Beatles “Red” and “Blue” to be Remastered and Re-Issued

Apple Corps Ltd. and EMI Music have announced that The Beatles original 1973 compilations, “1962-1966” (‘Red’) and “1967-1970” (‘Blue’) have been digitally remastered for worldwide CD release on October 18 (October 19 in the USA).

Both will be 2CD packages and each will include expanded booklets with original liner notes, newly written essays by Bill Flanagan, and rare photos. However, in typical EMI/Apple fashion they will not have contain any bonus material, nor any bonus DVD discs 😦

Its the same team at Abbey Road Studios responsible for remastering The Beatles original studio albums remasters in stereo and mono last year who have carefully maintained the authenticity and integrity of the original analogue recordings of the “Red” and “Blue” albums. The result will be the highest fidelity versions the catalogue has seen since its original 1973 release.

See the official Beatles news site (now with cover art) here, and the EMI Music press release here.


Beatles Books Abound

I came into the possession of two more Beatles books this week.

I wasn’t actually looking for them – they came looking for me. As I’ve posted earlier, we’ve recently visited Vietnam. It was my wife’s birthday this week and so I thought a Vietnamese cookbook might be popular. I went along to my local discount bookshop – but no Vietnamese cooking books were to be seen. However, in the Music section (a frequent haunt) I found these two Beatles “picture” books, both by the same publisher, both in the same format, and both only AUS$7.95 (US$7.28) each. Who could resist?

The first is “The Beatles – The Illustrated Biography”. It’s a small-format book – about 17.5 cm (7 inches) by 17.5 cm square. Here’s the front cover:

The Beatles - The Illustrated Biography - front cover

The sub-title reads: “A Unique Collection of 200 Classic, Rare and Unseen Photographs”, and that’s pretty much what this book is. It’s a photographic step through the career in photographs. Part One is called “Four Lads From Liverpool”. Part Two is called “The Long and Winding Road”. Text is provided by Tim Hill, Alison Gauntlett, Gareth Thomas and Jane Benn. It’s published by Transatlantic Press in Britain in 2009.

The Beatles - The Illustrated Biography - rear cover

These sorts of books abound – with many of them published in a variety of formats and all using the Daily Mail library of Beatles photographs. This book is no exception. The photographs are all credited to Getty Images, but I suspect they are all pretty much from the Daily Mail archive – just re-packaged. I must say though that this one is nicely presented in black-and-white and in colour, and worth having in the collection.

Here is a random open page from the book:

The Beatles - The Illustrated Biography - open page

What you can see is a series of two colour shots taken on location in May, 1965 during the filming of the movie “Help”. Clearly the group are in downtime, waiting no doubt for a scene to be lit or some technical problem to be sorted out at Cliveden House in Buckinghamshire. The text talks about the Beatles the previous evening having attended Royal Albert Hall in London to watch a performance by Bob Dylan, whose song-writing was proving to be a big influence on John Lennon at this time.

This little Beatles book is accompanied by what is clearly a companion publication by the same publisher (Transatlantic Press) –  a book called “John Lennon – The Illustrated Biography”:

John Lennon - The Illustrated Biography - front cover

This is in the same format (about 17.5 cm (7 inches) square) as the Beatles book above, and was also published in 2009.

It’s sub-title is “200 Classic, Rare and Unseen Photographs by the Daily Mail” – so clearly it is a re-packaging of many previous books along the same lines. Here’s the rear cover image:

John Lennon - The Illustrated Biography - rear cover

A happy moment (albeit public) between John and his then wife Cynthia Lennon.

The text for this book is by Gareth Thomas, and all photographs are copyrighted to the Associated Newspapers Archive (read: “Daily Mail”), and to Getty Images. Unlike the Beatles book, all the images in this one are black-and-white. Here’s a random open page from the book:

John Lennon - The Illustrated Biography - open page

The photographs here were taken in August 1966, and the text says: “Before leaving for Chicago, John and the boys were taken on a relaxed tour around London airport, including a visit to the new police facilities….However, by the time they had reached their destination [they’d learned about] the seriousness of the “more popular than Jesus” debacle they were facing. John’s anxiety levels were at an all-time high…as he prepared to apologize for his supposedly anti-Christian remarks at a televised press conference….”

Two nice little books to have in the collection

UPDATE:  Another Beatles related book (released in August 2010) is Howard Sounes’ “FAB: An Intimate Biography of Paul McCartney”.

“Come and Get It” – Best of Apple

Apple and EMI have just officially announced a special “Best Of” disc and digital downloads associated with their extensive reissue program planned for October this year.

