When we posted about the forthcoming re-issues of Yoko Ono’s Apple Records back catalogue we were contacted by the people at Mind Train/Twisted Records asking if we were aware of Yoko Ono’s other considerable success over many years in the world of dance music and remixes.
No, we said – tell us more.
And so Rob at Twisted kindly sent through a signed (yes, autographed by Yoko herself), 2-disc promo set which gathers together a selection of the very best of her output in this genre from the last 10 years or so:
Under the monicker ONO she has had huge successes with DJ remixes of her work on the Billboard Club charts. Last year ONO had not one, but two consecutive Number 1 hits – making her one of the most successful dance artists of 2013 and prompting articles like this one in Time magazine.
Her product is prepared and released by the Yoko-associated Mind Train Records and the iconic New York-based house music label Twisted Records. For more on Twisted see their Facebook page.
Yoko Ono’sImaginepeace site also has some info on these releases.
Gotta say, I quite like these. They’re creative, mesmerising, and make you want to move. It just goes to show that in the world of collecting Beatle and Beatle-related music there is always something new to learn….
Flipping through a recent copy of Mojo magazine we noticed this small article:
Being interested in anything Beatles and Apple Records related we decided to do a bit more research.
Yoko Ono’sPlastic Ono Band site has this small promo tile (complete with a grapefruit) – but no links when you click on it:
Same for her Imagine Peace site. Again, there’s the same promo tile on the page but no other information or links, although there is a tiny bit more info as the tile at least lists two record company names:
Chimera Music is Ono’s (and son Sean Lennon’s) record label. A search revealed no further information on their site though. Not sure what Secretly Canadian has to do with the releases (it’s an American independent record label based in Bloomington, Indiana) because there’s no reference to Yoko Ono or Plastic Ono Band on their site either….
Of course these titles have been released previously. The details of that 1997 reissue project are in this MTV article:
“….beginning on May 20th, the label (Rykodisc) will present 11 different Yoko Ono and Plastic Ono Band albums, all of which are being remixed and remastered as needed by Ono herself…..The first wave of releases will be unleashed on May 20 with the four titles, Unfinished Music #1: Two Virgins, an album or tape manipulation and random noises reportedly made the night before Ono and John Lennon made love for the first time; its sequel, Unfinished Music #2: Life With the Lions, which deals with Ono’s subsequent miscarriage and also contains a “song” called “Radio Play,” 12 minutes of random radio dial-turning; the collaborative The Wedding Album, whose second song is a 22 minute drone consisting of the couple calling each other’s name and, finally, the first Plastic Ono Band album, Yoko Ono with the Plastic Ono Band.
The next set of four releases (June 10) contains what many considered to be the first post-punk record (ironic, since it pre-dated punk), the noisy, experimental Fly, credited to Yoko Ono and the Plastic Ono Band. Also released on that day are two other Plastic Ono Band Yoko titles, Approximately Infinite Universe and Feeling the Space. Also included will be Ono’s cathartic, personal album, Season of Glass. July 1st will bring the last set of three releases,It’s Alright (I See Rainbows), Star Peace and A Story, a previously unreleased album that was included in the box set. Ono is currently searching for some appropriate bonus tracks for the releases…”
Rykodisc were also involved with this 1992 6-CD set, Onobox:Yoko Ono herself writes about the contents of this box set extensively here. Onobox is a kind of a “best of” compilation, with tracks from across her own (and John Lennon’s) output from 1968 to 1985.
It’ll be interesting to see what the 2014 project brings….
When we started way back with Part One of the Beatles With Records series it was based on the premise that (quote): “Despite selling multi, multi-millions of the things, it’s kind of strange that you hardly ever see photographs of the Beatles themselves with, or listening to, records”.
Well, through lots of help from Beatles Blog readers we’ve actually amassed quite a lot of photographs to disprove that theory.
And here are some more….
Back in that first post we showed this great photo of John Lennon surrounded by guitars, amplifiers, speakers and 45 singles, listening intently to music:
Here is another angle from that same day:
John is a bit of a running theme throughout this post. In this next photograph he seems to be holding either a big reel-to-reel tape box, or some sort of record box from the classic Epic Records company:
You can clearly see the company’s old logo on the front. In the 1960s EMI, the Beatles’ record company, had a distribution deal with Epic to release their titles in the UK – so maybe it was a box of sample records from them for him to listen to?Epic is still going strong of course. Here’s another of John seeking out a track to play on a great-looking jukebox. It’d be interesting to know which song he chose to listen to….
