Russian Beatles – Fantastic Website

My post about the many label variations of Paul McCartney’s 1988 Russian album “Choba B CCCP” prompted a response from a reader named Vadim who gave me some links to an absolutely fantastic website that deals specifically with Beatles and Beatles-related releases from the former USSR and Russia.

You can find the site here and, if you’re not careful, it will open up a whole new world of Beatles record collecting to you. I don’t read Russian and so many parts of the site are a mystery – it looks like it has been created by three friends and Beatles fans: Andrey Lukanin, Vadim Legkokonets and Valentin Isaikin, who run something called The Beatles Association. It also appears that The Beatles Association puts out a regular magazine called “From Me To You”. There are links on the Foreword page of the site to download two recent issues.

The site is huge and so comprehensive with details of seemingly every USSR/Russian release and variation – complete with pictures of the covers, labels, catalogue numbers and heaps of other fascinating information for the collector. It is truly mind-blowing and well worth a look. Put aside some time – you’ll need it to have a good look around. Once you figure out how the site is constructed and linked you can delve into more and more detail about individual releases.

It got me thinking about other Russian releases I have in my own collection – apart from the McCartneyChoba B CCCP” ones. I had a bit of a look and found these (and I must say its very meagre compared to Vadim’s treasures). The first is “A Hard Days Night”. This is on EMI/Melodiya and comes in a single sleeve with a plastic inner. It has one less track than the British release. Its also stated that this is a “Direct Metal Mastered” pressing and it has a small official DMM logo on the rear cover:

[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. It looks like my copy is pressed at the Riga pressing plant.]

Then comes “Help”. This is on AnTrop Records from St Petersburg, and has a plain white paper inner sleeve:

[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. It looks like my copy came out in 1991 and is sleeve and label Variation 2.]

Also on AnTrop Records is “Let It Be”. This comes in a single, quite thin, cardboard sleeve with a plain white paper inner sleeve:

[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here.  This was released in 1992 and is sleeve Variation b., and label Variation 2.]

There are more “Let It Be” label variations on my site here.

The final Russian Beatles pressing I have is a unique compilation of early material called “A Taste of Honey” (1986). It is on the Melodiya label (and there’s also an EMI logo on the front cover). This is another “Direct Metal Mastered” pressing and it has an official DMM logo on the rear cover. Its in a single sleeve and a plain white inner bag:

[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here and here. It looks like my copy is pressed at the Riga pressing plant.]

There is one other in my collection. Its Paul McCartney – “Flowers in the Dirt” (1989). This is on the white Melodiya label and has a plastic inner bag:

[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. It was pressed in 1991, and it looks like my copy was manufactured at the Aprelevka pressing plant, with sleeve variation 1d., and label variation White 2.]

Finally, in my post about different versions of Paul McCartney’s “Band on the Run” from around the world there were two on Russian labels – the first a Melodiya pressing, the second from Santa Records:

“The Beatles” – An Interesting Book

Another Beatles book has recently come into the collection. Again, it’s from a discount book store that is just near where I work. They specialise in selling remaindered stock at greatly reduced prices and I’ve picked up some interesting titles from there over the years. This one is simply called “The Beatles“:

There’s a great photo of the band on the front cover – it’s highly colourised but quite striking in its effect. The title words “The Beatles” are printed in silver and so don’t show up too well in this scanned image. Interestingly, nowhere on the front or rear covers, or even the spine, is there mention of the author. You have to go to the publishers details page inside where in the fine print it says “Written by Mike Evans”. I’m not sure why Mike doesn’t get a mention anywhere on the outside of the book. A quick Google search reveals Evans is actually quite prolific having written or edited, amongst many other titles, “The Beatles: Paperback Writer: 40 Years of Classic Writing“, “The Art of British Rock: 50 Years of Rock Posters, Flyers and Handbills“,  and “The Beatles: On Camera, Off Guard 1963 – 1969“, so the guy has form.

The Beatles” is chronological in nature and, over 21 chpaters and 224 pages  traces the evolution of the band from the early years through to the final chapter called “The Beatles’ Legacy” which brings the story up to 2009 and the release of the newly remastered CD sets – so I’d say it came out in late 2009, although again the book itself does not have a publication date on it. Strange.

