Tag Archives: Plastic Ono Band

Label Variations Part Nine – Plastic Ono Band “Cold Turkey”

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In Label Variations Part Eight an unusual New Zealand Parlophone label version of John Lennon’s “Imagine” was featured.

I’ve stumbled across another from NZ –  this time Lennon’s anguished drug withdrawal song “Cold Turkey“, performed by the Plastic Ono Band. It’s definitely original and as you can see pretty beat up, but interesting I guess – especially for one particular reason which will be revealed later:

Plastic Ono Band Cover 1

It is in it’s original New Zealand Parlophone bag – very faded, but the rear side is interesting with it’s groovy “Young Internationals” advertisement for Air New Zealand (only $397.50 one-way to Singapore or Hong Kong!):

Plastic Ono Band Cover 2

The main point of interest though is the black and yellow Parlophone label:

Plastic Ono Band Label 1

The printing on the A-side is kind of faded and difficult to read because the silver-coloured lettering does not stand out well on the black background. Like the UK edition, this 45 rpm single carries the catalogue number APPLES 1001, and as in other markets around the world the flip-side is the Yoko Ono song “Don’t Worry Kyoko (Mummy’s Only Looking for Her Hand in the Snow)”. However, this New Zealand pressing has a spelling mistake. It clearly says “Don’t Worry Kajoko”, and it has no sub-title printed on the label:

Plastic Ono Band Label 2

Some people quite like collecting label printing mistakes and so this makes it interesting as well. The spelling should be “Don’t Worry Kyoko….”:

cold-turkey-Don't Worry Kyoko

Here are some other label variations from around the world, starting with Australia:

cold-turkey-Aust

These images following aren’t from my collection but gleaned from the web. Here are two different variations from Brazil:

cold-turkey-Brazilcold-turkey-brazil2a

The original UK version looked like this:

cold-turkey-UK

And the US and Canadian versions:

cold-turkey-USAcold-turkey-canada

Here’s one variation from Germany, followed by one from the Netherlands:

cold-turkey-german

cold-turkey-netherlands

And since posting this I’ve been contacted by Claude Defer in France with two French variations. He says: “In France, we have 2 types of labels : the first one has «Cold Turkey» on the white part of the apple and the second one has «Cold Turkey» on the green part of the apple. The first one was probably a misprint and the second one fixed it.”:

Cold-turkey-france 1Cold-turkey-france 2

Also, Andrey in Russia sent another France variation which is very similar to the one above, just a greener Apple:

ColdTurkeyFranceMonoSide1

If you have any other label variations you would like to share please email me.

Label Variations Part Eight – Lennon’s “Imagine” Single

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Last post I wrote about a couple of unusual garage sale finds.  One was a vinyl copy of John Lennon’s 1971 single “Imagine” – but on the much less common Parlophone label in New Zealand.

When researching the post I had a good trawl around the internet to see if I could find a similar copy.  I couldn’t.

However I did find a huge number of other interesting label variations. I guess that’s not surprising given the fact that this song has become an iconic John Lennon  composition. Here are just some of them, starting with the rare New Zealand pressing I found:

Looking around the web I could not find anything about this release – so if you know more details please get in touch. The more common New Zealand pressing, though still quite collectable in my view, would be on the green Apple label:

Of course Lennon releases in Australia also came out on the Apple label, and I own probably the most common original Australian release of “Imagine”. It looks like this:

Searching through Google Images I actually stumbled across a picture of what would have been the original Apple acetate pressing of the song:

 These acetates were test pressings, done in-house at Apple so that the engineers and John Lennon could take them away and have a listen to the mix and to the quality of the pressing before saying “yes” to printing so many hundreds of thousands of copies…Those big first press runs would have been in the United Kingdom – which used a green Apple.  Here’s an early promo copy sent out to radio stations, followed by the legitimate single released to the public :


And in the United States – which used a plain white Apple label favoured by John Lennon at the time:

Of course other countries quickly followed, including places like Germany:

And the Netherlands:

Such was the fame of this song there were also pressings from unusual countries like Venezuela:

From Mexico:

And from Brazil:

Brazil also released the song on a plain white label – but a variation on the white Apple issued the USA:

In the US the song was so popular it kept getting re-issued on a variety of Capitol labels:

And this purple Capitol example:

Meanwhile back in the UK the single was being re-issued countless times as well. Here are two later examples on the Parlophone label:

Friend Andrey in Russia has sent another two examples. The first is a mono single from France:

And a slightly different image of the white label above from Brazil (different font on the year of issue):

There are no doubt many more examples given the worldwide love of this one song. If you have any other label variations you would like to share please email them through to beatlesblogger@gmail.com

Happy Xmas (War Is Over) – 40th Anniversary

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Now in its 40th year – the peace campaign and song by John Lennon, Yoko Ono, the Plastic Ono Band and the Harlem Community Choir.

