Another Very Limited Edition Sgt Pepper Up for Auction

Posted on April 11, 2013 by beatlesblogger

You might have heard recently about the signed copy of Sgt Pepper which sold at auction for US$290,500. It made headlines around the world because it shattered the previous record for such an item.

The album was purchased by an unnamed buyer from the Midwest USA. An anonymous seller parted with the album through the Dallas-based Heritage Auctions, which ahead of the bidding estimated the album would sell for $30,000.

The album was a U.K. Parlophone copy with a high gloss cover and gatefold:

Now comes news of another perhaps even rarer copy of Sgt Pepper that will be auctioned by the same auction house.

I got an email last week from a guy named Tony Gillespie alerting Beatlesblogger to this one. Its a copy of Pepper on the Capital label – but the cover has a major difference to what you are used to. Many of the faces on the famous shot have been superimposed with the faces of Capitol Records sales executives from the day. I first came across talk of this unusual item this back in 2009. Its estimated that only 40-50 copies were ever made for internal company distribution. Now, one is coming onto the market. Tony Gillespie is helping the owners of this extremely rare LP to publicise the auction – and so I asked him to provide me with some more details. His response is printed below:

Here’s a quick history of the “Doctored” Sgt Pepper’s cover:

Earlier this year, I received a message from a friend of mine named Chad, a prominent local buyer and seller of collectibles and antiques. He purchased a set of Beatles records, and since records aren’t his forte, he contacted me, Tony Gillespie, owner of Gillespie Records, because he knew of my extensive Beatles record collection, which has been called one of Indiana’s finest. (www.facebook.com/gillespierecords) He mentioned a “weird Sgt Pepper’s cover with different faces on it.” I asked him to send a photo of that record first.

I recalled reading an article that was generated from a story in Record Collector magazine (http://www.mirror.co.uk/news/uk-news/the-beatles-album-artwork-worth-70000-276691) about a “doctored” Sgt Pepper’s cover. I found the article and waited for the photo. When I opened the attachment, my knees buckled. There it was, the Holy Grail! The article estimates the cover to be worth 70,000 pounds (equvalant to $100,000+ US dollars, roughly).

I called the owner (Chad) and his wife (Kimberly), and told them to sit down. I revealed what the article said, and the roller coaster ride began. The three of us formed a partnership, with them owning the record, and me acting as their representative and got to work on finding the best home for the record. We contacted Perry Cox, the leading authority on all things Beatles, and he agreed to have us to his home (we flew from Indiana to Arizona) to personally authenticate the record. It was the first time he had ever held the “doctored” cover in his hands.

Perry estimated there were only 40-50 copies of the record produced (a claim mirrored by Bruce Spizer in his book, “The Beatles Story on Capitol Records, Part 2) for a Sales Executive meeting held in late 1967 in Florida. One cover is thought to have been made for each of the executives featured on the cover, but only 3-5 are known to still exist, and NONE have ever been sold on the open market, making the true value of this cover unknown. We were able to successfully tie the record to an executive on the cover, which Perry says could double the value!!

Perry also gave me this quote for promotional purposes…he has given his permission to me to print it:

“Among the rarest and most interesting artifacts produced during the original era of the Beatles classic Sgt. Pepper’s LHCB”, was an extremely rare U.S. stereo album cover version prepared exclusively for a Capitol Records party in honor of the landmark album in late 1967. The front cover of the album featured photos of noted Capitol Records employees amongst the many noted famous images we’ve now become so familiar with. Today, this has become one of the most sought after albums by collectors and fans all over the world. With only about 40+ examples made, I rank it one of the top 10 all time collectible albums by the Beatles in the world.”———Perry Cox, April, 2013.

We settled on Heritage Auctions of Texas to handle the first public sale of the “Doctored” Sgt Pepper’s cover, which will be held on August 10. They gave an auction estimate of $25,000-$30,000 but admitted the estimate in this case was hard to pinpoint due to the record’s obscurity. Chad, Kimberly and I have set up a Facebook page dedicated to the record www.facebook.com/rarestbeatlesrecord , a Twitter account @Beatlesrarist and a website www.rarestbeatlesrecord.com. We also made a You Tube video to detail the story a bit better here:

https://www.youtube.com/watch?feature=player_embedded&v=hhg4XzjCN0E

Is Your Beatles Collection Insured?

