George Harrison “Living in the Material World” Multi-Touch book

Posted on by
4

Not one but two press releases out today (one from The Beatles official site, the other from the George Harrison official site) about a new “multi-touch” e-book edition of “Living in the Material World”.

There’s even a fancy trailer to look at:

This all comes hot on the heals of the release in the United States on DVD, BluRay and a Deluxe box set edition (which have all been out in the UK and other parts of the world since October last year) of the Martin Scorsese documentary film of the same name, plus a CD, Vinyl and Digital release of George Harrison previously un-released out-takes called “Early Takes – Volume 1“.

Another screenshot from the “multi-touch” edition.

Very soon I’ll have a copy of the DVD and a copy of the CD to give away to two lucky readers. 

Beatles Australian 10th Anniversary 1963-1973 Souvenir LP

Posted on by
16

My third item from the recent Glebe Record Fair (you can read about the other two here and here) is a unique and interesting Australian-only Beatles release:

To give you a bit of background to this one here’s a quote from the incredibly informative book “An Overview of Australian Beatles Records” by Jaeson Jones: “In February 1973, to commemorate the 10th anniversary of the first Beatles record released in Australia (Please Please Me/Ask Me Why), EMI (Australia) repackaged the two previously issued Greatest Hits compilations into a double LP set with a new gatefold sleeve and distinctive purple labels. The LP was promoted nationally by member stations of the major radio network of Australia, with the front cover featuring a gold sticker on the top left displaying the call sign of the promoting station. The participating radio stations were 2KO, 2UE, 3DB, 4BK, 5AD, 6PR, 7EX and 7HT.

While there was no new content, or new mixes of old content, the labels eschewed the orange hue that characterised contemporary Beatles releases in favour of a more subdued lilac/purple colour; not a particularly earth-shattering variation perhaps, but one that undeniably adds to the unique character of the Australian Beatles labelography.

The set was to be short-lived, however, for a few months later EMI UK announced the impending release of The Beatles 1962-66 (Red) and The Beatles 1967-70 (Blue) double LPs, effectively scuttling sales of this commemorative set, which was quietly deleted before mid-1973.”

Finding this LP in good condition is difficult because the white paper/cardboard used for the cover is very flimsy and very easily torn or scuffed. Most copies you see have significant ring wear. As you can see, mine is marked and not pristine, but overall not too bad for its age. Here’s the rear cover:

It has the gold corner sticker on the front left-hand side indicating it was originally purchased in Sydney, New South Wales, and consequently had publicity support of the participating radio station 2UE at the time:

As you can see on the first front cover image above, it also has the name of the person who owned it…. Linda Chinner – are you still out there?

At the time of this album’s release pre-Apple Beatles LPs were being issued in by EMI Australia on a bright orange Parlophone label that looks like this:

However, the two LPs in this set got an unusual and unique lilac/purple and silver Parlophone label:

This album set gathers together two “best of” previously released Australian LP’s “The Beatles Greatest Hits, Vol.1” and “The Beatles Greatest Hits, Vol.2” and packages them in a gatefold. These next two images are the inside of the gatefold, left side and right side:

  These are the original covers for the two albums in this 2 LP set. “The Beatles Greatest Hits Vol. 1” was released in Australia and New Zealand in mono in 1966 and in stereo in 1968; “The Beatles Greatest Hits Vol. 2” was released in both stereo and mono in 1967:

Badfinger “Magic Christian” Apple LP Re-issue

Posted on by
3

On Record Store Day 2012 I went to the huge Glebe Record Fair in search of some collectable treasure and came home with three nice items.

One of them was another in the series of Apple reissues that came out on vinyl in the early 1990s. These are now very rare and you can read all about the background to these here.  At the record fair I stumbled across one of the LPs from that time which I’ve been searching for for a very long time:

This is the original 1970 album “Magic Christian Music” by Badfinger, reissued in 1991 on Apple Records – only this time as a gatefold cover and containing a bonus 12″ disc with two extra songs. It was part of Phase I of a significant series of reissues which included James Taylor’s “James Taylor”, Mary Hopkins’ “Postcard”, Jackie Lomax’s “Is This What You Want?”, and Billy Preston’s “That’s the Way God Planned It”.

These vinyl reissues are now really very difficult to track down so I was surprised to see one at the fair and decided on the spot to get it.  It comes with the original Apple catalogue number SAPCOR 12 and looks to be a European pressing:

One of the distinctive and cool parts about it is that instead of being in a single sleeve it’s a gatefold:

Being a gatefold means there’s obviously space for more photos and information about the release, and that in the second half of the sleeve there’s another 12″ record (a 45 rpm disc) containing two additional songs. On Side 1 you get “Storm in a Teacup”, and on Side 2 you get the previously unreleased “Arthur”:

“Arthur” was later included on the double CD of bonus tracks which came with the Apple CD box set that came out in 2010, only with a different stereo remix.

Next time the other collectable item I discovered. Stay tuned.

Record Store Day Celebrated with a Record Fair

Posted on by
4

Happy Record Store Day 2012.

And what better way to celebrate in Sydney, Australia than with a huge record fair in the inner-city suburb of Glebe:

Many of the city’s best new and second-hand record stores and dealers were well represented:

As you can see it was very well attended and there was a sense of frenzy in the air as collectors streamed in throughout the day to try to find the best bargains – and those elusive collectors items. There was plenty of Beatles material on offer:

I was able to pick up a couple of Beatles and Beatles-related items I’d been hankering after for some time plus, just as I was leaving, this unexpected little gem:

It’s an original paperback novel based on the original screenplay for the Beatles first motion picture “A Hard Day’s Night”. It is an Australian edition, printed in 1964 and it is in pretty good condition considering it’s almost fifty years old. Inside the pages are fairly yellowed by the years, but the spine is almost perfectly intact. As well as the central storyline of “A Hard Day’s Night” told as a novel there are eight pages of photographs taken during the filming of the movie:

It’s interesting to note (on both the front and rear covers) that when it first came out the book would have cost fans  4/6 (that’s four Shillings and Sixpence) to buy. Back then that was about 46 cents.

The next two blog posts will be about the other items I discovered. Stay tuned.

Another (Record Store) Day – McCartney

Posted on by
2

This week (on Saturday) we once again celebrate the importance of independent record stores around the world. And once again there’s some Beatle-related treasure for collectors. Not as significant as the last Beatle release as part of Record Store Day’s Black Friday editions last year, however still collectable. This time there’s a Paul McCartney 45 on offer. It comes in the lead up to the numerous special McCartney Archive editions of “Ram” in May.

MPL/Hear Music/Concord are releasing a limited edition (just 2000 copies) of the 1971 single “Another Day/Oh Woman Oh Why“:

The Record Store Day site says: “A classic Paul McCartney vinyl single reissue manufactured exclusively for Record Store Day! “Another Day” was originally recorded in 1970, during the sessions for the album Ram. It was the first single of his solo career. It was originally released February 19, 1971 with “Oh Woman, Oh Why” as the B-side. Upon its release “Another Day”/”Oh Woman, Oh Why” reportedly sold over a million copies worldwide. It was a number one hit in France and Australia, in the U.K. it reached number two, in the U.S. it reached number five. This exclusive reissue single is taken from the forthcoming Paul McCartney Archive Collection edition of Ram coming this spring!”

You can read more about it here on the excellent Second Disc blog.

And it all leads to the next significant installment in the Archive Series – “Ram”. The Second Disc also has some info on this forthcoming release.

McCartney stated: “Ladies and gentlemen, this is an album from a long, long time ago, when the world was different. This is an album that is part of my history…it goes back to the wee hills of Scotland where it was formed. It’s an album called Ram. It reminds me of my hippie days and the free attitude with which was created. I hope you’re going to like it, because I do!”

There have been some great Beatles collectables associated with previous Records Store Days. I’ve already mentioned last year’s Beatles singles box; in 2010 there was a special re-issue of  Harrison’s “All Things Must Pass“; there was another McCartney limited edition single released as part of the McCartney Archive Series; there was also the Beatles “Paperback Writer“; and of course the great Lennon Singles Bag.


Not One But Three New Videos of “My Valentine”

Posted on by
Reply

That’s right. Three new videos. You’re probably familiar with this, the first official release made during the photo shoot for the cover of “Kisses on the Bottom“:

But yesterday Paul McCartney launched not one, but three new versions of a video he directed himself of his song “My Valentine’. They each feature Natalie Portman and Johnny Depp. The first has both actors presenting the song using sign language:

Then there are two version variations – one with just Natalie Portman on her own:

The other has just Johnny Depp on his own:

If I’m not mistaken, that sounds like a slightly different guitar solo. Could it be Johnny Depp actually playing guitar? He’s a keen player.

The Mail Online has a feature on the making of the videos.

UPDATE:  paulmccartney.com has just issued a press release with more details about the new videos – which are based on an original idea by Paul’s daughter Stella McCartney and were premiered at an event held at the Stella McCartney store in Los Angeles. Two other interesting details from the release:

‘My Valentine’ is the second Paul McCartney music video Natalie Portman has starred in, the first being the Michel Gondry directed ‘Dance Tonight‘ in 2007.  For this new performance, she was exclusively dressed by Stella McCartney. Johnny Depp also plays guitar in his version and recorded the track’s guitar solo live.  His guitar take was then mixed and mastered into the final track.  The original guitar solo on the studio version of the song was performed by Eric Clapton.

Beatles and Advertising

Posted on by
14

We wrote recently about Paul McCartney advertising for JBL and Tiffany. It’s not the first time he’s allowed his name and music to be associated with commercial products. Its actually a tradition that goes way back – to the very start of Beatlemania.

For a very long time, having your product associated with the Beatles in any way has been considered advantageous….take this tastefully designed, directed and edited commercial – with a soundtrack provided by you know who:

You gotta admit at least that was clever and stylish. Not so much this unfortunate one Ringo Starr and some former Monkees got themselves involved in a while back – for Pizza Hut:

I guess there’s a big difference between Beatles songs being used in a commercial and an actual personal endorsement – although the Ringo example had both…..

Turns out Beatle songs being used in advertising is much more frequent than you might first imagine. In 2007 for example “Hello Goodbye” was licensed for use by Target to promote its stores:

Back in 2002 Julian Lennon recorded “When I’m Sixty Four” specifically for a retirement investment ad for the US company Allstate:

That then raises the question of actual, original Beatle recordings being used, as opposed to re-recordings by anonymous studio musicians. Which is more offensive to you, if at all?

One famous example of a real, iconic Beatles song being used was provided by Nike in 1987, and it caused an absolute uproar:

“If it’s allowed to happen, every Beatles song ever recorded is going to be advertising women’s underwear and sausages. We’ve got to put a stop to it in order to set a precedent. Otherwise it’s going to be a free-for-all. It’s one thing when you’re dead, but we’re still around! They don’t have any respect for the fact that we wrote and recorded those songs, and it was our lives.” — George Harrison (November 1987)

It didn’t stop of course, and for many fans the ultimate insult came with “All You Need is…Luvs” – a commercial for disposable nappies…

And that’s not the only time that same, famous Beatles song has been used. Blackberry got in on the act with this one:

Of course, control over their song catalogue has long been out of the Beatles hands. They no longer own the rights and therefore have very little say in how songs they wrote might be used (although Paul McCartney does control all his subsequent solo work). That begs the question: are the surviving Beatles themselves ever consulted about which of their songs are used and how? The Independent newspaper says it is unclear if McCartney or Yoko Ono, John Lennon’s widow, approved use of “All You Need is Love” for the Blackberry commercial. It does however say that in 2008 Sony/ATV (owners of the catalogue) said it had a “moral obligation” to contact them before giving approving to such projects.

Ono herself has not been free of criticism. She apparently gave permission for an actor to overdub John Lennon’s voice on some archival footage which was turned into an advertisement for a Citroen car:

In May last year we posted on Beatlesblogger about the Australian city of Brisbane using “Come Together” to advertise what a great place Brisbane was after their big flood event. It looks like the organisers have since taken down their YouTube video of that commercial, probably because they only paid for the use of the song for a limited time.

The more you delve into this question of the Beatles and advertising the more examples you find. Maybe its best to just stop here before it gets too depressing….

Beatles With Records – Part Eight

Posted on by
6

This is the latest in a series about the Beatles being photographed holding or being nearby LP records or CD’s. Of all the many thousands of photographs taken of the band (or of them as solo artists) there are not actually that many with them in close proximity to the product they sold so many of….

The other posts in this series are: The Beatles with Records Parts 1, 2, 3, 4, 5 , 6, 7, 9, 10, 11, 12, 13, 14, 15, 16 and 17.

Readers have sent in some additional photos and so its time for maybe one more installment. This first one, which comes from Thomas Repetny, is an early shot taken on a stage decorated with record covers behind what is clearly an early incarnation of the group (i.e. no Ringo yet…):

Thanks for this one Tom – and check out Tom’s own zany site tomwantstoplaywithpaulmccartney.com and watch as he follows his dream.

In researching this photograph (to try to figure out the LP covers hanging up on the wall behind the Beatles) I found the same early stage shot taken from a couple of other angles:

Of the eight LP covers and one 45 that can be seen behind the band I can clearly make out just two. They’re both above drummer Pete Best. The first is right at the top and it’s The John Lasalle Quartet LP “Jumpin’ at the Left Bank”:

This jazz album was recorded live at the New York City nightclub of the same name. It was released in the early Sixties. Interestingly its on the Capitol label – which of course would soon become the Beatles own label in the United States.

The other album cover is just above Peter Best’s right shoulder. It’s an album by the legendary Belgian jazz guitarist Django Reinhardt – “The Art of Django”:

All the albums on this stage seem to be jazz-influenced. The only other title I can vaguely make out is “The (something) Jazz Quartet”. If anyone knows when and where this photograph was taken, and if anyone can identify any of the other record covers, please email us at beatlesblogger@gmail.com

There was another photograph sent in also with the Beatles playing on stage – this time with their own record “Please Please Me” enlarged as the backdrop:

Again, it’s quite an early shot – but there is Ringo, and there is the very early flowing script version of a Beatles logo on his bass drum. Clearly it’s just after the release of their very first LP in Britain because there behind them, plastering the rear of the stage is a large poster and many record covers for “Please Please Me”:

Once the band started to become famous the press wanted photographs of them at home and in more relaxed surroundings. Here’s one of those featuring Ringo with his Mum and stepfather – who both loved their music. He’s talking with them about the record he’s holding. It’s by James Ray:

You can see the rear of the cover in the photo above:

And this is the front cover image:

Nice. James Ray was an American R&B singer. There’s another Beatle connection here because in 1962 it was James Ray who recorded the original version of “Got My Mind Set on You” (you can see that on the rear cover track-listing from the album that Ringo is holding. See track 3). Much later (in 1987) the song became a number one hit for George Harrison. (To compare the two versions see: YouTube – James Ray and YouTube – George Harrison)

Signing albums has always been a task when in public for all the Beatles. Here’s Paul in what looks like the mid 1980s signing a copy of one of the Beatles most famous record covers – “Yesterday and Today”:

What you can see in the picture above is the rear cover:

Doing publicity for a new record that is out in the shops goes without saying – even for ex-Beatles:

Ringo’s “Y Not” was released in January, 2010.

As he would say: “Peace and love.”

And happy Easter everyone.

You can see the other parts in “The Beatles with Records” series here:  Parts 1, 2, 3, 4, 5 , 6, 7, 9 , 10 , 11, 12, 13, 14, 15, 16 and 17.

McCartney “Kisses” Interview – Fresh Air on NPR

Posted on by
6

One of my favourite podcasts is Fresh Air from National Public Radio (NPR) in the US.

They have just uploaded a really interesting and insightful interview with Paul McCartney about his recent release “Kisses On The Bottom“. NPR host Terry Gross interviews Paul from his East Sussex studios (Hog Hill Mill) in England. She finds him in a relaxed, expansive, and conversational mood. Paul is candid and open – and is sitting at his piano. He doesn’t perform but illustrates his points with it as he speaks about songwriting and music. It’s really worth a listen for any Beatles fan, or anyone interested in understanding why McCartney has released an album of pre-rock’n’roll songs. You can listen by going to the NPR site, or just click below:

At the end of the interview Paul describes his studio. To get a visual idea of what it looks like inside check out this video of him working in 2009 with Klaus Voormann at Hog Hill Mill:

Harrison – Early Takes Vol. 1

Posted on by
3

As reported on the Beatles Examiner, Wogblog and The Second Disc sites, Martin Scorsese’s spectacular documentary “Living in the Material World” (on the life and times of George Harrison) is about to be released on BluRay and DVD for the first time in the USA:

While that’s of course worthy of note (the film has been available in other markets since October last year), the BIGGER news is that the limited edition music CD only previously available if you purchased the expensive Deluxe Box Set of “Living the Material World”, is soon to be released as a single, stand-alone CD:

Not only that, for us mad vinyl collectors it will also be released in vinyl:

Both the CD and vinyl are to be released on the Hip-O Records label, part of the Universal Music stable. They’re the company that released Ringo Starr’s latest CD’s. The Harrison discs will contain previously unavailable demos and, as the title suggests, “early takes” of these ten songs:

  1. My Sweet Lord (demo) 3:33
  2. Run Of The Mill (demo) 1:56
  3. I’d Have You Any Time (early take) 3:06
  4. Mama You’ve Been On My Mind (demo) 3:04
  5. Let It Be Me (demo) 2:56
  6. Woman Don’t You Cry For Me (early take) 2:44
  7. Awaiting On You All (early take) 2:40
  8. Behind That Locked Door (demo) 3:29
  9. All Things Must Pass (demo) 4:38
  10. The Light That Has Lighted The World (demo) 2:23

The other good thing is that the disc is sub-titled “Volume 1” – which suggests that there may just be others in the series……