There are no recognisable discs in this next one of John and Yoko rehearsing, but there’s a shelf full of records behind them none-the-less:
This next photograph shows the couple on the promotion trail for Imagine:
Not sure which LP John is listening to here:
Back in Part 5 we showed this photo of Beatle manager Brian Epstein holding a UK copy of Help!:
Another photo has come in which gives the close-up shot above a great deal more context. Brian was actually studying the cover of Help! amidst the hubbub of the Beatles getting ready to make some sort of an appearance, or about to go on stage: This next one is associated with the same Beatle film-related project. It’s pretty easy to guess that the band is at a press conference in the United States, only this time associated with the US version of the LP from the film Help! It came with a different cover:
Here’s another photograph of Brian Epstein, this time with a much earlier album, Please Please Me:
Meanwhile, back to John Lennon, and two photograph taken around the time of the release of Double Fantasy. Check what looks to be a sample image of the cover stuck on the noticeboard:And, in the same office, signing the back covers of promotional copies of Double Fantasy to go out to reviewers at radio stations, magazines and newspapers:
We’ve previously featured Paul McCartney besieged by fans when trying to move between a building and his car. The fans are thrusting out albums to be signed. You can see a couple of good examples in the Beatles With Records Part Twenty, and also in Part Fourteen. Sometimes, from the look on his face, you get the feeling that Paul must be thinking “Will this ever stop?”Most times though he seems very willing to smile and help fans out where he can:And to finish, a couple of earlier Paul photos with records from his Beatle days:
And from the Wings days:You can see the entire Beatles With Records series here: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16,17,18,19 and 20.
The app documents the 1980 sailing trip undertaken by Lennon to the island of Bermuda – a journey which re-ignited his creative spark and led to the writing of the songs that formed the albums Double Fantasy and Milk and Honey. Integrating excerpts of demo tapes recorded in Bermuda alongside game play and documentary storytelling, John Lennon: The Bermuda Tapes takes users down two paths:
One is called “Play” which immerses users into the eventful boat journey itself; and one is called “Listen” which contains intimate demo tapes of several Lennon songs written while he was in Bermuda including “Woman”, “I’m Losing You”, “(Just Like) Starting Over”, “Nobody Told Me”, “Dear Yoko” and a previously unreleased demo version of “Stepping Out.”
To find out more you can read the full press release here and there’s also an official online site dedicated to the app. We’ve downloaded the app and it is very detailed and interactive. The graphics and they way they tell the story are creative. It’s very involving and you certainly learn a lot of things about John Lennon that maybe you didn’t know before. Well worth the money – and it goes to a good cause as well.
Net proceeds from the sale of the app go to benefit the not-for-profit WhyHunger organisation and its global Imagine There’s No Hunger campaign, in partnership with Hard Rock International and Yoko Ono.
It’s not often you see 7-inch, 45rpm Beatles vinyl for sale at garage sales anymore. There are occasionally one or two, but they are now getting few and far between.
That’s why I was surprised this week when I asked after records at a local garage sale and the guy went into his house and brought out crate after crate of the small, vinyl gems. He had literally hundreds of 45’s – all pop and rock artists ranging from the 60s, 70’s and 80’s.
It took me quite a while to look through them all but the task produced a couple of nice items. Some I already owned, but others I didn’t have in my collection – so it was very worthwhile.
Here’s what came out of crates (in release date chronological order). First up, an Extended Play – four songs – from A Hard Day’s Night (1964):
Then came a copy of the BeatlesRock and Roll Music single (1965):
These next few have the release date displayed on the label:
This next one, Yoko Ono’s Walking on Thin Ice (1981) comes in a picture cover:
All the above are Australian pressings (except the John and YokoHappy Xmas which is British). There was though one odd item in the crates. It was just the sleeve (no record inside unfortunately) of a French EP from 1964 with four songs:
I’ll keep it – in the hope of finding the correct record to go inside it one day….
A couple of weeks ago we were contacted by a Spanish publishing company called Hércules de Ediciones. They’ve just released an e-Book called At John Lennon’s House, by a woman named Rosaura López Lorenzo.
Rosaura was born in Spain but became the Lennon’s housekeeper at the Dakota Building in New York – a job she did for just on four years.
It should be said up-front that in writing this book financial profit was the last thing on Rosaura’s mind. She says on more than one occasion that she’s not doing it for any ulterior motives. After all, Rosaura kept her unique story quiet for nearly 25 years. It was only following a chance meeting with the journalist who helped her write down her story that she finally agreed to share her experiences with the rest of the world.
