Weird “Sgt Pepper” Inner Bag

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Stumbled across a nice old copy of Sgt Pepper, and a copy of With the Beatles yesterday at a garage sale. They are both Australian pressings. The Sgt Pepper is mono on nice heavy vinyl in the gatefold cover, with the cut-out insert, and it’s on the black and yellow Parlophone label:

Sgt Pepper label

That, according to Jaesen Jones’ fantastic reference book “An Overview of Australian Beatles Records“, would make this pressing from around 1969. The weird thing though is the inner bag. It’s one I’ve certainly never seen before and I wonder if it’s an official variation on the original, or just a random bag that a previous owner has adopted for the purpose. It looks like this:

Weird Sgt Pepper Inner

It looks aged and very much like it comes from the same vintage as the LP. The colours are very similar to the famous “psychedelic” original inner sleeve too. As you can see they are shades of pink, red and white – but in regimented stripes. Does anyone know anything about this one? Ever seen it included in a Sgt Pepper before?  This is what the usual bag looks like:

BeatlesPepper Inner Bag

At the same garage sale I also got a really nice copy of With the Beatles – with an original Australia-only cover:

With the Beatles AustWith the Beatles rear

These are difficult to find in reasonable condition as they suffered ring-wear badly. With an orange Parlophone label this means this particular copy comes from around 1969:

With the Beatles Label

It would have been amongst the first to use the orange Parlophone label, but amongst the last of the Beatles LPs to have the old-fashioned flipback cover construction:

With the Beatles flipback

And it would have been the last to have a black and white “STEREO” sticker on the top left-hand side as these were phased out in 1969:

With the BEatles Stereo

So, two nice additions to the collection. If anyone can help with information on the unusual Sgt Pepper inner sleeve above let us know by posting a comment below or you can email me.

More McCartney Christmas News

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Paul McCartney is to release a vinyl single of “The Christmas Song (Chestnuts Roasting on an Open Fire)”, from the Holidays Rule compilation CD and the Complete Kisses  iTunes-only Christmas release.

Christmas Kisses

The coloured vinyl single will be backed with McCartney’s original 1979 version of “Wonderful Christmastime”, or is it the version of the song on the Holidays Rule CD by The Shins? That is still to be confirmed. A label spokesman quoted by Beatles Examiner said the record comes out in the U.S. on December 4 and will be available through independent record stores.

McCartney – “Complete Kisses” Announced

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Paul McCartney has announced a special Christmas release – an exclusive iTunes-only album called ‘Kisses On The Bottom – Complete Kisses’. It will be available for download only on November 26th in the UK and internationally, and on November 27th in the US.

‘Kisses On The Bottom – Complete Kisses’ will feature the standard edition of the album ‘Kisses On The Bottom’ along with the entire 13 tracks from the ‘Live From Capitol Studios’ concert performance.

There’ll also be four bonus tracks including a special festive recording of ‘The Christmas Song (Chestnuts Roasting On An Open Fire)’, which Paul recorded at Avatar Studios in New York in September. The album will also feature a previously unreleased version of ‘My Valentine’ arranged by Johnny Mandel, and the tracks ‘Baby’s Request’ and ‘My One And Only Love’ (both previously available only on the “Deluxe” edition of the CD or via iTunes).

There has also been a behind–the–scenes look at the recording of ‘The Christmas Song (Chestnuts Roasting On An Open Fire)’  put up on a couple of sites.