The full press release details a 21-track compilation CD called “Come and Get It: The Best of Apple Records”. It will contain a selection of songs from the planned full-album re-mastered reissues I first wrote about here, PLUS a significant number of additional tracks – hard-to-get singles by a wide range of additional Apple artists.

Along with the announcement of “Come and Get It”, Apple has also announced that most of the full album reissues will come with bonus tracks.

As well, Apple has added another CD to the full album release schedule: 1971’s “Radha Krishna Temple”

The press release reads (in part):

“Come and Get It: the Best of Apple Records” – first commercial multi-artist compilation in Apple’s history set for release on October 25, 2010

“Radha Krishna Temple” added

CD bonus tracks and Digital download extras now announced

The dazzling range of music originally issued by Apple Records between 1968 and 1973, which is now the subject of an unprecedented multi-album worldwide campaign starting October 25th – including remastered CDs (with bonus material revealed for the first time) and Apple’s first digital downloads – will now be augmented by two additional titles: “Come and Get It: The Best Of Apple Records”, the first commercially issued multi-artist compilation in the label’s history; and “The Radha Krishna Temple”, the self-titled album of devotional music produced by George Harrison.

“Come and Get It” displays Apple’s vibrant years of musical experimentation in full flower, from bona fide hit singles to the cult classics of the catalogue, as represented by brass band The Black Dyke Mills Band, Cajun collective The Sundown Playboys, and more. Hot Chocolate makes an appearance, as does Ronnie Spector, Bill Elliot & The Elastic Oz Band, Chris Hodge, Brute Force, and others.

As Apple Corps Ltd. and EMI Music prepare for the upcoming 17 album CD and digital download release, it is a reminder that the introduction of an artist on The Beatles’ record label was avidly followed by fans across the universe – then and now. Each of the albums has been digitally remastered at EMI’s Abbey Road Studios in London by the same dedicated team of engineers behind The Beatles’ recent remastered catalogue releases of 2009.

Details of “Come And Get It” is as follows:

1 Those Were The Days / Mary Hopkin

2 Carolina In My Mind / James Taylor

3 Maybe Tomorrow / The Iveys

4 Thingumybob / The Black Dyke Mills Band (Paul McCartney’s theme tune for a 1968 British TV comedy drama series)

5 King Of Fuh / Brute Force (originally banned back in 1969, Brute Force is a New York songwriter championed by John Lennon and George Harrison)

6 Sour Milk Sea / Jackie Lomax

7 Goodbye / Mary Hopkin

8 That’s The Way God Planned It / Billy Preston

9 New Day / Jackie Lomax (an original non-album Lomax 45 that was co-produced with Mal Evans)

10 Golden Slumbers-Carry That Weight / Trash (a heavy Scottish group that came to Apple via their producer, former Shadows drummer Tony Meehan)

11 Give Peace A Chance / Hot Chocolate Band (a reggae version by the band that became hugely popular in the Seventies)

12 Come And Get It / Badfinger

13 Ain’t That Cute / Doris Troy

14 My Sweet Lord / Billy Preston

15 Try Some Buy Some / Ronnie Spector (one-time Ronette and former wife of legendary producer Phil Spector)

16 Govinda / Radha Krishna Temple (a UK Top 30 hit for the Radha Krishna Temple in 1970 produced by George Harrison)

17 We’re On Our Way / Chris Hodge (a young British pop singer who caught the attention of Ringo Starr)

18 Saturday Nite Special / The Sundown Playboys (a Cajun French collective from Louisiana, USA)

19 God Save Us / Bill Elliot & The Elastic Oz Band (John and Yoko wrote this fundraiser for the defence in the famous Oz Obscenity Trial of 1971)

20 Sweet Music / Lon & Derrek van Eaton

21 Day After Day / Badfinger

I must admit that the incredible Wog Blog had this information and posted on it way back on 16 July……I don’t know where he gets his information from, but he was right.

On the Apple Records site there are also full details of the many interesting bonus tracks that will added to the full-album releases, including the studio solo acoustic demo of James Taylor’s “Carolina In My Mind”; a mono studio demo of Badfinger’s “Without You”; Mary Hopkins’ “Those Were the Days” sung in French, German, Spanish and Italian; and The Modern Jazz Quartet interpreting the Beatles’ “Yesterday”, to name just a few.

In addition to the CD bonus tracks there are many other tracks that will only be available as digital downloads….

From A Lover To A Friend – Rare US version

Ned in the US sent me images of another rare and collectable CD in his collection. This time, Paul McCartney’s US version of the CD single “From A Lover To A Friend”.

It was released in 2001 just after the terrible news of the World Trade Centre attacks in New York City came through. (In fact, at the time of the attacks McCartney himself was stranded on a runway at JFK Airport just outside NYC in a plane that had been grounded that day due to fears that other aircraft might be hijacked….).