The single “Happy Christmas (War Is Over)” was released in December, 1971 in the United States (but due to a publishing dispute not until November the following year in the UK and worldwide). Here are some single releases from around the world – not all in my collection! (On most images you can click to see a larger version):

To find out more and to download the original poster in your language and in a range of sizes just click here.  And keep praying for peace in the world.

Happy Xmas (War is Over)

The Beatles With Records – Part Five

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The Beatles have sold millions and millions of them – but there are relatively few photographs where they’re seen actually holding LP’s, singles and CD’s.

We’ve uncovered a few though in this series (you can see all the original blog posts here:  Part One; Part Two; Part Three; and Part Four). People are still sending in photos from their own collections, and so here is Part Five. Most of the photos below come from French Beatles collector and author Claude Defer. The first is John Lennon holding up the French “Ticket to Ride” EP.  Claude tells me that this photograph is from the cover of a French record collectors magazine called “Jukebox”. The picture was taken in June, 1965 when the Beatles gave two shows in Paris at the Palais des Sports:

Immediately behind “Ticket to Ride” I think you can just see another French Beatles EP called “Eight Days A Week”. Here’s the cover of that one:

Here’s another Beatles EP (or Extended Play), this time it’s George and John with a copy of the UK version of “Twist and Shout”.  In the UK, “Twist and Shout” was released in 1963 by Parlophone with three other tracks, “Do You Want to Know a Secret”, “A Taste of Honey”, and “There’s a Place”, from the Please Please Me album. Both the EP and album reached No. 1 :

From what must have been around the same time as the photograph above (mid-1963) comes this next photo:

It’s the Beatles with the group called Gerry and the Pacemakers at what appears to be celebratory drinks. Perhaps it was taken in April/May, 1963 when Gerry and the Pacemakers had a number one hit in the UK with “How Do You Do It?”, which came out on the Columbia label and was produced by Beatles producer, George Martin. That song was knocked from its top chart spot in May by the Beatles with “From Me to You”. It came out on Parlophone and was of course also produced by George Martin. It’s a bit difficult to tell from the photograph, but maybe band leader Gerry Marsden is holding up a copy of “How Do You Do It?”, and John is holding a copy of the new number one, “From Me to You”:

Beatles manager Brian Epstein features in previous posts pictured with Beatles records. Claude Defer sent through these next two. The first is Brian looking through a pile of what look like acetates or “test” pressings:

Wow. If some of those are Beatles test pressings (and no doubt they are) then they’d be real collectors items now! The other shot of Brian has him with a copy of “Help!” from 1965:

In 1966 the Rolling Stones released their LP “Aftermath”. Clearly the Beatles were keen to get a hold of it as soon as they could:

The caption says: “The Beatles always took a close interest in the new releases by the other top groups. Neil Aspinall (their road manager) had made a special trip to get hold of “Aftermath”, the new album by the Rolling Stones, and “Bo Dudley”, the single by Peter Cook and Dudley Moore”.

Cook and Moore were a popular British comedy act and “Bo Dudley” was the B-side to their 1966 single “Aint She a Sweetie” on the Decca label:

A year later (1967) the Beatles released “Magical Mystery Tour”. In the UK it came out as a film for TV, and also as a double EP. Here’s John signing a copy for a fan:

Not strictly the Beatles with records, but the lovely Patti Boyd who became a Beatle wife. She had a a very successful career as a model and here she is in a photo shoot featuring some of the work of her future husband, George Harrison:

Three Beatles albums are seen in the shot: “Please Please Me”, “With the Beatles”, and in her hand, “A Hard Days Night”:

