alerting us that the George Harrison page on their site has some new content.

Every week, music writer Richard Havers will review each of the fourteen Harrison solo albums and tell the stories behind them. Each review will contain audio streams of the album (Spotify and Deezer), quotes, insights and soundbites.

So far they have up there: Wonderwall Music; Electronic Sound; All Things Must Pass; The Concert for Bangladesh; and Living in the Material World.

1WonderwallMusic

2ElectronicSound3AllThingsMustPass3ConcertForBangladesh5LivingInAMaterialWorldGeorge-Harrison-150x150

Ravi Shankar – ‘In Celebration’ 4CD Set

In 1995 George Harrison was producer of an impressive 4 CD compilation box set honouring the musical life and genius of his friend and mentor, the Indian master musician Ravi Shankar. It was called In Celebration and it formed a key part of the celebrations that year marking Shankar’s 75th birthday.

The four CDs trace four distinct aspects of Shankar’s output: Classical Sitar; Orchestral and Ensembles; East-West Collaboration; and Vocal and Experimental.

The set was released on the Angel label (an EMI subsidiary specialising in classical music), and George’s own Dark Horse Records label.

Because it was expensive the following year (1996) there was also an In Celebration – Highlights single-disc version for those wanting a taste from each of the four CDs:Ravi Highlights1Ravi Highlights2Ravi Highlights3

We’ve had a copy of the single disc Highlights for years and have often enjoyed escaping into the world of Indian music. As a result we’ve been on the lookout for a long time for a reasonably priced second-hand copy of the full box set – now long out of print. At last we’ve got our hands on a copy (via eBay and from a seller based in France of all places).

The larger set is a much more detailed and elaborate affair, with silver embossed printing details and individual artwork for each CD. When we say “box set” this is actually presented as a tall, deluxe hard-back book, with the four CDs stored in holders inside the front and rear covers.Ravi 1Ravi 2

In between them is a beautiful 60 page book with a foreword by George Harrison and a lengthy essay, richly illustrated with photographs, on the life and work of Ravi Shankar by Timothy White, a former Editor In Chief of Billboard magazine: Ravi 4Ravi 3

There’s a handy glossary of terms included at the back – a big help in understanding and appreciating Indian classical music, its instruments and main themes and influences.

This is all really nicely done as a package and a great selection of, and tribute to, Shankar’s life and work.Ravi 5Ravi 6Ravi 7Ravi 8_0003

A Very Unusual “All Things Must Pass”

We went crate digging last weekend at one of the best second-hand record stores in the Sydney area called Revolve Records and Relics in the suburb of Erskineville. If ever you’re in Sydney it is well worth a visit as they have a constant turnover of new stuff.

What we found there was an intriguing version of the 1970 George Harrison triple LP All Things Must Pass.

We’ve detailed in the past a couple of the different pressings that are out there – including what we thought was the unique, Australian triple-gatefold version.

Well, it appears that another market also had a triple-gatefold that is similar, but not identical.

The front cover looks familiar:

ATMP Cover

As you can see this one is a little beaten up and has a bit of ring-wear but overall it’s not in too bad a condition. (Those black spots at the top are small, dark paint droplets where it has accidentally been splashed by someone not being too careful….).

The rear cover is very different:ATMP rear

As you can see, it’s plain black with a white Apple in the centre and the words: “2 George Harrison LP’s plus 1 Apple jam session  3 LP’s for the price of 2  Apple STCH 639”

The gatefold opens out to reveal the first of the three coloured, top-loading sleeves into which the vinyl slips. The lyrics for the songs on Side 1 and 2 are printed here:

ATMP GF1

Open the out the second of the gatefolds and this is what the right hand side looks like – with lyrics for the songs on Sides 3 and 4 printed on the centre, grey coloured panel. The mauve (or lilac) coloured panel on the right has the song titles and details of who plays in the Apple Jam tracks on Sides 5 and 6, plus a large “Apple Jam” logo:

ATMP GF2

The labels are trying to be like the original, bright orange found on other versions of this release worldwide, but they are really more a dull, reddish brown. There’s the full Apple for Sides 1 and 3:ATMP L1

And a “cut” Apple for Sides 2 and 4:ATMP L2The Apple Jam record (Sides 5 and 6) has custom Apple Jam labels on both sides: ATMP L3

Unlike the Australian triple gatefold, the spine on this release has a dark black and white print:ATMP Spine

[Click on any image above to see larger versions]

Nowhere, either on the cover or on the labels, is a place of manufacture stated – making it something of a mystery. Also, if there was ever one of the large George Harrison posters which came with this release in other markets, it is long gone. None to be found.

This exact same version is listed on the Discogs site, but no country of origin is definitively stated there. They just say: “Unknown country of manufacture, likely Singapore or Malaysia. Released in a three-panel fold out gatefold cover very similar to the Australian original”.

However, the fantastic apple records.nl has this version detailed fully, and suggests it could either be from Singapore or Hong Kong, depending on subtle differences in the label colours. (This site is an absolute goldmine for anyone interested in the different Apple pressings from around the world).

UPDATE: One other item of evidence has just emerged!

While fishing around in the sleeves just now out fell what looks like an official EMI flyer advertising other releases available from the company for the year 1971. We hadn’t noticed this before. It’s small (about 7″x7″), and has four pages.

The front page of the flyer:

IMG_1714

The inside two pages:IMG_1718The rear cover:IMG_1716

A tiny reference at the bottom says this flyer is “Designed & Printed by Times Litho Publicity Pte. Ltd.” A little Internet detective work reveals this to be a former Singapore-based company, active between the years 1965-1971. So, I guess that’s definite proof that this is in fact a genuine Singapore pressing!

If anyone else has anything more definitive please do let us know. Would it have come with a poster, for example? Drop us a line using the Leave a Reply section below.