Posted on March 24, 2013 by beatlesblogger

Summer in Australia is great. It’s warm, holiday time, Christmas (yes, its hot here while it’s cold in most other places celebrating Christmas around the world).

It’s also a bad time of year – we get frequent floods, bushfires and cyclones (the Southern Hemisphere equivalent of hurricanes).

This year has been particularly bad for flooding rains, and that got me thinking about the value of my Beatles collection, and how I’d feel if my house got flooded. What could I do to protect it? I guess I also had in mind those confronting images which went around the world after the “super storm” – Hurricane Sandy – hit the east coast of the USA last year…What if your precious collection was inside this place?:

The photo above was taken at Fairfield Beach, on Long Island Sound in the US in the wake of Sandy. And there were people there who did indeed have their record collections affected:

This poor lady, Carla Strobel (at left above), is attempting to dry out her record collection which was damaged by Hurricane Sandy in Fairfield, Connecticut on November 11, 2012. (Photos: Brian A. Pounds). It’s even worse if you own a record label with masses of stock in a warehouse that gets trashed by a hurricane. Check out these poor folk at Norton Records in New York who also suffered massively at the hands of Sandy.

Truly soul-destroying. Of course it could be something a lot more simple and plainly domestic that gets you. This poor guy just had a water heater burst upstairs. Over a period of just forty-five minutes several hundred gallons poured on the floor and eventually made its way to his record collection down in the basement:

Or this poor record store flooded by a blocked drain that wasn’t even on their property. It slowly seeped into storage area though…

All this leads me to an email I received from an organisation called Home Insurance. They wrote an article for Beatlesblogger which I reproduce here as it may just have some information for you about whether or not you should insure your collection against loss or damage:

Insurance Considerations for Beatles Collectors

When you’re collecting memorabilia from a band whose influence still makes a limited edition Bazooka Bubble Gum Wax Box go for more than $4,000 on eBay (despite being broken up now for five times longer than they ever existed in the first place) – you’re bound to rack up a sizeable bill. If any of your prized Beatles possessions are ever stolen or damaged in a fire, how will you recover all of the big investments you made in your collection?

A limited edition Beatles Bazooka gum color cards Box.

Even if you’ve already purchased a smart homeowners insurance policy, chances are your Beatles collection won’t be fully covered. Consider the fact that most standard policies include a limit of only $200 for high-value items. That’s nothing when you’re talking about collectibles from the Fab Four.

Do you own a blue Aladdin 1965 Lunchbox? You could be sitting on almost $700, depending on its condition. A cork stopper branded by Paul McCartney is worth more than $500. Even if you’ve just held on to a pair of original Beatles concert tickets from 1964, you’re likely already way over your insurance policy’s coverage limit. So how can you affordable and adequately protect these items?

One option for serious Beatles collectors is to purchase additional coverage on their homeowners insurance policies by scheduling an endorsement. An endorsement is a quick and convenient way to increase coverage limits for valuable collections under an existing policy. It’s important to have your collection appraised by an expert in order to make sure you’ve insured it to its full value.

Another option is to invest in a personal articles floater from a provider that specializes in insuring collections like yours. This option is more expensive than scheduling an endorsement and may increase your premiums anywhere from 1-20% (depending on the value of your personal collection), but it also comes with peace of mind that your claim will be handled by someone with expertise in collectables.

Whether you’re just starting out or if you’re the proud owner of The White Album no. 0000005 – the first LP given to anyone outside of the band and last valued at $31,000 – it’s important to take steps to protect your Beatles collection. Contact an expert or licensed insurance agent as soon as possible if you’re not 100% sure you’ll be able to get help recovering your investment if something ever happens to your prized possessions.

