Four Beatle Books for a Song…

Posted on June 19, 2013 by beatlesblogger

Made the mistake of walking past my local discount book store today…..haven’t been near the place for weeks and it’s always a bit of a lottery to go in. They turn over discontinued and surplus titles very quickly and at very cheap prices so you never know what you might find. Today, in ten minutes, I came away with not one but four new Beatles titles for the collection.

This first one is a ripper and comes from 2010. It documents what is now a legendary photo shoot by the band in July, 1968 otherwise known as “The Mad Day Out”. Photographer Don McCullin shot about fifteen rolls of film over the course of a day out in the streets of London and back at Paul McCartney’s house at St John’s Wood.

Many of the photographs had until now remained largely unpublished. If you have the Beatles “1962-1966” or the “1967-1970” double LPs or CDs you’ll have seen at least one photo from this same photo shoot. It’s the black and white one inside the gate-fold album cover, or in the very centre of the CD booklets, labelled (incorrectly as it turns out) “St Pancras Old Church, 22 July 69”. Here’s two other photos from the book: This edition is in a smaller format than what I recall seeing in shops when this book first hit the shelves, but it is a very nice book to have none-the-less.

Here’s the rear cover:I already had a copy of this next one, but not in the same format. The book I found in the discount shop today is a very small paperback copy. It’s Ringo’s Postcards From the Boys, and for just $4.99 how could I resist another copy?

Postcards is a collection of 51 postcards sent to Ringo from John, Paul and George. Each card (displayed front and rear) is accompanied by brief reminiscences from Ringo:

This book first came out as a hardback in 2004 after originally being released in a very limited and expensive edition by Genesis Publications. This one I found today is at the other end of the scale – a small-format, budget re-issue from 2005:

(If you want to see the absolute deluxe version in minute detail, check out this lengthy YouTube clip).

Next find was a what looks to be a very interesting study of the Beatle money trail, how they got ripped off, and lost and made fortunes:

Beatles For Sale – How Everything They Touched Turned to Gold is by John Blaney, the author of a number of Beatle-related books (including this one). It was published back in 2008. I have always been interested in the Beatle money matters (especially around the formation and eventual demise of their Apple Corporation) and so this one looks like it will be a very good read. Here’s the rear cover:

Finally, a book about Beatles books.

Beatle Books – From Genesis to Revolution is an extensive compendium detailing all the books written about the band, by the band members, and about them as solo artists too.

There was only one copy of this on the shelf, and it has been pretty beaten up. It looks like its been dropped, or something heavy has been dropped onto it. But it’s a really handy reference book and one I have never seen before. The guy gave me an extra discount because of the damage – so I paid the princely sum of $5.99….

If you’re interested this came out in 2008, is manufactured in Canada, and was published by Collectors Guide Publishing in Ontario. Strange to find one copy floating around a discount bookshop in Sydney, Australia.

A Big Beatles Garage Sale Haul

Posted on June 3, 2013 by beatlesblogger

In my previous post I was bemoaning the scenario where you make the effort to get out and about early on a Saturday morning on the hunt for Beatles vinyl – and return frustrated and empty-handed.

Not so this last weekend which produced a wealth of great Beatles treasure, including one LP I’d not seen before. My son has taken to joining me on these forays into others people’s garages and front lawns. He calls it “crate digging“. He’s on the lookout for jazz plus wide range of other artists he might be able to take samples from to load into his computer. He then uses short grabs from these to mix into new songs he’s creating himself.

Anyway, we go to this one house early Saturday morning and the lady says yes, she has some records, but as she hasn’t gone through them she doesn’t want to put them out right now. If we could come back after lunchtime she’d find them (somewhere up the back of a very packed garage) and we could have a private look through to see if there is anything we want. We like the sound of an exclusive “crate dig” and so return at the appointed time. By this time four very large plastic bins filled with records have been located and we begin to look through….

First out of the crate comes an Australian copy of Sgt Pepper. It is in the old-style gatefold cover with the fold-over tabs, plus it has the original paper inner and the “cut out” insert. Things are looking good. This one is on the old Parlophone black and silver “Stereo Banner” label. Jaesen Jones, the author of “An Overview of Australian Beatles Records“, says this label was used on some pressings of Pepper by EMI here between between the years 1967-1969: Nice. Next find was an Australian copy of Let It Be. It’s not an original issue, but one of the many, many re-issues of this disc. This one is on the Apple label and is in pretty good condition – near mint. Here’s the rear cover and label:

While flipping through the boxes we got talking to the lady and it turns out this collection of records (which was literally a couple of hundred discs across a wide variety of genres – but mostly rock and pop) came from a very well-known Sydney radio and TV personality. He was an old family friend and years ago when moving house asked the lady if she wanted his records…

Next I find, in quick succession, a Beatles White Album and an Abbey Road (both re-issues on Apple and probably about the same vintage as the LIB above). The White Album even has the poster and all four photos and is in very good condition:

Further digging then reveals a red The Beatles/1962-1966, again an Australian copy, with the Apple label and a red background. It has both lyric sheet inserts and is in reasonable condition. Not mint, but OK:The final Beatles treasure to come out of these crates is a bit of a rarity. It’s an album I’ve not seen before The Beatles – Birth of Legend. A New Zealand release from 1983 on the budget Music World Records, it features twelve songs from the famous Decca audition tapes:As the liner notes on the rear cover say, the Decca audition refers to the now-famous audition by the Beatles for Decca Records before they reached international stardom. In what was considered one of the biggest mistakes in the music business ever, Decca decided to reject the band selecting instead a band called Brian Poole and the Tremeloes.

So, after a weekend before of nothing, this time around it is a different story.

Record Store Day, and a Record Fair…

Posted on April 25, 2013 by beatlesblogger

I had a goooood Record Store Day last weekend.

For starters I managed to pick up copies of the Wings 12″ 45 of “Maybe I’m Amazed“, and I also scored the Ringo Starr three x 7″ box set. I got the Wings at one of Sydney’s longest-running, best-known and best-stocked independent record stores – Red Eye Records. We had to queue up in pouring rain outside the shop from opening time (9.00am Saturday) to get in. There were so many people hunting for RSD product it was a bit nerve-wracking wondering if they’d sell out of the Wings title. But, no problems. They still had some left when I finally got to the sales counter.

The Ringo box-set was another matter though. Red Eye hadn’t been able to secure any copies at all, and a quick phone around to just about every other likely outlet in town was the same story. I don’t think any copies of this actually made it into the country. So then it was a matter of just waiting for RSD to roll around in the USA and some copies to begin appearing on eBay. Which, due to the time difference between here and there, they eventually did late on Saturday night.

The Ringo Starr Singles Collection is three 7” vinyl singles in a lift-top box. You get “Photograph” b/w “Down And Out” / “It Don’t Come Easy” b/w “Early 1970” / “(It’s All Down To) Goodnight Vienna” b/w “Oo-Wee”, presented with replicated original picture sleeve artwork, a poster, and a bonus custom record spindle adapter.

Meanwhile….the rest of Saturday was taken up largely by attending the Glebe Record Fair. This is one of the big second-hand record fairs on the Sydney calendar and this year it did not disappoint. The heavy rain on Saturday did not deter people coming out in their droves:Crate digging at the Glebe Fair I actually found quite a lot of things. First was a Beatles eight-LP box set I’ve been seeking out for some time – The Beatles Box – From Liverpool:

It’s the Australian edition from 1981 on the Parlophone label, and it came with the original poster too! I already had the Readers Digest Australian edition of this set (with different labels) – but having a mint copy on the orange Parlophone label has been an aim for a very long time:

From the same dealer I also got what I think is a quite rare Ringo Starr LP from 1983 called Old Wave. You can read the story of why there aren’t a lot of copies of this one around on Wikipedia. Because I’d purchased The Beatles Box – From Liverpool set he sold this one to me for A$10 – which I think was a bargain:

