Not One But Three New Videos of “My Valentine”

That’s right. Three new videos. You’re probably familiar with this, the first official release made during the photo shoot for the cover of “Kisses on the Bottom“:

But yesterday Paul McCartney launched not one, but three new versions of a video he directed himself of his song “My Valentine’. They each feature Natalie Portman and Johnny Depp. The first has both actors presenting the song using sign language:

Then there are two version variations – one with just Natalie Portman on her own:

The other has just Johnny Depp on his own:

If I’m not mistaken, that sounds like a slightly different guitar solo. Could it be Johnny Depp actually playing guitar? He’s a keen player.

The Mail Online has a feature on the making of the videos.

UPDATEpaulmccartney.com has just issued a press release with more details about the new videos – which are based on an original idea by Paul’s daughter Stella McCartney and were premiered at an event held at the Stella McCartney store in Los Angeles. Two other interesting details from the release:

‘My Valentine’ is the second Paul McCartney music video Natalie Portman has starred in, the first being the Michel Gondry directed ‘Dance Tonight‘ in 2007.  For this new performance, she was exclusively dressed by Stella McCartney. Johnny Depp also plays guitar in his version and recorded the track’s guitar solo live.  His guitar take was then mixed and mastered into the final track.  The original guitar solo on the studio version of the song was performed by Eric Clapton.

Beatles With Records – Part Eight

This is the latest in a series about the Beatles being photographed holding or being nearby LP records or CD’s. Of all the many thousands of photographs taken of the band (or of them as solo artists) there are not actually that many with them in close proximity to the product they sold so many of….

The other posts in this series are: The Beatles with Records Parts 123467910111213141516 and 17.

Readers have sent in some additional photos and so its time for maybe one more installment. This first one, which comes from Thomas Repetny, is an early shot taken on a stage decorated with record covers behind what is clearly an early incarnation of the group (i.e. no Ringo yet…):

Thanks for this one Tom – and check out Tom’s own zany site tomwantstoplaywithpaulmccartney.com and watch as he follows his dream.

In researching this photograph (to try to figure out the LP covers hanging up on the wall behind the Beatles) I found the same early stage shot taken from a couple of other angles:

Of the eight LP covers and one 45 that can be seen behind the band I can clearly make out just two. They’re both above drummer Pete Best. The first is right at the top and it’s The John Lasalle Quartet LP “Jumpin’ at the Left Bank”:

This jazz album was recorded live at the New York City nightclub of the same name. It was released in the early Sixties. Interestingly its on the Capitol label – which of course would soon become the Beatles own label in the United States.

The other album cover is just above Peter Best’s right shoulder. It’s an album by the legendary Belgian jazz guitarist Django Reinhardt – “The Art of Django”:

All the albums on this stage seem to be jazz-influenced. The only other title I can vaguely make out is “The (something) Jazz Quartet”. If anyone knows when and where this photograph was taken, and if anyone can identify any of the other record covers, please email us at beatlesblogger@gmail.com

There was another photograph sent in also with the Beatles playing on stage – this time with their own record “Please Please Me” enlarged as the backdrop:

Again, it’s quite an early shot – but there is Ringo, and there is the very early flowing script version of a Beatles logo on his bass drum. Clearly it’s just after the release of their very first LP in Britain because there behind them, plastering the rear of the stage is a large poster and many record covers for “Please Please Me”:

Once the band started to become famous the press wanted photographs of them at home and in more relaxed surroundings. Here’s one of those featuring Ringo with his Mum and stepfather – who both loved their music. He’s talking with them about the record he’s holding. It’s by James Ray:

You can see the rear of the cover in the photo above:

And this is the front cover image:

Nice. James Ray was an American R&B singer. There’s another Beatle connection here because in 1962 it was James Ray who recorded the original version of “Got My Mind Set on You” (you can see that on the rear cover track-listing from the album that Ringo is holding. See track 3). Much later (in 1987) the song became a number one hit for George Harrison. (To compare the two versions see: YouTube – James Ray and YouTube – George Harrison)

Signing albums has always been a task when in public for all the Beatles. Here’s Paul in what looks like the mid 1980s signing a copy of one of the Beatles most famous record covers – “Yesterday and Today”:

What you can see in the picture above is the rear cover:

Doing publicity for a new record that is out in the shops goes without saying – even for ex-Beatles:

Ringo’s “Y Not” was released in January, 2010.

As he would say: “Peace and love.”

And happy Easter everyone.

You can see the other parts in “The Beatles with Records” series here:  Parts 1234679 , 10 , 111213141516 and 17.

McCartney “Kisses” Interview – Fresh Air on NPR

One of my favourite podcasts is Fresh Air from National Public Radio (NPR) in the US.

They have just uploaded a really interesting and insightful interview with Paul McCartney about his recent release “Kisses On The Bottom“. NPR host Terry Gross interviews Paul from his East Sussex studios (Hog Hill Mill) in England. She finds him in a relaxed, expansive, and conversational mood. Paul is candid and open – and is sitting at his piano. He doesn’t perform but illustrates his points with it as he speaks about songwriting and music. It’s really worth a listen for any Beatles fan, or anyone interested in understanding why McCartney has released an album of pre-rock’n’roll songs. You can listen by going to the NPR site, or just click below:

At the end of the interview Paul describes his studio. To get a visual idea of what it looks like inside check out this video of him working in 2009 with Klaus Voormann at Hog Hill Mill:

Harrison – Early Takes Vol. 1

As reported on the Beatles Examiner, Wogblog and The Second Disc sites, Martin Scorsese’s spectacular documentary “Living in the Material World” (on the life and times of George Harrison) is about to be released on BluRay and DVD for the first time in the USA:

While that’s of course worthy of note (the film has been available in other markets since October last year), the BIGGER news is that the limited edition music CD only previously available if you purchased the expensive Deluxe Box Set of “Living the Material World”, is soon to be released as a single, stand-alone CD:

Not only that, for us mad vinyl collectors it will also be released in vinyl:

Both the CD and vinyl are to be released on the Hip-O Records label, part of the Universal Music stable. They’re the company that released Ringo Starr’s latest CD’s. The Harrison discs will contain previously unavailable demos and, as the title suggests, “early takes” of these ten songs:

  1. My Sweet Lord (demo) 3:33
  2. Run Of The Mill (demo) 1:56
  3. I’d Have You Any Time (early take) 3:06
  4. Mama You’ve Been On My Mind (demo) 3:04
  5. Let It Be Me (demo) 2:56
  6. Woman Don’t You Cry For Me (early take) 2:44
  7. Awaiting On You All (early take) 2:40
  8. Behind That Locked Door (demo) 3:29
  9. All Things Must Pass (demo) 4:38
  10. The Light That Has Lighted The World (demo) 2:23

The other good thing is that the disc is sub-titled “Volume 1” – which suggests that there may just be others in the series……

Version Variations You Didn’t Know About

Collecting Beatles recordings is sometimes a confusing business. You think you’ve got a particular CD or LP and then you find out (sometimes years later) that there’s a different version or variation available. That’s what happened to me while surfing the web the other day.

I’ve had for many years a vinyl copy of Paul McCartney’s “All The Best”, which is a two LP “best of” set featuring his greatest solo and Wings hits. It came out in 1987.  This vinyl edition has 20 tracks. The cover is a gate-fold looks like this:

Then, about 12 months ago I was browsing a second-hand book and CD sale in Sydney and found the CD of this same title. It was an Australian pressing (which is the same as the UK release) but I discovered it only has 17 tracks – as opposed to the 20 tracks on the double LP. It misses out on “Maybe I’m Amazed”, “Goodnight Tonight” and “With A Little Luck”. The CD was only $4.00 and so I figured I might as well get it. It’s different to the LP, and it has a slightly different cover:

OK.  So, as far as the collection goes I figure I’ve pretty much got this album. No need to bother with any other copies….

Until the other day when I accidentally notice on the web that the US compact disc version has a slightly different cover again…..and that it has a different song running order as well:

On the UK (and Australian) versions of the CD (released on EMI/Parlophone) you get “We All Stand Together”, “Mull of Kintyre”, “Pipes of Peace” and “Once Upon a Long Ago”.

On the US CD (out on Capitol Records) those songs are deleted and replaced with “Junior’s Farm”, “Uncle Albert/Admiral Halsey”, “Goodnight Tonight” and “With A Little Luck”.  All the other songs are the same.

That got me thinking. Are there any other examples of this sort of thing out there?

One that immediately came to mind is the 2002 and 2003 versions of the McCartney double live CD’s “Back in the US” and “Back in the World”.