When Rosaura first began work in Apartment 72 in the Dakota building she was completely unaware of the real significance and impact of Beatlemania. As a result she writes in a totally unaffected manner, and genuinely from the heart. She also says that she had Yoko Ono’s blessing to tell her story, and you have to believe her – such is her honesty in recounting what she experienced working in the Lennon’s Dakota apartments. Yes, that’s plural. One of the things we learn is that they owned and occupied at least four separate dwellings in the building. Here’s a photograph of Rosaura standing outside the Dakota:
Many people would know about John’s time in the US in the late 70s. He’d retreated from public life. He’d all but retired from the music business. He was living happily and quietly in New York, bringing up his new baby son Sean, baking bread, and living the simple life. And we learn that it was Rosaura who taught him how to bake. Born and raised in the Spanish town of Pontevedra in Galicia, she grew up in a bakery and really knew what she was doing. She recalls John saying that making bread to the ancient European tradition made him feel calm and peaceful. It’s simple observations like these which make this book so intriguing and endearing.
At the back of the book are many pages filled with photographs of Rosaura Lopez and her family. There are postcards and Christmas cards sent to her over the years by the Lennon’s. And there are many photographs of her interacting with John, Yoko, Sean, and Julian Lennon, too.
Rosaura left the employ of John and Yoko abruptly, shortly before John’s murder in 1980. She says she was sacked by Yoko after a vicious spate of rumours spread about her by another nanny keen to get her own relatives employed in the house. Rosaura didn’t get the chance to explain or defend herself for eight years. It was a chance meeting on the streets of New York which brought her face-to-face once again with Yoko. That meeting opened the opportunity for a rapprochement. Later that day the two got to talk for hours and to finally make good a wrongful dismissal. This part of the story is told in full in the book.
Rosaura’s memoir has been available since 2005, but only in Spanish (as En Casa de John Lennon):This new English e-Book translation will bring her story to many new readers. In the hundreds of thousands of words written about John Lennon here is a genuinely new and different examination from someone on the very inside of the Lennon household.
I have been browsing through the book and enjoying it a lot. It’s a very interesting and sweet little book and not at all voyeuristic. Rosaura has achieved an honest and open account of a unique period in her life – working for one of the most famous families in the world. She does it with integrity. It is well worth a read.
If you have Apple iBooks you can download At the House of John Lennon in English at iTunes here.
It is also available as a Kindle book on Amazon here.
OK. In Part One I detailed the four main record stores I was able to visit while in San Fran.
Now some detail on what I found and brought home to join the collection. Firstly, the vinyl.
At Rasputin Music on Powell (near Union Square) I found a very clean copy of George Harrison’sLiving in the Material World. It was a US pressing I didn’t have – a budget re-issue on the green Capitol label:As you can see, it’s a nice clean copy and the vinyl is mint.
Also at Rasputin there were two Ringo Starr LP’s I liked the look of and they were both very reasonably priced. I have Australian pressings of both of these, but good US copies like these were a welcome addition to the collection. They are both on the Apple label and original throughout. This gatefold copy of Ringo (1973) was complete with its book of lyrics and wonderful line drawings by Klaus Voormann (who also played bass on the album):
The Fab 4 Free 4 AllBeatle podcast recently reviewed the Ringo album and raved about it (see episode 60, “Ringo” – Analysis and Review). Also at Rasputin was a copy of Ringo’sBlast From Your Past which came with the original inner sleeve of photos on one side and lyrics on the other:
Later in the week I got over to the Haight-Ashbury district were there were three stores in close proximity (Recycled, Rasputin and Amoeba – all on Haight Street).
The first I visited was Recycled Records. They had some vintage Beatles LP’s, but to be honest they were fairly expensive….and so I concentrated on the Beatles as solo artists. I’ve always been keen on collecting variations of Paul McCartney’s “Russian” album called Choba B CCCP. Well, Recycled was a bit of a treasure trove as they have numerous copies in their bins and tucked away underneath on shelves. There were thirty to forty copies in all, and so I set about identifying some versions I didn’t have. There are so many variations of this particular record because it came out firstly as an 11-track album, followed later by a 13-track version. And they were pressed in about six different Russian pressing plants, each with its own label styles and variations (sometimes subtle) within those labels. I turned up four distinct copies I wanted, and they were all very reasonably priced (between US$6.00-$10.00 each). There was one 11-track version (from the Aprelevka pressing plant), two 13-track versions (Tbilisi plant and Riga plant), and one “hybrid” that had an 11-track cover but a 13-track LP inside (which I didn’t realise until I got home). Both the cover and LP are from the same factory (the Riga plant) so I’m not sure if this is legit or just a mistake….
The rear cover of the 11-track version is identified by its yellow colour:
However, this one has a 13-track LP inside – on a plain white Melodyia Records label, made at the Riga pressing plant where the cover was made too:
So. A mystery there. If anyone knows if any other copies like this exist let me know. These are the labels from the other copies of Choba B CCCP purchased at Recycled:
Of course for the full detail on all Russian Beatle and Beatle-related vinyl releases you need to visit this one, fantastic central repository.
Further down Haight Street is another Rasputin Music store and so I ducked in for a look. No vintage Beatles here, but lots of copies of the latest remastered vinyl at good prices. I did find an interesting re-issue copy of the John Lennon/Plastic Ono Band’sLive Peace in Toronto LP however, complete with a reproduction of the 1970 calendar which was included with original copies. It is brand new, still sealed, looked like a good buy and so I got it:
I think this re-issue was released in 2012 through a company called Hi Horse Records (which is a subsidiary of City Hall Records). It’s on the original Apple label and has the same SW 3362 catalogue number. If anyone has any other info on this one it would be very welcome. Please drop us a line.
Then it was on to Amoeba Music’s Haight Street store – which is an enormous warehouse of a building with thousands of LP’s, CD’s and books…however, not a lot of vintage Beatles on display here either, but two very good vinyl buys none-the-less. The first was Paul McCartney’s first solo LP simply called McCartney. It is a US copy, a re-issue in very good condition and on the black Capitol label:
And last but not least a really nice copy – practically mint throughout – of George Harrison’sTheConcert for Bangladesh. I already have an Australian and an unusual South African pressing of this, but have been on the lookout for a good UK copy, and of course a US example as well, which is what we have here. Amoeba had this priced at just US$14.99, which for a triple album set in such excellent condition was an absolute bargain. It came with a mint copy of the original 64-page book, and all the LPs were housed in their original brown paper inner sleeves:
So, that was a quick summary of the vinyl found in four San Francisco record stores during a short visit there last week. Next time a look at the CD’s and DVD’s I found and added to the collection.
I was in Armidale, NSW (Australia) last week and managed (in between work meetings) to duck out to the recycled book and record store in town. I picked up a nice, used copy of book which looks to be a companion to the Rolling Stone magazine book I found earlier this year in Sydney about George Harrison. It’s similar in style and scope, only this time the editors of Rolling Stone have John Lennon and Yoko Ono as their focus:
This is the paperback edition and it came out in 1982. The book details (from the pages of Rolling Stone over the period 1967 to 1980) the love, the life and the activities of John and Yoko. It looks to be a fantastic compendium of some of the best writing about the pair as individuals, as a couple, and of course John as a member of the Beatles.
There are some great colour and black and white photos throughout, some of which I’d not seen before – like this one of Yoko.
The photograph above is an interesting composition. As you look at it you realise those are John’s hands.
Articles by the likes of Jonathan Cott, Jann S. Wenner, and Chet Flippo; photos by Annie Leibovitz; and a section just called “Remembering John” – with contributions from Gerry Marsden, Ray Charles, Joan Baez, Jim Keltner, David Geffen, Bobby Keyes, Carly Simon Norman Mailer, Chuck Berry, Mick Jagger and Harry Nilsson – to name just a few. It is going to be a very interesting read.
Since the last instalment we’ve been swamped with some great content – enough for at least two or three more posts featuring the Beatles (or people close to them) photographed or filmed with records or CDs – either their own or those of other artists.
This first one comes from beatlesblogger.com reader Ariel, who sent in this great YouTube clip of John Lennon and Yoko Ono strolling past a crowd of reporters and photographers:
The footage was clearly taken in 1970 when John and Yoko were publicising this Plastic Ono Band album:
The footage comes from a 1977 film by French film-maker Gérard Courant, whose website says of the film: “The year punk music exploded, Courant gave his most avant-garde outburst by relating for the first time the shattering experiences that took place in the second half of the 20th century…with the rock culture that clamored that same idea of rupture…”. Lennon and Ono can also be seen publicising the same LP in Part Five and also in Part Two.