(This article was contributed by Kelly McMurtrie, a writer for HomeInsurance.com. Kelly has been writing content for HomeInsurance.com and other major brands since 2011 after graduating from the University of South Carolina with a B.A. in Media Arts).

For one other sad collection damage story click here. I also came across some info from the University of Iowa on how to professionally salvage records, CD’s and DVD’s affected by flooding.

I’d be interested in your thoughts and comments on this one. Have you insured your collection? Or (like me) do you take the risk and hope for the best? Can an insurance payout bring back a lifetime of collecting anyway? So many items would be so difficult to find and replace. And how do you put an accurate value on a big collection?

John Lennon’s Rolls Royce – Part Two

Posted on March 16, 2013 by beatlesblogger

I’ve had an update on the latest whereabouts of John Lennon’s Rolls Royce from one the men who helped restore it, and on the portable Sony TV which used to be installed in the rear passenger area of the car. That television was possibly the one also featured on the front cover of the Sgt Pepper LP, although there is a bit of mystery surrounding that little Sony.

Jim Walters works at Bristol Motors in Victoria, British Columbia in Canada and they have been the custodians of John Lennon’s famous Rolls Royce since 1993.

The car is actually owned the Royal British Columbia Museum, which for a long time has been looking for a replacement portable Sony TV to install into the space where the original used to be – one just like a Sony model TV9-306 UB – the one on the “Sgt Pepper” cover.

Well, Jim writes:

“I just thought I’d update the search for a Sony TV 9-306 UB. I finally found one on eBay in the UK last year and now have it here on display in my shop (Bristol Motors). The Royal BC Museum’s curators have not yet decided whether they will put it in the car as it is not the actual TV that was in it, although it is the identical model. Also John Lennon’s Phantom V 5VD73 is on display in the Pointe-a-Calliere Museum in Montreal, Canada until April 2014. They have an exhibit called “The Beatles in Montreal” in which the car is prominently displayed.”

Thanks so much Jim for the update – and anyone living in or travelling to Montreal in the next year should drop in to see “The Beatles in Montreal” exhibition. You can find more details on that here. The exhibition opens on March 29 and runs for a year.

With 2014 being the 50th anniversary of the Beatles first world tour there are a number of museums, including here in Sydney and in Melbourne Australia, planning exhibitions of their city’s brush with Beatlemania….

Beatles with Records – Part Eighteen

Posted on March 5, 2013 by beatlesblogger

Our friend Lammert Mulder, who has contributed in the past to solving some other Beatles with Records mysteries, has come up with a wide range of new photos and information. First up is a photograph of George Harrison at home with three records. I can only identify two – the first (on his knees) is The Fabulous Miracles:

(This the same Miracles LP we saw in a photo of John Lennon in the Beatles with Records Part 17). George also has what looks like a copy of the 1963 pressing of Little Richard Sings Gospel (it is lying beside him on the bed):

If anyone can identify the third LP that he is holding, let us know.

In the Beatles with Records Part 15 we showed this photo of George from 1964, loading singles into the then very groovy in-dash record player in his E-Type Jaguar:

Here’s another shot from a different angle – and we can now identify the 45 as “Can’t You Tell by the Look in His Eyes” by the Reflections:

(click on images to see larger versions)

This is the portable player – a Philips Automignon AG2101D 45 In-Car Record Player:

Paul had one fitted to his Aston Martin, and John had one in his psychedelic Rolls Royce too (thanks to Piers Hemmingsen at Capitol 6000 for this info).

Yet another shot of George – this time with Ben E. King’s 1962 release Don’t Play That Song:

This LP also shows up in a pile of records that John and Paul have in this photo (from the Beatles with Records Part 1). You can see it just under the copy of The Freewheelin’ Bob Dylan that Paul is holding:

Yet another photo of the lads (below) leaving the USA after their first tour. They purchased a lot of records for their personal collections on that trip – and we’ve seen some of these in previous posts. This is a new one of Paul holding up a copy of Martha and the Vandellas 1963 Heatwave LP:

(click on images to see larger versions)

Any ideas about this photo of Ringo below? It’s been suggested that this is the rear cover of the LP Mary Wells Live on Stage:

And this additional photo of Ringo at the Beatles Green Street flat in 1963 confirms that the record he has underneath The Shirelles (see BWR Part 2 and BWR Part Three) is in fact The Marvelettes – Live on Stage (1963):

This next one is a photograph of John’s record players at his Kenwood home – and lined up on the shelf you can clearly see a 1966 copy of Buffalo Springfield’s first self-titled album Buffalo Springfield:

Plus a copy of Electronic Music which we also saw in the Beatles with Records Part Nine:

And I reckon you can also see a copy of Sgt Pepper peeking through behind the experimental Electronic Music (click on the photo to enlarge it). It’s odd though because you can see the Shirley Temple doll with the “Welcome the Rolling Stones” sweater, and also what looks like the Mae West cut-out, but they are on the wrong side or reversed to what is the published and very famous original…. Anyone got any thoughts? And can anyone else identify any other titles on the shelf?

Both John and George were obviously fans of Save as Milk (1967) by Captain Beefheart and his Magic Band. How can we tell? They both had the free bumper sticker that came with the album displayed in their houses. In fact, John had two stickers in his home:

George at Kinfauns (above), John at Weybridge. The original release of Safe As Milk came with a free sticker, as pictured (thanks to Michael Stanowski).

Meanwhile, back in the studio in the studio with B.B.King’s Live at the Regal (1965) on the electric piano:

You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 and 17.

Greta’s Beatle Records

Posted on February 12, 2013 by beatlesblogger

OK. We take a little bit of a sidetrack here. To a website I stumbled across by accident last week. As you do.

It’s still very much about “…adventures in collecting Beatles music…” though.

It’s a site called Greta’s Records, and it’s a fascinating concept realised by an American woman named Allison Anders. As she explains on her site: “Just before Christmas, I treated myself to a new and special experience — I bid in a live celebrity auction. Julien’s Auctions in Beverly Hills, Ca. presented a 2 day live auction of the remaining estate of classic film actress Greta Garbo”.

And there was a mass of possessions on offer in the auction. (Click here to see the full Garbo collection catalogue).

Allison continues: “The question one needs to ask when you bid in an auction like this — what do I truly WANT, just something which belonged to her? Everyone would love a dress she wore — but what would I really DO with it?…..Then I saw it. WOW — Greta Garbo had records! Of course! Why wouldn’t she? Everyone had vinyl records, stacks of them in the 50s, 60s onward. What would possibly be in Greta Garbo’s private record collection? All of it was thrilling and surprising. There were several lots of records up for auction — including one of classical records and opera, one of spoken word, one of jazz, then one of international records, and one of rock and pop records…..[and] I was the winning bidder on the rock/pop records! 50 of them!” (Click here to see the catalogue page featuring Lot 420 – the popular records).

The first Beatles LP of Greta Garbo that she explores is Introducing the Beatles.

As well as some detail about the release and it’s songs, Allison has researched Introducing the Beatles fairly thoroughly – even down to notes and links on this the most counterfeited of all popular LPs. She also includes a backgrounder on the Vee Jay label, the most successful black-owned record label before Motown. And there’s even a video on how to tell whether your copy of this record is legitimate or a phoney (….turns out Greta Garbo’s is a phoney):

Well, there’ll be more Beatle records coming up on Allison’s great blog. There are at lease two others (Sgt Pepper and Magical Mystery Tour which we can see in the photos) and I’m sure she will be worth reading when she gets to these.

For anyone with a collector’s heart this is a fascinating journey and a document of a famous person’s taste in popular music.

Beatles With Records – Part Sixteen

Posted on February 9, 2013 by beatlesblogger

We’ve had some great feedback from the Beatles With Records – Part Fifteen.

Firstly, David wrote to correctly identify the record that you can see Paul holding in these two photographs below when the band arrived back in the UK in 1964, fresh from their first US tour. It’s the Okeh record Um, Um, Um, Um, Um, Um: The Best of Major Lance:

Thanks David!

We’re still looking for someone to identify the record that Ringo has under his arm in the top photo. It’s a lot more generic because it seems to be some sort of “Best Of” LP. You can only just see part of the title (on its side) – the numbers “1963”, followed by what looks like a track listing in the style of juke box listings:

Meanwhile, the photo of Klaus Voormann signing a Revolver CD in Part Fifteen reminded French Beatles collector Claude Defer of a photograph that he has of Klaus signing his very own Revolver LP (a German issue):

You now have a real collectors item there Claude!

Collector Andrey sent in a Beatle-related image. It is of John Lennon’s estranged father Alfred Lennon who tried to cash in on his son’s fame by releasing a record of his own in 1965 called “That’s My Life (My Love and My Home)”:

You can hear some of “That’s My Life (My Love and My Home)” here:

And read an interesting article by the man who penned the words to the song here.

Andrey also sent in this advertising photograph of Paul McCartney holding a CD copy of his ninth solo album Off the Ground, released in 1993:

The same image was used as the cover of a highly collectable extended 2CD version of Off the Ground called Off the Ground – The Complete Works:

The photo was again used (with a different background Photoshopped in) to promote the first round of re-mastered and re-released McCartney back-catalogue back in 1993, called “The Paul McCartney Collection” series:

Don’t forget you can submit photos or further information that you have by posting a comment below or you can email me here.

And you can view the other parts in “The Beatles with Records” series here:

Parts 1, 2, 3, 4, 5 , 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, and 17.

Beatles with Records – Part Fifteen

Posted on January 29, 2013 by beatlesblogger

Masses of photos sent in recently – especially from Andrey in Russia. This series is about finding photographs of the Beatles actually holding the product they sold so prolifically – either their own records or those of other artists. We also accept photographs of those close to the Beatles in the proximity of records or CDs.

Back in Part 8 and in Part 10 we identified a very early photo of the band playing on a stage that had a backdrop consisting of a black curtain with LP covers pinned to it. Turns out these were taken in 1961 at a hall with the very grand title of The Palais Ballroom in place called Aldershot in the south of England. Pete Best is still their drummer and this was the band’s first foray to the south of the country. A mere 18 people turned up for the gig! Despite that, the Beatles look to be giving the performance their all. These were the photos we had so far:

From these we were able to identify the following records:

Well, Andrey has sent a couple more photos from that same 1961 Aldershot show:

(Click on some images to see larger versions)

From these its possible to identify at least three more LPs pinned to the backdrop. From the first photo, just above Paul’s microphone you can see this one:

And in the final photo, hanging upside down at an angle just behind Pete Best and above the guitar amp:

Just below the Bobby Darin, also on an angle, is one called Sing It Again No.2. I can’t find an image of that exact disc, but did find Sing It Again No.4 which has very similar artwork:

Also in Part 8 we had a small photo which was taken in 1963 at EMI headquarters for the launch of the Please Please Me LP. The band is on a stage with lots of album covers behind them:

Here are a couple more from that same day – and much larger, too:

This one below is also a fairly early photograph. Adoring fans seeking autographs on their Beatles singles. Maybe they are copies of “From Me To You”, the first 7″ single released in the plain green Parlophone paper sleeve?

These next two show the Beatles arriving back in the UK in 1964 after their tour to America – with Ringo, George and Paul each having records under their arms. To identify just what they are though will need your help:

If you can help identify Paul and Ringo’s records (its hard with George because his are in a paper bag!) please post a comment below or email me here

Once the band started to sell some records and earn some money they purchased the latest gadgets to play records – including in their cars:

Dick James formed the music publishing company Northern Songs (with Brian Epstein, John Lennon and Paul McCartney) and became the publisher of all the Beatles songs. As the photo caption says – he kept a close eye on the fortunes of his key partners:

(That’s some letter opener he has there!)

Finally, a photo of Klaus Voormann, the man who designed the Beatles Revolver cover art in 1966. Here he is more recently signing a copy of the CD for a fan:

As usual thanks to all those who have sent in content and further information. You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 5 , 6, 7 , 8, 9, 10, 11, 12, 13, 14, 16 and 17.

COMING SOON – The Beatles with Gold Records – and believe me there are LOTS of those.

(Click on many of the images above to see larger versions)

Different Markets, Different Covers

Posted on January 27, 2013 by beatlesblogger

I know Christmas is well and truly over, but one more thing on the Holidays Rule release before we move on.

This CD came out with the title Holidays Rule in the US – but for the European, UK and Australian markets we got a CD called Christmas Rules. This is because we don’t use the term “happy holidays” when talking about the Christmas break.

Here’s what they both look like, beginning with the US version which comes in a sparkly, metallic, dark red and white gatefold cover:

And in the UK/EU/Australia it is called Christmas Rules and comes in a bright red, matt finish gatefold:

The 8-page booklet (above) for both the US and the Australian/European versions appears to be the same. There is an odd website address on the rear of the booklet though. In large type at the bottom of the page of both versions it says: SEARCH PARTY, and then gives this address in smaller type: searchpartymusic.com

This is strange because it’s the website for a Boston-based wedding and functions band. Not sure what’s going on with that….

Both Holidays Rule and Christmas Rules come with the non-strings version of the “The Christmas Song (Chestnuts Roasting on an Open Fire)”. To get the strings version you need to download the iTunes version.

New McCartney Song Features in “Sound City” Documentary

Posted on January 21, 2013 by beatlesblogger

On December 13 the WogBlog site featured a video of a brand new Paul McCartney song performed for the first time at the big fundraiser concert for Hurricane Sandy held at Madison Square Garden. Paul called out former Nirvana members Dave Grohl, Krist Noveselic and Pat Smear to back him on a brand new and rocking song called “Cut Me Some Slack”:

Turns out the song will also feature in a new, feature-length documentary and album directed and coordinated by Dave Grohl called “Sound City”:

It’s about the legendary recording studios called Sound City, in the Los Angeles San Fernando Valley, which was (as the press release says): “….home to countless legends, capturing their magic on two-inch tape, decade after decade. It was witness to history. It was rock and roll hallowed ground. And it was our best-kept secret.”

“Sound City was state-of-the-art when it opened in 1969. It soon became known for churning out one rock and roll classic after another. Featuring a legendary, one-of-a-kind Neve recording console, and arguably the best tracking room in America, many of the seminal albums of the ‘70’s, ‘80’s and ‘90’s were put on tape within these walls: classics by Fleetwood Mac, Neil Young, Tom Petty, Metallica, Nirvana… The list is staggering.”

McCartney’s “Cut Me Some Slack” will feature in the film and on the soundtrack CD release – both out in February:

You can download the Australian press release about “Sound City”. The US dates are here. And there’s a cool poster for the film:

A Minor Wings Find

Posted on January 13, 2013 by beatlesblogger

I have posted very rarely on Wings in this blog, but of course collecting records and CDs by (or related to) the Beatles and Paul McCartney means that the band is well-and-truly included. During a recent visit to Canberra (the capital of Australia) I came across a second-hand shop I’d not visited before in the city’s downtown area. They mostly specialise in CDs, DVDs and games, but on the floor there was a large amount of unsorted vinyl where I found a small but interesting addition to the collection.

I already have a German pressing of the Wings single “Good Night Tonight” (1979). It’s the 12″ full version (7 minutes 15 seconds) of the song, on a green EMI Electrola/Odeon label:

As you can see, the cover is not in great shape but the vinyl is in mint condition. Anyway, in the Canberra store I found the Australian release of this same disc. It came out here with an orange Parlophone label:

The two releases have pretty much identical exterior artwork throughout with the only real difference being the colour of the inner sleeves. The German inner sleeve is made from thin paper and is printed in black and white:

While the Australian inner sleeve is made of thicker cardboard and is more deep blue in colour:

I also have the 7″ 45rpm edited version (4 minutes 18 seconds) of “Good Night Tonight” on an Australian black and silver Parlophone label:

It’s nice to have the orange Parlophone version, and at the cost of just A$3.00, a small but worthwhile addition to the collection.

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Insurance Considerations for Beatles Collectors

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