This copy is on the Australian gold RCA label:

I seem to be going from having hardly any Ringo Starr solo to now having quite a few. At the Glebe Fair I also spied a reasonable copy of the budget Music For Pleasure edition of his Blast From Your Past:

This “best of” compilation originally came out on Apple in 1975. In fact it was the last record to be released on Apple (before the label re-emerged in the 1990’s). This MFP re-issue comes from 1981. See the post Budget Beatles for more info on this and other budget labels which feature the Beatles as a group and as solo artists.

On the topic of budget Beatles, my final purchase for the day was a copy of The Beatles at the Hollywood Bowl on the Australian EMI budget label Axis:

This LP came out in 1987 in a single sleeve (as opposed to the original EMI/Capitol issue from 1977 which had a gatefold cover). This is nice copy in very good condition.

So, a really productive (if somewhat expensive) Record Store Day.

Beatles Collecting – The Nice Things People Do

Posted on April 14, 2013 by beatlesblogger

Sometimes you don’t go looking for Beatle records. Sometimes, Beatle records come looking for you. That was my experience about three weeks ago when an old friend asked me if I was still interested in collecting the Beatles because she had a couple of records and would I like them?

Well, yes of course I would! Always open to donations. She dropped them in a couple of days later, and you’d have to say it’s a mixed bag of goodies….

The first one wasn’t even the Beatles. It was Wings. Well, not even Wings really, just an obscure band called P.K. and the Sound Explosion doing covers of Wings:

I think there are only two saving graces about this one. One is the daggy cover design featuring a (poorly) stylised version of the official Wings logo of the time. This is what the real thing looks like:

The other saving grace is that this copy is still sealed in protective plastic and is in mint condition. This is a US copy that came out on the Pickwick Records budget label back in 1977. It is so bad, it’s good! (P.K. and his group have also done a Disco Christmas LP, the Beach Boys Songbook, a Paul Williams Songbook, and the Bee Gees Songbook).

Next came three of the real thing, some it has to be said in better shape than others. For instance this very well-used example of the Australian-only cover of Beatles For Sale:

You’d have to say this is a copy that has had a good life. I’m not sure about you, but it has so much patina of age that I’m tempted to keep it just because it looks so pre-loved and lived-in. There was one other intriguing thing. When I took out the vinyl it’s the mono pressing, but not the Australian version. Here’s what I got:

This is what it should look like:

Clearly the original Aussie pressing has been played to death and someone, over the course of the long history of this particular copy of the album, has sought out another to replace it – that being the UK mono we see above….

There was another Australia-only cover in the four records my friend donated. It’s the 1972 release The Essential Beatles on the Apple label. This is a “best of” compilation and as its catalogue number suggests (TVSS 8), it was associated with a TV advertising campaign by EMI in Australia:

This copy of The Essential Beatles has a well-used cover but the vinyl inside is actually in pretty good shape.

Finally a double LP of the soundtrack to the documentary movie Imagine John Lennon:

This is a gatefold album of twenty-one Beatles and Lennon songs. It is in what I would describe as good (G) to very good (VG) condition. The Internet Movie Database says of the film: This “biography” evolves around the nearly 240 hours of film and videotape fortuitously taken by Lennon of his life. The archive footage is transformed into a fascinating life story of one of the most complex and fascinating men of the modern music era….Includes some very personal and insightful footage, never before made available to the public.

The gatefold has some nice photos:

This is the Australian pressing, on the black and silver Parlophone label:

So, some varied, interesting and unusual donations from a friend. Sometimes you don’t have to go looking too far. Beatle records just come to you.

The Beatles Australian 20th Anniversary Singles Collection

Posted on March 2, 2013 by beatlesblogger

It’s funny how Beatles records can end up wandering the earth. I just brought this thirty-four disc box set of Australian singles from a guy in France. It was made here in Australia – and now it has returned home after a long journey and a long time away…

It’s the 1982 release The Beatles Australian 20th Anniversary Singles Collection. They are all housed in a maroon coloured carboard box:

As you can see, mine has been quite faded on the front and sides from exposure to the sun. It has the catalogue number AB34 stamped on the side:

Here’s the rear of the box showing the deeper maroon colour which is closer to how it would have originally looked:

The original box colour is more like this one:

Inside there are 34 singles, plus a six-page insert with the details of each single:

Despite the slightly beat-up outer box (it is faded, has a sticker mark on the front, and had some split seams on the lid – which I have repaired) the singles inside are in VG to EX condition. Each single comes in a unique (but quite flimsy) paper picture sleeve, and each one features different photographs (both front and rear) taken during the Beatles 1964 tour of Australia and New Zealand. I won’t show all thirty four (!) but here are just three favourites, front and back:

To see the complete set of covers visit the wonderful beatlesaustralia.com and click on each catalogue number to view the cover plus the labels.

Each single in my box set is on the black and silver Parlophone label, except for two (Ob-La-Di, Ob-La-Da/While My Guitar Gently Weeps and The Ballad of John and Yoko/Old Brown Shoe), which are on the Apple label – green on one side and cut on the other:

However, I notice on the beatlesaustralia.com site that all the singles they show, including the two I have on Apple (A8693 and A8793), are on the black and silver Parlophone label. An interesting variation….

Ravi Shankar – Beatles Friend – Died Today Aged 92

Posted on December 12, 2012 by beatlesblogger

The opening lines of George Harrison’s “Bangladesh” song from 1971 are: “My friend came to me with sadness in his eyes, he told me that he wanted help, before his country dies…..”.

That friend was Ravi Shankar – Indian sitar virtuoso and legendary musician who has died today – aged 92.

A statement on the musician’s website says he passed away in San Diego, near his Southern California home. His foundation issued a statement saying that he suffered upper respiratory and heart problems and had undergone heart-valve replacement surgery last week.

Indian Prime Minister Manmohan Singh also confirmed his death and called Shankar a “national treasure”.

Labelled “the godfather of world music” by George Harrison, Shankar helped millions of classical, jazz and rock lovers (including me) discover the centuries-old traditions of Indian music. He became a teacher, mentor and father figure to Harrison and greatly influenced the Beatles music, from composition through to their fascination with India and it’s culture.

His discography is understandably extensive, spanning a recording career of well over 55 years. Ravi Shankar was briefly signed to the Beatles Apple Records label and released two albums. The first was a soundtrack album to a film about his music and life called Raga (1971), with the album of music from the film produced by George Harrison:

And then in 1973 came a double LP called In Concert 1972, with sarod player extraordinaire Ali Akbar Khan:

George Harrison of course famously called upon his friend Shankar in 1971 to open the fundraising Concert for Bangladesh in 1971, and then released a live film and a triple LP called The Concert for Bangladesh with the whole of the first side of Disc One dedicated to a performance by Ravi Shankar. This was also released on Apple Records:

Following the demise of Apple in the seventies, George Harrison continued his association with Shankar, releasing two LP’s on his Dark Horse label. The first was Shankar Family and Friends (1974):

Shankar Family and Friends was followed on Dark Horse Records in 1976 by Ravi Shankar’s Music Festival From India:

George Harrison also compiled and produced a 1996 box set called Ravi – In Celebration (for the EMI subsidiary label, Angel Records). A single CD of highlights was also released:

And in 1997 (also on the Angle label) came Chants of India, which was again produced by George Harrison:

It was no surprise then, when in 2002 a tribute concert was held in honour of the late Beatle, that the music of Ravi Shankar would feature prominently. He was present for the show and a Shankar composition “Arpan” (Sanskrit for ‘to give’), was specially written for the occasion:

All the Dark Horse Harrison/Shankar collaborations, plus Chants of India, came out in a lavish box set simply called Collaborations in November 2010:

In recent years Ravi Shankar’s own record label EastMeetsWest Music has been steadily working through his back-catalogue and re-releasing his life’s work on CD, DVD, and digitally.

Beatles 2012 Remastered Vinyl – Released (First Pictures)

Posted on November 8, 2012 by beatlesblogger

Is Australia the very first country to see the new Beatles Remastered Stereo Vinyl Box Set delivered?

The new records aren’t due for release in the UK and the USA until next week (12 and 13 November respectively). However, today I got a call from my local record store in Sydney saying “Come on in – your order for the Beatles box set is ready for collection today“. (That’s Thursday, 8 November)

Naturally I high-tailed it down there – and here are the first pictures of it being unpacked. It comes in a big protective outer box:

The large sticker declaring the contents is placed on both sides of the box:

The two shipping labels on the side. Both say “Deliver Thursday”:

When you open the box you see what looks like another box-within-a-box:

It is held in place by two thick white foam inserts that you usually see in packaging for large electrical goods like TV’s, etc. At this point I should say this package is incredibly heavy. You actually have to lie it on its side to slide it out:

What initially looked like an inner box is actually a thick brown cardboard wrap around the main package (above). Once you take it off you see this:

It’s just like the Beatles Remastered Stereo CD box released in 2009. There’s a thin cardboard outer sleeve around the record box itself. As you can see above it has “The Beatles” and an Apple logo printed on the front. This is what’s printed on the rear:

The outer sleeve slides off to reveal the main, lidded box:

Opening the lid – there are two pieces of black foam and two large moisture absorbing packs:

The book and all the LPs are completely sealed in heat-shrink plastic:

“Let It Be” (below) has the green Apple on the rear:

The book is really heavy and looks amazing – even in its heat-shrink wrap:

It has black-edged pages:

One side of the outer sleeve has the record and book edges printed on it. I guess that’s so it’ll look good when sitting on a shelf with that edge facing out:

Well, that’s about it for now. Hope you enjoyed this. Haven’t had time to open up any of the records or the book. Just wanted to get this up quickly for all to have sneak peek at the new Beatles Remastered Stereo Vinyl Box Set.

(Click on images to see larger versions)

Label Variations Part Eight – Lennon’s “Imagine” Single

Posted on November 7, 2012 by beatlesblogger

Last post I wrote about a couple of unusual garage sale finds. One was a vinyl copy of John Lennon’s 1971 single “Imagine” – but on the much less common Parlophone label in New Zealand.

When researching the post I had a good trawl around the internet to see if I could find a similar copy. I couldn’t.

However I did find a huge number of other interesting label variations. I guess that’s not surprising given the fact that this song has become an iconic John Lennon composition. Here are just some of them, starting with the rare New Zealand pressing I found:

Looking around the web I could not find anything about this release – so if you know more details please get in touch. The more common New Zealand pressing, though still quite collectable in my view, would be on the green Apple label:

Of course Lennon releases in Australia also came out on the Apple label, and I own probably the most common original Australian release of “Imagine”. It looks like this:

Searching through Google Images I actually stumbled across a picture of what would have been the original Apple acetate pressing of the song:

These acetates were test pressings, done in-house at Apple so that the engineers and John Lennon could take them away and have a listen to the mix and to the quality of the pressing before saying “yes” to printing so many hundreds of thousands of copies…Those big first press runs would have been in the United Kingdom – which used a green Apple. Here’s an early promo copy sent out to radio stations, followed by the legitimate single released to the public :

And in the United States – which used a plain white Apple label favoured by John Lennon at the time:

Of course other countries quickly followed, including places like Germany:

And the Netherlands:

Such was the fame of this song there were also pressings from unusual countries like Venezuela:

From Mexico:

And from Brazil:

Brazil also released the song on a plain white label – but a variation on the white Apple issued the USA:

In the US the song was so popular it kept getting re-issued on a variety of Capitol labels:

And this purple Capitol example:

Meanwhile back in the UK the single was being re-issued countless times as well. Here are two later examples on the Parlophone label:

Friend Andrey in Russia has sent another two examples. The first is a mono single from France:

And a slightly different image of the white label above from Brazil (different font on the year of issue):

There are no doubt many more examples given the worldwide love of this one song. If you have any other label variations you would like to share please email them through to beatlesblogger@gmail.com

Two Small But Unusual Garage Sale Finds

Posted on November 3, 2012 by beatlesblogger

There are times at garage or yard sales when you are on the hunt for Beatles vinyl that the pickings can be pretty slim.

This was the case last weekend. After visiting quite a few, and with the prospect of going home empty-handed, I struck two very unusual and potentially rare items at the very last house I visited. Sitting in a box of old 45’s I found two New Zealand pressings. They’re both collectable – with this one probably being the most rare:

As you can see, it’s a copy of John Lennon’s “Imagine” – but on the NZ Parlophone label:

I must admit, despite seeing quite a few copies of this single in my time, I’ve never seen in on the black and yellow Parlophone label before. Next post I’ll put up some of the great variety of label variations of “Imagine” from around the world.

Sitting with the John Lennon was another New Zealand single – a copy of the Beatles “Hey Jude” b/w “Revolution”. Unusually, it was in a UK cardboard outer sleeve:

These covers were produced for the UK Beatles box set “The Beatles Collection” containing all 25 British single releases. However, inside this one there was a New Zealand Parlophone pressing of the single – again on the yellow and black Parlophone label:

In “The Beatles Collection” box set this single looks like this:

So, the copy I found is quite strange. I’m not sure if New Zealand EMI ever produced a version of this box set where they sourced the British packaging but inserted locally pressed vinyl. In some countries that sometimes happened. If so, my single has become separated from the rest of the collection at some stage….

These are the other versions of the “Hey Jude” single in my collection. The record was released in that period just when Apple Records had first been created and so some copies in Australia also came out on the Beatles’ old label, Parlophone:

It was also released here on a standard Apple:

And here’s an example of some weird typography being used in the song title on a later Australian Apple pressing:

Finally an example of the original UK Apple version:

So, when garage sale hunting seems fruitless sometimes its worth going to just one more house….

Mary Hopkin – Australian Vinyl

Posted on October 29, 2012 by beatlesblogger

Last weekend I was visiting a cool Sydney second-hand record store called Revolve Records and Relics. As you can see if you click here, its a full-on searching experience when you walk inside…I was actually there on the hunt for an Australian pressing of the John Lennon/Plastic Ono Band LP to send to Andrey, a Russian collector and reader of this blog.

Anyway, I didn’t turn one up for him (yet), but I did find an LP for myself that I’ve been searching for now for about ten years or so. It’s an original Australian pressing on Apple Records of the Mary Hopkin compilation “The Best of Mary Hopkin”:

You might know this record as “Those Were the Days”. In the UK and the USA that’s what it was called when released back in 1972. It has the same Apple Records catalogue number here as the UK issue – SAPCOR 23 (in the US this was SW3395) – and the same 11 tracks and running order:

There’s a bit of a backstory for me regarding this LP. I did spy a copy of it once at a garage sale about 10-15 years ago. I was just about to reach for it when another person at the garage sale spotted it first and grabbed it. It must genuinely be one of the Apple rarities as I’ve never seen another copy of it since!

So, thanks to Andrey, I have one more item ticked off in the quest to own every Apple LP on vinyl.

Beatles Blog

Adventures in collecting Beatles music

Category Archives: Apple Records

A Big Beatles Garage Sale Haul

The Beatles Australian 20th Anniversary Singles Collection

Beatles 2012 Remastered Vinyl – Released (First Pictures)

Label Variations Part Eight – Lennon’s “Imagine” Single

Two Small But Unusual Garage Sale Finds

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