“Complete Kisses” TRACKLISTING:

‘Kisses On The Bottom’:

01. I’m Gonna Sit Right Down And Write Myself A Letter 02:36
02. Home (When Shadows Fall) 04:04
03. It’s Only A Paper Moon 02:35
04. More I Cannot Wish You 03:04
05. The Glory Of Love 03:46
06. We Three (My Echo, My Shadow And Me) 03:22
07. Ac–Cent–Tchu–Ate The Positive 02:32
08. My Valentine 03:14
09. Always 03:49
10. My Very Good Friend The Milkman 03:04
11. Bye Bye Blackbird 04:26
12. Get Yourself Another Fool 04:42
13. The Inch Worm 03:43
14. Only Our Hearts 04:21

Bonus Tracks:

15. The Christmas Song (Chestnuts Roasting On An Open Fire) 03:35
16. Baby’s Request 03:30
17. My One And Only Love 03:50
18. My Valentine (Johnny Mandel Original Arrangement) 03:12

Live From Capitol Studios:

19. I’m Gonna Sit Right Down And Write Myself A Letter (Live) 02:44
20. Home (When Shadows Fall) (Live) 04:26
21. It’s Only A Paper Moon (Live) 02:55
22. More I Cannot Wish You (Live) 03:28
23. The Glory Of Love (Live) 03:53
24. We Three (My Echo, My Shadow And Me) (Live) 04:14
25. Ac-Cent-Tchu-Ate The Positive (Live) 02:51
26. My Valentine (Live) 03:31
27. Always (Live) 04:21
28. My Very Good Friend The Milkman (Live) 03:14
29. Bye Bye Blackbird (Live) 04:45
30. Get Yourself Another Fool (Live) 07:48
31. My One And Only Love (Live) 04:16

‘The Christmas Song (Chestnuts Roasting On An Open Fire)’  is also featured on a new holiday CD compilation called “Holiday’s Rule”. It features a variety of artists performing Christmassy-themed songs. The project is coordinated by Paul’s record companies Hear Music/Concord Music and MPL.  You can hear the song in full if you visit the MPL site – it’s currently featured on their embedded music player.

McCartney’s “Live Kisses”

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This just a quick follow up to an earlier post pointing to Paul McCartney’s “Live Kisses” coming out on DVD, BluRay and digital video.

I got a copy of the BluRay today so I thought I’s share some photos of the packaging and what’s inside:

That’s it still in it’s shrink wrap. The front cover photo is taken by Mary McCartney. Here it is released from the plastic:

It is really quite a nicely put together package. It’s not in a standard BluRay plastic cover but is more like a small, bound  hardback book. (The DVD comes in the same packaging only in a slightly larger format). That dark black stripe you can see down the left-hand side is embossed with a shiny finish. Quite stylish. Here’s the rear cover:

There’s a 41 page book inside which contains some nice photos and the stylish layout begun on the exterior continues:

The design is reminiscent of the “Kisses on the Bottom” CD packaging, but is also quite distinctive in itself. There’s a Foreword from Mr Diana Krall –  none other than Elvis Costello:

Costello also conducts an extensive interview with Paul McCartney about the project and the recording and this takes up the bulk of the book. At the rear are a couple of pages containing info on the composers, the song publishing details, and the recording personnel for each track. The disc contents and the bonus features are detailed, and the final page is a thin slot container for the BluRay disc itself:

(click on images to see larger versions)

So, all in all, quite nicely put together. Now to go and watch it! For those wanting a preview, McCartney’s MPL site has just put up an extended promo video package.

Meanwhile, a Paul McCartney Christmas track (which sounds like it may have been recorded during the “Kisses” sessions) is part of a new holiday CD compilation called “Holiday’s Rule” featuring a variety of artists. It’s a project coordinated by Paul’s record companies Hear Music/Concord Music and MPL. He does the classic “The Christmas Song (Chestnuts Roasting on an Open Fire)”. You can hear the song if you visit the MPL site – it is featured on their embedded music player at the moment.

 

 

Beatles on the Radio – A BBC Feast Coming Up This Week

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There’s a veritable feast of Beatle programming coming up this week on the BBC. In this the group’s 50th year, the broadcaster has just announced a series of programmes celebrating the life and music of the band.

First up comes “A Year in the Life: The Beatles ’62“, a 53 minute documentary which goes to air and online at 1305 GMT on Monday, 19 November 2012. In it “…Roger McGough tells the story of the pivotal breakthrough year for the Liverpool beat combo via twelve interlinked recollections from those who knew and worked alongside them in 1962.”

Then on Tuesday 20 November at 1305 GMT comes “Beatleland“. The BBC press releases says: “The Beatles left Liverpool in 1962 to conquer the world, but it never left them. Craig Charles heads home to Liverpool to find out what they took with them and the legacy they left behind. Every day, tourists visit Lennon and McCartney’s childhood homes, restored to their 1950s glory by English Heritage. From Albert Dock to Mathew Street, Beatle memorials are ever-present: Penny Lane and Strawberry Field, The Jacaranda, The Casbah and The Cavern where the group learned its trade, The Grapes and Ye Cracke, where the young Beatles would sit over a pint of cider, and Gambier Terrace, where John Lennon shared a flat with fellow art student Stu Sutcliffe. The Beatles connection is worth an estimated £20 million a year to the local economy.”

The week of special Beatles programming continues next day with “Paul McCartney at the BBC” – another 53 minute doco on Wednesday 21 November, again at 1305 GMT.  “Johnnie Walker presents a portrait of Sir Paul McCartney, drawn from BBC archive interviews and performances. The programme starts with the break-up of The Beatles and traces McCartney’s career as a solo artist up to the present. It’s made up entirely of rare BBC archive interviews and performances, and presents a fascinating picture of one of Britain’s greatest musicians. Among other treats we hear Sir Paul deconstructing Band On The Run for a television ad for a domestic radio station and recording a session at the famous Abbey Road studios.”

Finally, Thursday 22 November at 1305 GMT, you’ll be able to listen in to a special on “The Magical Mystery Tour“, a 53 minute programme about “….the television film called Magical Mystery Tour devised, written and directed by The Beatles. It has a significant place in the history of The Beatles – not least, because it was viewed by many as the group’s first failure. Paul Gambaccini presents a programme revealing the story behind the making of Magical Mystery Tour.”

 

The BBC World Service schedule for the series can be seen here. There are also some programs on the Rolling Stones if you are a fan.

Beatles with Records – Part Thirteen

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In Part Twelve in our series The Beatles With Records I couldn’t identify what disc a young Julian Lennon was holding in this photograph kindly sent in by reader Ariel Caceres:

Well, thanks to Beatles Blog reader Thomas McConnell, who incidentally is a singer/songwriter from Liverpool, we now have an answer:

He is holding the UK 1978 reissue of the 45rpm single “The Ballad of John and Yoko/Old Brown Shoe” from The Beatles Collection box set. This box set contained every UK Beatles single and had specially created picture sleeves. I even have a copy of the set, but I missed connecting the Julian Lennon photo with it!  So, thank you to Thomas for solving that one.

Ariel (mentioned above) has sent in another interesting photograph. It’s of John Lennon and Harry Nilsson holding the early artwork for the 1979 Nilsson LP “Pussy Cats” – which Lennon produced and played on. It also featured the likes of Ringo Starr on drums and Klaus Voormann on bass:

If you’d like to read some more about this album – click here.

I’ve also had sent in a simple but striking candid photograph of Paul McCartney clearly enjoying a quiet browse through a box of second-hand LPs. This comes from French collector and author Claude Defer:

I reckon he looks pretty happy and contented. We’ve mulled over just which album that “Jazz Greats” LP could be at the back of the pile. Maybe Paul was doing some research for his “Kisses on the Bottom” recordings?  With only the rear cover in view the album we can see could be any number of jazz records which carry that title.  If you have any ideas contact me at: beatlesblogger@gmail.com

Russian collector Andrey sent the photo below with a bit of a story attached. In August, 1998  Ringo Starr visited Russia for the first time. Andrey was a winner of the Beatles United Radio-TV-Newspaper competition. The prize was a brief meeting with Ringo. Andrey (thats him in the picture) presented Ringo with one issue of the Russian BEATLESBEAT fanzine (released in 90s) and the bootleg CD-album “Rory Storm and the Hurricanes”:

This photo was taken on August 25, 1998 just an hour before Ringo’s show in the Russia State Central Concert Hall in Moscow (this building doesn’t exist any more). Ringo is taking a good look at the CD, which can be seen well in this enlarged fragment:

Later Ringo put his autograph on the photo specially for Andrey. Here’s the Rory Storm Russian bootleg CD cover that he’s studying:

And here’s an honorary Beatle if ever there was one. It’s their manager, Brian Epstein with a copy of their debut LP “Please Please Me”.  Parlophone rush-released the album on 22 March, 1963 in the UK to capitalise on the success of singles “Please Please Me” and “Love Me Do”:

Thanks again to everyone who provided photos and further information. You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 14, 15, 16 and 17.

Beatles 2012 Remastered Vinyl – Released (First Pictures)

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Is Australia the very first country to see the new Beatles Remastered Stereo Vinyl Box Set delivered?

The new records aren’t due for release in the UK and the USA until next week (12 and 13 November respectively). However, today I got a call from my local record store in Sydney saying “Come on in – your order for the Beatles box set is ready for collection today“.  (That’s Thursday, 8 November)

Naturally I high-tailed it down there – and here are the first pictures of it being unpacked. It comes in a big protective outer box:

The large sticker declaring the contents is placed on both sides of the box:

The two shipping labels on the side. Both say “Deliver Thursday”:

 

When you open the box you see what looks like another box-within-a-box:

It is held in place by two thick white foam inserts that you usually see in packaging for large electrical goods like TV’s, etc.  At this point I should say this package is incredibly heavy. You actually have to lie it on its side to slide it out:

What initially looked like an inner box is actually a thick brown cardboard wrap around the main package (above). Once you take it off you see this:

It’s just like the Beatles Remastered Stereo CD box released in 2009. There’s a thin cardboard outer sleeve around the record box itself. As you can see above it has “The Beatles” and an Apple logo printed on the front. This is what’s printed on the rear:

The outer sleeve slides off to reveal the main, lidded box:

Opening the lid – there are two pieces of black foam and two large moisture absorbing packs:

The book and all the LPs are completely sealed in heat-shrink plastic:

“Let It Be” (below) has the green Apple on the rear:

The book is really heavy and looks amazing – even in its heat-shrink wrap:

It has black-edged pages:

One side of the outer sleeve has the record and book edges printed on it. I guess that’s so it’ll look good when sitting on a shelf with that edge facing out:

Well, that’s about it for now. Hope you enjoyed this. Haven’t had time to open up any of the records or the book. Just wanted to get this up quickly for all to have sneak peek at the new Beatles Remastered Stereo Vinyl Box Set. 

(Click on images to see larger versions)

Label Variations Part Eight – Lennon’s “Imagine” Single

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Last post I wrote about a couple of unusual garage sale finds.  One was a vinyl copy of John Lennon’s 1971 single “Imagine” – but on the much less common Parlophone label in New Zealand.

When researching the post I had a good trawl around the internet to see if I could find a similar copy.  I couldn’t.

However I did find a huge number of other interesting label variations. I guess that’s not surprising given the fact that this song has become an iconic John Lennon  composition. Here are just some of them, starting with the rare New Zealand pressing I found:

Looking around the web I could not find anything about this release – so if you know more details please get in touch. The more common New Zealand pressing, though still quite collectable in my view, would be on the green Apple label:

Of course Lennon releases in Australia also came out on the Apple label, and I own probably the most common original Australian release of “Imagine”. It looks like this:

Searching through Google Images I actually stumbled across a picture of what would have been the original Apple acetate pressing of the song:

 These acetates were test pressings, done in-house at Apple so that the engineers and John Lennon could take them away and have a listen to the mix and to the quality of the pressing before saying “yes” to printing so many hundreds of thousands of copies…Those big first press runs would have been in the United Kingdom – which used a green Apple.  Here’s an early promo copy sent out to radio stations, followed by the legitimate single released to the public :


And in the United States – which used a plain white Apple label favoured by John Lennon at the time:

Of course other countries quickly followed, including places like Germany:

And the Netherlands:

Such was the fame of this song there were also pressings from unusual countries like Venezuela:

From Mexico:

And from Brazil:

Brazil also released the song on a plain white label – but a variation on the white Apple issued the USA:

In the US the song was so popular it kept getting re-issued on a variety of Capitol labels:

And this purple Capitol example:

Meanwhile back in the UK the single was being re-issued countless times as well. Here are two later examples on the Parlophone label:

Friend Andrey in Russia has sent another two examples. The first is a mono single from France:

And a slightly different image of the white label above from Brazil (different font on the year of issue):

There are no doubt many more examples given the worldwide love of this one song. If you have any other label variations you would like to share please email them through to beatlesblogger@gmail.com

Two Small But Unusual Garage Sale Finds

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There are times at garage or yard sales when you are on the hunt for Beatles vinyl that the pickings can be pretty slim.

This was the case last weekend. After visiting quite a few, and with the prospect of going home empty-handed, I struck two very unusual and potentially rare items at the very last house I visited. Sitting in a box of old 45’s I found two New Zealand pressings. They’re both collectable – with this one probably being the most rare:

As you can see, it’s a copy of John Lennon’s “Imagine” – but on the NZ Parlophone label:

I must admit, despite seeing quite a few copies of this single in my time, I’ve never seen in on the black and yellow Parlophone label before.  Next post I’ll put up some of the great variety of label variations of “Imagine” from around the world.

Sitting with the John Lennon was another New Zealand single – a copy of the Beatles “Hey Jude” b/w “Revolution”. Unusually, it was in a UK cardboard outer sleeve:

These covers were produced for the UK Beatles box set “The Beatles Collection” containing all 25 British single releases. However, inside this one there was a New Zealand Parlophone pressing of the single – again on the yellow and black Parlophone label:

In “The Beatles Collection” box set this single looks like this:

So, the copy I found is quite strange. I’m not sure if New Zealand EMI ever produced a version of this box set where they sourced the British packaging but inserted locally pressed vinyl. In some countries that sometimes happened. If so, my single has become separated from the rest of the collection at some stage….

These are the other versions of  the “Hey Jude” single in my collection. The record was released in that period just when Apple Records had first been created and so some copies in Australia also came out on the Beatles’ old label, Parlophone:

It was also released here on a standard Apple:

And here’s an example of some weird typography being used in the song title on a later Australian Apple pressing:

Finally an example of the original UK Apple version:

So, when garage sale hunting seems fruitless sometimes its worth going to just one more house….

Mary Hopkin – Australian Vinyl

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Last weekend I was visiting a cool Sydney second-hand record store called Revolve Records and Relics. As you can see if you click here, its a full-on searching experience when you walk inside…I was actually there on the hunt for an Australian pressing of the John Lennon/Plastic Ono Band LP to send to Andrey, a Russian collector and reader of this blog.

Anyway, I didn’t turn one up for him (yet), but I did find an LP for myself that I’ve been searching for now for about ten years or so. It’s an original Australian pressing on Apple Records of the Mary Hopkin compilation “The Best of Mary Hopkin”:

You might know this record as “Those Were the Days”. In the UK and the USA that’s what it was called when released back in 1972. It has the same Apple Records catalogue number here as the UK issue – SAPCOR 23 (in the US this was SW3395) – and the same 11 tracks and running order:

There’s a bit of a backstory for me regarding this LP. I did spy a copy of it once at a garage sale about 10-15 years ago. I was just about to reach for it when another person at the garage sale spotted it first and grabbed it. It must genuinely be one of the Apple rarities as I’ve never seen another copy of it since!

So, thanks to Andrey, I have one more item ticked off in the quest to own every Apple LP on vinyl.