The Beatles in Australia

This post comes about for a couple of reasons.

Firstly, it was prompted when last week Neville, a beatlesblog.com reader, sent in a scan of an original ticket stub from one of the concerts given by the Beatles in 1964 in Sydney, Australia at a venue called The Stadium….

beatles ticket

Neville wrote:  “This is not a particularly fancy ticket and is definitely used. They tore off the end of it at the door as you went in. This is 1964. Sending you this is giving away my age, I was 19 at the time….I can recall the concert fairly well although some details are a little bit sketchy now. Suffice to say that the Beatles performance was much shorter than today’s concerts, only about 45 mins max perhaps and about 15 songs only I think. And despite the claims about the deafening screams, you could still actually hear the songs (just). However that might have been because we knew them all at the time. It was mostly from “Please Please Me” and a few of the singles. It really was a very exciting performance and you got carried away by the crowd reaction!”

“There were a couple of support acts as well. The one I remember the most was Johnny Devlin who was then a fairly wild rocker and wore skin-tight black leather pants which the girls seemed to like…”

“The remarkable thing about the Stadium was that is was built as a boxing venue and the audience surrounded the stage (ring) which was in the middle of the building. For concerts they had a revolving platform on the stage so that no matter where you sat, at some stage the performers would be facing you. This must have been a bit disconcerting for the acts. The acoustics weren’t that great, neither were the seats, just being wooden benches. Anyway, concerts there just seemed to have an atmosphere all their own.”

Thanks for the scan. Neville got talking to a friend recently who’d also been at a Sydney Stadium Beatles concert (at a different performance though – the band played three shows there on 18, 19 and 20 June), and he confirmed that the performance of the Beatles was short – only about 30 to 45 minutes. He also reminded Neville that another act was Sounds Incorporated, who performed instrumental material only. Also on the bill were Alan Field, Johnny Chester, and a band called The Phantoms.

This was part of the Beatles’ very first world tour, June 1964. Ringo Starr missed the first leg of the Australian concerts due to severe tonsilitis (the band went first to Adelaide in South Australia, then to Melbourne in Victoria before the  Sydney shows, then to New Zealand, and back to Australia for two shows in Brisbane in Queensland before jetting back to England). Ringo re-joined the group in Melbourne and Neville says he was definitely on stage for the Sydney concerts. Until then his place was taken by the then little-known drummer Johnny Nicol.

2014 of course will be the 50th anniversary of the tour and two museums here are teaming up for a large exhibition. The Powerhouse Museum in Sydney and the Melbourne Arts Centre will next year launch a “Beatles Down Under” exhibit featuring collectables, documents, memorabilia, photographs and sounds from the time. It centres around the personal archives of the Australian tour promotor at the time, Ken Brodziak, and will be on show at the Powerhouse in 2013, and then move to the Arts Centre Melbourne in 2014.

The Australian Broadcasting Corporation (ABC Radio) broadcast a lengthy interview with Peter Cox (curator at the Powerhouse) and rock historian Glenn A. Baker (author of the book “The Beatles Down Under”). Here’s a short extract. The interviewer is Rod Quinn:

You can click here to listen to the entire interview.

The final reason for this post is the book simply called “The Beatles in Australia”. It was originally released in 2005, but seems to be still available as it remains on the New Holland book publishers website.

beatles in australia[1]-page-001

As you can see from the cover image above this book features many unique images, mostly taken during the Adelaide leg of the Beatles Australian tour where drummer Jimmy Nicol was standing in for an ill Ringo Starr.  Most of the images in the book had never been published previously. They were taken by Brian Cooter and Rosemary Blackwell and were purchased by the author, Mark Hayward through Christie’s and Sothebys.

Below is part of a transcript, included in the book, from the Beatles first press conference in Australia held on Thursday, 11 June 1964 in Kings Cross, Sydney:

Interviewer: Have you written any songs with Australian themes?

John: We never write any themes about anything. We just write the same rubbish all the time.

Interviewer: Do you play the kind of music you want to play or music people want to hear?

John: No, we’ve been playing the same music for five or six years, just rock n roll, we just happen to write it

Interviewer: Well what do you think made the difference that suddenly pushed you above all the other groups?

George: We got a record contract.

It is evidence of typical Beatle banter – clever, unassuming, disarming. There are some really great photos in this book, including the arrival of the band in Adelaide where they were greeted by a crowd estimated to be 350,000 people. If you know Adelaide (even today) that is a huge turnout of fans:

beatles in australia[1]-page-002

George with the local press and media:

beatles in australia[1]-page-005

And at the concerts:

beatles in australia[1]-page-006 beatles in australia[1]-page-008

I’m still trying to track down the exact exhibition dates for the Sydney Powerhouse and Melbourne Arts Centre. More soon.

Produced by George Martin – DVD, BluRay and Six CD Box Set

We’ve really been enjoying the newly-released BBC-Arena documentary “Produced by George Martin“. And it has been getting some very good reviews too. You might recall a little while ago we gave away a copy of the DVD to a lucky Beatlesblog reader, Eric Leon in France.

Produced by George Martin BR FrontProduced By George Martin BR rProduced By George Martin DVD

The DVD and BluRay contain the extensive documentary, plus over 50 minutes of extended interviews with Martin, Paul McCartney, Ringo Starr and many others. But it is not just Sir George’s work with the Beatles which is featured. “Produced by George Martin” is a history of Parlophone Records, which is a division of the huge recording conglomerate known as EMI. George Martin was the boss of Parlophone and so alongside the Beatles (by far his most famous signing) he was responsible for recording some of the top hit-makers in Britain (and the world) including Cilla Black, Peter Sellers, Spike Milligan, Rolf Harris, Gerry and the Pacemakers, Billy J. Kramer, Matt Monro, Shirley Bassey, and of course Wings. Many who see the doco will be wondering if there’s a way to get hold of some of the great music and comedy featured which Martin produced. There is – it’s a six CD box set of his work that came out way back in 2001. Interestingly, although it was released more than ten years before this latest documentary, it carries a very similar title to this year’s DVD and BluRay: “Produced by George Martin – 50 Years in Recording”:

Produced by George Martin Cov F

Each CD set is individually numbered (mine is 08750) and comes in a fold-out, long-box length holdings which holds the six CD’s and a book. Here’s the rear cover and some of the inside fold-out panels:

Produced by George Martin Cov RProduced by George Martin Cov2Produced by George Martin Cov 3

The CD’s themselves contain tracks that date back to Sir George’s earliest work, beginning in 1955 and then traversing his entire career up to his post-Parlophone days recording acts like America, Jeff Beck, Jimmy Webb and John McLaughlin. Whoever designed the set decided to give each CD an authentic and historic Parlophone label. It’s a design idea that the Beatles themselves decided to copy in the their latest series of remastered re-issues of their own work, both for the 2009 CD remasters (mono and stereo), and for the LP box set which has only just been released:

Produced by George Martin CD1Produced by George Martin CD2Produced by George Martin CD3Produced by george Martin CD4Produced By George Martin CD5Produced by George Martin CD6

Glued inside the fold-out package is a 35 page book, with liner notes by Mark Lewisohn (who will be well-known to Beatles fans as the band’s most knowledgable and respected biographer). In it Lewisohn details the background to Sir George’s life and the multitude of artists and styles he produced over a 45-year span in the business:

Produced by George Martin Book Front CoverProduced by George Martin Book 3Produced by George Martin Book 4

For those who were not able to fork out the considerable outlay for the full 6 CD box set, EMI/Parlophone also produced a “Highlights” single CD version containing 24 tracks:

Prodused by George Martin Highlights CD FrontProduced by George Martin Highlights CD RearProduced by George Martin Highlights CD

And there was also a promo CD produced. It came in a simple cardboard slipcase with a further reduced selection of material (14 tracks). This would have been  sent to radio stations, and reviewers at magazines and newspapers to promote the box set:

Produced by George Martin CD Promo FrontProduced by George Martin CD Promo Rear

Produced by George Martin Promo CD

This 2001 box set from 2001 forms a great companion to the filmed “Produced by George Martin” DVD and BluRay documentary released in 2012.

produced by george martin

Mojo – The Beatles Magical Mystery Tour Special Edition

OK. So I didn’t know this was out until I stumbled across it in my local newsagent store yesterday while looking for something else. Turns out it’s been out since October…

