I’ve got a feeling that these are set to become quite valuable Beatles collectors items.
Target stores in the USA recently sold an exclusive and official limited edition of four Beatles 45 rpm singles. Each record was packaged along with a Beatles t-shirt in a box. The four vinyl singles are newly-pressed and digitally remastered using the same mastertapes as the 2009 re-issues. This makes these four singles (along with the Record Store Day “Paperback Writer” single released last year) the only vinyl available so far from the recent Abbey Road Studios remasters of the Beatles back-catalogue.
They are “Can’t Buy Me Love/You Can’t Do That“:
“Help!/I’m Down“:
“Hello Goodbye/I Am The Walrus“:
And “Let It Be/You Know My Name Look Up The Number“:
According to sources only 10,000 copies of each single were pressed by Capitol Records – very small numbers by Beatles standards. And only ever sold in Target stores in the United States:
All the vinyl singles have Capitol Records labels, except for “Let It Be” which is on the Apple Records label – just as it would have been back in 1970 when it first came out. The singles look like the original issues except that Sony/ATV is listed as the music publisher. The picture sleeves are in a thicker cardboard than the paper ones that were originally were issued. The contents of each box, deatiling the cover, the labels, and the enclosed t-shirt design are pictured on the rear of each package:
You can see from the packaging that these releases are linked closely to the recent re-issue of the Beatles “1” CD, which has been released in digitally remastered form. Hence the familiar red and yellow theme and the prominent “1” logos on each box.
What do you think? Valuable collectors item of the future?
“There are two ways to look at George Harrison. The nicer one is that he was a top-line and under-appreciated guitarist…, that he wrote at least two classic songs (“Something,” and “Here Comes the Sun,” two more than most songwriters write) and another half-dozen quite good ones….The other and arguably more realistic appraisal might be that George Harrison’s contributions as a guitarist were pretty much limited to a few Beatles riffs.” – Bill Wyman from Slate gets stuck into the Scorsese film.
“One aspect that doesn’t shine through fully enough is his sense of humour.” – Martin Chilton in the UK Telegraph.
“Paul McCartney described George as a “cocky little guy” and producer George Martin labeled him as “so cheeky.” – Rachel Ray, The Telegraph’s US TV reviewer.
“….if you’re a big Beatles fan (I am), then it’s never going to lack interest…He looked inwards, chanted mantras, spent his life trying to forgive and give. A good egg, but no Lennon…” – Ben Walsh, The Independent.
“With Martin Scorsese’s documentary about the quiet Beatle….it is time to appreciate Harrison as a teacher and a transmitter.” – Philip Goldberg focuses on George’s spirituality in The Huffington Post.
“One facet of George Harrison’s personality that came into sharper relief for me during a preview screening of Martin Scorsese’s documentary was his role…as a provocateur.” – The LA Times Randy Lewis.
“In Martin Scorsese’s documentary “George Harrison: Living in the Material World,” Harrison’s journey is traced as a search for himself in the tumult of incoming distractions.” – Roger Ebert in The Chicago Sun-Times.
And from today’s paper in my home town:
“In the footage and text, George Harrison comes across as someone who had mixed views about a life indelibly marked by his tumultuous decade in the most famous pop band of all time…If nothing else, the book and film reveal a man for whom friendships mattered more deeply than almost anything.” – Bernard Zuel, music critic with the Sydney Morning Herald
And finally, not so much a review but another interesting article about George’s spirituality in the film from The Washington Post.
Haven’t got this yet because it is only available in the UK so far….but one fan has posted a video of his unboxing of the Deluxe Edition of the DVD/BluRay/CD set:
The Beatles have sold millions and millions of them – but there are relatively few photographs where they’re seen actually holding LP’s, singles and CD’s.
We’ve uncovered a few though in this series (you can see all the original blog posts here: Part One; Part Two; Part Three; and Part Four). People are still sending in photos from their own collections, and so here is Part Five. Most of the photos below come from French Beatles collector and author Claude Defer. The first is John Lennon holding up the French “Ticket to Ride” EP. Claude tells me that this photograph is from the cover of a French record collectors magazine called “Jukebox”. The picture was taken in June, 1965 when the Beatles gave two shows in Paris at the Palais des Sports:
Immediately behind “Ticket to Ride” I think you can just see another French Beatles EP called “Eight Days A Week”. Here’s the cover of that one:
Here’s another Beatles EP (or Extended Play), this time it’s George and John with a copy of the UK version of “Twist and Shout”. In the UK, “Twist and Shout” was released in 1963 by Parlophone with three other tracks, “Do You Want to Know a Secret”, “A Taste of Honey”, and “There’s a Place”, from the Please Please Me album. Both the EP and album reached No. 1 :
From what must have been around the same time as the photograph above (mid-1963) comes this next photo:
It’s the Beatles with the group called Gerry and the Pacemakers at what appears to be celebratory drinks. Perhaps it was taken in April/May, 1963 when Gerry and the Pacemakers had a number one hit in the UK with “How Do You Do It?”, which came out on the Columbia label and was produced by Beatles producer, George Martin. That song was knocked from its top chart spot in May by the Beatles with “From Me to You”. It came out on Parlophone and was of course also produced by George Martin. It’s a bit difficult to tell from the photograph, but maybe band leader Gerry Marsden is holding up a copy of “How Do You Do It?”, and John is holding a copy of the new number one, “From Me to You”:
Beatles manager Brian Epstein features in previous posts pictured with Beatles records. Claude Defer sent through these next two. The first is Brian looking through a pile of what look like acetates or “test” pressings:
Wow. If some of those are Beatles test pressings (and no doubt they are) then they’d be real collectors items now! The other shot of Brian has him with a copy of “Help!” from 1965:
In 1966 the Rolling Stones released their LP “Aftermath”. Clearly the Beatles were keen to get a hold of it as soon as they could:
The caption says: “The Beatles always took a close interest in the new releases by the other top groups. Neil Aspinall (their road manager) had made a special trip to get hold of “Aftermath”, the new album by the Rolling Stones, and “Bo Dudley”, the single by Peter Cook and Dudley Moore”.
Cook and Moore were a popular British comedy act and “Bo Dudley” was the B-side to their 1966 single “Aint She a Sweetie” on the Decca label:
A year later (1967) the Beatles released “Magical Mystery Tour”. In the UK it came out as a film for TV, and also as a double EP. Here’s John signing a copy for a fan:
Not strictly the Beatles with records, but the lovely Patti Boyd who became a Beatle wife. She had a a very successful career as a model and here she is in a photo shoot featuring some of the work of her future husband, George Harrison:
Three Beatles albums are seen in the shot: “Please Please Me”, “With the Beatles”, and in her hand, “A Hard Days Night”:
John and Yoko posed for some photographs to publicise their new records in 1970. We had a couple of these in The Beatles with Records Part 2. Here’s one more, this time a picture of John and Yoko with their Plastic Ono Band LP’s. According to Claude Defer the man between them is Pete Bennett, Apple Records US promotions manager. John had just released “John Lennon/Plastic Ono Band”, and Yoko had “Yoko Ono/Plastic Ono Band”. Both titles were released simultaneously. The front covers were almost identical, but the rear artwork of Yoko’s album showed her as a young girl, while John’s showed him as a young boy:
The Lennon’s have also been photographed with an earlier release, “The Wedding Album”. It was a lavish box set celebrating their union in 1969 and contained amongst other things an LP, a wedding photo album, a picture of a slice of the wedding cake and, as you can see here, a copy of the marriage certificate pasted inside the lid of the box containing all the other goodies:
Finally, a more recent photograph – this time another of Paul McCartney out publicising his alter-ego The Fireman and a recording from 2008 called “Electric Arguments”. You can see a full report on this release here. Paul is photographed holding (upside down) the CD version, while one fan behind him holds the vinyl version, and another (on the left) is reaching for a vinyl copy of “Sgt Pepper”:
Thanks to everyone who sent in photos.
You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 and 17.
For a leading tax attorney Bruce Spizer sure knows a lot about the Beatles.
He is something of a legend amongst Beatles collectors. His books about the record labels the band’s output has been released on are much sought-after and comprehensive. Now, there’s a new one. The New Orleans-based Spizer has just released “Beatles For Sale on Parlophone Records”:
In a cheeky collector-driven move the book is available in two different versions. You can order it with the Stereo version of “The Beatles For Sale” album on the cover, or you can get the Mono image. The contents of both books are the same inside though:
Here’s the rear cover:
When asked to compare this book to his previous titles, Spizer said, “This is by far the most comprehensive book I have ever done because it covers all of the songs released by the Beatles in the sixties. The U.K. singles, albums and EPs, all in one 444-page book. Like my other books, it is full of hundreds of images in either color or original black & white. It contains rarely seen British ads and promotional posters. Frank Daniels and I were able to track down tons of label variations that will please and frustrate the hard-core collectors.”
Surprisingly (according to Wikipedia), Bruce Spizer didn’t start collecting seriously until 1997 when he earned a large fee from the settlement of a lawsuit and decided to use some of the money to replace his childhood collection of Beatles LPs with a set of first edition albums. From that moment he was drawn into the world of collecting and has since written and self-published eight great books on the subject of the Beatles, their records and record labels.
In case you think you’ve never heard of him, you may already have some of his work in your collection if you own this CD box set:
Bruce wrote the essay contained in the booklet which came with “The Beatles Capitol Albums Volume 2”. The four-CD box set contains stereo and mono versions of the Beatles albums released by Capitol in 1965. Spizer also served as a consultant to Capitol Records for both Volumes 1 and 2 in the series.
Bruce Spizer’s website is beatle.net and there is a lot more about all his books there.
The other day I got one more in the series – “Please Please Me”:
It’s another one of the 22 picture discs released by EMI/Parlophone in the UK on the anniversary of each singles’ release. Each disc was released on the 20th anniversary of that single reaching the number one spot on the charts.
You can see the rest of the UK picture disc series here (1982-1985), here (1985-1987), and here (1988-1990) – with thanks to Dave Dermon.
See the other two Beatles 45 picture discs in my collection here.
As interest grows around the release this week of the new Martin Scorsese documentary on the life of George Harrison, much is being written about the documentary and it’s importance.
Many will know and respect the work of US travel writer and novelist Paul Theroux. He has written a lengthy but insightful piece for The Daily Beast on “Living in the Material World”. It carries the title “The Sixth Beatle?” and contains the byline “George Harrison was liberated by rock and roll. Turns out Martin Scorsese was too”.
Theroux postulates that the two men, the musician and the film-maker, have more in common than might first appear:
“He had everything so young—everything was possible. He was struggling for his own creativity—for his creativity to be recognized,” Scorsese said. “But he wouldn’t have been able to create All Things Must Passhad he not gone through the relationship—the family relationship of the Beatles. That’s what you pay. That’s the price you pay.”
Scorsese’s solemn tone suggested that he could relate to George’s ups and downs. George’s Dark Horse tour was savaged, in the way that some of Scorsese’s greatest films were initially greeted with bewilderment and scorn.
Scorsese agreed, saying, “In my own work I was in those areas not once but many times—coming up against a brick wall. I thought Raging Bull was the last picture I was ever going to make. A number of times I was that way, flattened out, and coming back. As George’s story developed there was no way I couldn’t relate to it in my own life.”
The George Harrison official site now has full details of the release of the book, DVD, BluRay and Deluxe editions of “Living in the Material World” – the new Martin Scorsese documentary about George’s life which will premiere on TV next week.