John and Yoko posed for some photographs to publicise their new records in 1970. We had a couple of these in The Beatles with Records Part 2. Here’s one more, this time a picture of John and Yoko with their Plastic Ono Band LP’s. According to Claude Defer the man between them is Pete Bennett, Apple Records US promotions manager.  John had just released “John Lennon/Plastic Ono Band”, and Yoko had “Yoko Ono/Plastic Ono Band”.  Both titles were released simultaneously. The front covers were almost identical, but the rear artwork of Yoko’s album showed her as a young girl, while John’s showed him as a young boy:

The Lennon’s have also been photographed with an earlier release, “The Wedding Album”. It was a lavish box set celebrating their union in 1969 and contained amongst other things an LP, a wedding photo album, a picture of a slice of the wedding cake and, as you can see here, a copy of the marriage certificate pasted inside the lid of the box containing all the other goodies:

Finally, a more recent photograph – this time another of Paul McCartney out publicising his alter-ego The Fireman and a recording from 2008 called “Electric Arguments”. You can see a full report on this release here. Paul is photographed holding (upside down) the CD version, while one fan behind him holds the vinyl version, and another (on the left) is reaching for a vinyl copy of “Sgt Pepper”:

Thanks to everyone who sent in photos.

You can see the other parts in “The Beatles with Records” series here:  Parts 1, 2, 3, 4, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 and 17.

The Beatles With Records – Part Two

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Since my earlier post about the Beatles being photographed actually holding the things they sold so many of – LP and single records – a few more photos have come to light. This first one is a very early publicity shot of the band with a copy of their very first album for Parlophone Records – from 1963 “Please Please Me“:

Trawling the web I came across a great photo of an obviously happy Ringo Starr with a pile of LPs and singles:

Here you can clearly see Ringo holding the Motown Record “Little Stevie Wonder – The 12 Year Old Genius” (from 1963):

He’s also got a copy of The Shirelles “Foolish Little Girl“, which again dates from 1963 leading to the conclusion that this photograph was taken in that year. The record is lying down, just near Ringo’s left hand:

And on top of that LP are a couple of 45 rpm singles. Its impossible to make out the title of the one we can see, but you can clearly make out the distinctive red and white label of Top Rank records. I wonder if it’s also The Shirelles? In Britain they were released on Top Rank – so it could very possibly be a copy of  “Baby Its You“, a song the Shirelles recorded in 1961 and which the Beatles themselves covered on “Please Please Me“:

I’ve also found  a photograph of Ringo with wife Maureen. They’re sitting at home in a flat they rented for some time in London’s Montague Square. Behind Ringo you can see on the shelf quite a large collection of LP’s, and if I’m nor mistaken Maureen is sitting on what, for the times, would have been quite a sophisticated “radiogram” or record player:

Here’s another of Ringo, once again with Maureen, clutching a copy of the Beatles “Yellow Submarine” LP:

I had a  a photo sent to me after the earlier blog post. It’s Paul with a copy of 1965’s “Rubber Soul“:

George Harrison features on the web photographed with records, some with easily identifiable discs and some not. This one is pretty easy to see. Its a lucky fan getting an autographed copy of “Help“:

Here’s George again, this time a shot taken in what looks to be the Apple offices. It’s him holding a copy of his second solo outing “Electronic Sound“, released on the Zapple label:

You can clearly see the rear artwork for the LP in the photo above. Below is a shot of the back cover of the LP:

And here’s another one of George again signing albums, but this time its very difficult to see just what they are:

In 1970 John and Yoko posed for some photographs to publicise their new records. John had “John Lennon/Plastic Ono Band”, and Yoko had “Yoko Ono/Plastic Ono Band”. Both titles, on Apple Records, were released simultaneously. The front covers were almost identical, but the rear artwork of Yoko’s album showed her as a young girl, while John’s showed him as a young boy:

In the photo is also “The Wedding Album” box set, which came out in 1969. The photo below is taken at the same session:

As I said, the front cover artwork of these two LP’s is difficult to tell apart. “John Lennon/Plastic Ono Band” has John leaning against Yoko:

While “Yoko Ono/Plastic Ono Band” has Yoko leaning against John:

Very subtle.