In September 2001 Paul McCartney had just released the first CD single from his new album “Driving Rain”. On both sides of the Atlantic this was to be Track 2 from that record, the song “From A Lover To A Friend”.

However, as a result of what happened on 9/11 he decided to withdraw “From A Lover to a Friend” in the US and rush-release a different single, a patriotic song called “Freedom” which he’d written the day after September 11.

This is the stuff that collectors items are made of and Ned was in the right place at the right time yet again. He’d purchased a copy before it was taken off the shelves forever and kindly sent through these images of the now-rare US CD:

"From A Lover to a Friend" - rare withdrawn US version (front)

"From A Lover to a Friend" - US withdrawn version (rear)

"From A Lover to a Friend" - US version (case open)

Incidentally, all profits from the “Freedom” single (right around the world) went to aid the families of the New York Fire Brigade and Police who lost their lives trying to assist those in need and to deal with the catastrophe.

The promo cover of the US “Freedom” single looked like this:

Promo cover for US "Freedom"

Interestingly “From A Lover to A Friend” remained on sale in UK. Its got the same cover as the withdrawn US version:

"From A Lover to a Friend" - British release (front)

In Britain McCartney released “Freedom” as a second CD single later, backed with “From a Lover to a Friend” plus a different remix of that song. Here’s that British edition of “Freedom”:

British version of "Freedom" (front)

The same thing happened in Australia. Here’s a very rare “rush release” promo copy of “Freedom” that was sent to radio stations here:

Australian "Freedom" promo copy

The hand-written look and signature on a piece of paper from an exercise book was actually properly printed.

Following the release of the single McCartney performed four songs, including “Freedom”, at a special concert called “The Concert for New York City”. It was staged in 2001 to raise funds for victims the disaster and was recorded and released on CD and DVD later. Here’s the CD cover:

The Concert For NYC (front)

There’s more info about “Freedom” and a video of the Concert for New York live performance of the song (plus a live “Let It Be” with Eric Clapton) here.

Some Unusual Asian Beatles Items….Part One

OK. I’m going to preface this first post on some unusual CD and DVD items I acquired in a South East Asian country with a statement that I don’t collect Beatles bootlegs and I don’t support or promote piracy in the music business. All my collection to date has been made up of legitimate, officially released discs – that’s CDs, LPs, singles, books, DVDs, magazines and other printed items.

Recently I was able to spend some time on holiday in Vietnam. Like most Asian and developing countries there are many opportunities to buy fakes – everything from Louis Vuitton luggage and Gucci handbags to Ray Ban sunglasses and Tag Heuer watches. Of course there are lots of stores, markets and street vendors selling illegally copied DVD films as well. There are not so many places to buy music – but they’re there if you seek them out. In the central Vietnamese city of Hue I walked into a store selling mostly fake DVDs and a bit of music on the side and saw a copy of Paul McCartney’s latest 2 CD release “Good Evening New York City”. It was easy to tell it was a fake. It came (like all the cheaply copied DVDs do) in a flimsy clear plastic bag (i.e. no hard jewel case or Digipac cardboard). The artwork was all there ready to put it into a CD jewel case, but it looked like a cheap photocopy. The discs had rudimentary labels printed on them but clearly looked fake. No catalogue numbers, copyright info, not even the title of the disc. One disc had the words “Paul 1” printed roughly on it, the other “Paul 2” and that was it. It was selling (in the local currency) for 20,000 Vietnamese Dong – that’s US$1.03, or $1.17 Australian. And that’s even before any bargaining over the price. I decided I really didn’t want to buy a copy – even for the novelty value.

At the other end of the scale are those CDs and DVDs where its obvious that a lot of time and effort has gone into producing what looks to be an absolutely legitimate release. Standing in a shop in Hanoi (which I did last week) it becomes really hard to tell. Is what I’m looking at the version sanctioned by the artist and record company as the official release for China and South East Asia?

Take this example of the Beatles “Anthology” 5 DVD box set. I got it from a shop in Hanoi that was filled with what looked like official releases. All movie stock was in standard DVD packaging with proper labels. It was not one of the shops dealing in fakes.

It looked like this. Here’s the front of the box:

Chinese Beatles Anthology - front

This copy still has the shrink-wrap around the sturdy cardboard box, though the opening has been cut by me so that the DVDs can be removed. The sticker is attached to the shrink-wrap.

Compare this to this official release purchased in Australia:

Official Beatles Antholgy DVD - front

Again, the shrink-wrap is still around the box. The sticker is also on the shrink-wrap.

