Tag Archives: Parlophone Records

Two Small But Unusual Garage Sale Finds

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There are times at garage or yard sales when you are on the hunt for Beatles vinyl that the pickings can be pretty slim.

This was the case last weekend. After visiting quite a few, and with the prospect of going home empty-handed, I struck two very unusual and potentially rare items at the very last house I visited. Sitting in a box of old 45’s I found two New Zealand pressings. They’re both collectable – with this one probably being the most rare:

As you can see, it’s a copy of John Lennon’s “Imagine” – but on the NZ Parlophone label:

I must admit, despite seeing quite a few copies of this single in my time, I’ve never seen in on the black and yellow Parlophone label before.  Next post I’ll put up some of the great variety of label variations of “Imagine” from around the world.

Sitting with the John Lennon was another New Zealand single – a copy of the Beatles “Hey Jude” b/w “Revolution”. Unusually, it was in a UK cardboard outer sleeve:

These covers were produced for the UK Beatles box set “The Beatles Collection” containing all 25 British single releases. However, inside this one there was a New Zealand Parlophone pressing of the single – again on the yellow and black Parlophone label:

In “The Beatles Collection” box set this single looks like this:

So, the copy I found is quite strange. I’m not sure if New Zealand EMI ever produced a version of this box set where they sourced the British packaging but inserted locally pressed vinyl. In some countries that sometimes happened. If so, my single has become separated from the rest of the collection at some stage….

These are the other versions of  the “Hey Jude” single in my collection. The record was released in that period just when Apple Records had first been created and so some copies in Australia also came out on the Beatles’ old label, Parlophone:

It was also released here on a standard Apple:

And here’s an example of some weird typography being used in the song title on a later Australian Apple pressing:

Finally an example of the original UK Apple version:

So, when garage sale hunting seems fruitless sometimes its worth going to just one more house….

Label Variations Part Ten – Abbey Road (More….)

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Since I posted Label Variations Part Six – Abbey Road  I’ve had a few people sending in some further great examples from their own collections.

So, its time to share these now.

First comes from Jerry Woods who wrote:  “Saw your blog featuring various record labels (I LOVE this stuff!!) and noticed that you didn’t have a MONO version of Abbey Road on display, so I thought I would share. Although, not a true mono mix (they never “officially” did one – and this LP sounds identical from start to finish to the Stereo version when the Stereo version is folded down to Mono) this is kind of an interesting oddity – but only a fold down to Mono from Stereo.”

Here are the labels – the record comes from Brazil:

Another nice one sent in was from a reader in New Zealand and it’s really quite unusual. It is Abbey Road on an orange Apple label – very similar (but not quite) to the orange labels used for George Harrison’s All Things Must Pass. VERY collectable:

Of course there were lots of green Apples from other countries. Nice examples here from France, Italy and a green vinyl pressing of the album from the UK:

There were these two from Canada that were missed first time around. They include a couple of purple Capitol labels with two variations (one with a fairly obvious spelling mistake):

There were also a couple of other US pressings. The orange Capitol, and also the collectable Mobile Fidelity Audiophile pressing:

Finally, a couple of pressings of Abbey Road on a black and silver Parlophone label. This first one is from the UK:

While this other one, sent in by Andrey in Russia, is much more unusual. It is a rare UAR (Egypt?) label for Abbey Road:

(except for a couple, click on labels to see larger versions)

Ah, collecting….the variations sometimes seem endless. Thanks to everyone who emailed more labels.

You can see Label Variations Parts One, Two, Three, Four, and Five and Six, plus the Beatles Love LP variations here and here.

There’s a post on the variations of the McCartney/Fireman Electric Arguments release; McCartney’s Twin Freaks LP and singles; as well as his recent Kisses On The Bottom CD’s and LP. There is also a post on some George Harrison All Things Must Pass label variations.

Beatles Vinyl Remasters – New Promo Video

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Thanks to Beatles Blog  reader scub75 for sending in the link to a brand new promo video for the soon-to-be released Beatles vinyl remasters. He says:

“Finally they’ve released the video of the vinyl remasters. This was posted on the official YouTube page of Norway EMI. I cannot wait for the release date to have my box set!”

If you look closely it confirms a lot of new details – including that the record labels will be accurate to the original time at which they would have been released, and that the book will be quite lavish with special printing techniques used.

For more see the official Beatles site.  It all comes out on November 12.

“Produced by George Martin” – We Have a Winner

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Our competition to win a DVD copy of “Produced by George Martin” in the previous post asked the question:

George Martin was never just about one band. There was also comedy, and in 1965  he produced and arranged and conducted the accompaniment for a mock, spoken version of the Beatles “A Hard Day’s Night”.  Who was the performer? 

The correct answer was Peter Sellers, the famous British comedian and actor who in 1965  released a single which was a comedy version of the Beatles “A Hard Day’s Night”. In it Sellers recites the lyrics to the song in the style of Laurence Olivier in Shakespeare’s “Richard III”.  The Sellers version became a UK Top 20 hit:

There were lots of entries and the first person through with the correct answer  was Eric Leon in France. Congratulations to Eric (who is a huge Beatles fan), and thank you to everyone who entered the competition.

And a very big thank you to Eagle Rock Entertainment for providing the prize.

Produced by George Martin – Win Your Own Copy

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In our last post we brought you the details of a terrific new documentary out now on DVD and BluRay about the life and work of George Martin.

The film is called simply “Produced by George Martin”.

It’s a fascinating journey through the amazing output and influence of a record producer who changed the world.

By answering the question below you could be the lucky owner of your very own copy, courtesy of Eagle Rock Entertainment. And the question is:

George Martin was never just about one band. There was also comedy, and in 1965  he produced, arranged and conducted the accompaniment for a mock, spoken version of the Beatles “A Hard Day’s Night”.       Who was the performer? 

The first correct answer to me at beatlesblogger@gmail.com will win a DVD copy of  “Produced by George Martin”.

By the way, there are two great reviews of “Produced by George Martin” here and here.

Produced by George Martin – New DVD/BluRay

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He’s arguably the man who has most right to the title “The Fifth Beatle”.

George Martin produced, played on, and helped arrange the instrumentation for just about every Beatles LP. His influence on the band cannot be understated. But his talent wasn’t limited to just the greatest band of all time. George Martin was, and is, an amazingly prolific, varied and talented producer – and a new documentary about the totality of his work is on DVD and BluRay shelves now.

Called simply “Produced by George Martin” this documentary is a feature-length profile of Britain’s most celebrated record producer. Sir George talks about his childhood, his war experience, and his early days as a music student. The film was originally broadcast in 2011 as part of the BBC’s “Arena” series, but this version contains over 50 minutes of additional interviews not included in the TV broadcast.


George Martin really has had a career like no other. In the early ‘50s, he joined EMI/Parlophone and started working on orchestral music, music for children, and pioneered a range of hugely successful comedy records with Peter Sellers, Spike Milligan, Peter Ustinov and many others. Then, in 1962, he signed a band called the Beatles and everything changed. Together, George Martin and the group revolutionised pop music and recording techniques, forging probably the greatest producer/artist collaboration there will ever be.

“Produced By George Martin” features numerous classic clips of the artists he produced. It has new interviews with many of them including Paul McCartney, Ringo Starr, Michael Palin, Jeff Beck, Rolf Harris, Cilla Black, Millicent Martin and Bernard Cribbins. A fascinating man, and a compelling film: 

Eagle Rock Entertainment has released “Produced By George Martin” on three configurations: DVD, Blu-ray and Digital Video.

COMING UP NEXT ON BEATLESBLOGGER  –  WIN YOUR VERY OWN COPY OF “PRODUCED BY GEORGE MARTIN”   

We’ll be running a competition. All you’ll have to do is answer a simple question about the great George Martin and you could win. Just check back in a couple of days for details on how to enter.

Love Me Do Reissue – A Further Big Mistake

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Those of you following the debacle around the 50th anniversary re-issue of the Beatles “Love Me Do” vinyl single will be interested to know of a further BIG mistake on the now re-called disc.

Not only did EMI stuff up the version of the song on the A-side of the disc (see previous post on this), it is now emerging that there is also another big mistake.

They have put the wrong catalogue number on the B-side….

The “Love Me Do” single has the Parlophone Records catalogue number              R-4949. However, on the B-side of the 50th anniversary reissue (which contains the song “P.S. I Love You”), EMI have printed the catalogue number R-4714:

(click on image to see a larger version)

That R-4714 catalogue number actually belongs to the 1960 Matt Monro release “Portrait of My Love”:

Hence some people on Ebay getting a bit carried away with their pricing on this one….