In a lot of ways its a pretty standard Beatles book – but a nicely produced one – one that has at least been done with some care. Its a hardback with lots and lots of photographs (some of them unusual and interesting), and quite detailed text covering each important Beatle release, from “Please Please Me” (1963) through to “Let It Be” (1970). Mike Evans deals with the tours as well – including the troubled 1966 tour to Japan and Philippines where the Beatles were lucky to escape with their lives. In this news photo in the book they, along with manager Brian Epstein, look pretty happy to be back in London in one piece, their smiles belying the danger they faced after a perceived offense to the President of the Philippines and his wife:

As well as terrific photos there are lots of other worthwhile visual additions scattered throughout, like colour reproductions of Beatles memorabilia like movie posters, concert tickets, Beatles stamps, and this US concert poster from August, 1966 for the concert at Candlestick Park, San Francisco:

The photos inside are often unusual, like this one of Paul in the studio in January, 1968 with Cilla Black, taking her through the song he’d written for her called “Step Inside Love“. It became the theme for Black’s successful TV show of the same name:

Author Mike Evans deals with both the up-side of the Beatles’ success, and the down-side, including the ill-fated Beatles foray into selling fashion. Described by Evans as “..the biggest disaster for Apple….The idea was to sell trendy items; Paul McCartney described it as “a beautiful place where beautiful people can buy beautiful things.” In reality, though, it was a clothes store, and became known as the “Apple Boutique”. By the middle of 1968, the shop had made a loss of nearly US$500,000/£250,000, a fortune in those days and on July 30 it closed.” In this photo crowds gather outside to grab a bargain and to witness the Apple Boutique’s last day of business:

The Beatles” is published in Australia by Hinkler Books.

Label Variations – Part Five “Band on the Run”

I have to thank the very wonderful Chained and Perfumed blogsite for this one. Every now and then this site features photos of interesting record labels from their own collection. One recent post highlights a whole raft of great images – different versions of “Band on the Run” (on vinyl) from around the world.

Chained and Perfumed got these from Ebay from a seller who has on offer a large number of versions of Paul McCartney’s classic album, itself recently re-issued on vinyl.

Like Chained and Perfumed we like seeing different global variations – so here are few from the Ebay collection, followed by a couple from my own collection. First off a couple of different Korean pressings:

Then Greece and Italy:

And France (on nice yellow vinyl):

India and Sweden both used the traditional Apple:

While for some strange reason New Zealand used the same Apple colour as those used on George Harrison’s “All Things Must Pass” original vinyl:

The Japanese pressings used the original custom labels. Here are two versions, one with the Apple logo, the other with the Capital and MPL logos:

And now for Argentina and Mexico:

Here’s an interesting version on Odeon Records in Germany:

There are a couple of Russian versions on Ebay. Firstly one on Santa Records and then the more common Melodiya:

Next come a couple of UK versions. The first is a pretty standard issue, but without the Apple logo appearing:

The next is a special limited edition of the disc from 1997, released to celebrate the EMI Records Centenary – 100 Years of recording:

Here are some labels that are from my own collection which are not represented  above which you might also find interesting if you are into this sort of thing. First is a Canadian pressing – which I think is actually exactly the same as the US:

We had a strange example from New Zealand above. The re-issue of “Band on the Run” in that country came out on Parlophone Records:

Of course there is always the standard, original UK pressing with the Apple logo:

In Australia the original release also looked very much like the UK:

The re-issues in Australia though came out on the Capital label. Here are two variations, one on purple Capital the other on blue Capital:

Finally, in 1999 for the 25th anniversary of the release of “Band on the Run” there came a two-disc, limited edition, remastered version. This is the UK pressing of disc 1:

And here’s the second disc, which contained previously unreleased material featuring alternate versions and special interviews on the making of “Band on the Run”:

If you’d like to see some more Beatles and Beatles related record label variations you can go to:

Label Variations – Part One “Sgt Pepper”

Label Variations – Part Two “Let It Be”

Label Variations – Part Three – McCartney’s “Choba B CCCP”

Label Variations – Part Four  “Shaved Fish”

“All Things Must Pass” – Variations and Collectors Items

and

The Beatles “Love” collectable variations

The Next McCartney Releases

Wogblog is one Beatles blogsite you can trust when it comes to accurate news and information about planned future releases. I don’t know where Roger Stormo (who is based in Norway) gets his information from, but it is usually correct well out from any officially released news. In his latest post Wogblog is saying that the next two confirmed releases in The Paul McCartney Archive Collection series will be Paul’s first solo album “McCartney”, and the album that came out ten years later (and was recorded in a similar fashion at home studios), “McCartney II”.