Here are the Chinese DVD spines:

The five Chinese DVDs

Compared to the official release:

The official release

The number “12” in the pink circle on each refers to the censorship rating in Australia. Apart from that, not a lot of difference….Here is the sticker on the base of the Chinese version:

Sticker on base of Anthology DVD box - Chinese

As you can see, the Apple word is written but the Apple logo itself is missing. Also, apparently common with cheap copies, there are small spelling mistakes. Notice in the centre box of the sticker the words “Doldy Digital 5.1 surround sound”. It should be Dolby Digital 5.1 sound. This sticker appears to be stuck over the printed label actually on the box. You can faintly see the bar code, etc. underneath. Otherwise the Capital, Abbey Road, DVD Video, Dolby Digital and DTS logos on the right-hand side all look legit. Compare it to the Australian official release, where the label is printed onto the box:

Official Anthology DVD box - sticker on box base

Notice the official release has a Parlophone logo instead of Capitol which is just a territory thing (Parlophone seems to get half the world, and Capitol the other half!). There’s also a Region 1 DVD symbol, and a bar code.

Inside the individual DVD containers the story is similar. The actual discs in the Chinese version are very well-printed and look very official:

Chinese DVD disc

They even say “Printed in the USA”. Compare this to the official release:

Anthology DVD - official release

However, the Chinese stuff up the sequencing of labels on the DVD discs.

Disc One, as you can see above, has Episodes 1 & 2 on it and correctly contains those episodes. Sadly, Disc Two is also labeled Episodes 1 & 2, but actually has Episodes 3 & 4.

Disc Three is incorrectly labeled Episodes 3 & 4, but contains Episodes 5 & 6. And Disc Four is incorrectly labeled Episodes 3 & 4, but correctly contains Episodes 7 & 8.  The “Special Features” 5th disc is incorrectly labeled Episodes 5 & 6 but contains the correct Special Features material…….so, all the contents is there across the five discs. Just a severe lack of attention to detail on the part of the counterfeiters. However, they all play well and the quality of the video looks perfect.

The other noticeable difference to the official release is that the Chinese versions don’t have the small booklets inside each DVD box outlining the contents of each episode. These are in official release and look like this:

DVD Booklet - front - from episodes 1 & 2 in official release

Anthology booklet (rear) - inside each DVD box of the official release

So, you can see that standing in a shop in Hanoi, deciding if this is official or not (especially while it’s still sealed up in its shrink-wrap) is very tricky. The price might have been a give-away: this 5 DVD box set cost 250,000 Vietnamese Dong. That’s around US$12.80 or AUS$14.80. Very cheap. It also doesn’t help if you don’t read Chinese. Here’s a close-up of the sticker on the front:

Sticker on the front of the Anthology DVD box set

Vietnam is actively cracking down on pirate or illegal copies of DVDs, CDs, clothing and watches. While there I read an article in one of the national papers that police are actively trying to break up the flow of counterfeit goods from across the border in China. When departing the country via Ho Chi Minh City airport all travelers bags are X-Rayed separately to the usual security check specifically to identify and confiscate goods, or to fine travelers for having fake DVDs. A New Zealand family in front of us were caught. They had in their bags over 60 copied DVDs they’d bought on the street. They were given the option of handing them over, or keeping them and paying a fine of US$50.00 (at first they were asked to pay a US$100.00 fine, but talked the official down…interesting). They decided the pay the fine and keep their DVDs. All the CDs I had purchased, plus the Beatles “Anthology” 5 DVD box above were in our suitcases and were also X-Rayed. We were not stopped by the airport officials. I’ll detail some of the Beatles compact discs I purchased in the next posts. Again it was confusing and difficult to pick the real from the fake.

See also Some Unusual Asian Beatles Items – Part Two and Some Unusual Asian Beatles Items – Part Three

McCartney and Wings – “Live and Let Die” OST Vinyl

The garage sale advertisement in the local paper last Saturday said:

“Vinyl – 1000’s rare & collectable, cds, books, furniture, house contents, whitegoods etc.”

It was in a suburb about a 25 minute drive away – way outside my usual garage sale territory, and one I had to think twice about…..But I finally decided that, yes, it sounded like too good an opportunity for the collector in me to pass up. It was those words: “Vinyl – 1000’s rare & collectable”. That did it…..

When I finally got there (a bit later than is wise with these things) the sale was literally in an old, free-standing garage at a private house on a quiet street. There were already two or three guys there picking over literally shelves and shelves of vinyl – stacked floor to ceiling around the walls of the garage, and also in the centre of the floor space as well. The guy holding the sale was definitely in the business and looked like a) a real collector and b) like he owned (or used to own) a second-hand record store and this was both his excess stock and some of his private collection combined.