Some are even claiming this this mistake is the 2012 equivalent of the infamous “Butcher Cover” all over again and stating that the value of the re-called “Love Me Do” will just grow and grow. What do you think?

 

Lots of Beatles Vinyl News – Part 2

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In addition to the big news that the Beatles vinyl collection has finally been prepared for release comes news that a commemorative 7″ single is being re-issued to mark 50 years next month since the release of the Beatles first single – “Love Me Do”:

October 4, 1962 saw a review in trade magazine “Record Retailer” of a debut single that was coming out the next day from a new band. It read:

“A new group from the Liverpool area. Their first record but they already have a strong following and this seems to be the strongest outsider of the week.”

“Love Me Do” by the Beatles was released on October 5, 1962 and the band was off on their journey. Within a week the single entered the UK chart at 49 and it was eventually to go as high as 17 while spending 18 weeks on the chart.

To celebrate this important date in the history of British rock, EMI records are releasing a replica of the original single in its original colourful house Parlophone paper sleeve. The audio is taken from the mono remaster of 2009 to ensure highest quality playback. This is a limited edition which will not be re-manufactured.

Featured Tracks
Side 1
Love Me Do (Original Single Version) (2009 – Remaster)
Side 2
P.S. I Love You (2009 – Remaster)

Lots of Beatles Vinyl News – Part 1

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Well the news is well and truly out, and as usual Wogblog had it pretty much ahead of of anybody else (see his posts here, here, here, here, and here). The guy is amazing.

Apple and EMI are about to formally announce that the entire digitally remastered Beatles stereo back-catalogue (released on CD back in 2009) is finally to be released on vinyl. The albums will be available individually, or collected in a limited edition (50,000 copies) box set:

Accompanying the box will be a new 252 page hardbound book written by Beatles historian Kevin Howlett, with dedicated chapters for every album a wealth of photos – many not used in the 2009 CD booklets:

The box set will contain all twelve studio albums, plus “Magical Mystery Tour” and “Past Masters – Volumes 1 & 2”, all sourced from the original master tapes:

Pressed using 180-gram, audiophile quality vinyl, the individual albums will also faithfully recreate the original artwork and come with the same extras as the original albums – for example the poster and four individual photographs with the “White Album”, and the cutout sheet and psychedelic inner sleave in “Sgt. Pepper”. As you can see below the labels (Parlophone and Apple) will be faithful to the originals too:

All-in-all this looks like it will have been worth the very long wait as a lot of time and effort has gone into preparing the vinyl for re-issue. Music Direct has some further technical information on the painstaking process of getting the vinyl properly and authentically pressed to an exacting standard.

The individual LPs and the box set and book will be released on November 12 in the UK and Europe, and on November 13 in the USA.

UPDATE:  The official Beatles page has just added an official announcement and a special Beatles vinyl page.

SEE ALSO:  Lots of Beatles Vinyl News – Part 2

An Overview of Australian Beatles Records – Revised and Expanded

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Anyone who collects Australian Beatles records seriously must have a copy of this newly-revised book – which came out just this week.

Jaesen Jones is an Australian collector who has produced what must be the most comprehensive reference on all the Australian Beatles releases. Now in a revised and expanded edition featuring over 60 new pages, this book answers just about about any question you’d have regarding all the variations available.

He decided to do a revised and expanded edition due to the popularity of the first edition of “An Overview Of Australian Beatles Records”

Since that book’s release in April last year, Jaesen has managed to uncover much more detailed information about the label typesetting process from industry insiders. This enabled him to confirm with greater accuracy the availability of some label styles, as well as include scans of many more label variations for easier identification (in fact, there’s an additional 12 pages just detailing label typesetting, including scans of 35 LP labels that collectively contain every font used on every Beatles LP issued by EMI Australia).

The new revised edition has been updated and expanded, with 60 new pages comprising sections on mechanical royalties and royalty stamps, custom pressings, contract pressings as well as many new images of sleeves, labels and ephemera. Most existing scans have been replaced with higher quality scans.

Like last time, only limited copies will be available (less than 300). And Jaesen says he’ll be releasing no more editions after this one.

If you are interested in a copy you will need to be quick. You can read more about the book and/or purchase it directly on-line at http://www.beatlesaustralia.com/ or http://jaenahre.com/oabr/

(Click on any images above to see larger versions)