“McCartney” (1970) will be available in two forms: as a 2 CD set, and as a 2 CD plus 1 DVD deluxe set with a 100 page book.

“McCartney II” (1980) will also be available in two forms: as a 2 CD set, and as a 3 CD plus 1 DVD deluxe set with a 100 page book.

I’m guessing the books will be just like the book format used for the recent deluxe packaging of “Band on the Run” (2010). There is no talk of vinyl pressings yet – hopefully they will be announced soon. No release dates are yet available for both collections.

Wogblog had the inside running on all the details for that “Band on the Run” set very early. It was the first release in the Archive series, so there’s reason to believe he could be onto something here too.

Let It Be – Dialogue From the Beatles’ Motion Picture

This little item came into the collection last week:

It’s a one-sided 45rpm single with three tracks on the A side. These are as the label describes – three brief extracts of dialogue from the Beatles’ 1970 film Let It Be, which premiered in New York in May that year.  We’ve been looking around on the internet for some further information on it.

Fab 4 Collectables (which is a really interesting site by the way) says that this disc was issued to fan club members, but as it states on the the label “Beatles Promo – 1970”  you’d have to think it’s more likely a disc that was sent to radio stations to promote the Let It Be film which had only just been released in the United States. The dialogue was produced during the ill-fated recording and filming of the film in Twickenham studios in London in January, 1969.

The Apple By The Numbers site (no longer active) said that there are bootleg copies of this around: “….fakes exist which do not have machine stamped symbols in the matrix area of the run-out grooves. The original was on black vinyl. Fakes exist on colored vinyl. This record was made at Bell Sound Studios to promote the release of the Let It Be film documentary”. It was Bell Sound that pressed the official Let It Be LP for Apple Records in the USA.

This promo 45 here has symbols stamped in the run-out area, so I guess it could be an original. It says: “Promo  1970 . D – 1” then a symbol that looks like a circle within a circle, followed by a squiggle that looks like this:  ˜ (all hand-written).  As you can see, Apple is mentioned on the label, as is ABKCO, Allen Klein’s company which was managing the Beatles at the time.

It comes in a plain white sleeve, and the B-side is blank. There’s just a white label with no writing, and some groves stamped into the vinyl:

If anyone has any further information on this disc please leave a comment.

For other Let It Be posts see Label Variations – Part 2 ; Let It Be At 40 ; and At Last – A Genuine US “Let It Be” LP.

Beatles iTunes Gift Cards

Not that it needed more advertising, but the marketing and commercial push around the Beatles becoming available for digital download on Apple’s iTunes continues.

In the lead-up to Christmas I noticed these point-of-sale display bins began appearing in some of the large record store chains here in Australia:

Seems that iTunes Beatles plastic gift cards of various denominations are being made available in the US,  Canada, Britain and Australia (and probably many more countries). These cards are also available for purchase via the official Apple iTunes site, which says the “special edition” cards with Beatle images on the design can go towards any purchase in the iTunes Store, not just Beatles songs.

As you can see in the image above the gift cards are available in $25 and $50 (US and AUS) amounts, and in the US there’s a $149 gift card variant specifically to purchase the entire catalogue as a so-called “box set”.  The same has been done for Canada, while in the UK there are gift cards for £25 pounds and £50 pounds.

On the Apple site there are also two “limited edition” cards of $100 and $50 US with different Beatle images:

"Limited Edition" $50 US iTunes Beatles Gift Card

"Limited Edition" $100 US iTunes Beatles Gift Card

Now I’ve noticed that the redeemed cards (i.e. they’ve been spent and are of no monetary value) have begun turning up on Ebay for sale as “collectable” items.