The question in situations like this is “Where to start?” The feeling of anticipation mixed with the sheer volume of LP’s to look through can be daunting. I asked the owner if there was any order to the way the albums were arranged. He said no, its all pretty random, which just added to the anxiety. No sections like “Female vocal” or “Popular”, “Classical”, “Jazz” and the like. So I just delved in. First shelves were classical – so I kind of bypassed that pretty quickly. There was actually very little popular music. Mostly Broadway shows, film soundtracks, and a lot of 50’s singers as far as I could see, with some decent jazz, blues and a little bit of pop scattered throughout. Kind of disappointing really.

The only Beatles-related item I could find in the 45 minutes I was there was this:

This is the rear cover:

He had LOTS of copies of this – probably 20 or 30 – and they were all US pressings on the United Artists label, all original and all still sealed. They were “cut-outs” or remaindered stock, each having a corner cut off by a machine at the warehouse to designate their clearance status. The one I grabbed had only a tiny cut-out on the top left-hand side (which you can see in the photos). This is a gate-fold cover, but as it is still sealed in its original shrink wrap from 1973, I’m probably going to keep it that way and not open it.

I already had an Australian pressing of “Live and Let Die”. It’s not a gate-fold, and as you can see from the images below, it has a slightly different front cover:

And a very different rear cover:

And here’s the label for the Australian pressing:

Trust me. That stamp on the label stating “Property of A.B.C. (the Australian Broadcasting Corporation)” is genuine. And I genuinely purchased this record from a second-hand store. I know the ABC sold off a lot of surplus LP’s a few years ago and I’m assuming that this is one of those legitimate items.

McCartney and Wings also released a single from the album. I have two copies of this (both Australian pressings) – one on the green Apple label:

And one on the red Capital label:

The “Live and Let Die” original soundtrack recording contained music from both Paul McCartney and George Martin, and was released in 1973. It’s on the United Artists label (US catalogue number: UA-LA 100G; Australian catalogue number: L34949). The flipside to the “Live and Let Die” single is Wings doing “I Lie Around”.

McCartney and Obama – The Gershwin Award

Paul McCartney was in the East Room at the White House this week to receive the Library of Congress Gershwin Prize for Popular Song from US President Barack Obama. It’s just the third time the award has been presented.

From Glen Levy at TIME Magazine:

“It’s sure to be a pop culture reference point for years to come: Sir Paul McCartney performed for the Obamas at the White House on Wednesday in light of the Beatle being presented with the third annual Gershwin Prize for Popular Song. He followed in the formidable footsteps of Stevie Wonder and Paul Simon.

You would imagine that the possibility for puns in pieces such as these would be endless when it comes to the songs he could sing but Macca simply rocked up and dedicated his very own track, “Michelle”, to the First Lady herself. After serenading Mrs Obama with the lyrics, “I love you, I love you, I love you,” McCartney joked that he could be the “first guy ever to be punched out by a president.” (if that had been the case, he surely would have screamed “Help!” See what I mean when it comes to the puns?)

McCartney was no slouch with his own zingers either, unable to resist the following funny: “After the last eight years, it’s great to have a president who knows what a library is.” (Paul McCartney will be here all week ladies and gentlemen).  Want proof? “I don’t think there could be anything more special than to play here,” he commented, before making the following offer: “Lunchtimes, we could come around … We’re cheap.” Back to the day job and he reeled off a string of classics including “Got To Get You Into My Life, “Eleanor Rigby” and “Let It Be.”

Obama praised the British legend for his contribution to U.S. culture, saying the Beatles had “helped to lay the soundtrack for an entire generation, ” as well as adding, “That’s right, we stole you, Sir Paul.”

If this wasn’t enough, the likes of Stevie Wonder, Elvis Costello, Emmylou Harris, the Jonas Brothers, Jack White, Dave Grohl, Lang Lang and Faith Hill were among the eclectic, star-studded line up with Jerry Seinfeld on hand to add the official comedy (the show will be broadcast as a PBS special on July 28). The night ended with the Obamas up on stage, singing along to “Hey Jude.” The White House has never hosted a cooler evening. See for yourself here.”

The set list for the night was:
Paul McCartney – Got To Get You Into My Life
Elvis Costello – Penny Lane
Dave Grohl – Band On The Run
Corinne Bailey Rae and Herbie Hancock – Blackbird
Emmylou Harris – For No One
Faith Hill – The Long and Winding Road
Jonas Brothers – Drive My Car
Lang Lang – Celebration on the piano
Jack White – Mother Nature’s Son
Stevie Wonder – We Can Work It Out

Paul McCartney – Ebony And Ivory (a duet with Stevie Wonder)
Paul McCartney – Eleanor Rigby
Paul McCartney – Michelle
Paul McCartney – Let It Be
Paul McCartney – Hey Jude
(The concert and award speeches were taped by PBS and will be televised as a 90 minute TV special on July 28th in the US).

McCartney – Big Q Magazine Feature

The current (June, 2010 – Issue 287) edition of “Q” magazine has a front cover featuring an angry Paul McCartney:

This is a collector cover – one released just for subscribers to the magazine, something that publishers seem to be doing lately to get people to buy product from them rather than just down-loading or getting a copy from the newsagent. I think the newsagent copy will look like this:

The magazine contains a 26-page special feature on Paul McCartney – and its highly recommended reading. The dramatic cover photo(s), and some shots inside, are by David Bailey – who is not new to photographing the Beatles. His work in the Sixties helped define the decade – Swinging London in particular – and he photographed the Beatles from time-to-time. Here’s a photo he took a LOT earlier:

Inside the current “Q” magazine Editor-In-Chief, Paul Rees, gets to spend a month on the road with the man, interviewing him in England and the USA. We get a look at some really interesting and previously un-seen Linda McCartney photographs, and there’s a couple of pages about Paul the avant-garde member of the Fab Four. This is followed the likes of Brian Wilson, Chris Martin, Jamie Callum, Dave Grohl and Paul Weller, to name just a few giving their favourite Paul song recommendations. And finally an in-depth feature on what happened to Wings in Lagos, Nigeria during the making of 1973’s “Band on the Run”. Some really scary stuff….not the greatest place to choose to record an album, but what an album it turned out to be.

One of the best sections in the magazine is the one featuring the many rare photos by Linda McCartney. This one, of McCartney sitting on a straw bale at his farm in Scotland in 1978, is previously unpublished:

The other one I really like is a candid photograph taken during the shoot for the famous “Abbey Road” cover. The caption says: “McCartney and band banter with passer-by in a shot documenting The Beatles’s Abbey Road cover session on 8 August 1969. Note Macca’s sandals, which he’d remove for the iconic final cover picture”:

Its all pretty good stuff and I reckon well worth the cover price (no matter which cover you get).

Postscript: In a spooky co-incidence, I just found out that the very first issue of “Q” magazine, dated October 1986, also had Paul on the front cover…..Issue 001 included articles on Paul McCartney, Big Audio Dynamite, Cocaine, Bob Dylan, Lenny Henry and John Blake.


The Penguin John Lennon – Plus a Couple of Other Things

Had a trip to Canberra, Australia’s national capital, this weekend and a chance to browse some second-hand book and record stores.

The trip turned up a couple of unexpected items – but that’s always the way with these things, isn’t it?

While in Canberra itself I found a CD/DVD store in the downtown “Civic” area advertising “20% OFF ALL STOCK”. That is just too good an invitation to walk past. Didn’t find a lot of interest to the Beatles collector in me – except for a heavily discounted, brand-new copy of  “All You Need Is Cash”, a film by Eric Idle’s Beatles parody group The Rutles. I’d never seen the film, and for A$6.40 it was a bargain. More on this soon in a separate post….

Also, strolling past a newsagent shop in the Canberra suburb of Kingston, I saw a table outside with old magazines that they were just throwing out – for free. Buried under the pile was a copy of “Q” magazine from July 2007, with a feature article for the fortieth anniversary of the release of the Sgt Pepper called “It Was Forty Years Ago Today….Sgt Pepper Celebrated”:

In it the likes of Bono, Brian Wilson, George Martin, Dhani Harrison, Jeff Lynne and others take one track from the album and write about why they love it, when they first heard it, or what it means to them. The magazine was still in its plastic outer wrap – and so in absolutely perfect condition. Not bad for free! Also with “Q” in the pile was a March, 2007 copy of a magazine called “Sound On Sound”, which on the front cover describes itself as “the UK’s biggest selling music recording magazine”. I’d not seen this title previously, but the front cover carried the photo below and an extensive article on the making of the Beatles “Love” album:

That’s George Martin and his son Giles, and they take the magazine through the detail of producing the Beatles‘ 2007 release “Love” (see this post, and this post for more details). If you’d like to read the article, “Sound on Sound” have now published it here in full online. The magazine is also in perfect condition. Not bad for free!