Mojo MMT Front

That’s the front cover of a special edition of “Mojo” the British music magazine. Clearly timed to co-ordinate with the release of the digitally remastered Beatles Magical Mystery Tour DVD and BluRay sets, this is a very good collection of articles and sometimes eye-poppingly good photographs – many of which I have not seen before. There’s a section called Unseen Photos, featuring snaps by Henry Grossman of the Beatles homes and parties, many of which have never seen the light of day:

Mojo MMT 3

This 132 page special focusses on the period 1967 and where the band was at at the time. It combines, amongst other things, archival features on the albums Rubber SoulRevolver, Sgt. Pepper and of course Magical Mystery Tour:

Mojo MMT 1

There’s a whole section on the influence of Indian music at the time, quite a coincidence with the passing just last week of master musician Ravi Shankar who played such a key role in the sound of the band at the time. And of course this period saw the Beatles play their last live concert at Candlestick Park in San Francisco. The magazine features a lengthy transcript of a press conference given in Los Angeles – again the last they would give as a touring band.

Mojo MMT 2

If you can get yourself a copy of this special edition of Mojo I think it’s worth it. Very well put together and lots to interest the avid collector or those only occasionally interested in the band and the late 1960s era. Here’s the magazine’s rear cover:

Mojo MMT rear

POSTSCRIPT: I’ve had a couple of readers contact me about a special, limited edition cover to this magazine. After a bit of research I understand that there were only 1000 copies of an alternate “Walrus” cover produced and these were only available via online order. So, those people who got them have a bit of a collectors item:

mmtspecial

Label Variations Part Nine – Plastic Ono Band “Cold Turkey”

In Label Variations Part Eight an unusual New Zealand Parlophone label version of John Lennon’s “Imagine” was featured.

I’ve stumbled across another from NZ –  this time Lennon’s anguished drug withdrawal song “Cold Turkey“, performed by the Plastic Ono Band. It’s definitely original and as you can see pretty beat up, but interesting I guess – especially for one particular reason which will be revealed later:

Plastic Ono Band Cover 1

It is in it’s original New Zealand Parlophone bag – very faded, but the rear side is interesting with it’s groovy “Young Internationals” advertisement for Air New Zealand (only $397.50 one-way to Singapore or Hong Kong!):

Plastic Ono Band Cover 2

The main point of interest though is the black and yellow Parlophone label:

Plastic Ono Band Label 1

The printing on the A-side is kind of faded and difficult to read because the silver-coloured lettering does not stand out well on the black background. Like the UK edition, this 45 rpm single carries the catalogue number APPLES 1001, and as in other markets around the world the flip-side is the Yoko Ono song “Don’t Worry Kyoko (Mummy’s Only Looking for Her Hand in the Snow)”. However, this New Zealand pressing has a spelling mistake. It clearly says “Don’t Worry Kajoko”, and it has no sub-title printed on the label:

Plastic Ono Band Label 2

Some people quite like collecting label printing mistakes and so this makes it interesting as well. The spelling should be “Don’t Worry Kyoko….”:

cold-turkey-Don't Worry Kyoko

Here are some other label variations from around the world, starting with Australia:

cold-turkey-Aust

These images following aren’t from my collection but gleaned from the web. Here are two different variations from Brazil:

cold-turkey-Brazilcold-turkey-brazil2a

The original UK version looked like this:

cold-turkey-UK

And the US and Canadian versions:

cold-turkey-USAcold-turkey-canada

Here’s one variation from Germany, followed by one from the Netherlands:

cold-turkey-german

cold-turkey-netherlands

And since posting this I’ve been contacted by Claude Defer in France with two French variations. He says: “In France, we have 2 types of labels : the first one has «Cold Turkey» on the white part of the apple and the second one has «Cold Turkey» on the green part of the apple. The first one was probably a misprint and the second one fixed it.”:

Cold-turkey-france 1Cold-turkey-france 2

Also, Andrey in Russia sent another France variation which is very similar to the one above, just a greener Apple:

ColdTurkeyFranceMonoSide1

If you have any other label variations you would like to share please email me.

Amazing Pixelated Beatles Album Covers

OK. These are a bit old now (2003), but this is the first time I’ve seen them. So here goes.

For those of us who feel we know the Beatles album catalogue like it is part of our DNA it is always interesting to have that challenged from time to time.

The visual nature of collecting has always intrigued me. How you can know so many of the variations of album covers and album art. Looking at and handling these all the time I guess means they become ingrained in your subconscious memory. That’s why I was intrigued to see these examples of the catalogue stripped right back to the basics by British artist Jonathan Lewis.

It’s Beatle album cover inspired pixel work. I recommend taking a few steps back (or squinting) to really see how amazing these painting are.

You can see all the collection in an online book called “The Pixles” (after “The Beatles (White Album”)….but these are five of my favourites:

Please Please Me

The Pixles Please Please Me l

ppm

For Sale

The Pixles Beatles for Sale l

for sale

Sgt Pepper

The Pixles Sgt Pepper l

sgtpepper

Magical Mystery Tour

The Pixles Magical Mystery Tour l

The-Magical-Mystery-Tour

And last, but not least, Abbey Road

The Pixles Abbey Road l

Abbey-Road-Cover-Beatles-cover-05

McCartney – “Complete Kisses” Announced

Paul McCartney has announced a special Christmas release – an exclusive iTunes-only album called ‘Kisses On The Bottom – Complete Kisses’. It will be available for download only on November 26th in the UK and internationally, and on November 27th in the US.

‘Kisses On The Bottom – Complete Kisses’ will feature the standard edition of the album ‘Kisses On The Bottom’ along with the entire 13 tracks from the ‘Live From Capitol Studios’ concert performance.

There’ll also be four bonus tracks including a special festive recording of ‘The Christmas Song (Chestnuts Roasting On An Open Fire)’, which Paul recorded at Avatar Studios in New York in September. The album will also feature a previously unreleased version of ‘My Valentine’ arranged by Johnny Mandel, and the tracks ‘Baby’s Request’ and ‘My One And Only Love’ (both previously available only on the “Deluxe” edition of the CD or via iTunes).

There has also been a behind–the–scenes look at the recording of ‘The Christmas Song (Chestnuts Roasting On An Open Fire)’  put up on a couple of sites.

“Complete Kisses” TRACKLISTING:

‘Kisses On The Bottom’:

01. I’m Gonna Sit Right Down And Write Myself A Letter 02:36
02. Home (When Shadows Fall) 04:04
03. It’s Only A Paper Moon 02:35
04. More I Cannot Wish You 03:04
05. The Glory Of Love 03:46
06. We Three (My Echo, My Shadow And Me) 03:22
07. Ac–Cent–Tchu–Ate The Positive 02:32
08. My Valentine 03:14
09. Always 03:49
10. My Very Good Friend The Milkman 03:04
11. Bye Bye Blackbird 04:26
12. Get Yourself Another Fool 04:42
13. The Inch Worm 03:43
14. Only Our Hearts 04:21

Bonus Tracks:

15. The Christmas Song (Chestnuts Roasting On An Open Fire) 03:35
16. Baby’s Request 03:30
17. My One And Only Love 03:50
18. My Valentine (Johnny Mandel Original Arrangement) 03:12

Live From Capitol Studios:

19. I’m Gonna Sit Right Down And Write Myself A Letter (Live) 02:44
20. Home (When Shadows Fall) (Live) 04:26
21. It’s Only A Paper Moon (Live) 02:55
22. More I Cannot Wish You (Live) 03:28
23. The Glory Of Love (Live) 03:53
24. We Three (My Echo, My Shadow And Me) (Live) 04:14
25. Ac-Cent-Tchu-Ate The Positive (Live) 02:51
26. My Valentine (Live) 03:31
27. Always (Live) 04:21
28. My Very Good Friend The Milkman (Live) 03:14
29. Bye Bye Blackbird (Live) 04:45
30. Get Yourself Another Fool (Live) 07:48
31. My One And Only Love (Live) 04:16

‘The Christmas Song (Chestnuts Roasting On An Open Fire)’  is also featured on a new holiday CD compilation called “Holiday’s Rule”. It features a variety of artists performing Christmassy-themed songs. The project is coordinated by Paul’s record companies Hear Music/Concord Music and MPL.  You can hear the song in full if you visit the MPL site – it’s currently featured on their embedded music player.

McCartney’s “Live Kisses”

This just a quick follow up to an earlier post pointing to Paul McCartney’s “Live Kisses” coming out on DVD, BluRay and digital video.

I got a copy of the BluRay today so I thought I’s share some photos of the packaging and what’s inside:

That’s it still in it’s shrink wrap. The front cover photo is taken by Mary McCartney. Here it is released from the plastic:

It is really quite a nicely put together package. It’s not in a standard BluRay plastic cover but is more like a small, bound  hardback book. (The DVD comes in the same packaging only in a slightly larger format). That dark black stripe you can see down the left-hand side is embossed with a shiny finish. Quite stylish. Here’s the rear cover:

There’s a 41 page book inside which contains some nice photos and the stylish layout begun on the exterior continues:

The design is reminiscent of the “Kisses on the Bottom” CD packaging, but is also quite distinctive in itself. There’s a Foreword from Mr Diana Krall –  none other than Elvis Costello:

Costello also conducts an extensive interview with Paul McCartney about the project and the recording and this takes up the bulk of the book. At the rear are a couple of pages containing info on the composers, the song publishing details, and the recording personnel for each track. The disc contents and the bonus features are detailed, and the final page is a thin slot container for the BluRay disc itself:

(click on images to see larger versions)

So, all in all, quite nicely put together. Now to go and watch it! For those wanting a preview, McCartney’s MPL site has just put up an extended promo video package.

Meanwhile, a Paul McCartney Christmas track (which sounds like it may have been recorded during the “Kisses” sessions) is part of a new holiday CD compilation called “Holiday’s Rule” featuring a variety of artists. It’s a project coordinated by Paul’s record companies Hear Music/Concord Music and MPL. He does the classic “The Christmas Song (Chestnuts Roasting on an Open Fire)”. You can hear the song if you visit the MPL site – it is featured on their embedded music player at the moment.

 

 

Beatles on the Radio – A BBC Feast Coming Up This Week

There’s a veritable feast of Beatle programming coming up this week on the BBC. In this the group’s 50th year, the broadcaster has just announced a series of programmes celebrating the life and music of the band.

First up comes “A Year in the Life: The Beatles ’62“, a 53 minute documentary which goes to air and online at 1305 GMT on Monday, 19 November 2012. In it “…Roger McGough tells the story of the pivotal breakthrough year for the Liverpool beat combo via twelve interlinked recollections from those who knew and worked alongside them in 1962.”

Then on Tuesday 20 November at 1305 GMT comes “Beatleland“. The BBC press releases says: “The Beatles left Liverpool in 1962 to conquer the world, but it never left them. Craig Charles heads home to Liverpool to find out what they took with them and the legacy they left behind. Every day, tourists visit Lennon and McCartney’s childhood homes, restored to their 1950s glory by English Heritage. From Albert Dock to Mathew Street, Beatle memorials are ever-present: Penny Lane and Strawberry Field, The Jacaranda, The Casbah and The Cavern where the group learned its trade, The Grapes and Ye Cracke, where the young Beatles would sit over a pint of cider, and Gambier Terrace, where John Lennon shared a flat with fellow art student Stu Sutcliffe. The Beatles connection is worth an estimated £20 million a year to the local economy.”

The week of special Beatles programming continues next day with “Paul McCartney at the BBC” – another 53 minute doco on Wednesday 21 November, again at 1305 GMT.  “Johnnie Walker presents a portrait of Sir Paul McCartney, drawn from BBC archive interviews and performances. The programme starts with the break-up of The Beatles and traces McCartney’s career as a solo artist up to the present. It’s made up entirely of rare BBC archive interviews and performances, and presents a fascinating picture of one of Britain’s greatest musicians. Among other treats we hear Sir Paul deconstructing Band On The Run for a television ad for a domestic radio station and recording a session at the famous Abbey Road studios.”

Finally, Thursday 22 November at 1305 GMT, you’ll be able to listen in to a special on “The Magical Mystery Tour“, a 53 minute programme about “….the television film called Magical Mystery Tour devised, written and directed by The Beatles. It has a significant place in the history of The Beatles – not least, because it was viewed by many as the group’s first failure. Paul Gambaccini presents a programme revealing the story behind the making of Magical Mystery Tour.”

 

The BBC World Service schedule for the series can be seen here. There are also some programs on the Rolling Stones if you are a fan.

Beatles with Records – Part Thirteen

In Part Twelve in our series The Beatles With Records I couldn’t identify what disc a young Julian Lennon was holding in this photograph kindly sent in by reader Ariel Caceres:

Well, thanks to Beatles Blog reader Thomas McConnell, who incidentally is a singer/songwriter from Liverpool, we now have an answer:

He is holding the UK 1978 reissue of the 45rpm single “The Ballad of John and Yoko/Old Brown Shoe” from The Beatles Collection box set. This box set contained every UK Beatles single and had specially created picture sleeves. I even have a copy of the set, but I missed connecting the Julian Lennon photo with it!  So, thank you to Thomas for solving that one.

Ariel (mentioned above) has sent in another interesting photograph. It’s of John Lennon and Harry Nilsson holding the early artwork for the 1979 Nilsson LP “Pussy Cats” – which Lennon produced and played on. It also featured the likes of Ringo Starr on drums and Klaus Voormann on bass:

If you’d like to read some more about this album – click here.

I’ve also had sent in a simple but striking candid photograph of Paul McCartney clearly enjoying a quiet browse through a box of second-hand LPs. This comes from French collector and author Claude Defer:

I reckon he looks pretty happy and contented. We’ve mulled over just which album that “Jazz Greats” LP could be at the back of the pile. Maybe Paul was doing some research for his “Kisses on the Bottom” recordings?  With only the rear cover in view the album we can see could be any number of jazz records which carry that title.  If you have any ideas contact me at: beatlesblogger@gmail.com

Russian collector Andrey sent the photo below with a bit of a story attached. In August, 1998  Ringo Starr visited Russia for the first time. Andrey was a winner of the Beatles United Radio-TV-Newspaper competition. The prize was a brief meeting with Ringo. Andrey (thats him in the picture) presented Ringo with one issue of the Russian BEATLESBEAT fanzine (released in 90s) and the bootleg CD-album “Rory Storm and the Hurricanes”:

This photo was taken on August 25, 1998 just an hour before Ringo’s show in the Russia State Central Concert Hall in Moscow (this building doesn’t exist any more). Ringo is taking a good look at the CD, which can be seen well in this enlarged fragment:

Later Ringo put his autograph on the photo specially for Andrey. Here’s the Rory Storm Russian bootleg CD cover that he’s studying:

And here’s an honorary Beatle if ever there was one. It’s their manager, Brian Epstein with a copy of their debut LP “Please Please Me”.  Parlophone rush-released the album on 22 March, 1963 in the UK to capitalise on the success of singles “Please Please Me” and “Love Me Do”:

Thanks again to everyone who provided photos and further information. You can see the other parts in “The Beatles with Records” series here: Parts 123456789101112141516 and 17.

Two Small But Unusual Garage Sale Finds

There are times at garage or yard sales when you are on the hunt for Beatles vinyl that the pickings can be pretty slim.

This was the case last weekend. After visiting quite a few, and with the prospect of going home empty-handed, I struck two very unusual and potentially rare items at the very last house I visited. Sitting in a box of old 45’s I found two New Zealand pressings. They’re both collectable – with this one probably being the most rare:

As you can see, it’s a copy of John Lennon’s “Imagine” – but on the NZ Parlophone label:

I must admit, despite seeing quite a few copies of this single in my time, I’ve never seen in on the black and yellow Parlophone label before.  Next post I’ll put up some of the great variety of label variations of “Imagine” from around the world.

Sitting with the John Lennon was another New Zealand single – a copy of the Beatles “Hey Jude” b/w “Revolution”. Unusually, it was in a UK cardboard outer sleeve:

These covers were produced for the UK Beatles box set “The Beatles Collection” containing all 25 British single releases. However, inside this one there was a New Zealand Parlophone pressing of the single – again on the yellow and black Parlophone label:

In “The Beatles Collection” box set this single looks like this:

So, the copy I found is quite strange. I’m not sure if New Zealand EMI ever produced a version of this box set where they sourced the British packaging but inserted locally pressed vinyl. In some countries that sometimes happened. If so, my single has become separated from the rest of the collection at some stage….

These are the other versions of  the “Hey Jude” single in my collection. The record was released in that period just when Apple Records had first been created and so some copies in Australia also came out on the Beatles’ old label, Parlophone:

It was also released here on a standard Apple:

And here’s an example of some weird typography being used in the song title on a later Australian Apple pressing:

Finally an example of the original UK Apple version:

So, when garage sale hunting seems fruitless sometimes its worth going to just one more house….