A Warning About Garage Sales….

This is a sad story that I think all Beatles collectors can relate to….

When you go to a garage sale (or you might call them yard sales) the thrill of the chase for that elusive LP or CD can sometimes see you just not taking enough care.

It recently happened to me. Went out as I sometimes do on a Saturday morning to a local garage sale. These can be rich pickings (or not – but you never know). Did the quick scout around upon arrival – but there was no vinyl in sight. There were a couple of compact discs – but nothing remotely Beatles-related. So before leaving I posed the usual question to the owner of the house, just on the off-chance: “Do you have any records? LPs or 45s. You know, vinyl?”  It never hurts to ask.

“Oh – yes. Actually we do, but I hadn’t thought to put them out. Are people still interested in them?” And off she goes, into the house to hunt out said vinyl records….

About 5 minutes later (it seems like ten) out they come, boxes of them – frustratingly one box at a time. Most are pretty bashed up – but quite an eclectic selection and some interesting things – and by this stage another record collector has arrived and is also interested….

The first thing I see is a picture disc copy of Pink Floyd’s “Dark Side of the Moon”. Hmmm. Could probably get that. Might as well for A$1.00. (Its actually the same as this one – selling online for US$75.00).

There’s also, for some strange reason, lots of Jethro Tull. All original pressings and all in reasonably good condition. Probably collectors items for the right person – but not me. Then some Hendrix. Tempting, but the other collector seems really interested and so I let him have free reign.

Then finally a box with some Beatles. Both me and the other guy fall upon it and kind of unofficially, by mutual agreement, agree to split the contents amicably. No need for aggro on a Saturday morning over $1.00 records.

He finds “Abbey Road” and I think: “OK. You can have it. I’ve got lots of pressings of that.” It’s the Australian pressing on Apple by the looks of it. He is happy.

I find a copy of “Revolver”. Its also an Australian pressing, this time on the orange Parlophone/EMI label and I can’t remember if I have this or not and so decide to get it anyway. Its actually in pretty good shape and for a dollar, what the heck?. When I get home later turns out I don’t have this particular pressing. Good one!

Then there’s a copy of the Beatles “Oldies…but Goldies!”. It too is an Australian pressing and I know I have this and so let the other guy take it. More good karma points for me. Then there’s a copy of “The Beatles”, or the “White Album“. Its an older, original Australian pressing on Apple – the one with the top-loading cover, and its got the poster. No Beatle pictures included though, and the cover is a little battered, but still, its kind of rare and interesting because of it’s age. The old-style top-loader cover is mildly collectable. I flipped out Disc 1 for a quick look to see if it was scratched and useless. It was in pretty good shape and so I decide to get it.

Move forward in time now about three hours. I’m back home cleaning up the LP’s I got and I pull out Disc 2 of the “White Album” from it’s sleeve and guess what? Its not the “White Album” in there but “Abbey Road”!!

The seller, probably years ago, had mixed up the LPs when putting them away. So, the other collector guy who bought “Abbey Road” has probably got my Disc 2 of the “White Album”, and I have his “Abbey Road”. I don’t know who he is and have no way of contacting him. There is really nothing quite as frustrating to a collector than an incomplete set I can tell you…

So, a lesson for all garage or yard sale hunters: always check the contents of the CDs or LPs you’re interested in before you leave the premises….

Three Copies of “Q” Magazine

I needed to visit Australia’s national capital Canberra for work the other day and ended up staying overnight. That meant driving back to Sydney on a Saturday morning and so I had time to call into the large-ish New South Wales country town of Goulburn, which is just off the freeway on the way home.

Goulburn, I had discovered on a previous trip, has a very large second-hand book and record shop just off the main street called The Argyle Book Emporium. When I say big I’m talking an extensive old rambling period building with room after room literally filled floor-to-ceiling with books. One room at the rear is devoted to music. There’s a small selection of music-related books and magazines, and boxes and boxes of records and CDs. Its a bit frustrating as these boxes are just randomly grouped together. They’re not split out into Male Vocal, Female Vocal or Groups for example. Not even 50s, 60s ,70s and 80’s. Just everything mixed in together – making finding anything of interest a needle-in-a-haystack affair….

