The Beatles Forever


Nicholas Schaffner wrote this book in 1977, and I gather from what I’m reading on the web that it was, in it’s time, something of a Beatles “bible” for readers back then. So far this book has eluded me – so its good to have an original paperback copy now in the collection.

“The Beatles Forever” has subsequently been reprinted numerous times and the current cover looks like this. But the copy I found last weekend in an old-wares/antiques/records and second-hand book shop has the original cover above. This is a paperback copy.

It is genuinely one of the first really comprehensive survey’s of the band’s output in terms of their record releases, rarities and memorabilia – all accompanied by fairly detailed text describing the history of the Beatles and giving the context in which records were released and the collectable nature of a wide range of Beatles items. There are extensive photographs of the band as well as photos of albums, singles and memorabilia – but all in black and white. I won’t go into a detailed analysis of the contents because this has already been done by a range of writers who have reviewed and critiqued “The Beatles Forever”. Probably the most comprehensive is by Donald Sauter – who has written extensively on his Beatles collection and reminiscences from his youth. His article also contains a small selection of the many photos from the book. There is another interesting page on the book here.

Its a handy reference book to have in the collection – even though it came out more than 30 years ago. It still has lots of information and insights.

McCartney and McCartney II Finally Arrive

I’ve been very patiently awaiting the arrival (from Amazon in the US) of my copies of “McCartney” and “McCartney II“.

I’d ordered the Deluxe hard back book versions of both titles, along with the 2 LP set (got to have the vinyl!), and the Special Edition CD packs as well. (I had already purchased locally the single CD versions which are only being released in certain markets).

These were all ordered online on May 24th. They were officially released on June 14th, and then had to make the LONG journey via the postal service down under to Australia. I didn’t receive them until last week – on July 12th. That’s almost a two month wait….

As they they were very heavy, I got a notification in the mailbox that had to collect them from the local Post Office. I’ve got to admit when I saw the box my heart sank. As you can see below it was pretty bashed around. On that two month journey it had clearly been thrown around and had frequently been at the bottom of piles of other packages. Postal workers obviously don’t have much regard for “Fragile” and “Handle With Care” stickers. I was particularly  worried about the two LP sets in there. They are the most fragile. Could they have survived intact?

With great trepidation I opened up the box, expecting the worst. Inside there was just a minimal amount of padding:

Thank goodness Amazon had individually sealed the LPs in their own special LP mailers and this really helped. There were two of them, essentially sitting in their own protection at the bottom of the box. The strong cardboard mailers had done a great job of protecting the most fragile of the contents. Thanks Amazon!

These sealed cardboard mailers are great and had clearly been individually pre-packed in bulk by Amazon for the McCartney re-issues. They both had special stickers with the contents on the outside:

All the other precious contents had miraculously survived too:

I actually think that the heat shrinking Amazon uses also plays a big part in protecting CD’s and LPs – especially when they’re being thrown around in transit. The two limited edition Deluxe hardback book versions are sealed and have a sheet inside the shrink wrap detailing the contents:

So, I now have a complete set of the new McCartney releases. Safely, but only just, delivered half way around the world.

“Maybe I’m Amazed” Cover Winner Announced

A little while back I posted on a competition being run on the Paul McCartney official site calling on fans to submit their own YouTube versions of the classic “Maybe I’m Amazed” from the “McCartney” album, Paul’s first solo effort from 1970.

Today they have announced the winner:

“The Winner of the ‘Maybe I’m Amazed Covers’ Competition is ‘Troubleclief’ who with his beautiful classical guitar version of the song, received a remarkable 1492 likes for his video.

We were all astounded at the quality of all of the entries but felt that ‘Troubleclief’s’ entry stood out from the rest in the way that he made the song his own and yet retained the essence of the original. We would like to give a a huge congratulations to ‘Troubleclief’ for capturing our attention and winning the competition.”

Pretty nice playing. View the second place video by clicking here (seriously? Can’t say it does it for me…), and third place by clicking here.  Seems the McCartney people really like solo guitar if these three versions are anything to go by….

I still like the rendition by a singer named Katrice Gavino.

To watch all the videos click here.

McCartney and McCartney II – Single CD Release

Seems that only certain markets are getting the Standard edition, single-CD releases of “McCartney” and “McCartney II”. Newly remastered versions were released on June 14.