What do you reckon?  Would you like to have as set of US, British, Canadian and Australian iTunes cards in your Beatles collection? Take this quick poll and lets find out what people think:

 

Phil Spector’s Christmas Album

Originally called “A Christmas Gift for You from Philles Records” and released in 1963, this Apple Records LP reissue of the same album came out in 1972 – with different cover art and retitled “Phil Spector’s Christmas Album”:

Phil Spector's "Christmas Album on Apple (front)

Phil Spector's "Christmas Album" on Apple (rear)

Funnily enough the Apple labels  list the title differently to the sleeve, calling it “The Phil Spector Christmas Album Various”….

This is the US pressing (APPLE SW 3400).  As well as listing the artists (Darlene Love, The Ronettes, The Crystals, etc.), the small print on the rear cover has a typically kooky quote from Spector:

“Because Christmas is so international it is certainly in keeping that these youngsters should record their Christmas gift to you, for this album is produced solely with you in mind. It comes with the sincere wish that you understand and appreciate this endeavour into something new and different”. (Phil Spector 1963)

There have been numerous other reissues of this record. I also have the disc with the same artwork (with a few small variations) on the Phil Spector International label:

Spector's "Christmas Album" on the Spector International Label

Notice the words “Phil Spector’s” is in black and superimposed over the words “Christmas Album”, and the artists featured are in written in white on the photo of Phil. On the rear the Apple logo is replaced by the Phil Spector International logo:

Spector's "Christmas Album" on Spector International (rear)

This is the UK pressing (SUPER 2307 005) and the label of my copy looks like this:

Thanks to the the lovely Chained and Perfumed blog for the Christmas inspiration for this one. If you want to see another label variation (this time for the original LP) click on the link.

Fresh From Apple – The Apple Box Set Unboxed

The newly re-issued Apple Records compact discs are available separately, or if you really want to lash out, as a complete box set containing 17 discs. The box is called “Fresh From Apple Records“.

“Fresh From Apple” box (front)

Its a very flimsy box, printed to look like a wooden crate containing apples, and made of thin cardboard – so you need to take a lot of care when opening it and putting discs in and out. The rear of the box lists the content:

“Fresh From Apple” box (rear)

The box “lid” opens at the top only and there are two flaps either side:

“Fresh From Apple” top opening

As you can see, the cardboard is pretty thin and will tear easily…..Looking down on the box when it’s open here’s what’s inside:

“Fresh From Apple” – the CD’s

All the CD’s come in gatefold cardboard sleeves, and in the box set you get an “extras” double disc as a bonus, plus the “Come and Get – It Best Of Apple Records” disc:

This disc, which comes with a really nice booklet (as do all the CDs), contains some tracks replicated on albums in the box, but also a lot of previously difficult to find Apple singles that were never released on albums. These include songs like “Saturday Night Special” by The Sundown Playboys, “Give Peace a Chance” by the Hot Chocolate Band, “King of Fuh” by Brute Force and the instrumental “Thingumybob” by the Black Dyke Mills Band. Inside the gatefold of “Come and Get It” they have reproduced some original Apple Records press ads:

Just about every CD in the box has bonus material, but there also an extra two CD set (available only in the box) which contains all the bonus material that was initially only going to be available by digital download. There is one whole CD of bonus Badfinger material. The other CD of bonus tracks is shared by Mary Hopkin and Jackie Lomax. These two CDs come in a gatefold cover:

The front cover of the 2 CD “Extras” discs

This cover on the outside is plain white, with some intentional “yellowing” around the edges to make it look old. That Apple logo on the bottom right-hand corner isn’t printed on. Its a sticker:

Inside the gatefold they have reproduced the Apple Studios original tape boxes and used this look to give the track listings for both CDs:

Kinda nice.

