The Story Behind the Cover Art for McCartney’s “New”

Posted on October 22, 2013 by beatlesblogger

Speaking of inspirations for album cover artwork, the small print in the credits for Paul McCartney’s latest recording turns up some interesting background information on where he looked for the stylised image of the word NEW depicted on the cover.

Here’s the cover for the standard edition CD [and vinyl]:

…and the different coloured “deluxe” CD variation, which contains two bonus tracks:

Inside, along with who played and produced what, there’s this:

Artwork information:
NEW album cover inspired by Dan Flavin with special thanks to Stephen Flavin
Logo and cover concept: Rebecca and Mike
Consultancy and design: YES
Cover Image: Ben Ib

Dan Flavin was an American minimalist sculptor who specialised in using coloured neon and fluorescent tubes. As an example, here’s Flavin’s 1987 work Untitled (to Don Judd, colorist) at the Tate Liverpool gallery in 2009 (photograph: Colin McPherson):

Or this (Site specific installation 1996 – Menil Collection, Houston Texas):

You can easily see where the New cover is coming from. The reference to Stephen Flavin is to Dan Flavin’s son, who has overseen the activities of his father’s estate since 1997. (For an in-depth and scholarly review of a retrospective exhibition of Dan Flavin works held in London in 2006 try this). The website Artsy.net has also created a page which really captures well what Flavin’s art is all about – and it has some great images too.

So much for the inspiration for the New cover.

Turns out though that the image used wasn’t actually made of fluorescent lights. See that reference to Ben Ib? Well, he’s a music video director who has worked extensively with Paul McCartney in the past. On his website Ib says he made the piece using a computer rendering program (with a logo and concept by Rebecca and Mike, and consultancy and design by YES). He also says the cover is “…my first foray into print work…It was a great team to work with under Paul’s guidance. I’ve also created the deluxe edition (gatefold) image.”

Ben Ib has done heaps of video work for McCartney. He created visual content for the “On the Run” and “Out There” tours, and the visuals for the song “Sing the Changes” which featured Barack Obama and which Sir Paul used for his headlining set at the Coachella festival. You can see a short extract of that here.

Ib’s talents were also utilised in June 2008 when Paul McCartney came home to Liverpool to give a performance (the first in his home town in five years) for the Liverpool Sound 2008 event. Ib built a huge, beautiful 20-minute long visual collage to serve as a backdrop to the show. It charts Paul’s story – from the early Cavern club days to the present, with footage and memorabilia from Paul and Linda’s personal archives.

And Ben Ib did this short biographical documentary film featured on the deluxe CD re-issue edition of Ram. If you haven’t seen it here’s an extract:

Meanwhile….back to the cover of New and Paul McCartney has provided the following piece of advice:

“If you buy ‘NEW’ on CD, please be careful when removing the booklet and take it out through the front cover gap, rather than the inside gap; If you do it could rip the cover. I only know this because I did it three times before I realised the booklet had to come out of the front gap! I hope you enjoy the music!! And please pass this message on.”

To help illustrate his point the news page on his official site shows these two photographs. First the correct way to remove the booklet:

…and this is the incorrect way:

Imitation is the Sincerest Form of Flattery – Part 3

Posted on October 20, 2013 by beatlesblogger

A couple of posts ago we featured some of the album covers which blatantly copied or where perhaps inspired by the Beatles Let It Be. That followed this fairly similar copy from back in 2010 of the cover for their compilation The Beatles Number 1.

Now it’s time for the White Album.

Released in 1968, its cover was a simple and stark contrast to the visual complexity of the Sgt Pepper LP which (at least in Britain) immediately preceded it:

Since that austere, one-colour look with absolutely minimal text there has been more than a few followers to have worked the same theme. Here, in no particular order, are just some of the many:

Of course, good old plain black has been very popular over the years:Of course, John Lennon’s own Live Peace in Toronto probably qualifies too:

So too does McCartney’s side project The Fireman with his 1993 release Strawberries Oceans Ships Forest:Know of any more? Let us know.

At Last – A Genuine US “Let It Be” LP

Posted on October 13, 2013 by beatlesblogger

I have had in the collection for some time now a record that I thought was an original US pressing of the Beatles Let It Be.

You know the one. It comes in a gatefold cover, red Apple label on the vinyl, catalogue number AR 34001, red Apple on the rear cover:

The copy I have had for oh, maybe 30 years, looked genuine enough. That is until I read that this is one of the most counterfeited vinyl records of all time…..

When I started to look into it some more I discovered that what I had in my collection was actually a fake.

And it was only two weeks ago, after finally picking up a genuine copy at a record fair, that I could conduct a side-by-side analysis to spot the differences. Here are the tell-tale signs.

Firstly a close-up of the real cover:

And here is the illegal copy:

As you can see the skin tones on the photo of George Harrison are much more grainy on the fake. Also notice the white borders around each photo. They are much thicker on the counterfeit.

Next, a close-up of the red Apple label. The genuine copy is first, the fake is second:

Though this is not a definitive decider, the counterfeit label I have lacks vibrancy. It is washed out and dull. Some stock of legitimate pressings may also have a duller appearance – depending on which Capitol plant they were pressed.

The best proof that you have a legitimate copy is in the run-out area of the vinyl itself. There should be the words “Bell Sound” stamped there on both sides (the fake will not have this). It’s difficult to photograph but here goes. First, Side 1:

And Side 2:

Genuine Let It Be pressings with the red Apple were mastered at Bell Sound by a guy named Sam Feldman and that’s why you can see his initials “sf” scratched into the vinyl above. Fakes don’t have that Bell Sound stamp, but the people who made the illegal copies did try to imitate the originals by including the “sf” initials too.

Furthermore, depending on the Capitol pressing plant they originate from, legitimate pressings will have either the letters “IAM” in a triangle (Scranton PA), an asterisk (Los Angeles CA), or a mark that is supposed to resemble a rifle (Winchester VA). One of these will be stamped somewhere in the run-out area of the vinyl. It should be properly machine stamped on both sides.

As you can see, mine is from the Scranton plant so it looks like this:The fakers tried to imitate this too – but it they did just a crude drawing which you can see here:

(By the way, the “IAM” in the triangle stands for the International Association of Machinists Union whose workers ran the pressing plant).

FYI, here is a handy list of the markings from each of the Capitol pressing plants: screen-shot-2022-04-18-at-5.27.19-pm It was Sam Feldman who also scribbled the words “Phil + Ronnie” on the dead wax. This was for Phil Spector (who produced Let It Be) and his wife, singer Ronnie Spector:

Non-legitimate copies also have “Phil + Ronnie” scratched in the play-out area of the disc but the writing is much smaller.

So that’s it. Your guide to real and fake copies of Let It Be.

The Beatles Tune In – Lewisohn’s New Book Out Today

Posted on October 9, 2013 by beatlesblogger

Volume One of Mark Lewisohn’s new biography of the Beatles is out in the UK today.

The book is called The Beatles: All These Years – Volume One: Tune In. The marketing people have come up with a catch-phrase: Throw away what you think you know and start afresh.

It may well be true.

We’ll know more when we see the book for ourselves – but early reports and reviews are good. They’re saying that there is “….a surprise on every page, a revelation in every second chapter.”

At the moment on the book’s official homepage they are running seven read extracts from the audio edition. Here they are collected on SoundCloud for you:

All These Years – Introduction (Read by Mark Lewisohn)
All These Years – Extract Two (Jim McCartney warns his son Paul that John Lennon will get him into trouble. Read by Mark Lewisohn)
All These Years – Extract Three (The decisive moment in John’s separation from both his father and mother. Read by Clive Mantle)
All These Years – Extract Four (John and Paul meet for the first time. Read by Clive Mantle)
All These Years – Extract Five (John and Paul welcome young George Harrison’s talents into the mix. Read by Clive Mantle)
All These Years – Extract Six (Paul is growing up fast, and 1958 draws to a colourful close. Read by Clive Mantle)
All These Years – Extract Seven (Pete Best is unwell so the Beatles grab Ringo Starr as temporary deputy – and enjoy the difference. Read by Clive Mantle)

See also Mark Lewisohn on YouTube (three short videos) talking about the background to the book, and the different versions which will be available.

The Beatles With Records – Part Twenty

Posted on October 7, 2013 by beatlesblogger

OK, to kick off Part 20 in our series a couple of photographs of the Beatles with records which are going to be tough to solve.

Here Paul is standing in front of a display. The thing is these record covers are all not immediately recognisable as they seem to be from other countries. They would all be from the 1960s. Does anyone have any idea what these discs might be?

And this one below of John – is that an LP to his left (our right)? This appears to be a photograph taken while the artists known as The Fool give one of John’s pianos a very special paint job. Amongst other things The Fool designed the original inner sleeve for Sgt Pepper, and they did the huge mural which adorned the outside of the Apple Boutique clothing shop in London.

Back to the photo. Is this an LP record cover? You can clearly make out what looks to be the word “Velvet…..”. Or could it be a poster?

Let us know if you have any further info on this one.

Now onto some easier-to-solve Beatles With Records photos. Firstly to Paul and Linda with a copy of Press to Play, his sixth solo studio album, released August 1986.

I really don’t know what the occasion is below – Yoko is photographed with a group of young men, one of whom is in a Beatle jacket, and another who is holding up a copy of John’s “legal obligation” disc called John Lennon Sings the Great Rock & Roll Hits (which later, and with much better sound, appeared on Apple Records as Rock ‘n’ Roll):You can read the full story about how this album came into being here. It’s a long and complicated tale….

These next photographs are very similar (but taken at a different event) to those photos you may have seen in Part 14 where Paul McCartney is swamped by waiting fans eager for him to sign LP covers.

In the two photos above I can make out at least ten albums, beginning at the top:

If you can see any others let us know.

And yet again, another flock of fans hoping for a signature but this time at a different location:

I can make out these titles:

Signings for their fans have always been something the Beatles as a band (and as solo artists) have always embraced. Here’s another of Paul – this time autographing a copy of Wings at the Speed of Sound from 1976:This one of George Harrison doesn’t have any records in view (except for the indistinguishable 45 actually on the turntable) – but it has a cool little record player though….and it’s a great shot of George: One final photo to finish off this installment….obviously taken at the quality control room at the EMI plant in 1965:

A big thank you to Andrey in Russia for most of these images. You can see the other parts in The Beatles with Records series here: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16,17,18 and 19.

Tripping the Live Fantastic – Triple LP Vinyl

Posted on October 1, 2013 by beatlesblogger

Wings Over America (originally from 1976, and released again this year as part of the Archive Series) isn’t the only triple live LP set Paul McCartney has released. He also did it in 1990 with Tripping the Live Fantasic.

I’ve just picked up a nice Spanish pressing of this for the collection.

The stripped-down, single disc Tripping the Live Fantastic – Highlights vinyl has been in the collection since it was first released, but never the full triple vinyl deluxe package, complete with its 26 page full-colour booklet, three individual coloured inner-sleeves and custom labels:

Here’s the front cover of the glossy booklet with some great live photography inside:This is the cover of the trimmed-down single LP Tripping the Live Fantastic – Highlights:

The giveaway of the single vinyl version is the addition of the word “Highlights!” on the front cover:This is the Australian vinyl pressing so no custom labels, just the standard black and silver Parlophone issue:

And the Highlights! inner sleeve:

Highlights! was also released as a single CD – but with quite a different track listing having 17 songs instead of just 12 for the vinyl version. The CD adds “Got To Get You Into My Life”, “We Got Married”, “All My Trials” [which is unique to this CD – it doesn’t appear on the vinyl Highlights! LP, or the more complete triple LP/CD versions], “Things We Said Today”, “Back in the U.S.S.R.”, and “Golden Slumbers/Carry That Weight/The End”. However, the LP version has the song “Put It There” included. That makes both interesting, and also a little bit collectable for the completists among us.

The full Tripping the Live Fantastic set was also released as a double CD in a jumbo sized jewel case in most markets (though in the US it was also available in two separate jewel cases). It has the exact same track listing and running order as the vinyl LP.

The Beatles: The BBC Archives: 1962-1970 – Coming Soon

Posted on September 26, 2013 by beatlesblogger

October is shaping up to be an important month for Beatle book releases.

Two of the most respected and well-connected Beatle authors both have books due. We’ve already mentioned Mark Lewisohn’s first instalment of his Beatle history The Beatles All These Years: Tune In (UK – October 10, USA – October 29), but another Beatle insider also has an impressive book ready for release next month.

Kevin Howlett (you might remember his name as the co-author of all the new booklets in the re-issued and remastered Beatle CDs from 2009, and the glossy 252 page book included with the vinyl box set of remasters in 2012) has now compiled the definitive book about the Beatles interviews and performances at the BBC called The Beatles: The BBC Archives 1962-1970:

This stylishly produced hardcover book collects the surviving transcripts of the Beatles appearances on BBC Radio and Television from 1962 to 1970. It features commentary from Howlett, alongside some fantastic photographs and memorabilia from the BBC.

We’ve been given a sneak look at the book and will provide a full review soon.

Having had the opportunity to look through it we can confirm it is beautifully packaged and extensively researched. The Beatles: The BBC Archives 1962-1970 will become the definitive guide to a unique relationship between two cultural icons. It’s published next month by BBC Books in the UK, and by Harper Design in the US.

Beatles In Australia Exhibition

Posted on September 25, 2013 by beatlesblogger

Back in January we posted on a big new Beatles In Australia exhibition that was destined for Sydney and Melbourne. Well, now it has officially opened in Sydney (at the Powerhouse Museum) and there’s a fair bit of excitement around celebrating 50 years since the Beatles first touched down in this country. Here’s the cover of the free Powerhouse Museum guide brochure:

1964 was the band’s first world tour. They were in Australia for just 13 days but in that time played 20 concerts – to a nation which had taken them to into its heart.

The Powerhouse has produced a comprehensive website in support of the exhibition and for any Beatles fan it is well worth a look.

Garage Sale Beatles 45’s

Posted on September 19, 2013 by beatlesblogger

It’s not often you see 7-inch, 45rpm Beatles vinyl for sale at garage sales anymore. There are occasionally one or two, but they are now getting few and far between.

That’s why I was surprised this week when I asked after records at a local garage sale and the guy went into his house and brought out crate after crate of the small, vinyl gems. He had literally hundreds of 45’s – all pop and rock artists ranging from the 60s, 70’s and 80’s.
It took me quite a while to look through them all but the task produced a couple of nice items. Some I already owned, but others I didn’t have in my collection – so it was very worthwhile.

Here’s what came out of crates (in release date chronological order). First up, an Extended Play – four songs – from A Hard Day’s Night (1964):

Then came a copy of the Beatles Rock and Roll Music single (1965):

These next few have the release date displayed on the label:

This next one, Yoko Ono’s Walking on Thin Ice (1981) comes in a picture cover:

All the above are Australian pressings (except the John and Yoko Happy Xmas which is British). There was though one odd item in the crates. It was just the sleeve (no record inside unfortunately) of a French EP from 1964 with four songs:

I’ll keep it – in the hope of finding the correct record to go inside it one day….

Beatles Blog

Adventures in collecting Beatles music

Yearly Archives: 2013

The Story Behind the Cover Art for McCartney’s “New”

At Last – A Genuine US “Let It Be” LP

The Beatles Tune In – Lewisohn’s New Book Out Today

The Beatles With Records – Part Twenty

The Beatles: The BBC Archives: 1962-1970 – Coming Soon

Beatles In Australia Exhibition

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