I didn’t have a lot of time and so I gave the LPs just a cursory flip through. I looked at a couple of boxes at the front which were easy to get to and didn’t find anything. What was more interesting was a very large pile of “Q” and “Rolling Stone” magazines. A collector had obviously off-loaded a lot of past editions that were no longer wanted. The “Rolling Stone” magazines had been pretty well picked over. Nothing really of interest to the avid Beatles collector. However, in the “Q” magazine pile I found these three editions: 

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The first dates way back to June 1987 – a time when we were all celebrating the 20th Anniversary of “Sgt Peppers”. Inside there are ten pages of photos and text:

Sadly, there was a “Sgt Pepper Part II” article that was due to be published in the following month’s magazine. It wasn’t on the pile of mags I found in Goulburn….oh well.

The next “Q” magazine I found featured an extensive article about Paul McCartney from July 1989. The headline on the front cover screams: He sings! He plays! He writes his own songs! For  PAUL McCARTNEY OPPORTUNITY KNOCKS! * Now available for live work! *.  Inside there’s a nine-page article about Paul. It begins: “He never expected to be doing this when he was 46 – “We thought 25 was the end of the line” – but Paul McCartney has stoutly refused to give up his day job. Engaged in rustic rehearsals for his first British tour in 10 years, and with a fresh solo album on offer [“Flowers In The Dirt”], he’s preparing once again to be public property. With mixed feelings…”. In the article there’s reference to the number of times McCartney makes reference to his father, Jim McCartney….”a Liverpool cotton broker and part-time musician who brought Paul up after his mother’s death (when McCartney was 14), and who died himself in 1976. One song on McCartney’s new album “Flowers In The Dirt”, is called “Put It There”, after a favourite phrase of his Dad’s”.

Finally, the “Q” magazine with that awesome David Bailey portrait of Paul and John on the cover. It comes from August 1999. Its a pretty simple premise on the part of “Q”. As the century draws to a close why not run a reader poll asking who are the 100 greatest stars of the 20th Century. According to “Q” readers back then the top ten are (were):

10. Michael Stipe; 9. Liam Gallagher; 8. Noel Gallagher; 7.Madonna; 6. David Bowie; 5. Elvis Presley; 4. Bob Dylan; 3. Kurt Cobain; 2. Paul McCartney; and and number one the runaway winner (according to “Q” by a long way)…..John Lennon.

It is kind of fitting to look back and read a magazine like this (from 1999) in this year (2010) when Lennon would have turned 70, don’t you think? Kind of cements the fact that his presence could in fact be enduring. That now, a further eleven years down the track, his music is still around and he’s still held in very high regard by many. There’s an additional article right at the end of the poll headed: “John Would Have Been Proud”. It says: “Yoko Ono, the keeper of the Lennon flame and the Lennon vat of money, telephoned Q as soon as she heard about the readers’ tsunami-sixed endorsement of her late husband’s transcendental magic and generation-straddling stature….”. That article is illustrated with this beautiful photograph:

Enough said.

(see also “Nine Copies of Rolling Stone”)

Beatles Red and Blue – This is Odd…

I’m really surprised to read on Amazon (US) that the Beatles “1962-1966 (Red)” and “1967-1970 (Blue)” combination box set is still not due for release in America until December 7th, and on Amazon (UK) that it won’t be available there until November 29th. The individual discs have been available separately in both places since October 19th and October 18th respectively.

This is really odd because here in Australia the separate discs and the box set have been available from day one of the worldwide release of the individual discs on October 18th. It’s much more usual for Australia to be well behind US and UK releases, but this time EMI Australia has clearly got its act together and is ahead of the pack for once.

Add to that the fact that I ordered on Ebay – and today have received in the post – my copy of the European (EU) version of the box set which holds both the “Red” and the “Blue” double discs in the one box.   Go figure…..

Apple Records Re-Issues – New Videos

Now on the official Apple Records site – a new series of videos telling the Apple Records story.

There are also some rare promotional film clips on the site:

Apple Records Special – Record Collector Magazine

As part of the extensive coverage of the new re-issues from the Apple Records catalogue, the famous “Record Collector” magazine in Britain (in it’s September issue – only just on news stands in Australia!) has The Beatles on the front cover and has devoted 16 pages of feature articles and photographs about Apple Records:

The articles included are “A is For Apple” – a salute “…to the Beatles’ final flourish of creativity”; an A-Z of the label and its artists; “The 2010 Re-Masters”, where Apple consultant Andy Davis talks about the 15 newly-remastered CDs released worldwide just this week; there’s a comprehensive Apple Records discography (complete with a price-guide for the rarities and not-so rarities); interviews with Mary Hopkin, Peter Asher, Patrick Olive (formerly of The Hot Chocolate Band), Jackie Lomax, and Joey Molland from Badfinger.

Pretty nice coverage really.

John Lennon – Gimme Some Truth Box

This is the next installment of close-up, detailed photos of the current John Lennon re-issue program. We’ve already had a look at the “Signature” box set containing freshly remastered editions of all the original studio albums, plus two CDs of singles, home recordings and outtakes.

Now its the turn of the other box set issued as part of the program called “Gimme Some Truth”. First thing to say is that it is much smaller that the “Signature” box set (although that’s not saying much as the “Signature” set is huge). Its really just a slipcase kind of affair, designed to hold four CDs in cardboard sleeves plus a book. The other thing to say is that there’s nothing new here audio-wise for the avid collector. These are compilations completely made up of previously released tracks – most of which have been re-issued in a variety of forms many, many times…

The front and rear photos on the box are of John and Yoko in New York, only they’ve been superimposed on a drawing of New York Harbour (as imagined by John Lennon). It was taken by Scottish photographer Iain Macmillan, best known for his photo for the cover of “Abbey Road”:

"Gimme Some Truth" - front cover

And the rear:

"Gimme Some Truth" - rear cover

Here’s a shot from the same photo session with Iain Macmillan:

Inside the box are four themed CDs that gather John Lennon’s songs into categories. The first is “Working Class Hero”:

This photo is taken by Bob Gruen, a long-time friend and frequent photographer of Lennon who has taken some of his most iconic shots, including the images for the “Walls and Bridges” album, and he did the photograph used on the recent biography of John by Philip Norman. There are 18 tracks on this CD and they include “Power to the People”, “Steel and Glass” and “Give Peace a Chance”.

The second CD is called “Woman”, and gathers together love songs and songs specifically about the women in Lennon’s life:

This image is by Lilo Raymond, and is a photograph from the same sessions as the one used for the front cover of the 1983 posthumous LP release called “Heart Play – Unfinished Dialogue” which contained conversations with John and Yoko recorded in 1980:

The “Woman” CD also contains 18 songs, such as “Mother”, “Hold On” and “Jealous Guy”.  The third CD is “Borrowed Time”:

Got to be one of the saddest photos of John, don’t you think? So much potential there and a baby boy he won’t get the chance to see grow up….. Songs include “Nobody Told Me”, Watching the Wheels”, and of course “Borrowed Time”. The image was taken by Nishi Saimaru, who’s 1990 book “The John Lennon Family Album” features intimate family photographs taken over a three year period with the Lennon’s in New York, Miami, Hong Kong, and Tokyo. She also took the cover photo for that other four CD box set released in 1990, simply called “Lennon“.

The fourth and final disc collects Lennon covering tracks from his youth – early rock’n’roll standards plus a couple of other more contemporary rockers.

This is one of a series of famous images taken by Jurgen Vollmer of a young John Lennon in a Hamburg doorway. Vollmer, Astrid Kirchherr and Klaus Voormann met the Beatles in Germany in the early 60’s. Later, John was to write: “… Vollmer was the first photographer to capture the beauty and the spirit of The Beatles…We tried very hard to find someone with his touch after we returned from Hamburg, Germany…nobody could…The photographs…speak for themselves.” One of his photos from the same session was used on the cover of the 1975 album “Rock ‘N’ Roll”:

The “Gimme Some Truth” box also contains a 24-page book featuring an article (“Truth In All It’s Forms – The Songs of John Lennon”) by Anthony DeCurtis. DeCurtis also wrote the essay for the “Signature” box. It is illustrated with additional photographs, Lennon drawings and hand-written lyrics.

The front and rear covers of the book feature a Lennon drawing with his face morphing into Yoko Ono’s, and vice versa:

The final inclusion in the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

I’m not sure, but I think this card and PIN get you access to less comprehensive content in the “Universe” to that of the “Signature” box one. If anyone confirm that let me know.

See also the John Lennon “Signature Box” revealed, and the Paul McCartney Deluxe “Band on the Run” CD and vinyl sets.

Imitation is the Sincerest Form of Flattery

I was reading my local newspaper. In this week’s TV section there is an advertisement for a big, new box set of CDs. The very famous and influential classical music label Deutsche Grammophon  has been celebrating it’s birthday – 111 years of recording and releasing music –  with a massive series of “best of” discs. The cover of one of them was shown in the TV guide ad.  It looks like this:

Remind you of anything?

You can make up your own mind…..

For additional info on the impressive Beatles “1” vinyl edition click here, and for the Taiwan CD release here.

Imitation is the Sincerest Form of Flattery – Part 2 is here.

John Lennon – Signature Box

Well, our copy of the new John Lennon “Signature Box” has finally arrived safely in the post, thanks to Amazon, all the way from America.

You’ll no doubt see lots and lots of small photos of the exterior and YouTube “un-boxing” videos, so I thought I’d scan in some extreme close ups of what’s inside to give you an idea of the contents from that perspective.

As you know (and any Google Image search will reveal) the exterior of the “Signature Box” and it’s main parts look like this:

You can see above that it is really a box-within-a-box as the entire exterior (which has the word “Lennon” in sky blue lettering on top, and a Lennon signature embossed in white on the front) slides up and off to reveal an inner box. What you first see at the very top of that box are three items: the first is a 60-page, hard-cover book with simply the word “Yes” deeply embossed in blue on the front cover:

There is a deep blue ribbon underneath this book to help you lift it out of the box neatly (those of you with the Beatles Remastered Stereo boxes will have seen something similar used in that box to help you lift out the CDs). This book contains a lengthy essay called “John Lennon – The Life and Afterlife” by Anthony DeCurtis. It is illustrated lavishly with photographs, drawings and hand-written lyrics. Also with the book at the top of the box is a four-page cardboard fold-out sheet with this on the front:

On one side are three separate messages about John Lennon and his legacy from Yoko Ono, Julian Lennon and Sean Lennon, all signed August 9th, 2010. On the other side are four words: Give Peace A Chance. The final item you find at the top of the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

(If you don’t have a PIN code you can still have a snoop around the “Universe” – only with a lot of the functionality disabled).

Once you have lifted these three items out you can see the CD’s tucked away vertically inside underneath the book. They’re held in place by a piece of white soft foam with finger cut-outs so that you can get the CDs out a little more easily:

All the CDs are housed in redesigned cardboard gate-fold covers, utilizing the original artwork but in the now-familiar style of all the newly remastered Beatles CD covers. (Incidentally, the new Paul McCartney archive re-issues [starting with “Band on the Run” next month] will also have this new look). The re-issued and remastered CDs now all have booklets with sleeve notes (by Paul Du Noyer), lyrics and additional photographs.  The only thing here that’s new music content-wise are two CDs housed together in a unique, plain white gate-fold cover. One of them contains six singles which are not on the albums:

The other contains 13 tracks which are previously unreleased studio outtakes or home recordings:

Then, at the bottom of the box is a slide-out drawer (its got a small blue ribbon tab so you can pull it out). It contains a white, hard covered folder with John Lennon’s signature embossed in white on the front. The drawer also has a long blue ribbon under the folder to assist you in lifting it out. Inside is a John Lennon 70th Birthday art print on high quality paper:

This tasteful art theme is continued on two sides of the inner box, with a further Lennon drawing appearing on the left-hand side:

And again on the right-hand side:

I hope this has given you a different perspective on the contents. Clearly a lot of thought has gone into the packaging to try to make it hang together artistically in both design and colours. The strongest motifs are clouds, blue sky, and plain white). Its a MUCH bigger box than you’d expect – in fact the nine CDs inside look quite small by the time you get to them. There is a lot of packaging around them. It is significantly larger than the John Lennon  “Anthology” four-CD set and book that came out in 1998 (and which has some very similar design elements).

The Second Disc has written a comprehensive review of the “Signature Box”.

Next post will be a similar close-up, in-depth look at the new 4 CD “Gimme Some Truth” package.

See also the Paul McCartney Deluxe CD set, and the two disc vinyl.

1001 Songs You Must Hear Before You Die

I was sent a new book the other day. Its called “1001 Songs You Must Hear Before You Die”. Great title.

Its edited by Robert Dimery and is a compendium of entries about the greatest popular songs ever recorded. The book is a companion to his previous work “1001 Albums You Must Hear Before You Die”.  (Click here if you are wondering about what’s on that album list).

The front cover of "1001 Songs You Must Hear Before You Die"

Of course the first place I went was to the index to find where the Beatles appeared.

They have no less than six full entries:  “A Day in the Life”; “Eleanor Rigby”; “Hey Jude”; “Strawberry Fields Forever”; “Ticket to Ride”; and “Tomorrow Never Knows”.

The entry for "A Day in the Life" uses an image of John Lennon's hand-written lyrics for the song

Interesting that “A Day In The Life” features so prominently as it was also recently nominated as the number one Beatles song in Rolling Stone’s Beatles special edition “Top 100” list.

The Beatles are matched in the book only by Elvis – who also featured with six entries. Bob Dylan, by way of comparison, has four entries…..

John Lennon as a solo artist gets one (a little predictably its “Imagine”); Paul McCartney gets one (perhaps surprisingly its “Maybe I’m Amazed”); George Harrison gets one (“Awaiting On You All”); and Ringo…well, Ringo doesn’t get any solo mentions.

Sony, Paul, and the Sgt Pepper Cover

I love this sort of incidental trivia that you can accidentally stumble across on the web. Even 43 years after the fact you can still learn something new about a Beatles album cover that’s been seen millions and millions of times….

I bet like me you’ve stared at the “Sgt Pepper” cover wondering about who was who and what was what, asking yourself why the Beatles and artist Peter Blake had chosen and placed all the items they did for their legendary and ground-breaking cover.

Now another small piece of the mystery has been revealed – and it comes from an unlikely source.

See that little portable TV set that is just above the “S” in the word “Beatles” (spelled out in red flowers), and behind the little doll figurine dressed in green:

Well, check out this article in the Japan Times.

Turns out “it’s a Sony”. It’s not that this connection hasn’t been noticed before. A year ago Sony itself posted this message on its own blog site, which confirmed it was a in fact a Sony television set (a model TV9-306UB in fact, which would have been fairly state-of-the-art as far as TV’s go back in the day).

It’s just confirmation now that it was actually Paul McCartney’s very own TV set.

From the articles and posts I also learned that the small Japanese figurine at the feet of the wax Beatles from Madame Tussauds is a Japanese fukusuke fortune doll owned by John Lennon. Who would have thought?

Just another bit of Beatles trivia…

(Wikipedia has a list of the people and items in the picture).