There are two reissues in the box which contain two original Apple LPs. These are the Modern Jazz Quartet with “Under the Jasmine Tree” and “Space” both on one CD:

The other is classical musician and composer John Tavener, who had two LPs original released on Apple Records – “The Whale” and “Celtic Requiem”:

One of the late additions to the 2010 reissue plans was the disc by the Radha Krsna Temple. It was added after the initial announcement of the extensive Apple reissues back in August this year. It contains a single bonus track this time around – and (if you haven’t seen it before) it has a fantastic front cover:

There are two CDs from Billy Preston (“That’s The Way God Planned It” and “Encouraging Words”), two from Mary Hopkin (“Post Card” and “Earth Song-Ocean Song”), and no less than four CDs from Badfinger (“Magic Christian Music”, “No Dice”, “Straight Up” and “Ass”):

Other CDs come from Jackie Lomax (“Is This What You Want?”), James Taylor (“James Taylor”), and Doris Troy (“Doris Troy”).

It’s not the first time these titles have appeared as re-issues. There was a previous reissue program which started in 1991 and continued over a couple years.

All in all it’s a pretty nice set. It is good to have all these discs freshly re-mastered and gathered together in one place. I think though, for the money, they might have provided a more interesting (and sturdy) box to contain them…

George Harrison – All Things Must Pass 2010

As if the constant rush of Apple and Beatles-related product had not been enough so far over the last two months….

The George Harrison camp has decided,  as part of international Record Store Day, to release a very special 40th Anniversary limited edition, 3 LP vinyl set of  “All Things Must Pass”:

It’s available now – exclusively at Record Store Day-participating independent music retailers (and via mail order and digital download from the George Harrison site). It came out yesterday – Friday, November 26, 2010 – exactly forty  years on. “All Things Must Pass” was originally released on Friday, November 27, 1970.

This album is a limited edition, individually numbered, 180-gram vinyl set in its original 3 LP configuration. The faithfully replicated box set has all the original album art, the poster and the inner sleeve packaging. The LPs have been newly remastered at the Abbey Road studios from the original analogue master tapes.

I got my copy yesterday from Red Eye Records – one of my favourite Sydney independent stores. The heat-shrink wrap has a sticker attached on the front right-hand side that looks very like the one that appears on some original albums telling you what’s inside:

The specially replicated front sticker

And there’s also a special bar-code sticker on the rear lower right-hand side of the box that acknowledges Record Store Day:

The rear Record Store Day bar code sticker

Finally, each box is stamped with a number in gold print, also on the rear of the box. Mine is a pretty low number which I’m pleased about – No. 001708:

Each box is a Limited Edition

The official George Harrison site is offering a free digital download of “Wah Wah”, and there’s a bit of a discussion going at the George Harrison message board. See also Plug In Music.

And click here for more on “All Things Must Pass” variations.

Beatles Finally on iTunes

Well, the cryptic iTunes advertisement yesterday certainly had people speculating again:

Forget the fact that the term “…just another day” isn’t actually a Beatles song (it’s a Paul McCartney solo song), it was more those clocks being side-by-side that triggered off the guesswork that it was Beatles-related.  Something about the position of the hands:

Thanks to the TechCrunch website for starting that one off. It was quickly followed up by the MacRumours site, too. Once that happened it was on for young and old.  The New York Times then got in on the act, stating they had spoken to an anonymous insider who’d told them everything:

Apple is expected on Tuesday to announce that it has finally struck a deal with the Beatles, the best-selling music group of all time, and the band’s record company, EMI, to sell the band’s music on iTunes, according to a person with knowledge of the private deal who requested anonymity because the agreement was still confidential.  (Read the full article)

Then today, finally, came confirmation. The Beatles entire catalogue is now available for digital download. The New York Times has updated its stories – this one in particular has some interesting history and background. And they’re also running an article with information about what we’ll pay for the Beatles back-catalogue digitally. Certainly from what I can see in the Australian iTunes Store its a premium price, thats for sure. (The outrage at the Aussie pricing by Apple is growing. See here and here).

There is one thing for free though if you are quick. On iTunes there’s a free download of the 1964 concert live at that Washington Colliseum, the Beatles first ever on US soil. Its quite fascinating to watch. Its the entire performance – complete with associated pandemonium, between-song banter, screaming, bad sound and a rawness thats revealing.

Thanks to Henry for sending me the MacRumours link.  iTunes have an Artist page here.