In the US the film will be broadcast exclusively on HBO on October 5 (Part 1) and October 6 (Part 2). A US home video release will follow in the Spring.
In the UK the film will debut on October 4 in selected cinemas for one day only, then on October 10 it will be released in the UK released on home video on DVD, Blu-Ray and Deluxe Edition versions:
On the Harrison site now there’s a short extract from the film with Ringo talking about the recording of “Here Comes the Sun” which will give you taste of what is to come.
The Deluxe edition box set looks like it will be very nicely packaged:
The limited-edition Deluxe version is packaged in a bespoke picture frame box with easel back for photo display, and includes 2 DVDs and one Blu-ray featuring the film plus 11 bonus features, a 10-track CD of previously-unreleased recordings, 2 exclusive lithographs, and a 96-page book.
CD:
My Sweet Lord (demo)
Run Of The Mill (demo)
I’d Have You Any Time (early take)
Mama You’ve Been On My Mind (demo)
Let It Be Me (demo)
Woman Don’t You Cry For Me (early take)
Awaiting On You All (early take)
Behind That Locked Door (demo)
All Things Must Pass (demo)
The Light That Has Lighted The World (demo)
DVD Bonus Features: (*exclusive to Deluxe Edition)
George plays the Uke*
Deep Blue*
Here Comes The Sun
Dispute and Violence
Growing Up In Liverpool*
Paul McCartney
Neil Aspinall*
The Inner Light*
Jeff Lynne
Gordon Murray*
Damon Hill
This latest addition to my collection was released a little while back now – but I’ve just been able to secure a very nice copy of the very rare and limited deluxe edition of the 2008 release “Electric Arguments” by The Fireman (a.k.a Paul McCartney and his producer, Youth). This is a truly over-the-top item, a bespoke, hand-made item with unique artwork and inserts.
Before we get to the details of this release, we’ll take a look at the standard editions first – and there are a quite a few. Just the scale of the different versions and artwork created for the “Electric Arguments” project is staggering.
The most common commercially-released and readily available version of “Electric Arguments” came out as a single CD. McCartney was between labels at the time and so in the UK it was released and distributed on the One Little Indian label. In the US it was released and distributed by ATO Records.
In both markets the CD is contained in a cardboard digipac gate-fold, the cover of which looked like this in both markets:
The black square and those circles that look like stickers on the front of the cover are actually printed onto the shrink-wrap plastic around the cardboard cover, not on the cover itself. The only difference between the two countries is the catalogue number and the printing on the CD – which carries the name and logo of the record company releasing it:
The UK CD released and distributed by One Little Indian – catalogue number: tplp1003cd
The US released – distributed by ATO Records – catalogue number: 88088-21640-2/ATO 0063
(If you’d like to see larger versions of any photographs here just click on the image).
The CD gate-fold contains a 46 page booklet, which slips into a pocket inside the cover:
This official, commercial CD release was supported by three promotional CDs. These were only sent to music reviewers and to radio stations. The first contained exactly the same 13 tracks as the commercially-released album, but with a completely different cover and artwork, and different printing on the CD, which states “For promotional use only”. Its catalogue number is MPL 922:
There were also two separate, single-song promo CD’s sent to radio stations to promote the album. The first (and more common one) was for the song “Sing the Changes”. It came out in a simple digipac gate-fold with unique artwork and printing on the CD itself. It has the catalogue number MPL 1006-CDPROMO:
The second and more difficult to find promo CD contains the song “Dance ’til We’re High”. Again, like the other two promos, it is presented as a unique picture disc mounted on a clear tray in a digipak cover with alternate artwork. The CD printing was different, and the catalogue number is 1011tp7cdp:
There was also a limited edition, double LP vinyl pressing of the album (catalogue number tplp1003/5016958 1040 1 6) which has been Direct Metal Mastered at the Abbey Road studios. The two LPs are in a gate-fold cover which has the same artwork as used on the outside as the commercially released CD. Its pressed on heavy 200g vinyl and the cover comes inside a thick clear-plastic outer with a yellow limited edition numbered sticker on the outside:
Inside the gate-fold cover of the 2 LP set is a 15 page book:
The LP packaging also contains a CD copy of the album which is held in a simple custom slipcase envelope. Here are the front and rear covers:
The records themselves are also held in thick paper inner sleeves with even more artwork on them and each side of the the vinyl has these custom designed labels:
Then, a few months after all these releases above (LP and CDs) came what could only be described as a very special and limited edition of the whole “Electric Arguments” project. This version has the catalogue number TPLP1003DE. It came sealed in this large, custom-made paper satchel:
Inside the bag is a heavy-duty steel box:
Before we go any further, I must acknowledge and talk about the person responsible for the entire design of The Fireman “Electric Arguments” packaging. Art direction for the project (including the standard CD, promo CDs and the Deluxe Edition) is by Norman Hathaway, a creative director based in Brooklyn, New York who has done a number of other projects for Paul McCartney, including CD covers and books. It’s not the first time Hathaway has done a Fireman album either – he also did the artwork for “Rushes”, Paul McCartney’s second collaboration with producer Youth. His work on “Electric Arguments” though, particularly this Deluxe Edition, is very special. I’m really not sure how they manufactured it – parts really do have the look and feel of being hand-made.
Once you open the metal box you see this sheet pasted inside the lid:
As you can see, its like a replica studio reel-to-reel tape box, listing the contents, and stating it was recorded at May Hill, McCartney’s own Hog Hill Mill studio in Sussex in the UK. Down the bottom it says in Paul’s handwriting: “This is not a pizza. Enjoy it: Paul McCartney x x “. The next thing you see is the first of two art prints, exclusive to the box set:
Underneath these is a deep red cloth-bound folder, with embossed writing on the outside saying “the fireman – electric arguments – paul mccartney – youth”:
This opens up to reveal not one, but four separate CDs:
This CD holder looks truly handmade – you can see it in the image above, and it has nice detail touches, like the words “electric arguments” imprinted on the cardboard inside the place where the CD sits. The CDs are: the full 13-track album (with different printing on the disc to the standard release); a 7-track bonus song CD; a high resolution stereo audio CD with all 13 songs from the standard edition, plus a further bonus track (a dub-step remix of the song “Highway”), and three videos (“Sing the Changes”, “Dance ’til We’re High” and “In the Studio”); and finally a multi-track audio files data DVD containing mixing “stems” for 5 different tracks from the album:
OK. Then comes a 46 page art book, which is the same as the booklet you get with the standard CD but in a larger format:
And then a copy of the 200g vinyl 2 LP set:
Really, for the collector and completist it is all fairly breathtaking!
Finally, to get an idea of the Deluxe packaging in it’s entirety here are two short videos of owners “un-boxing” their copies. The first is a bit rough in places, but it gives you a good idea of the way this entire project is put together:
The internet turns up some truly weird stuff sometimes, doesn’t it? Blogger Brett Debritz wrote about this very strange tale on his site: “This man’s name is Klaus Beyer. He has just completed a 13-year project to translate into German and re-record all the Beatles’ albums. My only comment on his vocal style is that it’s unique. Read this story and check out his jukebox. If you only listen to one song today, make it Kommt zusammen.”
Klaus even has these strange re-recordings of all the Beatles albums for sale on his website, complete with reworkings of the original cover artwork featuring – you guessed it – himself in all the images….
The internet turns up some truly weird stuff sometimes, doesn’t it? Blogger Brett Debritz wrote about this very strange tale on his site: “This man’s name is Klaus Beyer. He has just completed a 13-year project to translate into German and re-record all the Beatles’ albums. My only comment on his vocal style is that it’s unique. Read 
Beatles Blog 