Another (Record Store) Day – McCartney

This week (on Saturday) we once again celebrate the importance of independent record stores around the world. And once again there’s some Beatle-related treasure for collectors. Not as significant as the last Beatle release as part of Record Store Day’s Black Friday editions last year, however still collectable. This time there’s a Paul McCartney 45 on offer. It comes in the lead up to the numerous special McCartney Archive editions of “Ram” in May.

MPL/Hear Music/Concord are releasing a limited edition (just 2000 copies) of the 1971 single “Another Day/Oh Woman Oh Why“:

The Record Store Day site says: “A classic Paul McCartney vinyl single reissue manufactured exclusively for Record Store Day! “Another Day” was originally recorded in 1970, during the sessions for the album Ram. It was the first single of his solo career. It was originally released February 19, 1971 with “Oh Woman, Oh Why” as the B-side. Upon its release “Another Day”/”Oh Woman, Oh Why” reportedly sold over a million copies worldwide. It was a number one hit in France and Australia, in the U.K. it reached number two, in the U.S. it reached number five. This exclusive reissue single is taken from the forthcoming Paul McCartney Archive Collection edition of Ram coming this spring!”

You can read more about it here on the excellent Second Disc blog.

And it all leads to the next significant installment in the Archive Series – “Ram”. The Second Disc also has some info on this forthcoming release.

McCartney stated: “Ladies and gentlemen, this is an album from a long, long time ago, when the world was different. This is an album that is part of my history…it goes back to the wee hills of Scotland where it was formed. It’s an album called Ram. It reminds me of my hippie days and the free attitude with which was created. I hope you’re going to like it, because I do!”

There have been some great Beatles collectables associated with previous Records Store Days. I’ve already mentioned last year’s Beatles singles box; in 2010 there was a special re-issue of  Harrison’s “All Things Must Pass“; there was another McCartney limited edition single released as part of the McCartney Archive Series; there was also the BeatlesPaperback Writer“; and of course the great Lennon Singles Bag.


Beatles and Advertising

We wrote recently about Paul McCartney advertising for JBL and Tiffany. It’s not the first time he’s allowed his name and music to be associated with commercial products. Its actually a tradition that goes way back – to the very start of Beatlemania.

For a very long time, having your product associated with the Beatles in any way has been considered advantageous….take this tastefully designed, directed and edited commercial – with a soundtrack provided by you know who:

You gotta admit at least that was clever and stylish. Not so much this unfortunate one Ringo Starr and some former Monkees got themselves involved in a while back – for Pizza Hut:

I guess there’s a big difference between Beatles songs being used in a commercial and an actual personal endorsement – although the Ringo example had both…..

Turns out Beatle songs being used in advertising is much more frequent than you might first imagine. In 2007 for example “Hello Goodbye” was licensed for use by Target to promote its stores:

Back in 2002 Julian Lennon recorded “When I’m Sixty Four” specifically for a retirement investment ad for the US company Allstate:

That then raises the question of actual, original Beatle recordings being used, as opposed to re-recordings by anonymous studio musicians. Which is more offensive to you, if at all?

One famous example of a real, iconic Beatles song being used was provided by Nike in 1987, and it caused an absolute uproar:

“If it’s allowed to happen, every Beatles song ever recorded is going to be advertising women’s underwear and sausages. We’ve got to put a stop to it in order to set a precedent. Otherwise it’s going to be a free-for-all. It’s one thing when you’re dead, but we’re still around! They don’t have any respect for the fact that we wrote and recorded those songs, and it was our lives.” — George Harrison (November 1987)

It didn’t stop of course, and for many fans the ultimate insult came with “All You Need is…Luvs” – a commercial for disposable nappies…

And that’s not the only time that same, famous Beatles song has been used. Blackberry got in on the act with this one:

Of course, control over their song catalogue has long been out of the Beatles hands. They no longer own the rights and therefore have very little say in how songs they wrote might be used (although Paul McCartney does control all his subsequent solo work). That begs the question: are the surviving Beatles themselves ever consulted about which of their songs are used and how? The Independent newspaper says it is unclear if McCartney or Yoko Ono, John Lennon’s widow, approved use of “All You Need is Love” for the Blackberry commercial. It does however say that in 2008 Sony/ATV (owners of the catalogue) said it had a “moral obligation” to contact them before giving approving to such projects.

Ono herself has not been free of criticism. She apparently gave permission for an actor to overdub John Lennon’s voice on some archival footage which was turned into an advertisement for a Citroen car:

In May last year we posted on Beatlesblogger about the Australian city of Brisbane using “Come Together” to advertise what a great place Brisbane was after their big flood event. It looks like the organisers have since taken down their YouTube video of that commercial, probably because they only paid for the use of the song for a limited time.

The more you delve into this question of the Beatles and advertising the more examples you find. Maybe its best to just stop here before it gets too depressing….

Three Old (But Interesting) Magazines

Had to take another driving trip to Canberra – Australia’s national capitol – and so I called into the country town of Goulburn, which is along the way. There’s a big old second-hand book and record store there called the Argyle Book Emporium. I wrote about this shop once before when I discovered three copies of “Q” magazine there which were of interest.

When I got to the Argyle Emporium I headed straight to the room the owner uses to store his records, music books, and music magazines. As I said in the previous post, searching here is pretty frustrating as everything is just a free-for-all, with masses of unsorted discs on shelves and in boxes all over the place. There is so much that it is difficult to know where to start, and it’s one of those places where you get the distinct impression that the whole collection has already been picked over very thoroughly by collectors….Not surprisingly after pretty solid search I didn’t find anything of much interest amongst the records, and so I turned my attention to some boxes of magazines in one corner. There I found three items – two “Q” magazines from way back in 1993, and an “Uncut” magazine from a relatively recent 2010.

Both “Q” mags had info of interest to the Beatles collector. The June 1993 edition had and article about Irish photographer Kieron Murphy who in April 1971 was sent to cover John Lennon recording what would become the “Imagine” album:

Ummm…if you can get past the rather striking cover photo of Terence Trent D’Arby (and yes, there is more of the same, only more, inside the magazine) you can see on the left-hand side a reference to a legendary and historic lost photo session for “Imagine”. It took place just outside London at John Lennon’s home, Tittenhurst Park. Of this very special assignment Kieron Murphy says “Meeting him was the high point of my life. I’d never met anyone so famous and I suppose I still haven’t. When I got there it was five o’clock in the afternoon and he was having breakfast…..More people began to arrive, like Klaus Voorman (bass player), and Alan White (drummer), and Nicky Hopkins who was playing the piano; then George Harrison came along, and there they were, all having a cup of tea.”

Kieron Murphy captured some great images for “Sounds”, the magazine he was working for at the time. If anyone has seen the documentary “Gimme Some Truth – The Making of John Lennon’s Imagine Album” (released in 2000) then these black-and-white photographs will look familiar. Like that film, Murphy has captured a unique point in musical history – being played out amongst scenes of very ordinary domesticity. There are only six photographs in the magazine but they are special.

The other “Q” magazine comes from December 1993:

Kate Bush adorns the cover but what caught my eye was the heading:  BEATLES EXCLUSIVE – John, Paul, George, Ringo and Nicola?!

It’s a neat little four-page article and photo essay, a where are they now piece on the whereabouts of the little girl called Nicola who appears in the Beatles 1967 film “Magical Mystery Tour” and who is name-checked and immortalised on the track-listing on both the album and the original EP cover. You can see this in the printed title for the song “I Am the Walrus”, which has the hand-written subtitle  (“No you’re not!” said Little Nicola):

Well, in 1993 “Q” magazine tracked Nicola down and told the story of how she and her mum, Pam, ended up appearing in the MMT film. They found Nicola Hale, then aged 30, living in Forest Park on the outskirts of Chicago. She was working at a drop-in centre for young people with substance abuse problems. The article has some great photographs of Nicola in scenes with Paul McCartney, John Lennon, and this one mucking around with a soccer ball on the bus with Ringo Starr:

That’s her mum Pam on the right, and the carefully preserved dresses they wear in the scene are shown in colour in an insert at top right. All the pictures, newspaper clippings and memorabilia shown in the article come from the collection of Nicola’s father, Dave Hale.

Its a great little article and well worth having. I wonder where Little Nicola Hale is today?  She would be 48 years old. Does anyone have any information? Please let us know.

The final magazine is much more recent – an “Uncut” from the UK, dated August 2010:

Basically this is Part One in a four-part series where the magazine looks at what each Beatle did following the break-up of the band. The first in the series was John Lennon:

“Confidants, band members and therapists reveal all about the cold turkey and primal scream therapy, the relationship meltdowns, the battles between pacifism and revolution – and the extraordinary music of the Plastic Ono Band.”

With great photographs throughout this article ranges over 10 pages. It features the reminiscences of a range of people including Andy Stephens who was a tape operator at EMI’s Abbey Road studios during the rush recording of the song “Instant Karma” in 1970. (We learn in the article that Stephens is now the manager of Susan Boyle!). He relates a revealing story of Lennon enjoying a rare moment of privacy at Abbey Road in 1970:

“It was about two in the morning. He asked me to have a look out the front. There were always fans hanging around….I told him the fans had gone. John got hold of Yoko and they turned left and walked up Abbey Road. They came back 15 minutes later. John had a wonderful grin on his face. I mean, just a wonderful wonderful grin. He said, ‘You’ve no idea what it’s like to go for all that time without getting hassled.’ It was such a buzz for him. He’d gone 15 whole minutes without getting stopped.”

Footnote:  Interestingly, in looking up the “Uncut” magazine site I discovered that the Beatles are in fact this month’s cover story as well:

It’s all about the Beatles time in Hamburg. The issue comes with a free CD called “Sounds of the Star Club” with 16 tracks of songs covered by the Beatles, including tracks by Chuck Berry, Carl Perkins, Fats Waller, Little Richard, Gene Vincent, Ray Charles and Elvis Presley.

And editor, Allan Jones, says that this is the last printed edition of Uncut in it’s present format: “From next month, the magazine will have a cool new look and there will be changes to what’s in it and how it’s presented….the new-look Uncut goes on sale on February 28.”

The Beatles With Records – Part Seven

OK.  Some will be saying “Enough already!”

But still they come – photographs of the Beatles holding on to the things they produced so many of – records.

And now here’s another because some really good photographs have continued to trickle in.

I must say I like the ones that are of a Beatle holding a record that they didn’t actually make themselves. This one of Paul McCartney (above) is a great example submitted by Beatlesblog reader Lammert Mulder. In a great piece of detective work by Lammert we find out that Paul is holding a copy of this 1966 album by the Lovin’ Spoonful. What you can see in the picture above is the rear cover:

This is what the front cover looks like:

Staying with Paul, how many copies do you reckon he’s signed of Sgt. Pepper?

Yes, that’s a gate-fold original copy alright. And it’d be worth quite a bit now if it’s still around….

If anyone knows who the young woman is, and how she managed to find Paul McCartney out in the park walking his dog Martha on a summer’s day and just happened to have a copy of the LP with her at the time – let us know.

Here’s another one of Paul from around the same period, again running the gauntlet with fans, this time assisted by stalwart Beatle roadie, Mal Evans (in glasses) – who looks to be shepherding Paul from a fan holding a copy of the ‘Strawberry Fields Forever’/’Penny Lane’ single:

That is definitely the picture sleeve cover of the 1967 Beatles single ‘Strawberry Fields Forever’/’Penny Lane’. We had another photo of the same single being signed by John Lennon in the Beatles with Records Part Six.

Interestingly, the same image was used for the 1981 EP issue containing the songs ‘The Inner Light’/’Baby, You’re A Rich Man’/’She’s A Woman’/’This Boy’:

Paul has endured of course – right up to the DVD age – where he is asked to sign copies of those as well:

The Space Within Us, a McCartney concert DVD, comes from 2006.

George Harrison was also often collared to do an autograph or two – sometimes on Beatle records. This one looks like he’s been nabbed in the driveway, leaving his home Kinfauns in Surrey:

That’s gotta be the rear cover of this 1967 Beatle EP, don’t you think?:

Paul has also been snapped signing a copy of Magical Mystery Tour:

Thanks to Claude Defer for sending that photograph.

Sometimes, despite their familiarity with their own product, the Beatles can be seen studying their record covers quite closely:

That’s George with…..

I also like this one of George, but do you know which LP he is carrying out the door? His clothing suggests its around the time of “Sgt Pepper”:

If you know or can can figure it out please let us know at beatlesblogger@gmail.com

This LP that John is carrying is much more obvious:

And finally we have to have one of Ringo. This is from 1974, sitting with the late, great Harry Nilsson and holding up a copy of the Nilsson single “Daybreak”, taken from the album “Son of Dracula“:

Thanks to everyone who submitted photographs. You can see the other parts in “The Beatles with Records” series here:  Parts 123468910111213141516 and 17.

John Lennon – a Jazz Reinterpretation

I’m usually not a big fan nor collector of Beatles cover versions. But I must admit that when I first saw this CD cover I was intrigued:

It’s a Lennon reinterpretation that is very worthy of further investigation. Jazz guitarist Bill Frisell is one of the world’s great musicians – as the small sticker on the front of this CD proclaims:

While he’s been around a long time I only became aware of Bill Frisell relatively recently when Elvis Costello teamed up with veteran composer and arranger Burt Bacharach in 1998 to produce an album of new songs called “Painted From Memory”. Both Costello and Bacharach are favorites and this album is great. The interesting thing about their project is that they gave all their new songs to guitarist Bill Frisell very early in the process to create his own jazz versions of their new work. As a result he released his album “The Sweetest Punch” almost simultaneously with their “Painted From Memory” disc. Quite unusual in the music business. I got both “Painted From Memory” and “The Sweetest Punch” back then and have enjoyed them immensely since…..hence my interest in the work of one Bill Frisell.

Then, late in 2011 came this record – “All We Are Saying” – Frisell plays Lennon. Naturally I was interested to hear how it sounded – and was lucky enough to be given it as a Christmas present from my son:

As you can see from the rear cover song-list, Frisell does a wide range of Lennon compositions from the Beatles days (both early and late), through to the Plastic Ono Band, Lennon’s early solo work, and right up to songs from the final John Lennon/Yoko Ono album “Double Fantasy”.

The cover art is also interesting. Inside the gatefold digipac it’s revealed that the project has the blessing of Yoko Ono and the Lennon Estate because they have officially licensed the cover art which is a John Lennon original drawing.

Here’s the detail from the image above:

So – it all looks and feels very original. These are all songs I know well, and the interpretations that Frisell and his band deliver are fresh takes on familiar material. As I say, Beatles cover versions are not my thing – but this album delivers on many levels, not the least being that it comes from an artist who respects and loves the originals.

The Beatles with Records – Part Six

Some further photographs of the Beatles being photographed with records have been sent in – and so it’s time to add a Part Six to the series.

These photographs are all great and they come from Claude Defer, co-author of a recent book about all the French Beatles record releases. Claude’s first pic is of Paul, Linda and Denny Laine in the back of a limo and for some reason they have with them a copy of John and Yoko’s rather controversial 1968 release Unfinished Music No.1: Two Virgins. Paul might simply be re-acquainting himself with the quote he provided for the cover of the album: “When two great saints meet it is a humbling experience. The long battles to prove he was a Saint“….

As you can see below, John also quotes Genesis 2: 21-25:

Of course there are lots of photos available of the Beatles being presented with gold records in honour of their huge sales – but in this one for his work on Band on the Run with his new band Wings, Paul looks particularly pleased:

In this series on the Beatles with records we’ve had a lot of hastily-taken fan photographs sent in. These have been when the band members have stopped to talk and to autograph copies of their LPs and singles for waiting fans. This is another one of those, this time with John Lennon signing a copy of the single ‘Strawberry Fields Forever’/’Penny Lane’:

In the recent Martin Scorsese documentary on the life and times of George Harrison (called Living in the Material World) there’s a fantastic photograph featured of George holding up a copy of All Things Must Pass, his 1970 triple-LP box set. I remember sitting in the cinema watching the film and thinking “Hmmm. Must get that photograph and upload it to the Beatles with Records series!”

Well, Claude Defer found it and sent it in:

Finally, a fairly early publicity photograph of the Beatles in front of a display of some of their  releases, including A Hard Days Night, Please Please Me and With the Beatles:

If you have any other photographs you’d like to share please send them to: beatlesblogger@gmail.com

Oh, and I almost forgot…..of course there’s also this video of John and Yoko putting their Plastic Ono Band Live Peace in Toronto 1969 onto the turntable and playing it. It’s only the very first couple of seconds of this YouTube video – but it’s worth it.You can see the other parts in “The Beatles with Records” series here:

Parts 123478910111213141516 and 17.

Happy Xmas (War Is Over) – 40th Anniversary

Now in its 40th year – the peace campaign and song by John Lennon, Yoko Ono, the Plastic Ono Band and the Harlem Community Choir.

The single “Happy Christmas (War Is Over)” was released in December, 1971 in the United States (but due to a publishing dispute not until November the following year in the UK and worldwide). Here are some single releases from around the world – not all in my collection! (On most images you can click to see a larger version):

To find out more and to download the original poster in your language and in a range of sizes just click here.  And keep praying for peace in the world.

Happy Xmas (War is Over)

Beatles Black Friday Releases

On Friday 25 November, the day after Thanksgiving in the United States (called Black Friday), the Record Store Day people are making a whole load of special releases available for a limited time only to independent record store retailers.

This is not the same as the official Record Store Day – which stands as a special and separate day where independent record stores are encouraged and supported. On that day they also offer for sale a range of very special and limited vinyl record releases (see below for some previous Beatles-related issues).

The 2011 Black Friday event is a separate and additional day to do the same thing though – and artists, bands and many record companies have got behind it in a BIG way.

On Friday 25 November there will be two releases of interest to Beatles collectors. The first is a limited edition box set of four Beatles vinyl 45 singles, and the second is a 40th anniversary vinyl edition of John Lennon’s “Imagine” LP.

The Bull Moose record store in Portland, Maine has maintained a terrific up-to-date site detailing all the releases, including the two Beatles-related ones. They’ve also posted two lengthy videos highlighting some of the key releases for Black Friday, which includes collectors items from Janis Joplin, Bob Dylan, Pink Floyd, the Doors, Miles Davis, Nirvana, and the Kings of Leon – to name just a few.

The special box set Beatles release is mentioned and detailed right at the beginning of Part Two of the store’s YouTube video and you can see that here:

For information about the Lennon LP re-issue you need to scroll in to about 6 minutes and 56 seconds of this Part Two video. Chris Brown from Bull Moose shows the box set of John Lennon’s “Imagine” re-issue. As you can see, it has a unique cover image:

Both these items will be strictly limited and released on Friday 25 November.

Previous Record Store Day Beatles or Beatles-related limited editions include the Beatles “Paperback Writer” single, George Harrison’s “All Things Must Pass” triple LP, and the John Lennon “Singles Bag”, all of which are really nice limited edition collectors items now.

You can find more details about the Black Friday releases at the official site here.

The Beatles Box

In the city the other day I stumbled upon this box of Beatles books:

It gathers together four books by respected British Beatles historian and writer Alan Clayson. Collectively it’s called “The Beatles Box”, and contains four individual books on each member of the group. There’s one on John Lennon (which was originally published in 2003):

One on Paul McCartney (also originally published in 2003):

One on George Harrison (originally published in 1996 as “The Quiet One: A Life of George Harrison”, but updated here in 2003):

And one on Ringo Starr (originally published in 1996 as “Ringo Starr: Straight Man or Joker?”, but also updated here in 2003):

This box of books is nicely designed. The covers are all complementary and the book spines line up when they are placed side-by-side in the box, with photos of each looking out:

“The Beatles Box” is published by Sanctuary Publishing. Alan Clayson is also a musician and has his own website.

Beatles in “Rolling Stone – 1000 Covers”

At work we have a pretty good library. I was in there the other day and on a shelf displaying their newly-purchased books I saw this nice little item:

Of course, it captured my attention, not only because this book celebrates one thousand covers of the famous “Rolling Stone” music magazine (one of my favourites over the years), but also because of the classic Annie Leibovitz cover photograph of John Lennon and Yoko Ono, taken from the January 22, 1981 edition.

This book might have been new to our library, but it’s not a new publication. It actually came out back in 2006 and celebrates the publication of “Rolling Stone” over a span of almost four decades. From its humble beginnings in November 1967 to June 2006, making the cover of “Rolling Stone” meant something. And of course the Beatles (either as a group or as solo artists) feature more than a few times. This post features just a small selection of those covers.

I was surprised to learn in the book that John Lennon actually featured on the front cover of the very first “Rolling Stone” magazine ever – Volume 1, Number 1 – in a publicity shot from the 1967 film “How I Won The War“:

As you can see, back in the day “Rolling Stone” was more like a traditional newspaper.

Three years later the cover of the magazine had evolved somewhat and featured a solo Beatle in the form of Paul McCartney, who had just released his first, self-titled album “McCartney“:

In 1971 George Harrison had gathered together a fine coterie of musical friends to stage what would become the first big fund-raising concert of its kind, “The Concert for Bangladesh“, featuring Ringo Starr, members of Badfinger, Billy Preston, Leon Russell, Eric Clapton, Ravi Shankar, Klaus Voormann, and of course Bob Dylan – appearing live in concert for the first time in many years. Funds raised went to UNICEF to provide milk, blankets, clothes and food to millions of starving refugees:

The photograph of George above is another one by Annie Leibovitz. In the rear of the book there is an index of photographers and Leibovitz is by far the most credited single photographer with over 140 “Rolling Stone” cover shots to her name out of the one thousand featured.

In February 1984 “Rolling Stone” marked the twentieth anniversary of the Beatles with this special edition:

“He left this world as he lived in it: conscious of God, fearless of death and at peace….” [from a statement by Olivia and Dhani Harrison].

In January, 2002 “Rolling Stone” dedicated an issue to the life of George Harrison, who had passed away after a battle with throat, lung and brain cancer. Bob Dylan wrote of him, “He was a giant, a great, great soul, with all the humanity, all the wit and humor, all the wisdom, the spirituality, the common sense of a man and compassion for people.” :

2005 saw another Paul McCartney cover shot. This time the angle was “….a new album, new tour, new life – and nothing left to prove“. That new album was “Chaos and Creation in the Backyard“, produced by Nigel Godrich.

By my count the Beatles as a group or solo appeared some 27 times as the cover image/story of “Rolling Stone” magazine between 1967 and 2006.

Rolling Stone – 1000 Covers” was published in 2006 by Abrams Books, New York.

For some other covers of “Rolling Stone” see also: The Lost Lennon TapesNine Copies of Rolling StoneRolling Stone Names Its Top 100 Beatles Songs; and for the Australian cover variation of the “Top 100 Beatles Songs” click here.