Finally, a photograph of Beatles’ manager Brian Epstein. He’s holding a copy of the controversial 1966 US Capitol Records release “Yesterday and Today“. This is the famous “Butcher Cover” LP. Maybe he’s contemplating the new photograph that Capitol was forced to paste over all the original issues of the album:

This is the more acceptable “trunk” cover shot that Capitol put on over the top of the original artwork:

And this is what it replaced:

The interesting thing about the Epstein photograph is that what he is holding appears to be an early mock-up of the replacement artwork. If you look closely there is no song list at the top and the font for the words “Yesterday and Today” is different to that used on the final version. Interesting.

Don’t forget, if you have any other photographs of the Beatles actually listening to or holding singles or LP’s you can send them to me at:  beatlesblogger@gmail.com

You can see the other parts in “The Beatles with Records” series here:  Parts 1, 3, 4, 5 , 6, 7 , 8, 9 , 10 , 11, 12, 13, 14, 15, 16 and 17.

John Lennon – Vinyl Box Set from 1981

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This week I managed to secure a still sealed copy of the 1981, 8-LP box set simply called “John Lennon”. Mine is the one in the silver box with the now famous Bob Gruen photo of John (taken in New York) on the front cover:

This is the Australian release of this set, put out by EMI.

The box contains:

1. “Live Peace In Toronto”;  2. “Plastic Ono Band”;  3. “Imagine”; 4. “Sometime In New York City”;  5 . “Mind Games”;  6. “Walls And Bridges”;  7. “Rock ‘N’ Roll”;  and  8. “Shaved Fish”:

The set came out just a year after John Lennon’s death and followed the success of other Beatles box sets. It was released in several countries using very similar packaging. The set was first released in Britain, and was later sold in Japan, Germany, and of course Australia – with the catalogue number JLB8:

Mitch McGeary and William McCoy write (on their Beatles Rarities and Box Sets website) that all the LPs were issued on the Apple label and packaged in their original covers: “Included in the UK and other sets was a twenty-page, black-and-white booklet, “The Liverpool Echo’s Tribute To John Lennon,” which was loaded with pictures and song lyrics. The albums were encased in a silver box that had a color photo of John on the front. The set’s title and facsimile of John’s autograph were also embossed on the front of the box while the LP and song titles were printed on the back”.

EMI in Italy also issued a Lennon compilation and it is unique. Its called the “John Lennon Anthology” and consisted of all the albums in the British/Australian edition, but omitted the “best of” album “Shaved Fish”. Instead the box had three singles made up of tracks not found on any of the other seven LPs. Unlike the silver box versions these discs came in a blue, pizza-style box reminiscent of the “Live Peace in Toronto” cover:

Apparently only 1,000 copies were made of this one, making it quite a collectable item.

John Lennon – Gimme Some Truth Box

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This is the next installment of close-up, detailed photos of the current John Lennon re-issue program. We’ve already had a look at the “Signature” box set containing freshly remastered editions of all the original studio albums, plus two CDs of singles, home recordings and outtakes.

Now its the turn of the other box set issued as part of the program called “Gimme Some Truth”. First thing to say is that it is much smaller that the “Signature” box set (although that’s not saying much as the “Signature” set is huge). Its really just a slipcase kind of affair, designed to hold four CDs in cardboard sleeves plus a book. The other thing to say is that there’s nothing new here audio-wise for the avid collector. These are compilations completely made up of previously released tracks – most of which have been re-issued in a variety of forms many, many times…

The front and rear photos on the box are of John and Yoko in New York, only they’ve been superimposed on a drawing of New York Harbour (as imagined by John Lennon). It was taken by Scottish photographer Iain Macmillan, best known for his photo for the cover of “Abbey Road”:

"Gimme Some Truth" - front cover

And the rear:

"Gimme Some Truth" - rear cover

Here’s a shot from the same photo session with Iain Macmillan:

Inside the box are four themed CDs that gather John Lennon’s songs into categories. The first is “Working Class Hero”:

This photo is taken by Bob Gruen, a long-time friend and frequent photographer of Lennon who has taken some of his most iconic shots, including the images for the “Walls and Bridges” album, and he did the photograph used on the recent biography of John by Philip Norman. There are 18 tracks on this CD and they include “Power to the People”, “Steel and Glass” and “Give Peace a Chance”.