Staying with John Lennon for a moment here’s an image sent in by Andrey in Russia of the Lennon’s in New York – holding court with assembled media and hangers-on in their apartment in February, 1972 in Greenwich Village:
There’s obviously a record you can see sitting there at the foot of the bed:
But what and who is it? I was having real trouble identifying this one. Well, thanks to Andrey’s Russian-speaking friends we’ve been able to find that LP. He asked one of the Beatles.ru forums for some help. Which artist could it be? Andrey says he got the answer in about ten minutes:
The Power Pop website says that the group Soup was from Wisconsin in the USA and the members were Doug Yankus, Rob Griffith and David Faas . The band released a self-titled album in 1970, however what we can see here is the bands second LP, The Album Soup, from 1971. How it came to the attention of John Lennon, and what he thought of it we’ll probably never know.
Continuing on the Lennon theme – this time with Yoko and a gentleman named Kristofer Englehardt, author of the book “The Beatles Undercover“, holding a copy of her solo LP from 1971 called Fly:
In Part Six there’s a terrific photo of George Harrison in the back of a limo holding up a copy of his All Things Must Pass LP. Here’s another good one from around the same time:
Could it be that this photo below was taken on the same day and location? It looks very much like the same shirt George is wearing above. Perhaps he’s playing one of the sides from All Things Must Pass on his record player at home?
One final shot of George taken in 1972 according to the caption, this time with his triple LP from 1971 The Concert for Bangladesh:
When you are Paul McCartney, just getting into a building you are visiting can have it’s challenges. The photo below shows the type of crush which can eventuate when everyone wants a photograph or an album signed – including one fan bravely holding up a copy of the 1988 Russian release Снова в СССР:
Here he is again – this time with fans thrusting forward copies of (amongst other things) Help! and Tug of War (you can see the cover of Tug of War at the very bottom right-hand side of the photo):
One other final shot of Paul holding a 45 single, this time with Ringo and John. It is what is reported as a test acetate recording (printed in limited quantities and used by the band and engineers for checking the quality and the mix) – it is supposedly of a song from Sgt Pepper:
There’s another photo from the studio on the same day below – from a different angle with George also in attendance and more acetates lined up on the piano:
One final photo for this instalment – again of the Beatles as a group and possibly arriving in Rome. I say that because the gentleman in the light coloured jacket, moustache and glasses (who is a fellow named Alf Bicknell – the Beatles chauffeur between 1964-1966) is holding a copy of the Italian version of A Hard Day’s Night. You can tell it’s the Italian cover of the LP because the large type across the top saying “The BEATLES” is distinctively different to the standard UK release:
Thanks to all those who have sent in content and further information. You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 5 , 6, 7 , 8, 9, 10, 11, 12, 13, 15, 16 and 17.
In Label Variations Part Eight an unusual New Zealand Parlophone label version of John Lennon’s “Imagine” was featured.
I’ve stumbled across another from NZ – this time Lennon’s anguished drug withdrawal song “Cold Turkey“, performed by the Plastic Ono Band. It’s definitely original and as you can see pretty beat up, but interesting I guess – especially for one particular reason which will be revealed later:
It is in it’s original New Zealand Parlophone bag – very faded, but the rear side is interesting with it’s groovy “Young Internationals” advertisement for Air New Zealand (only $397.50 one-way to Singapore or Hong Kong!):
The main point of interest though is the black and yellow Parlophone label:
The printing on the A-side is kind of faded and difficult to read because the silver-coloured lettering does not stand out well on the black background. Like the UK edition, this 45 rpm single carries the catalogue number APPLES 1001, and as in other markets around the world the flip-side is the Yoko Ono song “Don’t Worry Kyoko (Mummy’s Only Looking for Her Hand in the Snow)”. However, this New Zealand pressing has a spelling mistake. It clearly says “Don’t Worry Kajoko”, and it has no sub-title printed on the label:
Some people quite like collecting label printing mistakes and so this makes it interesting as well. The spelling should be “Don’t Worry Kyoko….”:
Here are some other label variations from around the world, starting with Australia:
These images following aren’t from my collection but gleaned from the web. Here are two different variations from Brazil:
The original UK version looked like this:
And the US and Canadian versions:
Here’s one variation from Germany, followed by one from the Netherlands:
And since posting this I’ve been contacted by Claude Defer in France with two French variations. He says: “In France, we have 2 types of labels : the first one has «Cold Turkey» on the white part of the apple and the second one has «Cold Turkey» on the green part of the apple. The first one was probably a misprint and the second one fixed it.”:
Also, Andrey in Russia sent another France variation which is very similar to the one above, just a greener Apple:
If you have any other label variations you would like to share please email me.