I’ve looked on a number of online store sites in the USA (Amazon, CD Universe and Best Buy) and there is no mention of a standard, single disc version of either disc being available for sale there. You can only get the Special and Deluxe versions on CD, and of course on good old vinyl in a 2 LP set.

Nor is there mention of a single-CD Standard version on the McCartney site itself. You can buy whats called the Standard version (i.e. just the original remastered album on its own), but it’s only offered as a digital download and not as a physical CD.

However, I notice on the HMV online store in the UK there are single CD versions available of both “McCartney” and “McCartney II“. Its these versions – marked “Printed in the EU” – which are available here in Australia. Here are the covers for the EU Standard editions (still sealed, front and rear) of each disc:

As you can see, I grabbed a couple of copies of these. I’m still awaiting my copies of the Deluxe and Special multi-disc versions, plus of course the 2 LP vinyl.

McCartney and McCartney II – Labels

For those of us who love record labels – spotting and collecting different variations – with yesterday’s reissue of the two McCartney solo “debuts” the lovely Chained and Perfumed blog site has posted some interesting varieties of “McCartney” and “McCartney II“:

McCartney on Apple. 1970.

McCartney on Capitol. 1970.

A rare and unusual Brazilian edition of McCartney in mono from the Chained and Perfumed collection.  Nice.

The new McCartney Hear Music reissue. 2011. Released just last week on vinyl and CD. This label is from the second disc of the two-disc LP set which contains some rare and previously unreleased stuff.

McCartney II. Side 2 of U.S. edition. 1980. (I have a variation of this label below with the MPL logo in different spot).

McCartney II. Side 2 of the Japanese edition.

So, Chained and Perfumed inspired me to have a look in my own collection and I found some additional variations:

McCartney. Australian pressing. 1970.

McCartney. Singaporean pressing. 1970.

McCartney II. US pressing. 1980. This is included as its a variation on the one above. The MPL logo placement is different.

McCartney II. Singaporean pressing. 1980. These pressings were made in Singapore but also sent to Hong Kong and Malaysia.

McCartney II. An original Australian pressing with the orange Parlophone label. 1980.

McCartney II. Unusual Australian green/blue Parlophone label from a re-issue – probably in the late 1980’s or early 1990’s.

Well, that’s it from my collection. If anyone has any other additions please email a photo and I’ll put them up on the site.   beatlesblogger@gmail.com

UPDATE:  Some other labels are beginning to come in. Thanks to Paco who writes: “Here are mine. They are Spanish editions with the translation of the titles. All generic EMI Odeon labels (nothing too exciting :-)”.

McCartney (above) – The Spanish edition with translations of the titles of each song.

Ditto for McCartney II.

Above is the “Fame” budget label re-issue, this time for the Spanish market. Nice. Have a look here for more on budget Beatles releases.

Thanks to Paco for sending these through. If you’d like to add to the collection of McCartney and McCartney II labels from around the world take a photograph or scan and email them to: beatlesblogger@gmail.com

Previously Unseen Beatles Photographs

The fine art auctioneers Christie’s in New York will next month auction some pretty impressive and previously unseen Beatles photographs from 1964.

They come from a collection of photos of the group shot by photographer Mike Mitchell. At age 18 he was at the Washington Coliseum in Washington, D.C. for the Beatle’s first US concert, two days after their historic Ed Sullivan appearance.

Christie’s is calling the event “The Beatles Illuminated: The Discovered Works of Mike Mitchell“. Their website says it’s:

“….a sale comprised of nearly 50 lots of unpublished and never-before-seen photographs of the Beatles’ first hysteria-inducing visits to America in 1964. Shot in black and white by photographer Mike Mitchell when he was just 18 years old, the images have been filed away for nearly fifty years. The complete rediscovered collection is expected to realize in the region of $100,000.

Over eight thousand fans packed into the Washington Coliseum on February 11th, 1964 and they were treated to the Beatles at their very best. The Washington Coliseum was not only their first American concert but also by far the largest venue in which the Beatles had ever played. Its unique setup – it was often used for boxing matches – meant that the Beatles were surrounded on all sides by an adoring, cheering audience. The Beatles were clearly delighted and having a great time on stage, sharing all of the enthusiasm of the crowd. Here they were, performing in America, the land of their musical heroes and cultural icons, the home of Elvis and Chuck Berry – who’s “Roll Over Beethoven” was chosen by the Beatles to begin the show – and Little Richard, who’s “Long Tall Sally” was chosen to end it. The concert given at the Washington Coliseum was part of a defining moment in the Beatles’ career, and it remains both an important event and a notable place in their story. And Mike Mitchell was there to capture it.”

Yahoo has quite a nice photo gallery here. There’s an absolute ripper shot of Ringo in full flight and absolutley enjoying himself:

“Here Comes the Sun” Google Doodle Style

To mark what would have been Les Paul’s 95th birthday, last week Google designed one of those nifty little Google Doodles for their search homepage (see above). You can actually play it and record what you create.

PCMag Creative Director Chris Phillips is a clever person. He’s recorded himself picking the Beatles “Here Comes the Sun”. Just click on the Play button here. Cute.

You can find out how to do it here.

Les Paul and Paul McCartney

You might also remember the John Lennon 70th birthday tribute Google Doodle tribute from last year which when you clicked on it featured an animation and an extract from “Imagine”.

The McCartney Family Talk About “Life in Photographs”

Paul McCartney has just posted a new YouTube clip of him and daughters Mary and Stella talking about the book and exhibition project “Linda McCartney: Life in Photographs“:

The music used in the clip is Linda’s “Love’s Full Glory” from the album “Wide Prairie” (1998).

Hear and See McCartney’s “Blue Sway”

One of the previously unreleased songs from the “McCartney II” sessions that will feature on the forthcoming re-issue of the album has popped up on YouTube.

Its an unlikely pairing between Paul McCartney and a US surf film-maker of some renown named Jack McCoy. McCartney’s smooth and stylish song “Blue Sway” accompanies an intriguing video clip of McCoy’s innovative underwater photography, utilising a camera attached to a jet ski. Have a look and listen for yourself – the way the images and music mesh is quite unique and compelling:

The song is credited on the reissue CD as “Blue Sway (With Richard Niles Orchestration)”.

The text accompanying the clip says:

“Written nearly 20 years ago, McCartney’s never-before released song, “Blue Sway,” is available for the first time on the bonus audio disc of the special edition of “McCartney II”. The music video created by McCoy is also featured on the bonus DVD included in the set.

Using a high powered underwater jet ski, the filmmaker found that he was able to travel behind a wave, creating underwater images that have never been seen before.

Over the past couple of years, McCoy set out to capture footage for his surf film, “A Deeper Shade of Blue“. During the editing process, McCoy put one of his surfing sequences to a song off McCartney’s “The Fireman” album. A mutual friend, Chris Thomas, saw the footage while visiting McCoy in Australia, and when he returned to the UK he gave McCartney a copy of the sequence.

“Paul was pretty stoked with what I’d created. He immediately thought my images might be suitable to go with his unreleased song “Blue Sway”.” said McCoy.

McCoy spent the next six weeks creating the music video, while also working full days on making “A Deeper Shade of Blue”. McCoy compiled and edited footage that he filmed off Tahiti’s Teahupoo reef to create what became the “Blue Sway” video.

“When I saw Jack McCoy’s underwater surfing footage put to the soundtrack of “Blue Sway” I was blown away,” said McCartney.

“Blue Sway” won ‘Best Music Video’ at NYC BE FILM Short Festival this past May, and the video will be featured as part of Surfrider Foundation’s summer PSA campaign. Surfrider Foundation is a non-profit grassroots organization dedicated to the protection and enjoyment of our world’s oceans, waves and beaches.

The film clip is dedicated to Linda McCartney.

There is also a “Making of Blue Sway” video clip:

Paul McCartney On His Cloud Computing Archive

This is a video (posted earlier this month on June 2) on Paul McCartney’s MPL Music Publishing site detailing further the big project announced last year that he would be digitising his entire, extensive personal archive. Its a little bit commercial in its plugs for the HP computer group who are working with the McCartney team, but its interesting and sounds like they are making good progress on what must be an enormous task.

They’ve posted two different versions of the clip – this one is a shorter version but has some different speakers and information: