Tag Archives: Music

A Small Find – But A Good One

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When I ducked into a random newsagent shop recently in Surry Hills (in Sydney), I picked up the special Newsweek commemorative edition devoted to fifty years of the Beatles.

I also picked up a copy of this CD:

It was in a small pile of discs I saw in a corner on the floor. The pile was a selection of those free CDs which come attached to the front of some magazines. These discs had obviously become separated from a variety of publications over the last couple of months. The newsagent had held onto them and was now offering them for sale individually at $1.00 each. I don’t think they are supposed to do this – offer the CDs for separate sale….

Anyway, what I found in there was well worth the dollar asking price – it was “Sounds of the Star Club”, the free CD that came on the cover of this Uncut Magazine in March 2012:

The CD is actually a very good 16-track collection of the original versions of some of the songs the Beatles covered in the band’s very early years.

It’s not a bad little CD to have in the collection because it references some of the key musical influences to impact on the Beatles, songs they loved enough to put into their repetoire for live shows, or to record on early albums. This includes original tracks by the likes of Chuck Berry (“Roll Over Beethoven”); Carl Perkins (“Lend Me Your Comb” and “Everybody’s Trying to be My Baby”); Fats Waller (“Your Feet’s Too Big”); Little Richard (“Kansas City/Hey Hey Hey”); Peggy Lee (“Till There Was You”); Gene Vincent (“Be-Bop-A-Lula”); Ray Charles (“Hallelujah I Love Her So”) and Elvis Presley (“I’m Gonna Sit Right Down and Cry Over You”):

(click to see a larger image)

Beatles With Records – Part Nine

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Part Eight in this series looking at “The Beatles With Records” was intended to be the last – but I’ve just been contacted by a reader named Ben Summer (he  also has a very cool website) who has done a great job in identifying the record that John Lennon is carrying here in around 1967:

I’d posted this shot in “The Beatles With Records – Part Three” back in August last year. Turns out it’s an LP called “Electronic Music“, that came out in 1966 on Turnabout Records, featuring Walter Carlos among other composers:

Coincidentally, this disc has also been discussed in the last day or so by the community of record collectors at the Steve Hoffman Music Forum, who also correctly identified it as the “Electronic Music” LP.  Thanks to everyone for the information.

You can see the other parts in “The Beatles with Records” series here:  Parts 1, 2, 3, 4, 5 , 6, 7 , 8, 10 , 11, 12, 13, 14, 15, 16 and 17.

“The Fireman” – One More Packaging Variation

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When I published a blog about all the different variations of Paul McCartney’s 2008 Fireman project “Electric Arguments” I thought I’d covered off just about everything….

Seems not because I’ve just received this variation which I’d never seen before – it comes in a clear plastic jewel case:

The standard single-disc CD in most major markets (e.g. the US, UK, and Japan) came out in a cardboard digipac cover. For example, here’s the Japanese cover (front and rear):

However, the seller I got the jewel case variation from was from Italy, and so I thought there might be a chance that is was unique to that country. Perhaps it is – but there’s nothing printed in this plastic jewel case version on either the booklet or the tray insert to say “Made in Italy”:

It all looks very generic inside and out and so this version of the packaging may also have turned up in other markets outside Italy. If you know anything about it then let us know too.

The CD itself is pressed in the UK and it is on the One Little Indian label:

Compare this to the original One Little Indian UK version from 2008:

If anyone knows anything more about it please use the comments box below.

Maybe it’s a lower cost version released more recently? I say this because the booklet is just 15 pages of photographs compared to the original release booklets which were very thick by CD booklet standards – they’ve got 46 pages. Here is the 15 page booklet from the jewel case version:

And here’s the cover of the 46 page booklet include in the original digipac editions from 2008:

The jewel case format therefore means that this cover of the booklet is unique. The black square with the album title, etc. and those coloured circles which look like stickers are actually printed onto the paper. On the original US and UK digipacs these were on a large clear plastic sticker attached to the outside of the shrink-wrap around the cardboard cover. You can see that here:

While I was trawling the web for photographs to help illustrate all the extensive variations McCartney produced for this project I came across what looks like one further intriguing packaging variation. It’s this one:

As you can see, it looks like a cardboard sleeve with a kind of folding envelope top where the CD is kept. If anyone also knows about the origins of this one let us know. Maybe it is a limited promo cover, or a prototype that never went into production?

McCartney’s “Ram” Deluxe – What’s Inside

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The forthcoming deluxe re-issue of Paul McCartney’s “Ram” [21st May (UK)/ 22nd May (USA/Rest Of World)] will be very different in the way it is packaged compared to the three previous deluxe reissues in the Archive series.

George Harrison “Living in the Material World” Multi-Touch book

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Not one but two press releases out today (one from The Beatles official site, the other from the George Harrison official site) about a new “multi-touch” e-book edition of “Living in the Material World”.

There’s even a fancy trailer to look at:

This all comes hot on the heals of the release in the United States on DVD, BluRay and a Deluxe box set edition (which have all been out in the UK and other parts of the world since October last year) of the Martin Scorsese documentary film of the same name, plus a CD, Vinyl and Digital release of George Harrison previously un-released out-takes called “Early Takes – Volume 1“.

Another screenshot from the “multi-touch” edition.

Very soon I’ll have a copy of the DVD and a copy of the CD to give away to two lucky readers. 

Beatles Australian 10th Anniversary 1963-1973 Souvenir LP

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My third item from the recent Glebe Record Fair (you can read about the other two here and here) is a unique and interesting Australian-only Beatles release:

To give you a bit of background to this one here’s a quote from the incredibly informative book “An Overview of Australian Beatles Records” by Jaeson Jones: “In February 1973, to commemorate the 10th anniversary of the first Beatles record released in Australia (Please Please Me/Ask Me Why), EMI (Australia) repackaged the two previously issued Greatest Hits compilations into a double LP set with a new gatefold sleeve and distinctive purple labels. The LP was promoted nationally by member stations of the major radio network of Australia, with the front cover featuring a gold sticker on the top left displaying the call sign of the promoting station. The participating radio stations were 2KO, 2UE, 3DB, 4BK, 5AD, 6PR, 7EX and 7HT.

While there was no new content, or new mixes of old content, the labels eschewed the orange hue that characterised contemporary Beatles releases in favour of a more subdued lilac/purple colour; not a particularly earth-shattering variation perhaps, but one that undeniably adds to the unique character of the Australian Beatles labelography.

The set was to be short-lived, however, for a few months later EMI UK announced the impending release of The Beatles 1962-66 (Red) and The Beatles 1967-70 (Blue) double LPs, effectively scuttling sales of this commemorative set, which was quietly deleted before mid-1973.”

Finding this LP in good condition is difficult because the white paper/cardboard used for the cover is very flimsy and very easily torn or scuffed. Most copies you see have significant ring wear. As you can see, mine is marked and not pristine, but overall not too bad for its age. Here’s the rear cover:

It has the gold corner sticker on the front left-hand side indicating it was originally purchased in Sydney, New South Wales, and consequently had publicity support of the participating radio station 2UE at the time:

As you can see on the first front cover image above, it also has the name of the person who owned it…. Linda Chinner – are you still out there?

At the time of this album’s release pre-Apple Beatles LPs were being issued in by EMI Australia on a bright orange Parlophone label that looks like this:

However, the two LPs in this set got an unusual and unique lilac/purple and silver Parlophone label:

This album set gathers together two “best of” previously released Australian LP’s “The Beatles Greatest Hits, Vol.1” and “The Beatles Greatest Hits, Vol.2” and packages them in a gatefold. These next two images are the inside of the gatefold, left side and right side:

  These are the original covers for the two albums in this 2 LP set. “The Beatles Greatest Hits Vol. 1” was released in Australia and New Zealand in mono in 1966 and in stereo in 1968; “The Beatles Greatest Hits Vol. 2” was released in both stereo and mono in 1967:

Badfinger “Magic Christian” Apple LP Re-issue

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On Record Store Day 2012 I went to the huge Glebe Record Fair in search of some collectable treasure and came home with three nice items.

One of them was another in the series of Apple reissues that came out on vinyl in the early 1990s. These are now very rare and you can read all about the background to these here.  At the record fair I stumbled across one of the LPs from that time which I’ve been searching for for a very long time:

This is the original 1970 album “Magic Christian Music” by Badfinger, reissued in 1991 on Apple Records – only this time as a gatefold cover and containing a bonus 12″ disc with two extra songs. It was part of Phase I of a significant series of reissues which included James Taylor’s “James Taylor”, Mary Hopkins’ “Postcard”, Jackie Lomax’s “Is This What You Want?”, and Billy Preston’s “That’s the Way God Planned It”.

These vinyl reissues are now really very difficult to track down so I was surprised to see one at the fair and decided on the spot to get it.  It comes with the original Apple catalogue number SAPCOR 12 and looks to be a European pressing:

One of the distinctive and cool parts about it is that instead of being in a single sleeve it’s a gatefold:

Being a gatefold means there’s obviously space for more photos and information about the release, and that in the second half of the sleeve there’s another 12″ record (a 45 rpm disc) containing two additional songs. On Side 1 you get “Storm in a Teacup”, and on Side 2 you get the previously unreleased “Arthur”:

“Arthur” was later included on the double CD of bonus tracks which came with the Apple CD box set that came out in 2010, only with a different stereo remix.

Next time the other collectable item I discovered. Stay tuned.

Record Store Day Celebrated with a Record Fair

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Happy Record Store Day 2012.

And what better way to celebrate in Sydney, Australia than with a huge record fair in the inner-city suburb of Glebe:

Many of the city’s best new and second-hand record stores and dealers were well represented:

As you can see it was very well attended and there was a sense of frenzy in the air as collectors streamed in throughout the day to try to find the best bargains – and those elusive collectors items. There was plenty of Beatles material on offer:

I was able to pick up a couple of Beatles and Beatles-related items I’d been hankering after for some time plus, just as I was leaving, this unexpected little gem:

It’s an original paperback novel based on the original screenplay for the Beatles first motion picture “A Hard Day’s Night”. It is an Australian edition, printed in 1964 and it is in pretty good condition considering it’s almost fifty years old. Inside the pages are fairly yellowed by the years, but the spine is almost perfectly intact. As well as the central storyline of “A Hard Day’s Night” told as a novel there are eight pages of photographs taken during the filming of the movie:

It’s interesting to note (on both the front and rear covers) that when it first came out the book would have cost fans  4/6 (that’s four Shillings and Sixpence) to buy. Back then that was about 46 cents.

The next two blog posts will be about the other items I discovered. Stay tuned.

Another (Record Store) Day – McCartney

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This week (on Saturday) we once again celebrate the importance of independent record stores around the world. And once again there’s some Beatle-related treasure for collectors. Not as significant as the last Beatle release as part of Record Store Day’s Black Friday editions last year, however still collectable. This time there’s a Paul McCartney 45 on offer. It comes in the lead up to the numerous special McCartney Archive editions of “Ram” in May.

MPL/Hear Music/Concord are releasing a limited edition (just 2000 copies) of the 1971 single “Another Day/Oh Woman Oh Why“:

The Record Store Day site says: “A classic Paul McCartney vinyl single reissue manufactured exclusively for Record Store Day! “Another Day” was originally recorded in 1970, during the sessions for the album Ram. It was the first single of his solo career. It was originally released February 19, 1971 with “Oh Woman, Oh Why” as the B-side. Upon its release “Another Day”/”Oh Woman, Oh Why” reportedly sold over a million copies worldwide. It was a number one hit in France and Australia, in the U.K. it reached number two, in the U.S. it reached number five. This exclusive reissue single is taken from the forthcoming Paul McCartney Archive Collection edition of Ram coming this spring!”

You can read more about it here on the excellent Second Disc blog.

And it all leads to the next significant installment in the Archive Series – “Ram”. The Second Disc also has some info on this forthcoming release.

McCartney stated: “Ladies and gentlemen, this is an album from a long, long time ago, when the world was different. This is an album that is part of my history…it goes back to the wee hills of Scotland where it was formed. It’s an album called Ram. It reminds me of my hippie days and the free attitude with which was created. I hope you’re going to like it, because I do!”

There have been some great Beatles collectables associated with previous Records Store Days. I’ve already mentioned last year’s Beatles singles box; in 2010 there was a special re-issue of  Harrison’s “All Things Must Pass“; there was another McCartney limited edition single released as part of the McCartney Archive Series; there was also the Beatles “Paperback Writer“; and of course the great Lennon Singles Bag.


Not One But Three New Videos of “My Valentine”

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That’s right. Three new videos. You’re probably familiar with this, the first official release made during the photo shoot for the cover of “Kisses on the Bottom“:

But yesterday Paul McCartney launched not one, but three new versions of a video he directed himself of his song “My Valentine’. They each feature Natalie Portman and Johnny Depp. The first has both actors presenting the song using sign language:

Then there are two version variations – one with just Natalie Portman on her own:

The other has just Johnny Depp on his own:

If I’m not mistaken, that sounds like a slightly different guitar solo. Could it be Johnny Depp actually playing guitar? He’s a keen player.

The Mail Online has a feature on the making of the videos.

UPDATE:  paulmccartney.com has just issued a press release with more details about the new videos – which are based on an original idea by Paul’s daughter Stella McCartney and were premiered at an event held at the Stella McCartney store in Los Angeles. Two other interesting details from the release:

‘My Valentine’ is the second Paul McCartney music video Natalie Portman has starred in, the first being the Michel Gondry directed ‘Dance Tonight‘ in 2007.  For this new performance, she was exclusively dressed by Stella McCartney. Johnny Depp also plays guitar in his version and recorded the track’s guitar solo live.  His guitar take was then mixed and mastered into the final track.  The original guitar solo on the studio version of the song was performed by Eric Clapton.