The second CD is called “Woman”, and gathers together love songs and songs specifically about the women in Lennon’s life:

This image is by Lilo Raymond, and is a photograph from the same sessions as the one used for the front cover of the 1983 posthumous LP release called “Heart Play – Unfinished Dialogue” which contained conversations with John and Yoko recorded in 1980:

The “Woman” CD also contains 18 songs, such as “Mother”, “Hold On” and “Jealous Guy”.  The third CD is “Borrowed Time”:

Got to be one of the saddest photos of John, don’t you think? So much potential there and a baby boy he won’t get the chance to see grow up….. Songs include “Nobody Told Me”, Watching the Wheels”, and of course “Borrowed Time”. The image was taken by Nishi Saimaru, who’s 1990 book “The John Lennon Family Album” features intimate family photographs taken over a three year period with the Lennon’s in New York, Miami, Hong Kong, and Tokyo. She also took the cover photo for that other four CD box set released in 1990, simply called “Lennon“.

The fourth and final disc collects Lennon covering tracks from his youth – early rock’n’roll standards plus a couple of other more contemporary rockers.

This is one of a series of famous images taken by Jurgen Vollmer of a young John Lennon in a Hamburg doorway. Vollmer, Astrid Kirchherr and Klaus Voormann met the Beatles in Germany in the early 60’s. Later, John was to write: “… Vollmer was the first photographer to capture the beauty and the spirit of The Beatles…We tried very hard to find someone with his touch after we returned from Hamburg, Germany…nobody could…The photographs…speak for themselves.” One of his photos from the same session was used on the cover of the 1975 album “Rock ‘N’ Roll”:

The “Gimme Some Truth” box also contains a 24-page book featuring an article (“Truth In All It’s Forms – The Songs of John Lennon”) by Anthony DeCurtis. DeCurtis also wrote the essay for the “Signature” box. It is illustrated with additional photographs, Lennon drawings and hand-written lyrics.

The front and rear covers of the book feature a Lennon drawing with his face morphing into Yoko Ono’s, and vice versa:

The final inclusion in the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

I’m not sure, but I think this card and PIN get you access to less comprehensive content in the “Universe” to that of the “Signature” box one. If anyone confirm that let me know.

See also the John Lennon “Signature Box” revealed, and the Paul McCartney Deluxe “Band on the Run” CD and vinyl sets.

John Lennon – Signature Box

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Well, our copy of the new John Lennon “Signature Box” has finally arrived safely in the post, thanks to Amazon, all the way from America.

You’ll no doubt see lots and lots of small photos of the exterior and YouTube “un-boxing” videos, so I thought I’d scan in some extreme close ups of what’s inside to give you an idea of the contents from that perspective.

As you know (and any Google Image search will reveal) the exterior of the “Signature Box” and it’s main parts look like this:

You can see above that it is really a box-within-a-box as the entire exterior (which has the word “Lennon” in sky blue lettering on top, and a Lennon signature embossed in white on the front) slides up and off to reveal an inner box. What you first see at the very top of that box are three items: the first is a 60-page, hard-cover book with simply the word “Yes” deeply embossed in blue on the front cover:

There is a deep blue ribbon underneath this book to help you lift it out of the box neatly (those of you with the Beatles Remastered Stereo boxes will have seen something similar used in that box to help you lift out the CDs). This book contains a lengthy essay called “John Lennon – The Life and Afterlife” by Anthony DeCurtis. It is illustrated lavishly with photographs, drawings and hand-written lyrics. Also with the book at the top of the box is a four-page cardboard fold-out sheet with this on the front:

On one side are three separate messages about John Lennon and his legacy from Yoko Ono, Julian Lennon and Sean Lennon, all signed August 9th, 2010. On the other side are four words: Give Peace A Chance. The final item you find at the top of the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

(If you don’t have a PIN code you can still have a snoop around the “Universe” – only with a lot of the functionality disabled).