They have very subtle cover changes both front and rear:

A cursory look down the song lists for each would suggest that they’re exactly the same CD just with a slightly different title, but in fact they are different too.

Back in the US” (released to the US market in 2002) gets the songs “Vanilla Sky”, “C’Moon” and “Freedom”.  However, those songs don’t appear at all on “Back in the World” (released in the UK in 2003). Instead it gets “Calico Skies”, “Michelle”, “Let ‘Em In” and “She’s Leaving Home”. Otherwise, all the other songs are the same – and in roughly the same running order.

Do you know of any further examples of this sort of thing? Let us know.

Beatlesblogger – New Domain Name and More…

You might have noticed that we’ve now got a new domain name. It’s much more simple. All you need to remember is:

beatlesblogger.com

Don’t worry if you have beatlesblogger.wordpress.com in your bookmarks because it will automatically redirect.

We’re also on Twitter. Just search for beatleblogger  (note there is no “s”, just beatleblogger).

And we have a Google+ account called the beatlesblogger

Our email is still beatlesblogger@gmail.com  Please feel free to get in touch.

And we have a QR Code (just in case you want to copy and paste it somewhere). It looks like this:

The White Book

Got this one second-hand on Ebay – and it looks like a really good read.

Ken Mansfield was a Capitol Records executive and an insider in the Beatles camp. He had a unique insight into the way the band worked, the absolute power they wielded in the music business, and the causes behind their ultimate demise. His book is called “The White Book”, and it carries the subtitle “The Beatles, the Bands, the Biz: an Insider’s Look at an Era”.

Each book, like the album after which it is named, is plain white all over, comes with the title embossed on the front cover, and has a limited edition number stamped on the lower right-hand side. Mine is 028525.

I really like the layout, look and feel of this book. Its a mid-sized softback, 248 pages with what they call in the book industry French flaps (don’t ask me why they are called that…the paperback front cover and rear extend and fold in – if that makes sense. Small but boring detail?). It has a large selection of photographs which are a combination of black and white, colour and colour-tinted photographs, many of them originals from Mansfields personal collection and as such never seen before. If you want a sneak peak at “The White Book” Google Books has a large selection you can see, along with extensive text extracts. Amazon also has a “Look Inside” preview.

Those links give you a really good idea about the design of “The White Book” and how it’s laid out. If you’ve scrolled through the Google Books/Amazon links you’ll appreciate there are lots of photos of items that illustrate key moments: telegrams, record covers, photographs, and hand-written notes from the Beatles to Ken Mansfield. One of my favourites: an autographed copy of the White Album given to him by George Harrison:

To sum up the contents of the book, this extract from Publishers Weekly is revealing:  “The second memoir from record-industry vet Mansfield (The Beatles, the Bible and Bodega Bay), a simple look at a complex happening, recounts his overwhelmingly positive experiences working with the Fab Four (and others) as they put together their late-career masterpiece The White Album. Mansfield relates how a lucky break in the 1960s took him from promotions executive for Hollywood’s Capitol Records to U.S. manager of Beatles-owned Apple Records. One of the few Americans allowed into the group’s inner circle, Mansfield presents revealing one-on-one time with each band member, yielding insight beyond their public personas. He notes, for instance, that mere words can’t explain how intimidating John Lennon and Yoko Ono were. Though he provides his side of artistic debates (should “Hey Jude” or “Revolution” be the first Apple single?), and eyewitness accounts of key Beatles moments (including the group’s final public performance atop the label’s London headquarters), Mansfield misses numerous opportunities to provide insider details and to comment on the progress (or lack thereof) in the recording industry; further, Mansfield’s awkward writing style—clumsy metaphors and alliteration, short chapters and confusing chronology—gives the work an amateurish feel. As Mansfield notes in the foreword, this book is something to enjoy because of its simplicity: engaging but hardly essential reading for the casual fan.

That last bit is probably harsh. As a real fan this looks to me like it contains a treasure trove of stuff I don’t know, told from a unique perspective. “The White Book” has its own website fabwhitebook.com with lots more information and of course – a video:

Beatles Rock’n’Roll Music Vols 1 & 2

Found this great pic on the web the other day:

It’s a beauty – and kind of joyous. The faces behind the Beatles are just as interesting to look at as the band themselves. Check out the face of the cop, who seems to be looking straight at the camera.

This looks like the first arrival in the United States?

Clearly this photograph is from the same day and same photographer as this shot used for these two covers, only the background crowd has been Photoshopped out:

For more info on these releases see the Beatles Music for Pleasure.

The Beatles First Recordings – 50th Anniversary Edition

Back in November I wrote about the release of a new two CD, 50th Anniversary Edition of “The Beatles (with Tony Sheridan) – First Recordings”.  I’ve finally tracked down a copy for the collection and so can now give you a few more details about its contents and packaging.

“First Recordings” is released by Time-Life/Universal Music Special Markets, and the two CD’s come in a separate gatefold sleeve along with a thick booklet, all contained in a cardboard outer slipcase:

Inside is the gatefold cardboard sleeve which holds the two CDs – the front and rear covers of the sleeve look like this:

And here are the two CDs:

Also included in the package is a very detailed and thick 36 page booklet with a lengthy essay written by Swedish Beatles expert Hans Olof Gottfridsson (edited by respected music writer Colin Escott); lots of black and white and colour photographs; reprints of original recording contracts; details of recording dates; and hand-written biographies by Pete Best, George Harrison, Paul McCartney, and John Lennon (who credits himself in brackets as the band’s “LEADER”).

There are also lots of examples of original record covers and labels from the time. Here is the front and rear covers of the booklet:

Here are some examples from inside the booklet:

(click on any of these images to see larger versions)

As you can see above there are 35 tracks in all, in both mono and stereo and the disc claims this is to be every version and track of their earliest recordings. Time-Life has a small website with a little bit more detail about the release and there’s some further information about these recordings here. Of course these tracks have been released in many forms many time (both officially and unofficially) over the years. This set gathers them together in the one place – very much like the two CD box set released in 2002 for the 40th anniversary by Bear Records called “The Beatles with Tony Sheridan: Beatles Bop – Hamburg Days” in which Hans Olof Gottfridsson was also involved:

Writing a review on the Amazon site, kennedy19 summed it up this way (and the same can be said for this Time-Life 50th anniversary edition: “….the 1961-62 recordings of the Beatles (with Pete Best, not yet Ringo) in recording studios in Germany as a backup band for Liverpool singer Tony Sheridan. The Beatles themselves had nothing to do with this reissue, but Beatlemaniacs will be impressed with the thoroughness with which this collection was made….The recordings themselves are contained on 2 CDs, and it should be noted that there are really only about 10 songs here, but that this set excels in tracking down every available mix of each one that was ever released (the original tapes no longer exist), both in mono and stereo. Beatles fans may be disappointed that Sheridan (impersonating Elvis pretty well) sang most of the lead vocals on these recordings, although John Lennon does get to sing a version of “Ain’t She Sweet,” and the Beatles did get to record their own catchy instrumental composition, “Cry for a Shadow.” Other songs include “When the Saints Go Marching In” and the famous “My Bonnie” which brought the band to Brian Epstein’s attention. It is interesting to hear the Beatles playing their recognizable sound here, with the energy and versatility that would amaze the world in a few short years. This is also a rare chance to assess the drumming of Pete Best. Casual fans will think this set, with its multiple versions of the same songs, and its painstaking documentation of each one, to be too much ado about too little. But scholars and rabid fans interested in the early years of the group will definitely want to add this to their collection. And yes, the sound quality is very good.”

Three Old (But Interesting) Magazines

Had to take another driving trip to Canberra – Australia’s national capitol – and so I called into the country town of Goulburn, which is along the way. There’s a big old second-hand book and record store there called the Argyle Book Emporium. I wrote about this shop once before when I discovered three copies of “Q” magazine there which were of interest.

When I got to the Argyle Emporium I headed straight to the room the owner uses to store his records, music books, and music magazines. As I said in the previous post, searching here is pretty frustrating as everything is just a free-for-all, with masses of unsorted discs on shelves and in boxes all over the place. There is so much that it is difficult to know where to start, and it’s one of those places where you get the distinct impression that the whole collection has already been picked over very thoroughly by collectors….Not surprisingly after pretty solid search I didn’t find anything of much interest amongst the records, and so I turned my attention to some boxes of magazines in one corner. There I found three items – two “Q” magazines from way back in 1993, and an “Uncut” magazine from a relatively recent 2010.

Both “Q” mags had info of interest to the Beatles collector. The June 1993 edition had and article about Irish photographer Kieron Murphy who in April 1971 was sent to cover John Lennon recording what would become the “Imagine” album:

Ummm…if you can get past the rather striking cover photo of Terence Trent D’Arby (and yes, there is more of the same, only more, inside the magazine) you can see on the left-hand side a reference to a legendary and historic lost photo session for “Imagine”. It took place just outside London at John Lennon’s home, Tittenhurst Park. Of this very special assignment Kieron Murphy says “Meeting him was the high point of my life. I’d never met anyone so famous and I suppose I still haven’t. When I got there it was five o’clock in the afternoon and he was having breakfast…..More people began to arrive, like Klaus Voorman (bass player), and Alan White (drummer), and Nicky Hopkins who was playing the piano; then George Harrison came along, and there they were, all having a cup of tea.”

Kieron Murphy captured some great images for “Sounds”, the magazine he was working for at the time. If anyone has seen the documentary “Gimme Some Truth – The Making of John Lennon’s Imagine Album” (released in 2000) then these black-and-white photographs will look familiar. Like that film, Murphy has captured a unique point in musical history – being played out amongst scenes of very ordinary domesticity. There are only six photographs in the magazine but they are special.

The other “Q” magazine comes from December 1993:

Kate Bush adorns the cover but what caught my eye was the heading:  BEATLES EXCLUSIVE – John, Paul, George, Ringo and Nicola?!

It’s a neat little four-page article and photo essay, a where are they now piece on the whereabouts of the little girl called Nicola who appears in the Beatles 1967 film “Magical Mystery Tour” and who is name-checked and immortalised on the track-listing on both the album and the original EP cover. You can see this in the printed title for the song “I Am the Walrus”, which has the hand-written subtitle  (“No you’re not!” said Little Nicola):

Well, in 1993 “Q” magazine tracked Nicola down and told the story of how she and her mum, Pam, ended up appearing in the MMT film. They found Nicola Hale, then aged 30, living in Forest Park on the outskirts of Chicago. She was working at a drop-in centre for young people with substance abuse problems. The article has some great photographs of Nicola in scenes with Paul McCartney, John Lennon, and this one mucking around with a soccer ball on the bus with Ringo Starr:

That’s her mum Pam on the right, and the carefully preserved dresses they wear in the scene are shown in colour in an insert at top right. All the pictures, newspaper clippings and memorabilia shown in the article come from the collection of Nicola’s father, Dave Hale.

Its a great little article and well worth having. I wonder where Little Nicola Hale is today?  She would be 48 years old. Does anyone have any information? Please let us know.

The final magazine is much more recent – an “Uncut” from the UK, dated August 2010:

Basically this is Part One in a four-part series where the magazine looks at what each Beatle did following the break-up of the band. The first in the series was John Lennon:

“Confidants, band members and therapists reveal all about the cold turkey and primal scream therapy, the relationship meltdowns, the battles between pacifism and revolution – and the extraordinary music of the Plastic Ono Band.”

With great photographs throughout this article ranges over 10 pages. It features the reminiscences of a range of people including Andy Stephens who was a tape operator at EMI’s Abbey Road studios during the rush recording of the song “Instant Karma” in 1970. (We learn in the article that Stephens is now the manager of Susan Boyle!). He relates a revealing story of Lennon enjoying a rare moment of privacy at Abbey Road in 1970:

“It was about two in the morning. He asked me to have a look out the front. There were always fans hanging around….I told him the fans had gone. John got hold of Yoko and they turned left and walked up Abbey Road. They came back 15 minutes later. John had a wonderful grin on his face. I mean, just a wonderful wonderful grin. He said, ‘You’ve no idea what it’s like to go for all that time without getting hassled.’ It was such a buzz for him. He’d gone 15 whole minutes without getting stopped.”

Footnote:  Interestingly, in looking up the “Uncut” magazine site I discovered that the Beatles are in fact this month’s cover story as well:

It’s all about the Beatles time in Hamburg. The issue comes with a free CD called “Sounds of the Star Club” with 16 tracks of songs covered by the Beatles, including tracks by Chuck Berry, Carl Perkins, Fats Waller, Little Richard, Gene Vincent, Ray Charles and Elvis Presley.

And editor, Allan Jones, says that this is the last printed edition of Uncut in it’s present format: “From next month, the magazine will have a cool new look and there will be changes to what’s in it and how it’s presented….the new-look Uncut goes on sale on February 28.”