And finally, on the way home we stopped in the town of Berrima, just outside of which is a legendary second-hand book store called Berkelouw. They call it the Berkelouw Book Barn, and thats just what it is – a huge barn of a place absolutely filled to the rafters with shelf after shelf of pre-loved books. In the music section, I found (on hand and knee – it was of the very bottom shelf!) this little book to add to the collection:

The Penguin John Lennon

It is “The Penguin John Lennon”, a paperback (or soft cover) which gathers together in one volume John Lennon‘s two humorous prose works “John Lennon In His Own Write” (from 1964), and “A Spaniard in the Works” (from 1965), plus some great original line drawings by John. I believe this edition above (with this cover by David Nutter) came out in 1973, but “The Penguin John Lennon” has been out since about 1966. You may have seen it with this cover:

The book has an Introduction written by Paul McCartney, who says at the bottom of the page: “P.S. I like the drawings too”.  He must have, because one of the first drawings in the book was used for the cover of the Beatles “Free As A Bird” CD single – thirty years later in 1995:

Nine Copies of Rolling Stone Magazine

Up on the very top shelf of a closet in my study there’s a large pile of old music magazines – mostly Rolling Stone magazine. They’ve been there, oh, for at least 16 or 17 years. Sitting quietly, gathering dust.

About a week ago it suddenly occurred to me that there could probably be some Beatles-related treasure hidden away in there.

Really don’t know why I’d never thought of this before. And so I got them down from the shelf this weekend and had a browse. This post, in chronological order, is about what I found.

(July 1979) Issue 295 Paul McCartney by Paul Gambacini

These are all the Australian editions of Rolling Stone, and back in 1979 it was still very much like a newspaper in appearance. No staples to hold it together and printed on flat, newsprint style paper. The cover story about Paul (above) is by veteran DJ, writer and rock historian Paul Gambacini. The cover portrait of Paul McCartney is by Julian Allen, June, 1979. Gambacini’s  byline says: “The leader of Wings looks back at yesterday”, and he writes: “I have known Paul McCartney for over five years, since just before the release of ‘Band on the Run’…Not surprisingly, McCartney at that time was desperate to avoid talking about the Beatles, especially about the never-ending reunion rumors…In the years since, Paul has let down his defenses. Anecdotes about the Beatles now flow, in addition to reminiscences of the pre-Beatles days. He seems pleased with his past. This is a product of being happy with his present.” The article coincided with the release of Wings “Back to the Egg”.

(October 1982) Issue 358 Exclusive: The Private Years

Of course John and Yoko frequently made the cover of Rolling Stone, and there have been some striking images of them published. Who could forget the most famous Annie Leibovitz shot of the pair? But this one comes a close second I reckon. Its by Allan Tannenbaum and it is a beautiful contemplative study that perfectly accompanies an article by Chet Flippo (which was an extract from the book “The Ballad of John and Yoko”, first published by Rolling Stone Press in October, 1982) detailing the years from 1975 to 1980 when John Lennon dropped out of rock & roll, retreating to his white bedroom in the Dakota building in New York. Inside, the article is accompanied by another touchingly composed Tannenbaum photograph:

John and Yoko, New York City, November 1980 (Tannenbaum)

See more Allan Tannenbaum photographs from the same session here.

In November, 1987 Rolling Stone celebrated twenty years on newsstands with a 20th Anniversary Special Edition. In it they re-published a selection of Letters to the Editor from across the 20 years. This one, from 1974, is telling: “John Lennon has given more to America that Nixon and Ford….He fought for peace a long time before it came to the attention of the government that “the people of America” wanted peace. Lennon was concerned about America, and now they’re deporting him. Nixon has admitted he’s a crook; why don’t we deport him?” – Lynn Grubbs, Malvern, Arkansas. And then this, from 1981, sadly again about John Lennon: “We’ve come a long way in seventeen years, from shooting presidents to murdering musicians.” – Jon Grabill, Wayland, Massachusetts…..this was the cover of that special edition:

(November 1987) 20th Anniversary Special Edition.

The special edition was comprised of a series of previously-published Rolling Stone articles. There’s one on Paul McCartney by Anthony DeCurtis, and one on Yoko Ono by David Fricke. There are some image galleries as well from across the twenty years, but they only include one photograph of John Lennon.

(October 1986) Issue 403 Paul McCartney - The Rolling Stone Interview

October, 1986 saw another Paul McCartney cover shot (above) – with very grey hair and an interesting heart-shaped ring on Paul’s wedding finger…? The Rolling Stone interview was by Kurt Loder, who begins: “It is Monday in London, two days before the royal wedding, and Soho Square is filled with flowers, sunshine and fresh-faced young tourists. Some loll on the grass, sharing joints. Others peer up expectantly at the etched-glass windows of an art-deco-style town house across the street, where, in an airy third floor office, Paul McCartney presides over the bustling affairs of MPL Communications, the company that manages the professional projects of the singer and his wife, Linda.”

Inside Rolling Stone, Issue 403

The McCartney’s were doing publicity for “Press To Play”, the fifteenth album he’d released since he announced the breakup of the Beatles in 1970…..Loder observed “After eight years of largely lackadaisical releases on Columbia, he is back with Capitol – the Beatles’ old label – and he seems serious about rehabilitating his somewhat tattered artistic reputation.”

(February 1988) Issue 415 The New Age of George Harrison

In 1988 George had a new record to push. “Cloud Nine”, his first record in five years, had just been delivered to Warner Brothers Records. The article, by Anthony DeCurtis, is a really good read about George, the production of the album (with ELO’s Jeff Lynne), his past, and where he was at in 1988. “After years of tending his garden, his movie company and his son, the elusive ex-Beatle has reemerged with a great album”.

The front page of Issue 424 has an image of John Lennon and the words “Lennon – A Special Photo Album and the inside story on Goldman’s book”:

(November 1988) Issue 424 Lennon - A Special Photo Album and the inside story on Goldman's book

Inside is a revealing article by David Fricke and Jeffrey Ressner called “Imaginary Lennon – The True Story Behind Albert Goldman’s Character Assassination of John Lennon”. That title pretty much says it all… Albert Goldman’s controversial book “The Lives of John Lennon” had just been released, and his publishers claimed it to be “…a startling and revolutionary portrait”. Fricke and Ressner write however that it is not “the definitive biography”. “In fact,” they say, “the book is riddled with factual inaccuracies, embroidered accounts of true events that border on fiction and suspect information provided by tainted sources.” The magazine devotes five and a half pages to taking apart Goldman’s work. The article is worth digging out if you can. As if to balance that, Issue 424 also has six pages of candid Lennon photographs from another book (“Imagine: John Lennon” by Andrew Solt and John Egan). Here’s a terrific, early shot of Lennon, Paul McCartney, drummer Pete Best and George Harrison – taken by Paul’s brother, Mike McCartney:

Early Beatles (Mike McCartney)

Issue 443, in April 1990 also contained a wealth of rare early photographs, though it was the B52’s who made it onto the front cover. You have to look pretty closely for the Beatles reference:

(April 1990) Issue 443 The Beatles Rare Early Photos

This contains never-before-published photographs that chronicle the Fab Four’s first American tour in 1964. They are all taken by Curt Gunther, and I think you’ll agree they are impressive. I’d never seen these before and will certainly be seeking out the book they come from. Here are just a few from the Rolling Stone eight page spread:

Fans from Harrisburg, Pennsylvania at Indianapolis airport (Curt Gunther)

Paul photographs Canadian Mounties at Malton Airfield, Toronto (Curt Gunther)

Lennon in bed, King Edward Hotel, Toronto (Curt Gunther)

All the photos above were reproduced in Rolling Stone, but come from the book “Beatles ’64: A Hard Day’s Night in America” released in 1989. Photographs by Curt Gunther, text by A.J.S.Rayl.  There are also some fantastic Gunther images here from the Genesis Books publication “Mania Days: The Beatles 1964 US Tour”

October, 1990 saw Rolling Stone release another special issue. This time it was The Sixties – The Age of the Beatles. And it was an excuse for a psychedelic-look, Beatles-inspired cover:

(October 1990) Issue 448 A Special Issue: The Sixties - The Age of the Beatles

Mikal Gilmore in his feature article “The Sixties” spends a lot of time on the Beatles and their impact throughout that turbulent decade: “In short, the Beatles were a rupture – they changed modern history, and no less craftsman than Bob Dylan understood the meaning of their advent. ‘They were doing things nobody else was doing. But I just kept it to myself that I really dug them. Everybody else thought they were just for the teenyboppers, that they were gonna pass right away. But it was obvious that they had staying power. I knew they were pointing the direction that music had to go….'”.

The final magazine to pop out of the large pile was from November, 1992, issue 476, a 25th Anniversary Special Edition, subtitled “The Great Stories 1967-1992”.

(November 1992) Issue 476 25th Anniversary Special Edition

Like the special Twentieth  Anniversary edition (above) this one contained some of the all-time great articles ever written by Rolling Stone‘s staff writers and contributors over the past quarter of a century. There are pieces on Led Zeppelin, the Rolling Stones, Springsteen, Bowie, Van Morrison, REM, Madonna, Neil Young, Michael Jackson and (of course) Bob Dylan, but probably pride of place was given to the now legendary interviews with John Lennon by Jann S. Wenner – a 30,000 word verbal splurge in which the ex-Beatle spoke openly, fully and truthfully about the Beatles and announced their breakup:

The Jann Wenner interview with John Lennon in Issue 476

Originally from Rolling Stone Issues 74 and 75 in 1971, this was Lennon talking about the demise and aftermath of the Beatles as he saw it – for the first time.  You can listen to extracts and read transcripts at Jann Wenner’s own page.

So, that it. An accidental journey through the past through random editions of Rolling Stone magazine – mags that have been hidden away in a cupboard at home for over 17 years…..