Once you have lifted these three items out you can see the CD’s tucked away vertically inside underneath the book. They’re held in place by a piece of white soft foam with finger cut-outs so that you can get the CDs out a little more easily:

All the CDs are housed in redesigned cardboard gate-fold covers, utilizing the original artwork but in the now-familiar style of all the newly remastered Beatles CD covers. (Incidentally, the new Paul McCartney archive re-issues [starting with “Band on the Run” next month] will also have this new look). The re-issued and remastered CDs now all have booklets with sleeve notes (by Paul Du Noyer), lyrics and additional photographs.  The only thing here that’s new music content-wise are two CDs housed together in a unique, plain white gate-fold cover. One of them contains six singles which are not on the albums:

The other contains 13 tracks which are previously unreleased studio outtakes or home recordings:

Then, at the bottom of the box is a slide-out drawer (its got a small blue ribbon tab so you can pull it out). It contains a white, hard covered folder with John Lennon’s signature embossed in white on the front. The drawer also has a long blue ribbon under the folder to assist you in lifting it out. Inside is a John Lennon 70th Birthday art print on high quality paper:

This tasteful art theme is continued on two sides of the inner box, with a further Lennon drawing appearing on the left-hand side:

And again on the right-hand side:

I hope this has given you a different perspective on the contents. Clearly a lot of thought has gone into the packaging to try to make it hang together artistically in both design and colours. The strongest motifs are clouds, blue sky, and plain white). Its a MUCH bigger box than you’d expect – in fact the nine CDs inside look quite small by the time you get to them. There is a lot of packaging around them. It is significantly larger than the John Lennon  “Anthology” four-CD set and book that came out in 1998 (and which has some very similar design elements).

The Second Disc has written a comprehensive review of the “Signature Box”.

Next post will be a similar close-up, in-depth look at the new 4 CD “Gimme Some Truth” package.

See also the Paul McCartney Deluxe CD set, and the two disc vinyl.

Lennon “Gimme Some Truth”- Universe and Campaign Trailer

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Just had an email from johnlennon.com

It reads (in part):

John Lennon ‘Universe’ Revealed + Campaign Trailer

The John Lennon ‘Universe’ is an immersive and interactive online
experience around John Lennon’s life and musical career, featuring
multimedia content, audio from the remastered solo career albums, videos
and fascinating essays in an exciting, interactive format.

Fans will be able to access ‘Universe’ with the physical and digital
versions of the following products from the 70th Birthday campaign:

– Power To The People (CD+DVD Edition)
– Gimme Some Truth
– John Lennon Signature Box
– Power To The People iTunes LP
– Double Fantasy Stripped Down iTunes LP

Watch the brand new ‘Gimme Some Truth’ campaign trailer, which walks you
through all the releases, by clicking on the image of John above.

New Lennon Film + Behind the Scenes Podcast Series

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As part of an ever-growing number of events, books and CD re-issues to mark what would have been John Lennon’s 70th birthday, comes a new documentary film. In a couple of days (on September 25th) “LennoNYC” will make it’s premiere as part of the New York Film Festival. It will also be broadcast on PBS TV in the United States (on November 22nd), and released commercially as a DVD (on November 23).

The film, which looks to be well-researched and gets access to a number of the main players in John Lennon’s life, traces his love affair with the city of New York and how, with the city’s help, he was able to reinvent himself both artistically and in his private life. It also delves into how he worked as a composer and recording artist.

In the lead up to the television premiere the makers of the film – Susan Lacy, Series Creator and Executive Producer of the American Masters series and a producer of “LennoNYC”, and Director/Writer Michael Epstein – are making ten, hour-long, exclusive podcasts freely available. These all contain extended and largely uncut versions of the interviews that were recorded for the film with those who knew and worked with Lennon intimately during his time living in the city.

The first is with Jack Douglas, co-producer (with Lennon and Yoko Ono) of the “Double Fantasy” LP, released just prior to Lennon’s death in 1980. Its timely because he’s just been involved in preparing the special “stripped down” edition of the album which will be released the week after next.

Here is Jack Douglas from the PBS podcast talking about his work on the new stripped down version:

In the hour-long podcast interview Douglas also reveals how “Double Fantasy” was made in top secret – and surprisingly – much of it in John Lennon’s bed:

There are many other great insights and stories from Douglas. He’s particularly poignant about John’s death and its impact on him and others who knew him closely. You can download the full podcasts here, or go to the iTunes store and subscribe there. New episodes will be posted weekly every Thursday until the Thursday after the TV broadcast on November 22.  The final podcast will be a question and answer session using the best questions submitted by users via email.

The “Imagine Peace” website has extensive coverage, information and articles about the film “LennoNYC” (scroll down the page), and there’s also been a trailer for the documentary uploaded to YouTube: