Beatles with Records – Part Fifteen

Posted on January 29, 2013 by beatlesblogger

Masses of photos sent in recently – especially from Andrey in Russia. This series is about finding photographs of the Beatles actually holding the product they sold so prolifically – either their own records or those of other artists. We also accept photographs of those close to the Beatles in the proximity of records or CDs.

Back in Part 8 and in Part 10 we identified a very early photo of the band playing on a stage that had a backdrop consisting of a black curtain with LP covers pinned to it. Turns out these were taken in 1961 at a hall with the very grand title of The Palais Ballroom in place called Aldershot in the south of England. Pete Best is still their drummer and this was the band’s first foray to the south of the country. A mere 18 people turned up for the gig! Despite that, the Beatles look to be giving the performance their all. These were the photos we had so far:

From these we were able to identify the following records:

Well, Andrey has sent a couple more photos from that same 1961 Aldershot show:

(Click on some images to see larger versions)

From these its possible to identify at least three more LPs pinned to the backdrop. From the first photo, just above Paul’s microphone you can see this one:

And in the final photo, hanging upside down at an angle just behind Pete Best and above the guitar amp:

Just below the Bobby Darin, also on an angle, is one called Sing It Again No.2. I can’t find an image of that exact disc, but did find Sing It Again No.4 which has very similar artwork:

Also in Part 8 we had a small photo which was taken in 1963 at EMI headquarters for the launch of the Please Please Me LP. The band is on a stage with lots of album covers behind them:

Here are a couple more from that same day – and much larger, too:

This one below is also a fairly early photograph. Adoring fans seeking autographs on their Beatles singles. Maybe they are copies of “From Me To You”, the first 7″ single released in the plain green Parlophone paper sleeve?

These next two show the Beatles arriving back in the UK in 1964 after their tour to America – with Ringo, George and Paul each having records under their arms. To identify just what they are though will need your help:

If you can help identify Paul and Ringo’s records (its hard with George because his are in a paper bag!) please post a comment below or email me here

Once the band started to sell some records and earn some money they purchased the latest gadgets to play records – including in their cars:

Dick James formed the music publishing company Northern Songs (with Brian Epstein, John Lennon and Paul McCartney) and became the publisher of all the Beatles songs. As the photo caption says – he kept a close eye on the fortunes of his key partners:

(That’s some letter opener he has there!)

Finally, a photo of Klaus Voormann, the man who designed the Beatles Revolver cover art in 1966. Here he is more recently signing a copy of the CD for a fan:

As usual thanks to all those who have sent in content and further information. You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 5 , 6, 7 , 8, 9, 10, 11, 12, 13, 14, 16 and 17.

COMING SOON – The Beatles with Gold Records – and believe me there are LOTS of those.

(Click on many of the images above to see larger versions)

Beatles with Records – Part Fourteen

Posted on January 10, 2013 by beatlesblogger

Since the last instalment we’ve been swamped with some great content – enough for at least two or three more posts featuring the Beatles (or people close to them) photographed or filmed with records or CDs – either their own or those of other artists.

This first one comes from beatlesblogger.com reader Ariel, who sent in this great YouTube clip of John Lennon and Yoko Ono strolling past a crowd of reporters and photographers:

The footage was clearly taken in 1970 when John and Yoko were publicising this Plastic Ono Band album:

The footage comes from a 1977 film by French film-maker Gérard Courant, whose website says of the film: “The year punk music exploded, Courant gave his most avant-garde outburst by relating for the first time the shattering experiences that took place in the second half of the 20th century…with the rock culture that clamored that same idea of rupture…”. Lennon and Ono can also be seen publicising the same LP in Part Five and also in Part Two.

Staying with John Lennon for a moment here’s an image sent in by Andrey in Russia of the Lennon’s in New York – holding court with assembled media and hangers-on in their apartment in February, 1972 in Greenwich Village:

There’s obviously a record you can see sitting there at the foot of the bed:

But what and who is it? I was having real trouble identifying this one. Well, thanks to Andrey’s Russian-speaking friends we’ve been able to find that LP. He asked one of the Beatles.ru forums for some help. Which artist could it be? Andrey says he got the answer in about ten minutes:

The Power Pop website says that the group Soup was from Wisconsin in the USA and the members were Doug Yankus, Rob Griffith and David Faas . The band released a self-titled album in 1970, however what we can see here is the bands second LP, The Album Soup, from 1971. How it came to the attention of John Lennon, and what he thought of it we’ll probably never know.

Continuing on the Lennon theme – this time with Yoko and a gentleman named Kristofer Englehardt, author of the book “The Beatles Undercover“, holding a copy of her solo LP from 1971 called Fly:

In Part Six there’s a terrific photo of George Harrison in the back of a limo holding up a copy of his All Things Must Pass LP. Here’s another good one from around the same time:

Could it be that this photo below was taken on the same day and location? It looks very much like the same shirt George is wearing above. Perhaps he’s playing one of the sides from All Things Must Pass on his record player at home?

One final shot of George taken in 1972 according to the caption, this time with his triple LP from 1971 The Concert for Bangladesh:

When you are Paul McCartney, just getting into a building you are visiting can have it’s challenges. The photo below shows the type of crush which can eventuate when everyone wants a photograph or an album signed – including one fan bravely holding up a copy of the 1988 Russian release Снова в СССР:

Here he is again – this time with fans thrusting forward copies of (amongst other things) Help! and Tug of War (you can see the cover of Tug of War at the very bottom right-hand side of the photo):

One other final shot of Paul holding a 45 single, this time with Ringo and John. It is what is reported as a test acetate recording (printed in limited quantities and used by the band and engineers for checking the quality and the mix) – it is supposedly of a song from Sgt Pepper:

There’s another photo from the studio on the same day below – from a different angle with George also in attendance and more acetates lined up on the piano:

One final photo for this instalment – again of the Beatles as a group and possibly arriving in Rome. I say that because the gentleman in the light coloured jacket, moustache and glasses (who is a fellow named Alf Bicknell – the Beatles chauffeur between 1964-1966) is holding a copy of the Italian version of A Hard Day’s Night. You can tell it’s the Italian cover of the LP because the large type across the top saying “The BEATLES” is distinctively different to the standard UK release:

Thanks to all those who have sent in content and further information. You can see the other parts in “The Beatles with Records” series here: Parts 1, 2, 3, 4, 5 , 6, 7 , 8, 9, 10, 11, 12, 13, 15, 16 and 17.

There will be more “Beatles with Records” soon….

Ravi Shankar – Beatles Friend – Died Today Aged 92

Posted on December 12, 2012 by beatlesblogger

The opening lines of George Harrison’s “Bangladesh” song from 1971 are: “My friend came to me with sadness in his eyes, he told me that he wanted help, before his country dies…..”.

That friend was Ravi Shankar – Indian sitar virtuoso and legendary musician who has died today – aged 92.

A statement on the musician’s website says he passed away in San Diego, near his Southern California home. His foundation issued a statement saying that he suffered upper respiratory and heart problems and had undergone heart-valve replacement surgery last week.

Indian Prime Minister Manmohan Singh also confirmed his death and called Shankar a “national treasure”.

Labelled “the godfather of world music” by George Harrison, Shankar helped millions of classical, jazz and rock lovers (including me) discover the centuries-old traditions of Indian music. He became a teacher, mentor and father figure to Harrison and greatly influenced the Beatles music, from composition through to their fascination with India and it’s culture.

His discography is understandably extensive, spanning a recording career of well over 55 years. Ravi Shankar was briefly signed to the Beatles Apple Records label and released two albums. The first was a soundtrack album to a film about his music and life called Raga (1971), with the album of music from the film produced by George Harrison:

And then in 1973 came a double LP called In Concert 1972, with sarod player extraordinaire Ali Akbar Khan:

George Harrison of course famously called upon his friend Shankar in 1971 to open the fundraising Concert for Bangladesh in 1971, and then released a live film and a triple LP called The Concert for Bangladesh with the whole of the first side of Disc One dedicated to a performance by Ravi Shankar. This was also released on Apple Records:

Following the demise of Apple in the seventies, George Harrison continued his association with Shankar, releasing two LP’s on his Dark Horse label. The first was Shankar Family and Friends (1974):

Shankar Family and Friends was followed on Dark Horse Records in 1976 by Ravi Shankar’s Music Festival From India:

George Harrison also compiled and produced a 1996 box set called Ravi – In Celebration (for the EMI subsidiary label, Angel Records). A single CD of highlights was also released:

And in 1997 (also on the Angle label) came Chants of India, which was again produced by George Harrison:

It was no surprise then, when in 2002 a tribute concert was held in honour of the late Beatle, that the music of Ravi Shankar would feature prominently. He was present for the show and a Shankar composition “Arpan” (Sanskrit for ‘to give’), was specially written for the occasion:

All the Dark Horse Harrison/Shankar collaborations, plus Chants of India, came out in a lavish box set simply called Collaborations in November 2010:

In recent years Ravi Shankar’s own record label EastMeetsWest Music has been steadily working through his back-catalogue and re-releasing his life’s work on CD, DVD, and digitally.

Label Variations Part Ten – Abbey Road (More….)

Posted on October 26, 2012 by beatlesblogger

Since I posted Label Variations Part Six – Abbey Road I’ve had a few people sending in some further great examples from their own collections.

So, its time to share these now.

First comes from Jerry Woods who wrote: “Saw your blog featuring various record labels (I LOVE this stuff!!) and noticed that you didn’t have a MONO version of Abbey Road on display, so I thought I would share. Although, not a true mono mix (they never “officially” did one – and this LP sounds identical from start to finish to the Stereo version when the Stereo version is folded down to Mono) this is kind of an interesting oddity – but only a fold down to Mono from Stereo.”

Here are the labels – the record comes from Brazil:

Another nice one sent in was from a reader in New Zealand and it’s really quite unusual. It is Abbey Road on an orange Apple label – very similar (but not quite) to the orange labels used for George Harrison’s All Things Must Pass. VERY collectable:

Of course there were lots of green Apples from other countries. Nice examples here from France, Italy and a green vinyl pressing of the album from the UK:

There were these two from Canada that were missed first time around. They include a couple of purple Capitol labels with two variations (one with a fairly obvious spelling mistake):

There were also a couple of other US pressings. The orange Capitol, and also the collectable Mobile Fidelity Audiophile pressing:

Finally, a couple of pressings of Abbey Road on a black and silver Parlophone label. This first one is from the UK:

While this other one, sent in by Andrey in Russia, is much more unusual. It is a rare UAR (Egypt?) label for Abbey Road:

(except for a couple, click on labels to see larger versions)

Ah, collecting….the variations sometimes seem endless. Thanks to everyone who emailed more labels.

You can see Label Variations Parts One, Two, Three, Four, and Five and Six, plus the Beatles Love LP variations here and here.

There’s a post on the variations of the McCartney/Fireman Electric Arguments release; McCartney’s Twin Freaks LP and singles; as well as his recent Kisses On The Bottom CD’s and LP. There is also a post on some George Harrison All Things Must Pass label variations.

“A Hard Day’s Night” Chord Cracked – Maybe…

Posted on September 10, 2012 by beatlesblogger

The Sydney Morning Herald and other Australian news providers are today (via the Press Association) reporting on one of the often-mentioned Beatle mysteries – the opening chord of the song “A Hard Day’s Night”:

The SMH says: “It is one of the most famous sounds in the history of rock and roll. The clanging, opening chord at the start of the 1964 Beatles hit A Hard Day’s Night is instantly recognisable. Yet, as many musicians have discovered, every attempt to reproduce it seems to sound wrong.

A British mathematician now claims to have got closer than anyone else to solving the decades old musical mystery. Dr Kevin Houston, from the University of Leeds, used sophisticated software to split up the sound on the record into its component frequencies.

Presented on a computer screen, a pattern was revealed showing which notes were most prominent. The results suggest a much simpler solution than one proposed four years ago by another scientist from Canada.

Professor Jason Brown, from Dalhousie University, maintained that missing guitar notes were replaced by Beatles producer George Martin playing a piano. Buried in the background behind the guitars, the piano is hard to hear. Yet according to Prof Brown it provides the vital musical spark that makes the chord so distinctive. Dr Houston does not dispute that the piano is there, but challenges its importance.

His believes George Harrison was playing a straightforward F add9 on his 12-string electric Rickenbacker guitar, rather than the unusual fingering indicated by Prof Brown. At the same time, Harrison appears to have had his thumb curled round the neck of the guitar, pressing down the bottom E string at the first fret. This is a common technique among self-taught pop and rock guitarists.

Dr Houston also established that John Lennon was playing the same chord on an acoustic guitar. On the stereo track, Harrison and Lennon are heard on different speakers.

The wonders of music and mathematics! Dr Houston takes us through it all in detail here:

The SMH continues: “The opening chord to A Hard Day’s Night is a mystery,” said Dr Houston, who was speaking at the British Science Festival. “It turns out that nobody really knows what it is. People who do know are a bit cagey about it. George Martin probably knows quite well but I think he’s quite happy not to tell people. “I wouldn’t like to say that we’ve definitely got it right, but I think we’ve put the record straighter. It makes mathematical and musical sense.”

Both are implausible, according to fellow mathematician, teacher and guitarist Ben Sparks who was taking part in Saturday’s presentation. “It beggars belief to say George Harrison was dodging the first string; its laughable,” he said. “Trying to play four strings in the middle of a 12 string is bloody hard, and most musicians would think it’s ludicrous to have John Lennon play just a high C.”

A question mark still hung over the role of Paul McCartney’s bass guitar, said the mathematicians. Whether he was playing a full note, or a harmonic, or both, remains a puzzle.” (ends)

Meanwhile….Paul McCartney has been in France being presented with France’s highest cultural award, the Legion of Honor, by French President Francois Hollande:

Paul looked pleased. Nice tapestry in that room, too!

The Beatles Discomania – A Great Book

Posted on August 18, 2012 by beatlesblogger

Time for another gem found during my recent brief visit to Paris (see the previous France visit posts here, and here).

At the Gilbert Jeune bookstore I found this wonderful book by French writer and Beatles fanatic Francois Plassat:

“The Beatles Discomania” is a fantastic career-spanning summary of the Beatles output as a band and also as solo artists. It brings the story right up to the end of 2011 with details of the John Lennon Signature box set and his other re-issues, the Paul McCartney “Archive” series gets a mention, Ringo’s “Y Not”, and the George Harrison documentary “Living in the Material World“. As you can see in the images below this is a lavishly illustrated with extensive album cover images and memorabilia spanning a wide range of releases. It is a very attractive book to own – even though I don’t speak French!

It turns that François Plassat works in graphic design and it shows as the text and image layout throughout this book is excellent. He created an agency called China Night which he led for more than twenty years . After writing a book about Paul McCartney (released in October 2010 – see below), Plassat’s most recent work “The Beatles Discomania” is about fifty years of the Beatles releases.

The book is a large format, soft-back which has been stylishly and sensibly laid out. It was published by JBz & Co in France in 2011. The book is full of information on all the recordings released by the group as well as the solo releases of each band member. There are sections on Apple Records, George Martin, etc. This is a true guide to the complete musical output of the Beatles, a carefully laid out goldmine of information. Bring on the English translation!

Here are some images giving just a taste of what’s inside and the attention to detail in the illustrations and photographs:

Author Francois Plassat has also written another book “Paul McCartney: L’empreinte d’un Géant”, which translates as “Paul McCartney: The Footprint of a Giant”:

If you speak French (and we have some followers of the Beatles Blog in France) then you might be interested in these two interviews with author Francois Plassat about his amazing book “The Beatles Discomania”.

Here’s the rear cover:

All Things Must Pass – Label Variations Update

Posted on July 6, 2012 by beatlesblogger

At the “All Things Must Pass” Label Variations post, and the “All Things Must Pass” Record Store Day edition page there’s been a bit of conversation about a strange example of this now classic George Harrison release. Reader Paul writes:

“The box set pressing I have with….labels that say ‘mfd in the UK 1970′ comes in a USA box with orange inner, with a USA poster and USA inner sleeves. The strange thing is that sides 1,2,3 & 4 have the uncut, full Apple label like the Australian release instead of the cut Apple on sides 2 & 4. My guess is that the UK LPs were shipped over to America and packaged there using the USA box and inners? I can’t come up with an answer as to why the 4 orange Apple labels show the uncut Apple on all sides? Any ideas?”

Anyone with any more information on this one is welcome to contribute to the discussion.

This reminded me of a further variation that came into my collection that’s not detailed in either of the posts above. It is a rare Capitol Records label re-issue of “All Things Must Pass”, with records One and Two on the purple Capitol label:

And record Three – the “Apple Jam” disc – on the Orange Capitol label:

This set comes in the usual box with the hinged lid, lined in orange on the inside, the three different coloured inner-bags (which are light paper), and it has the the big George Harrison poster. All printed in the USA.

George Harrison “Living in the Material World” – Winners Announced

Posted on May 18, 2012 by beatlesblogger

We have two winners for the recent “Living in the Material World” competition.

The question was: “Olivia Harrison gave Martin Scorsese complete access to the Harrison family archives, including pictures, home videos, etc. Martin Scorsese was on location filming another project when a security guard flew in from London with George Harrison’s diaries for him to view. In which city was he in, and which film was Scorsese making at the time?”

The correct answer: He was in Boston, Massachusetts directing his 2010 film “Shutter Island“.

And our winners are Zachary Whitbeck from San Antonio, Texas (who will receive a copy of the “Living in the Material World” 2-disc DVD, and Ian Gray from Durham City, England (who gets a copy of the CD “Early Takes – Volume 1). Congratulations!

Here’s what Zach and Ian will soon be opening in the post:

Thank you to everyone who entered. And thanks again to Universal Music Enterprises and Sneak Attack Media for providing the prizes.

“Living in the Material World” – Win a DVD or CD

Posted on May 6, 2012 by beatlesblogger

The DVD, BluRay and a Deluxe box set edition of Martin Scorsese’s “Living in the Material World”, which have been previously released in the UK and other parts of the world, have only just come onto the market in the United States. Here’s Martin Scorsese talking about his film:

Also out on May 1st was a new CD, Vinyl (and Digital download) of previously unreleased George Harrison out-takes and studio demos featured in “Living In The Material World”. It’s called “Early Takes – Volume 1“:

Now – here’s your chance to win either a DVD of “Living in the Material World” or the new CD “Early Takes – Volume 1”. To be in the running to win all you have to do is be the first person to email me at beatlesblogger.gmail.com with the correct answer to this question:

Olivia Harrison gave Martin Scorsese complete access to the Harrison family archives, including pictures (like the ones above and below), home videos, etc. Scorsese was on location filming another project when a security guard flew in from London with George Harrison’s diaries for him to view. In which city was he in, and which film was Scorsese making at the time?

Its a little bit tricky – but the answer is not far away.

The first two correct entries sent to my email address above will win. One person will get the new DVD, the next correct answer will win the new CD.

Thank you to Universal Music Enterprises and Sneak Attack Media for providing the prizes.

George Harrison “Living in the Material World” Multi-Touch book

Posted on May 3, 2012 by beatlesblogger

Not one but two press releases out today (one from The Beatles official site, the other from the George Harrison official site) about a new “multi-touch” e-book edition of “Living in the Material World”.

There’s even a fancy trailer to look at:

This all comes hot on the heals of the release in the United States on DVD, BluRay and a Deluxe box set edition (which have all been out in the UK and other parts of the world since October last year) of the Martin Scorsese documentary film of the same name, plus a CD, Vinyl and Digital release of George Harrison previously un-released out-takes called “Early Takes – Volume 1“.

Another screenshot from the “multi-touch” edition.

Very soon I’ll have a copy of the DVD and a copy of the CD to give away to two lucky readers.

Beatles Blog

Adventures in collecting Beatles music

Category Archives: George Harrison

Label Variations Part Ten – Abbey Road (More….)

“A Hard Day’s Night” Chord Cracked – Maybe…

The Beatles Discomania – A Great Book

George Harrison “Living in the Material World” – Winners Announced

“Living in the Material World” – Win a DVD or CD

George Harrison “Living in the Material World” Multi-Touch book

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